A short description of asya in the story "asya". Pan N. N. from the story “Asya Peculiarities of compositional life”
“Asya” is one of the greatest works of Russian and world literature. This story has a theme of a wonderful, foolish, complex love. Turgenev tried as accurately as possible to convey the experiences, emotions, and feelings of the main characters.
Pan N.N. is the witness of this story, and in its very guise everything is revealed. He tells the reader about a very sweet young girl, Asa. Same view of Pan N.M. We learn about everything that comes from the story. You can draw a parallel between Pan N.N. and Turgenev. Even our writer and the main character are very similar, especially in character.
Pan M.M. a young, eccentric person with not a lot of wealth behind her shoulders, with 25 rocks of life behind her. Behind his character, he is a mandrian who loves to learn about what is new and unknown, in a secret way. She is young and rich. This hobby is the care of people’s lives, their actions, and the way they behave. Zagalom, Vіn celebrates the reception of hostility. The main character is this harmonious peculiarity, which has already been observed in life.
Pana N.M. cannot be seen without sister Gagina. Asya is a young, sweet girl. Their behavior as a couple is surprising, but at the same time she is very angry and kept to herself. Their manners are similar to those of Pidlitkov. Well, this girl always speaks what she thinks, and it’s no harm at all. All that Asya exclaims from the reader, as well as from Pan N., is awe, excitement and tenderness.
Our main hero is in sum'yatti. You almost want to worry about your head, but at the same time you don’t want to waste your balance of energy. You will always live harmoniously and truly.
Asya is such a girl that she didn’t call to speak. It was very difficult for him to overcome himself and to open up and admit his feelings to Pan. Ale hero did not accept it openly. He is afraid of changes, afraid of spending what he can. He is not ready to spend what he can. And he himself is calm and kind.
After seeing Pan, Gagin takes the girl to another place, without the possibility of getting along with her servants. At that hour, Asya was depressed and embarrassed and, melodiously, this was the shortest way out of this situation.
Our hero, Pane N.M. so I lost myself. You, as before, are alone with yourself and nature. Madly, I have other wives who loved him, but who didn’t love them at all. Ale herself, Asya was able to take away a trace of cohannia from her great and ardent heart.
Characteristics of Pan H.H.
The main character of the work is Pan N.N., in whose name the conversation is conducted.
The image of the main character is revealed by the writer through the story of his relationship with the girl Asya.
For twenty-five-year-olds, young people will appreciate European countries, feeling the need for new acquaintances, the importance of learning more about the world. Being a free-spirited and young man, not burdened by financial problems, he finds himself on the rise, starting frivolous and unnecessary romances with a wife in a new place.
In one of the German towns, having celebrated a student's party, he got to know the homeland of the amateur artist Gagin and his sister-in-law, Asya, with whom the young man developed a good friendship. Often bustling around Gaginikh’s budinka, Mr. M.M. share with the artist the story of your unhappy love with a young widow. In his testimony, Gagin tells the young men about the history of his homeland. It turned out that Asya was the artist’s brother-in-law, as her father and mother lost her family early on.
Pan N.N., admiring the girl, perceives her as an eccentric and wonderful person, and quickly changes the mood of his behavior, which reminds him of his chameleon lizard. However, she later understands the reasons for this behavior of Asya, due to the sordid nature of the girl and the lack of listening habits of her family. Having been orphaned by the ruins, Asya was deprived of her father’s peckling and affection, and her brother, who is a living guarantee, through lack of character and supernatural kindness, is not able to teach the girl the wisdom of life.
After about an hour, the young man begins to feel Asya’s tender feelings, and the girl reciprocates his feelings, ready for the sake of his brother at the end of the day. However, the indifferent young man, angry at his responsibility, does not get around to making the girl’s proposal with his hand and heart, so the Gagin family hastily leaves the place without losing a new address.
Pan M.M. Every year you will never know your own special happiness, living on your own and preserving the bright memory of the feeling of Asya, which deprived your soul of tenderness and garni of goodness.
