Analysis of the poem "She was sitting on the underside" by F. Tyutchev. “She was sitting on the underside...”, analysis by Versha Tyutchev And you were sitting on the underside

Vona was sitting on the underside

I sorted through a bunch of leaves,

I, as the ash cooled down,

She took them from her hand and threw them away.

I took familiar leaves

And I marveled at them so wonderfully,

How the soul marvels at heights

Throw a body on them...

Oh, how much life has happened here,

Irrevocably experienced!

Oh, how many crazy things,

Kohanna and joy driven!..

Standing, I keep my fingers aside

And the pasta is ready for the meat, -

And I became terribly confused,

Like the tamed sweet shadow.

Updated: 2011-05-09

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Historical and biographical material

History of creation and date of writing

The verse of dedication to another squad is sung by Ernesta Fedorivna. The 1850s are an hour of dramatic experiences connected with love before E. A. Denisyeva, a young student of the Smolny Institute, where at this hour the two daughters of the singer began. “An illicit romance” that lasted 14 years, ending with the death of Deniseva.

The place of excellence in the creativity of a poet

Versh was written in 1858. At that hour before Tyutchev, poetic glory will come. ON THE. Nekrasov described his creativity as “brilliant phenomena of Russian poetry.”

The main topic is Versha

Kohannya theme

Lyrical plot

The woman burns her leafing. The lyrical hero is on guard.

Versh problem

Awareness of the irrevocable glance if there are strong feelings.

Composition of the top

The first two stanzas are a description of visible actions. Two remains - a description of the inner state of the heroes.

Lyrical hero

The lyrical hero wants to be completely present in the described situation, rather than not being included in the action, we only know about his internal experiences.

Great mood, great change

The mountain of turmoil is growing out of the witches. Given the powerlessness and inability to go through the motions of speeches, correct your apologies.

Love lyrics

4 stanzas, chotirivirshi

Basic images

At the center there are not heroes, but a whole bunch of leaves. “The gold that was lost” - everything that was lost as the fire of addiction raged fiercely. The heroine marvels at them as if they had long been forgotten and are completely alien to her. These leaves are the only memory of great love.

Vocabulary versha

Books of “savory”, “tamanny”

Poetic syntax

At the top there are: hymns: known, sums, miles, etc.; aliteration, which gives expressiveness to the work: h, r, b, g, c; isolation: known world, food and joy beaten; Inversion: I stand on the side and put the prepared beads on the side. Cleaning: I sorted out a bunch of leaves, and, as the ashes cooled, I took them to my hands and threw them; how the soul marvels at heights; as if from the powerful, sweet shadow. The antithesis is grief and grief. At the end of the rows there is a rich speck - dissatisfaction.

Vikoristannya inversions: “standing, I keep my hands to the side”, “graze the ready-made bees on the side”. For example, at the end of the third stanza, the text expresses dissatisfaction.

Creative ways of allegory

Epithet: “dark spirits”, “sweet shadow”

Separate: “khanna and joy driven in”

Porivnyannya: “like the ash that has fallen”, “like the soul marvels at the heights”, “like the powerful sweet shadow”

Sound recorder

The sound is expressed by vicoristic aliteration with “z”, “r”, “b”, “v”, “zh”.

Trochee

Chotiristopnium iambic. The foot is double folded with a head in another fold

Rhythm and Rhythm. Ways to remove

Versh is written in vikoristannyam perekhresna rimi.

Emotions in response to the hour of reading

I fell in love with Tyutchev’s verse “She was sitting on the underside...”, at one time I began to squeal, and love filled my heart. I’m creating rows, without a doubt, to become irrelevant in the future.

F. Tyutchev’s love lyrics should be read in the context of the poet’s biography, intimate verses are the key to your soul and deepest experiences. Versh, which is mentioned in the statistics, is discussed in the 10th grade. It is advisable to get acquainted with the short analysis of “She was sitting on the underside” behind the plan.

