Fedir Ivanovich Tyutchev. “The land is still a sight ...
Fedir Ivanovich Tyutchev
More land of sumny kind,
And in the same spring dyhaє,
І dead in a field of a stalk,
And to destroy the yalin gilki.
Still nature has not thrown,
Ale krіz of thinning sleep
Spring will feel out
The first mimovolі shook ...
Soul, soul, slept and ...
Ale well, I'm going to get sick with you,
To nourish your dream and tsilu
І to gild your world? ..
To shine і tanut shaved snigu,
Shine blak, gra a roof ...
What about springtime bliss? ..
What about the zhіnocha love? ..
Formerly, the verse "More land of sumny kind ..." was published as of the death of Tyutchev - in 1876. The exact date of the new home is not. Literary scholars went into the distance of zyasuvati, but the spellings were not the same as in April 1836. Apparently, it should be mentioned before the early period of the poet's creativity.
The main priyom, on which will be "The land of the sumny kind ...", is a psychological parallelism, so that the human soul is placed with nature. The file can be divided into two parts. A small landscape sings a spatka. Before the readers of the post, the nature of the fierce one is a cob of birch trees. Already in the first rows of Tyutchev, you can clearly describe the early spring. Fyodor Ivanovich's bagato prelude to his creativity meant that he was supervised to create a picture behind the help of a literal bet of details. The sumny kind has not yet spread, because the winter land is transferred not through one row: "I am dead in the field of a stalk of coliche." At the same time, there is a free deflection. Unimportant to those who sleep in nature, as the spring is already dying.
Berezneve awakened to the heart of the winter season and a human soul. Talk about Tyutchev in another part of the verse. Spring is the time of love, revival, joy, an hour of triumph for the soul. Podbnі thoughts are created not only in the outlined creation of Fyodor Ivanovich, but in deyakie іnshih ("Hi, my addictions to you ...", "Spring"). Varto brutalize respect for the words, live in the singing: "tsilu", "pestit", "gilded", "hvilyuh", "grau". All the stench is associated with misery, love. At the finale of the image of human soul and nature, it is angry at one, which is typical for Tyutchev's lyricism. The rest of the rows are clearly intertwined with the "Spring Waters": the same blinking on the dream, practically spreading the snow, then there is happiness, butt, joy in awakening from a dream.
Tyutchev is a master of landscape poetry. Asking for the hostile accuracy in the descriptions of the poets gave the zavdyak of endless love to nature. Win shiro vazhav її spiritualization. It is familiar to the philosophical ideas of Fyodor Ivanovich, Lyudin is guilty of re-sensing and sensing nature, albeit it is practically uncomfortable to grow. Look at Tyutchev, they were molded in the main flow of the Nimetsian miser Fridrikh Schelling from the nature of the living organism.