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Having written in 1857 roci. This story tells us about the unlucky marriage of a young girl of underage who fell in love with a twenty-five-year-old man. The story was inspired by the kindness of N.M., who is one of the main characters in Turgenev’s story “Asya”. Cream N.N., the story has a main character Asya, whose characteristics we need to describe.
The image of Asya in Turgenev’s story
The image of Asya in Turgenev’s story is well celebrated in the works. And she’s a pretty girl, with a round face. She has a small nose and round cheeks. Dark hair, light eyes with long eyes. She is graceful, “her stringy appearance is expressive and brightly painted in the clear sky.” The girl spoke freely in two languages. This very portrait of a girl is impressive when you read the passage of Turgenev’s story “Asya”.
Asya is the illegitimate daughter of a landowner and a village woman. The girl knew about this and was already confused, she wanted the whole world to forget her adventure. After her mother’s death, she lived in her father’s cabin, and after his death, she was under the care of her brother. Even though Asya studied at a short boarding house, she could not become a useful lady. Vaughn “sounded out everything that came into my head.”
Asya was by nature fearful, but at the same time she acted irritably. This girl, about how you can say “gunpowder” and “fire”, “chameleon girl”. Vona is eager, kind, generous, smart. Asya can be like a child, or she can be prim, or she can be empty and praising. This image will soon be lost from the reader’s memory.
One day she started her work in the image of Pan N.M. And I completely fell for it, as if I knew it first. For her M.M. be a true hero. She shook her head and said she was ready for anything, but the girl had mercy on her choice. N.N. is indifferent and unimportant to those who seemed to be mutual, unimportant to those that the girl told him “yours” and knew from Kohanna, throwing her away and Asya going back. N.M. Then he spoiled his decision many times, but it was too late.
The girl's first meal turned out to be broken and unhappy.
In Turgenev's story "Asya", I would like to see the main idea of Turgenev's story "Asya". The author shows how important it is to do everything promptly and not be afraid of your feelings. It is necessary to fight for your peace so as not to harm yourself later. And Asya was not afraid, Asya acted, and, although we do not know the girl’s life far away, we would even like the future in her to be happy.
Practically based on well-known Russian classics, their creativity has grown to such a literary genre as a story, whose main characteristics are the average between a novel and evidence, one heated plot line, a small number of there are characters. The famous prose writer of the 19th century, Ivan Sergeyovich Turgenev, repeatedly expanded to this genre throughout his entire literary activity.
One of the most famous works written in the genre of love poetry is the story “Asya,” which is also often considered an elegy genre of literature. Here readers will find not only beautiful landscape paintings and a subtle, poetic description of feelings, as well as several lyrical motifs that smoothly transition from the plot. Even during the life of the writer, the story was translated and published in rich European countries and was appreciated by the great polarity of readers both in Russia and there.
History of writing
Turgenev began writing the story “Asya” in the limestone of 1857 in Niemecchina, in the town of Sinzeg-on-Rhein, where the scenes described in the book are also found. Having finished the book in the fall of the leaves of the same fate (the writing dragged on for a little while due to the illness of the author and the first one), Turgenev forwarded the work to the editors of the Russian magazine “Suchasnik”, in which they had long been checked and published on the cob 185 8 roku.
Following Turgenev’s own writings, he was inspired by a striking picture in Nimechchina: from the window of the little window on the first side, a woman of frail age appears, and from the window of the other, the silhouette of a young girl can be seen on top. The writer, contemplating his work, figures out a fate for these people, and this is how he creates the story “Asya”.
According to the opinion of many literary critics, this story is small for the author of a special character, the fragments in its basis lay similarities that have little place in the real life of Turgenev, and the images of the main characters bear a clear connection, as with the author himself , so with yogo closest An example (prototype) for Asya could have been the share of his illegitimate daughter Pauline Brewer or his half-sister V.N. Zhitova, who was also born as a lover, Mr. M.M., under the name of whom the interviews in “Asia” are conducted, may have a similar character and similarity share with the author himself).
Analysis of creativity
A twist to the plot
The description of the story is written under the name of M.M., whose name the author does not disclose. The witness recalls his youth and his stay in Nimecchina, where on the banks of the Rhine he met his spivitch from Russia Gagin and his sister Ganna, whom she takes care of and calls Asya. The young girl has her eccentricity of ideas, which is gradually changing in value and with a marvelous, attractive appearance to work on N.M. I have great enmity, and I want to know more about her.