Short analysis

History of creation– it was written in 1858, during the period when the poet’s heart was breaking between two women – Olena Denisyeva and the squad Ernestina. The rows are dedicated to Ernestina.

Versha theme- a suffering woman in front of an unhappy farmer.

Composition- the verse is written in the form of a monologue of a lyrical hero who watches over a suffering woman. Instead, there are several parts: a description of the woman with the leaves, a story about the leaves, the creation of feelings experienced by the lyrical hero.

Genre- Elegy.

Customized size– chotiristopny iambic, rimuvannya perehresne ABAV.

Metaphor – “khanna and joy beaten”, « souls will marvel at the height, throw your body on them.”

Epithet – "known leaves", "Girki Khvylini".

Porivnyannya – “As the ashes cooled, I took them from my hand,” “so I marveled at them, as the souls marveled at the heights of throwing their bodies on them,” “I became terribly confused, as at the sight of the tamed sweet shadow.”

History of creation

The story of the creation is connected with the love of the poet and the young girl Olenya Deniseva. The stench of 1849 people became familiar. At 23 years old, Olena was Tyutchev’s youth, but never developed strong senses. Olena found out that she was looking for a child. It was no longer possible to get hold of a hundred-hundred-hundred-year-old. The couple suffered a marriage penalty, but the love between Tyutchev and Denisyeva did not fade for 14 years - until Olenya’s death.

Eleonora Tyutcheva suffered greatly from the man’s joy. Emotions overwhelmed the woman, and at the hour of such emotional distress she lost the leaves that had been written by the man. There were stinks and lovers' verses, which had once blossomed with singing. Tyutchev seems to have added to the picture of the depletion of leaves. Once upon a time he lost his memory. In 1858, fate was written to analyze the verses. The one to whom this poem was dedicated turned out to be a woman who is rarely able to forgive. After the death of Deniseva, Tyutchev returned to his family and Eleonora adopted a young man.

Subject

Sings reveals the theme of an unlucky kohannya. The scene described in the analyzed work is not new for Russian literature, the peculiarity of which is that it was taken from life. The author's respect is not based on the surface as much as on the emotions and feelings of the heroes.

At the center of the top there are two images - a woman who burns the leaves and leaves that guard this whole picture. Kokhany is a lyrical hero.

Right away the story begins to tell about the woman who was sorting through the leaves. The heroine marveled at them indifferently, with understanding, that there was no possibility of turning back. We do not yet know how the rows were written, but the author lifts the veil of this mystery at the fourth quatrain. Her reader discovers that the woman was holding a love message in her hands. The leafing, perhaps, lasted for a long hour, about which to reconcile the rows: “About how much life has been here, irrevocably experienced.”

Let's face it, the image of the Kokhan appears in the rest of the story. These rows are written for the first person, the author shows him who guarded against bitter separations from love. The person knows that without daring to go to a loved one, try to calm down, wanting to “shepherd the ready-made cattle.” At that moment, I felt no more terrible turmoil.

Composition

Analysis of the matter is a monologue-reveal of the lyrical hero, which became evidence of how his kohan was burning leaves. Parsing one piece at a time allows us to divide it into several parts: a description of a woman, with leaves, a story about leaves, the creation of feelings experienced by the lyrical hero. Formally, the top consists of four quatrains.

Genre

The genre of the story is elegy, where the lyrical hero speaks richly about his experiences. Vershovany size – iambic meter. F. Tyutchev vikoristovuv perehresnu ABAV rimuvannya.

Specifics of Virality

Sings does not oversaturate the substance with promotional properties, so they can be found not in the skin. Tim is no less, the stitches help to reveal the theme, show the felt emotions of the characters.

The text has metaphors- “Khanna and the joys of the beaten”, “Souls will marvel at the heights on which they will throw the body”; epithet- “known leaves”, “sumny hvylini”; leveling- “As the ashes cooled, I took them from my hand,” “so I marveled at them, as the souls marveled at the heights on which they would throw their bodies,” “I became terribly confused, as at the tamed sweet shadow.”