Gagin reveals Asya’s difficult lot: his illegitimate sister was born from the marriage of his father to the chamber. After the death of her mother, my father took the thirteen-year-old Asya to his place and decided to separate the lady from a fiery marriage. After the death of Gagin, her father becomes her guardian, initially he takes her to a boarding house, then they go to live outside the cordon. Now N.N., knowing the unclear social status of the girl who was born to a fatherly mother and landowner father, understands that this caused Asya’s nervous tension and her little eccentric behavior. He becomes deeply saddened by the unfortunate Asya, and he begins to understand the girl’s tender feelings.
Asya, like before Pushkin’s Aunt, writes a letter to Pan N.N. with lamentations about the girl, who, out of control in her senses, is afraid and gives offense to Gagin, not to accept the love of her sister, so he is afraid to make friends with her. Asya’s visit and the interview will be chaotic, Mr. M.M. The point is that she recognized her feelings for her new brother and now the stench cannot be heard at once. Asya flows in sum'yatti, N.M. I inform you that you really love a girl and want to turn her back, but don’t know. The next day, having arrived before the Gagin's day, with a firm intention to ask for the girl's hand in marriage, it turns out that Gagin and Asya have left the place, and tries to find them, otherwise everything will be lost. More than a few in life N.N. Asya doesn’t notice her brother, and in spite of his life’s path, he informs that he wants something else buried, after all, he loves more than Asya and he’s still keeping dry I have a gift that I gave to you as a gift.
Main heroes
The main character of the story is Ganna, as her brother calls Asya, a young girl with an unusually attractive appearance (thin cotton figure, short curly hair, widely flattened eyes in long and fluffy hair), He has a noble character, which is tempered by a harsh temperament. She was born from a loving marriage between a house and a landowner, and was trained by her mother in strictness and obedience, after her death she could not return to her new role as a lady for a long time. She miraculously understands her predatory status, she cannot behave in marriage, everyone should be shy and disobeyed, and at the same time she selfishly wants that no one loses respect for her quest. Having lost herself early without her father’s respect and given to herself, Asya, not by fate, sooner begins to think about the lives of the people who will leave.
The main character, like other female characters in Turgenev’s works, is struck by an amazing purity of soul, morality, breadth and openness of feelings, cravings for strong feelings and experience, the need to perform a feat. and that great deed is for the benefit of people. On the sides of this story itself, the concept of Turgen’s lady and Turgen’s sense of love appears so hidden for all the heroines, which for the author is similar to a revolution that invades the lives of the heroes, recounting They seem to have the durability and originality to survive in the difficult minds of everyday life.
Pan M.M.
The main human character of the story, Pan N.N., seems to represent a new literary type, which Turgenev replaced with the type of “curious people.” Whose hero has a purely everyday typical conflict with too much light for a “loving person”. She is an absolutely calm and prosperous person with a level and harmonious self-organization, she easily succumbs to sparkling emotions and feelings, all her experiences are simple and natural, without falsehood and emphasis. In love experiences, this hero has a great deal of spiritual passion, which is intertwined with its aesthetic completeness.
After the war with Asya, his army becomes more tense and sensitive, and at the same time the hero cannot completely succumb to the feelings, because the stench is darkened by the discord of the prison. Later, I can’t immediately tell my brother Asya that I’m ready to make friends with her, because I don’t want to ruin the feeling of happiness that surpasses me, and I’m also afraid of possible changes and appearances, I Who will have to take the life of someone else? This all leads to a tragic outcome, after which Asya is killed for her own sake and it is too late to correct her mercy. Having spent his life, throwing away his life and life itself, as it could have been otherwise, he will pay for all his spared joy and love and happiness.
Features of the compositional environment
The genre of this work extends to an elegiac story, the basis of which is a description of love experiences and melancholy thoughts about the sense of life, regrets about the dead world and confusion about the future. The work is based on the story of a family that ended in a tragic separation. The composition of the story is inspired by the classic plot: the beginning of the plot - the sustrich from the homeland of Gagina, the development of the plot - the rapprochement of the main characters, the guilt of the twists, the climax - Rozmova Gagina with M.M. about the feeling of Asya, the denouement - the story about Asya, the explanation of the main characters, the Gagin family deprives Nimechina, the epilogue - Mr. N.M. sizing up about the past, scolding about the uninhabited farm. Rodzinka of this work is Turgenev’s adaptation of the old literary technique of plot framing, when evidence is introduced and the motivation of his plots is given. In this manner, the reader rejects “revelation within confirmation”, a designation to enhance the sense of history.
In his critical article “Russian people at a rendezvous,” Chernishevsky sharply criticizes the insouciance and frivolous egoism of Mr. N.M., the image of the author’s few forbearances in his work. Chernishevsky, however, without selecting viruses, strongly urges Mr. N.N. to make his wine the same as his wine. The story “Asya” immediately became a key pearl in the literary decline of the great Russian writer Ivan Turgenev. The great writer, like no one else, was wise enough to convey his philosophical thoughts and thoughts about the lot of people in the life of every person, when their thoughts and words can be changed in the future for better or worse.
One of the pearls of the literary downfall of the great Russian writer Turgenev was the short story “Asya”. Honed by the form, deep by the place, it depicted the entire depth of the soul of the writer, whose thoughts about human shares, about that hour of a person’s life, when he is young, about his hopes and faith in his life.
The story tells about the marriage of two young people. Russian Romeo and Juliet. If in Shakespeare’s tragedy the reasons that separated the young people are clear, then in Turgenev’s story everything is mysterious and confusing.
The idea of a new creation Vinik Vipadkovo. N.A. Ostrovskaya conveys Turgenev’s speech about the sudden “Zintsyzka” enmity that prompted the writer to get back to work: “In the evening... I decided to go for a ride on the chevna... We passed by a small ruin; next to the ruin there is a little building on two sides. From the window of the lower one one could see an old man at the top, and from the upper one hung the head of a pretty girl. Here I suddenly feel a special mood. I started to think and figure out who this girl is, who she is and who she is in whose house, who is a hundred years old, and so the whole plot of the story took shape in my mind.”
The story “Asya” was written over the course of five months, during which the Turgens came to visit Sinzig, Baden-Baden, again in Paris, Boulogne, Courtauneuil, Lyon, Marseille, Nice, Genoa, and i, near Rimi, where It ended on November 27, 1857.
In Rome, Turgenev received the first news about Russia’s preparations for carrying out rural reforms. The rural movement smothered the emerging edge of the revolutionary situation, which also led to the revolutionary upheaval, because, as W. I wrote. Lenin, “the people, who have been enslaved by landowners for hundreds of years, will be unable to rise to a broad freedom that is open to the great struggle.” 1
Turgenev then wrote to his friends: “Why bother in Russia? There's a lot of carnage going on here, so much to say. Yakbi is not literature, I would have turned to Russia long ago; Now the skin needs to be at its nest. In the grass month, I’m trying to arrive at the village - and I can’t see the exit until my steps reach the villagers. In the coming winter, God willing, I will be a landowner, but not a landowner or a lord.”
At this hour, Turgenev was praised by those very nutritionists: what to work and who to work? Only the old problems that arise from the new situation require a new approach to them. It was necessary to make a new assessment of the destructive forces of history at the time of the emergence of a socio-economic revolution. Various aspects of these problems found their reflection in the lower works of Turgenev of that period. Partially stuck in “Asia”. Here we found our reflections and thought about the role of these very “curious people” in the future ruins. However, this great theme in “Asia” appeared interspersed with images and criticism of “persons that should be brought with them,” which Turgenev himself did not pay enough attention to. “I am so glad,” he wrote to Nekrasov, “that “Asya” deserved you; I hope that even the public will be in a state of relish, although now, it seems, there is no need to be surprised at all.”