The emotions of the lyrical hero are reinforced with additional intonation. In the third stanza, where the conjectures are overwhelming, the author uses vikory rhetorical flourishes.

The love lyrics of F. Tyutchev should reach the brightest sides of the creativity of this talented poet. The verses that the author has dedicated to the characters are simply based on emotion, sensitivity, and often a touch of tragedy.

History of writing

The history of the writing will help the reader to develop a correct analysis. “She was sitting on the underside...” Tyutchev wrote as an adult. When the poet was 47 years old, he was a wise man and a happy family man. But it so happened that at that moment Fedir fell asleep with the girl of 24 years - Olen Denisyev. It seemed to be mutual, and between the two people a turbulent romance began, which flowed smoothly until it was not clear that Olena was expecting a child. Having erupted in a grandiose scandal, the marriage could not help but come into contact with Tyutchev’s legitimate friend, Eleonori. The man’s happiness was very painful for her. At the moment, she was deprived of a significant part of her correspondence with Fedor, due to the great number of vertices dedicated to her. Your creations will be irrevocably wasted. This sumptuous situation is described by the singer at the top “She was sitting on the underside...”. F. Tyutchev wrote this in 1858.

Love before Olenya became both joy and sorrow in life. He couldn’t separate himself from his friends, but he also couldn’t get over the idea of ​​happiness with Denisyeva. So, maybe 14 years ago woke up. Tyutchev lived longer than both his wives, but he seemed to have saved one and the other from his heart.

Analysis of the poem “She was sitting on the underside...” by F. Tyutchev

Most often, in the works of Fyodor Tyutchev, descriptions seem to be of people experiencing turning points in their lives. The verse “She was sitting on the underside...” runs through several stanzas, and the skin resembles not just a hint, but a deep sense. With the help of these words, the author was able to convey the emotions so that every reader could feel the role of the heroine of the story.

Persha stanza

The first stanza talks about a woman sorting out old leaves sitting on the underside. There is no need for inter-row analysis here. “She was sitting on the underside” - Tyutchev, with the help of several others, was able to convey some of the emotions that the woman felt. Only in this position can one detect suffering and hopelessness. It becomes clear to the reader that this whole bunch of leaves was very dear to the heroine. So, from the very beginning, you take a piece of leather up to your hands, and then throw in the kill. The author makes it clear that now the stench no longer means anything to her.

Another stanza

Another stanza conveys to the reader the real human tragedy. Words such as “sat”, “wondered”, “took”, “sorted”, help to earn money (“She sat on the underside...”). Tyutchev, using these words, depicts the behavior of the heroine. All the victorious people in Tse add to the character of the gods. In this case, one listens to the heaviness of the moment of nostalgia.

For example, at the end of another stanza there is a rich dash, which means a pause, as if an unfinished thought. In this way you can appreciate the suffering soul of the main character through the happy past of life.

Third stanza

In these rows the woman's thoughts are shown. The heroine goes through the memories of the happy events she experienced, which no longer mean anything and can never be turned back. The word “how much life” in the first row completes the semantic ring with the word “killed” in the remaining row. This moment reinforces the experience of deep tragedy.

Fourth stanza

Following the remaining stanza, a final analysis of “She was sitting on the underside...” can be carried out. Tyutchev shows the reader as a man who, undoubtedly, is the culprit of the heroine’s suffering. This person felt all the pain that the woman was experiencing at that moment. Vin is ready to fall on his knees in front of her, but at the same time he realizes that it is no longer possible to change anything, it seems like a saying, they cannot be realized if you don’t try.

Tolstoy's thought

Leo Tolstoy was credited with two writers “T. Ch.”, which means “Tyutchev. Almost.” The favorite writer, having appreciated that whose verse sings, is able to convey the feeling that it is impossible to tell with the help of words. There are moments in life when a person struggles with a great number of emotions that are difficult to explain, but Tyutchev was able to convey this at his top.