This story is the story of Mr. N.N., this is a story about the days of long ago. Anonymity makes it possible to assume that this hero will have a very special aspect of Turgenev. The ubiquity of the name and nickname, perhaps, made it difficult for Turgenev to convey to the reader the idea that the hero is even close to the new one, and that the writer himself, perhaps, is the prototype of his hero. The truth is that they have a lot of things to say, resentment ripples, resentment scurries behind the cordon. Already, at the beginning of the experience, a sad note could be heard, a mournful chord that seemed to suggest that people were dissatisfied, that they were not realizing their dreams, although, it seemed, everything was small. Now the hero’s journey is no longer so dull, and the hour of “gilded gingerbread” has long passed.
“I was manipulating without a brush, without a plan; I stopped short, as I should have, and immediately collapsed when I perceived the need for new guises - accusing myself. I was occupied only by people; I hate such monuments, wonderful collections, the very sight of a footman awakening in me a deep and angry feeling; I didn’t go to great lengths with Dresden’s Grün Gewelby. Nature acted on me sublimely, but I didn’t love the so-called beauty, unusual mountains, streams, waterfalls; I don’t like her to impose herself on me, for her to respect me. Natomist denunciations, living, human denunciations - people’s words, their ruins, laughter - the axis that I couldn’t do without.”
This episode has a sense of the life of a worthless person, who will rise in value without a “goal” and a “plan”, even though she lives without any significant goals in life, without an active participation in the life process. Why do you have to show off behind the border? Why doesn't Russia have enough information? “People can’t develop better, they can develop without an influx of thoughts about marriage,” writes Chernishevsky. In summary, the writer hints at the character of the hero, as the reader may judge him. And at the same hour he reveals the most beautiful dreams of his hero, who are the source of new acquaintances, new enemies. In the openness of the world and I want to recognize people, their joys and confusion... What people are talking about (they are especially vocal), and not wealth. Turgenev is encouraged by the fact that the hero senses the precious stone at the royal castle. And according to the tradition of Russian writers, the positive hero may stand above mercantile interests. Visnovok is a sympathetic character for the writer.
“Once, around twenty years ago, I lived in a small German town, 3., on the left birch of the Rhine. And I realized that I was deeply concerned about the heart of one young widow, whom I met on the waters.” This young man has a very vulnerable heart, and is even more receptive to love stories. Tse, who knows for everything, is a young person, capable of romantic feelings. Swede is close to Lensky, who, before speech, was at Nimechchina, where he began philosophy and the emergence of his romantic aura as a poet. Pan N.N. paints a beautiful picture of a little German town, so to speak of its aesthetic sense, he admires the Rhine, “not without singing tension when he dreams about the approaching widow.” And here the sounds from the other bank of the river continue: a waltz was playing at the place of L.; the double bass hummed very often, the violin sang vaguely, the flute whistled loudly. The hero wants to marvel at the cheerful Germans. It’s important to know what the “commerch” gives to the next generation. As if he had lost his life on this birch tree, his fate was formed, melodiously, not as tragic as it was formed. There you will get to know your companions - Gagin and his sister Asya, to whom you will become incredibly attached. With these people, N.N. develops friendships, and even friendships. On the right is that our hero respects that the brother and sister are not exactly the same. And Pan N.N. has the thought that Asya is not Gagina’s sister. And such thoughts of the hero become confused and the reader remains confused. This is the author's trick, which is immediately useful. In reality, the heroes appear to be brother and sister, although not their father’s. The stench of this stench is of a singing kind. Gagin loves his sister so much that he feels confused about his relationship between Asya and N.N., who will fall in love with Asya, but he doesn’t understand until the final hour and at the final moment he doesn’t have any words to clarify the complicated situation. It does not deprive them all the time; it does not try to bring them closer, but rather to separate them. Moreover, he conveys the actions of Mr. N.N. And our hero becomes a toy in the hands of a cruel and impudent man. Why, having experienced your happiness for one short time, will you be able to get it again? The hero has saved his life. Ale vin tse suzumiv! And the end did not come through fate, as in Onegin, but, having immediately realized the depth of the wrongness of her behavior, she realized that she could not be convinced of Asya, she could not make her love happy. N.N. has realized, and most importantly, is now ready to correct his mercy, which is most important in the development of the character of the hero. Turgenev depicted not a scheme, but a human being, with his weaknesses and favors. It seems to me that now everything will be different, I just need to know Asya, and happiness will become possible. You were blinded when you tried to wash, but now you are seeing the light. Now he is in a hurry to get to know Asya in order to get along with her. What has happened can be assessed from the perspective of several points of view.