For the rich, the story “She was sitting on the underside...” is no longer relevant. The analysis has shown that such a moment can occur in the life of every person. Perhaps, for some this masterpiece is the pinnacle of creativity, but for others it is simply poetry. One thing can be said: such rows will not deprive anyone of their lives.

F.I. Tyutchev created miracles from which he learned the beauty of nature. Ale in the new and create about the beautiful and highly felt - kohanna. One of the works of love poetry is the verse “She was sitting on the underside,” an analysis of some ideas in our statistics. We also briefly understand what inspired the poet to write this masterpiece, which poetry lovers will cry about to this day.

History of creation

Analysis of the poem "She sat on the underside" trace of the publication of the person to whom it is dedicated. This text was written in 1858. It is assumed that Ernestina Fedorovna is the singer of the dedication to another legitimate squad. Ale Tyutchev fell in love with Olena Denisyeva, as she was richly young for the singer.

Fedir Ivanovich raised hundreds of dollars with him. Ernestina Fedorovna was a wise woman, so she decided to save her love. It wasn’t easy for her, and that’s how she ended up at the top of F. Tyutchev’s “She was sitting on the underside.”

Literary genre of creativity

In the analysis of the poem “She was sitting on the underside,” it is necessary to determine which literary genre it relates to. This book was written in the finest traditions of romanticism and love poetry. The heroes are very worried about their business, but they don’t know how to resolve the problem.

The hero and heroine are simultaneously both couple and self. The tension in the body, in which the stench is known, will be overcome. This summarily lyrical mood is written all over.

Theme and features of the composition

The next point in the analysis of the poem “She was sitting on the underside” is the identification of the main theme of the work. This is the conflict that arose between the two of them, with close people, between whom they almost died out. And with this information, they both feel bitterness, sadly, turmoil.

If you don’t care about those who seem to have already lost their strength, tell them about them and bind a bunch of people. First, friend, that fourth stanza is a description of one simple scene. The main species are the woman who sorts the leaves and the man who looks after her. And in the third stanza there is a description of the pages that evoke the heroine’s emotions.

Analysis of stanzas

In a short analysis of the poem “She sat on the underside,” you can look at the skin stanza. The first reader can imagine the image of a woman sitting on the floor not for the other, but for what she feels at that moment. There’s a renewed sense of sorrow and confusion, but as you sort through the leaves, you realize that everything seems to have passed. This message will tell you about it, so the woman cannot trim the leaves in her hands.

In the next stanza, the singer develops a thought that is described on the cob itself. The leaves have already become part of the heroine. Reading what is written in them, you can guess what has already passed. And that’s why she has such a dubious mood. In the third stanza, the singer shows all the tragedy of past love, so that, in Tyutchev’s opinion, love and intensely experienced inseparable types.

In the remaining part, the image of the lyrical hero is revealed. I want you, like the heroine, to talk, but there is no need to be careful about her. He feels guilty, because he understands that he is experiencing so much through this new woman. The hero repents of this, and he is also sad that the death has passed. They have lost their brightness.

Images of heroes

In the analysis of Tyutchev’s poem “She was sitting on a bed”, the peculiarities of the heroes of the work are clearly visible. The hero and heroine are spared any details: no names, no descriptions of appearance, no significant character traits. However, the emphasis in the work was on the internal experiences of the characters.

The woman sorts through the leaves, leveling them with cooled ash. This can be interpreted as those that for her the stench does not mean anything. Ale yakіs take it to your hands. This can be allowed, the actions of the messenger are of particular value to her. With one tension, her appearance describes the look of the heroine. You can see from a person’s own eyes what she perceives. The woman does not notice the presence of the hero, she is buried in her experiences. The person feels aware of this situation.

The hero stands here like a quick-witted spy. The pages of the paper seem familiar to me, and the reader understands what the pages were written on. Ale man, in the name of the heroine, the building will fade away. You are ready to get involved in it, but, understanding the marinity of the ingredients, do not hesitate to do anything. Those who stand aside, hovering over the woman, show the inseparability of the conflict situation.

Literary stitches and hem size

In the analysis of “She was sitting on the underside,” it is clear that the equalization and epithet, as the vikorist sings, was used in order to convey the experiences of the heroes. The lining of paper arches with cooled ashes shows that the leaves are a symbol of extinguished feelings. The heroine, sorting through them, locks herself in the hospital. All the rumors have a minor tint, which reinforces the tragedy of the situation.

Tvir is written in iambic tetrameter. Vikorist was drawn to the drawings of men and women of Rome.

This is ultimately autobiographical in nature. Although the same names are not indicated to anyone, the descendants sing that this is dedicated to another poet’s squad, which endured and flattened the eyes of their relationship with Denisyeva. He sings, loving Olena for her intelligence and courage, and even the hundred years with him cost her reputation and ruin.

Ale zavdyaki Ernestina shlyub buv savings. And once upon a time, when Tyutchev had lost Olena, she snuffed her out. This verse shows the complexity of the current situation in which Tyutchev’s khans and Vin himself experienced. Let those who are not familiar with his biography, having read this article, understand what is going on about the affairs of loved ones. This poem is one of the most famous works that belongs to the love lyrics of F.I. Tyutcheva.

Vona was sitting on the underside
I sorted through a bunch of leaves,
I, as the ash cooled down,
She took them from her hand and threw them away.

I took familiar leaves
And I marveled at them so wonderfully,
How the soul marvels at heights
They will throw the body on them.

Oh, how much life has happened here,
Irrevocably experienced!
Oh, how many crazy things,
Kohanna and joy driven!..

Standing, I keep my fingers aside
And the pasta is ready for the meat, -
And I became terribly confused,
Like the tamed sweet shadow.

Analysis of the poem “She was sitting on the underside” by Tyutchev

Versh “She was sitting on the underside...” (1858) is dedicated to a special tragedy in Tyutchev’s life. Once you become friends with another whore, you have children, once you get to know E. Denisyeva, a friend of her daughters. He sings without resisting the passion that has burned away like a raptor. The hoarding grew into a serious affair. Every hour Tyutchev tried to seize him, but after the birth of Deniseva’s child, this novel caused a scandal. The squad of the singer Ernestina was overwhelmed by the joy of the man. In a fit of jealousy, she burned most of the pages that Tyutchev had written on her. The verse is dedicated to this episode.

The author depicts a woman sitting on a cushion, sorting through a “bunch of leaves.” The leaves, no matter how small they are, have great meaning for her. The stench was written by the people passionately buried in it. Yogo zrada turned the leaves into “cold ash.” The one seems to symbolize that it burned out a long time ago. The poem does not say directly about the paper's bedroom, but it comes from the text itself. The joy of a person has driven too much of the soul into Ernestine herself, so her glance at the leaves of Tyutchev is equal to the glance of the soul at the “thrown body.”

Ernestina unleashed her great enmity against Tyutchev. He was incredibly happy to have become friends with her. For a long time the woman was waiting for the new jerelom. He sings with great respect for Ernestine and his former wife for the fates they have lived together. The sheets before the squad laid out their whole life, again with love and joy. Tyutchev was infinitely embarrassed by his friends, but at the same time he couldn’t handle anything in his heart, as it touched her.

In the remaining stanza the lyrical hero himself appears, watching over the grief-stricken woman. He doesn’t know what he can say or do in such a hopeless situation. All tender and sincere words of love turn into gunpowder in your eyes, and the liquid turns into mud. Tyutchev also suffers, but he understands that if he drives the hole in, he won’t be able to turn it back. It’s a pity for the friend that the author is ready to stand in front of her, but nothing can be changed. The bedroom of love sheets can be leveled with the killing of a person, who, like the death of the past, cannot be resurrected.

Ernestina never showed Tyutchev’s zada, lest for the sake of the children she should not break up her love. He sings for a long time to the living people, which was miraculously known to the spouses.