The author of the story “Asya” himself, I. Z. Turgenev respected that people are alive in the sphere of life; You are also under the control of the post-historical, eternal elements of universal life, under the control of elemental forces that stand above people. One of the elemental forces, in front of the power of which people are helpless, Turgenev saw the chaos. The inadequacy of special happiness in Kohanna is clearly expressed in the story “Asya”, where love manifests itself as an element beyond the control of people; It is impossible for a person to drown them, to prop them up. It is impossible to guess like this if the strength can be given to the hand; The word that was not spoken at the same time turns the same happy man into a self-made bobil.
In the article “Russian people on rendez-vous” Chernishevsky, concluding with Turgenev, showed that the misfortunes of the hero of the story “Asya” do not arise from elemental forces, but from the power of characterlessness generated by the social minds of life. It was understandable that Turgenev would be far away from such a look. In this story, the hero is not to blame for his misfortune. The reason for his death is not the spiritual sluggishness that appeared at the moment of the final clarification, but also the circumstances that are in charge of his will. The feeling of love surged into the new world and “burned with incredible force” when it was already late.
The incorporation of Chernishevsky into “Asia” gained greater significance. The critic has criticized this story, which, in his words, is “downright poetic, ideal, so that it does not bother with the so-called dark sides of life,” in order to put the most important socio-political nutrition. Analyzing the image of Pan M. M. and drawing an analogy between him, on the one hand, and Pechorin, Beltovym, Agarin (the hero of Nekrasov’s poem “Sasha”), Rudinim on the other hand, Chernishevsky harshly condemned the insensitivity and cowardice shown in on the right kohannya "by ours" Romeo,” from the middle of the illustrious nobility, making it clear that, perhaps, the behavior of these people will be the same in the spirit of great suspense. The same critic, having established the social typicality of his behavior and revealed the essence of the type of “loyal people”, which has already lost its progressive significance and is not relevant to the new historical period. So Chernishevsky praised the noble liberalism of the late fifties. This article is one of the most striking political interventions of revolutionary democracy against liberalism, even distinguishing itself from any appeals of Chernishevsky.
Annenkov, analyzing the love affair of “Asia”, which became the subject of special respect from the side of Chernishevsky, did again, that, regardless of their obvious weakness, the people who rejected Chernishevsky’s mocking nickname “our Romeo”, deeply row in a special plan i The only one is promising in the marriage plan; that “the number of so-called weak characters is the historical material from which the very life of today is created.” Therefore, having taken into account Annenkov, and Chernishevsky, “to introduce this class of people or to speak with them, proudly, changing a light touch of ignorance with a light touch of a dream, means not to understand where the right grain of the plentiful supply is available.” there are a lot of things that may happen.” This is how Annenkov’s bid for the leading role of a “weak” person in the most important aspects of life was grounded.
All the above-mentioned looks are true to another world. But another one also has the right to recognition: Mr. N.N., having become a victim of an intrigue, having conceived and married his brother Asya, who became a friend of our hero. This can be done by quilting the whole story. Gagin is a constant transition between N.N. and his sister. The welding is in progress, and then - good to go, planning ahead. Vzagali Gagin stands before the reader as a khanets who lays claim to the girl’s heart. In this way, Mr. N.N. appears to be a completely decent person who can be fully realized both in a special and married life.
Pershe Kohannya Volodymyr
In Turgenev’s “First Kohannya”, the understanding of love as a cruel and dirty force over which man has no control is once again firmly established. This is the power that gives people happiness, and this is the power that shows their unworthiness, their tragic reality. People are guilty, for Turgenev, of going through a long period of grief and disappointment until the evidence of life shows them the need to make a claim to happiness, to be motivated by something special for the sake of special purposes. which he respects with his moral obligation. As soon as you have put on yourself a “sweet bond”, you will find that you are not happy, but at the same time you will find yourself contented, even sadly, at the sight of the victorious bond placed on yourself in place of the unhealthy ones Pragnen.
It was completely clear that Turgenev’s pessimistic ideas could not be accepted by his revolutionary fellow-participants, and first of all, the Chernishevskys and Dobrolyubovs, who were converts to the theory of “reasonable egoism.” The essence of this theory lay in the fact that for an internally wholesome, reasonable, and normal person, moral obligations are not “solid faiths” that are not imposed on you, but rather your particular needs, your “ownness.” chne" pragnennya. Therefore, for the adherents of morality, the “reasonable egoism” of the yearly super-eternity between the special happinesses of man and the enormous burden was not and could not be. The theorists of revolutionary democracy also understood that Turgenev’s ethical views conveyed a whole new political sense - the inaccessibility of complete happiness in a particular life meant for Turgenev, in essence, the inaccessibility of complete freedom in life. live a comfortable life.
And at the same time in “The First Cohanna”, as, however, in most other stories, the testimony of Turgenev, the initiates, would have been given to special shares of heroes, the cohanna – but by no means just one of the most intimate human pochuttiv. Turgenev's love is always a strong passion, which is equal to the most powerful human passions, designed to overwhelm people, make them strong and strong-willed, dedicated to heroism and sacrifice. “...kohannya,” it seems, “is one of these addictions that breaks our “I”, it makes us want to forget about ourselves and our interests... Not only love, every strong addiction, religion, huge, even addiction to science, breaks our hisism. Fanatics of ideas, often foolish and reckless, also do not harm their heads. Such a mess.”
Kohannya for Turgenev is a feat. And it evokes it as a force, a source of resistance to everything - both death and egoism, in which it has once again become the main enemy of mankind. The work of Turgenev’s works is the most realistic testing, a testing of human strength and, above all, spiritual and moral forces. In order to lead people through the greatest possible experience of life - through the experience of love and in such a manner to show what they can do, Turgenev created such works as “First of all”.
In 1863, Turgenev wrote a finale for the French edition of “The First Covenant,” in which he directly stated that the reason for the unhappiness of his heroes was not just “immorality,” as reactionary critics tried to harden, but those in the current Russian doom what zipsovane”, which destroys the share of people. “Wonderful hour,” Turgenev established here, giving birth to “wonderful people.”
This feeling is characterized by both the image of the heroine and the image of Volodya’s father, Pyotr Vasilyovich. Vin, like Zinaida, is far from intersecting with people. Trying to emphasize the significance of his specialness, the writer begins to cast an aura of melodious secrecy over them. He expresses respect for Pyotr Vasilyovich’s characteristic love of power and his despoticism. Ale and Petro Vasilyovich, she is a strong and unpretentious person in her own way, but also does not know her happiness, she wastes her strength and wealth for nothing.
This means that the prototype of Pyotr Vasilyovich, according to Turgenev himself, was his father - a man, as a writer who already knew well, who was squashed and who had already been disgraced. Once upon a time, Turgenev spoke about his hero and his prototype: “In “First Kohanni”... I depicted my father... My father was red... He was even darker - with true Russian beauty. She was dressed in a cold, unapproachable manner, but just then she wanted to be honored - and in her guise, in her manners she seemed so charming... "
Turgenev allegedly said: “My entire biography is in my works.” Ale, perhaps, not one of your books is as autobiographical as “Pershe Kohannya.” “This is the only thing,” he said, “because it is impossible for me to bring satisfaction to myself, because life itself has not been seen... “First of all, it is experienced.” Another time I recognized: “... in “The First Cohanni” the action is described without the least embellishment, and when re-read, the active individuals stand up as if they were alive before me.”
These individuals stand as if they were alive, and before us as readers. In all parts of this story, which takes us back to the writer’s youth, in all the images in her mind and experiences of the main character - Volodya, under whom the names of Turgenev, for his powerful knowledge, Having imagined yourself, there is such a truth of life that you doubt It’s impossible for her. His portrait cannot be drawn, because the investigation is conducted from the first individual. However, one can judge the lack of understanding of a young man, he is still a child: less than a month ago, after leaving the tutor, the boy shoots crows in the garden, finds himself a face, thinking, summing up and crying. And once Volodymyr planted a girl in the middle of the greenery, near the garden - this reveals the connection between the greenery and nature, the harmony of its image. Everything in her is good, and Volodymyr is ready to give everything so that “his fingers rattle on his forehead.” Around the girl, still unknown to the main character, the yurm dances - it is clear that Turgenev considers her a mystery, and he will, perhaps, submit to her will. About an hour after meeting Volodymyr he will meet Zinaida. It seems more obvious to the young man: he tries to see the masses of shirkers in front of her, he wins a lot of clothes, which Zinaida unknowingly determines, he wins his miracles: he cuts from high groan, take part in mindless games; zreshtoyu, more than anything else, and “what is in the soul, those are in the face.”
Zinaida bachit tse kohannya; She breaks out between Volodymyr and her father, who also buried her. Turgenev is reinforced by Zina’s eminence by understanding other people’s experiences and by her sensibility. This is a good situation, first you need to come to the top: if you become a friend of a friend, who destroyed your family, why do you love your son, even a lad?
Turgenev, whose view of love before a wife was always romantic, even poetic, with great lyricism, conveying in his creator the blossoming sensitivity and generosity of the pores of a young heart that first fell in love. Survive the buried sorrow. With the deep praises of the poets, we speak here about the subtlest hands of a young soul, such a great happiness.
Boy Volodya, who feels like love first in life, is in a super-happy state: between this feeling and love. І Volodymyr cannot destroy the temple, but his father cannot be destroyed. Pershe Kohannya became a serious challenge for the young man. But, regardless of the entire tragedy of the situation, you will lose such a pure soul as you had before. About this there are the following lines: “I didn’t feel the evil evil until my father. However, you see, there’s even more virus in my eyes.” This is to say about those who, unimportant in the warehouse of the boy’s father (whose family was without food), Volodymyr got a garne of food. Father, no matter how he may be, is deprived of his undeniable authority. Volodymyr respects him deeply to love. For a boy, this is an undeniable ideal.
In his position as a hero, Turgenev demonstrates agility and emotion - problems have fallen on his head, which cannot be solved for a long time and he is grown up. The author emphasizes the depth of Volodymyr with his full attention to his egoism - he wants to deprive his wife of happiness, but he doesn’t want her to suffer and be with the one she loves.
In this way, only love calls out the revelation of all truths, as nothing else can call out. Volodymyr, who has already grown up as a human being, has experienced a lot in his life, and those who have survived the same, in 16 years, seem to call it bliss and affirm that it will not happen again. Ale same pershe kohannya yakimos rank molded such a character into a new one. The people are reasonable and objectively marvel at life. The peculiarity of its time has been completely formed. And that’s why Volodymyr is not a human being.
Turgenev's story is written in the name of Pan N.M. This image, the characteristics of which we cannot understand from other heroes, but we can understand itself, as the peculiarity that tells us about its alien farm. It’s time to write like this with a sign of smileyness and, in part, kayatty.
Pan M.M. - A 25-year-old boy who will rise in price, in his words, “without any intention, without a plan.” First of all, we are in the company of our comrade, so we can walk around the Rhine. In contrast to other Turgen heroes, this young man is not one of the representatives of these people. However, this particularity is harmonious and possible. This image is not at all painful and entirely realistic.
Pan M.M. I want to open my soul to nature, people, love. Wanting to experience love for him, he feels that this is the basis of his play. Why is our hero aware of the frequent misfortune of his companion?
The hero meets a remarkable couple in a German town - Gagin and Asya. Gagin introduces Asya as his sister. For some reason, Mr. M.M. I doubt you should share them with your friend. As a result, we discover that they are doubtful and unfounded.
When characterizing our hero, it is impossible not to describe the image of Asya. This girl, Gagina’s sister, is young, generous and extraordinary, rich in every twist, closed in herself. You can't behave like a girl. Her behavior can be characterized as sublime. After all, she is honest and truthful in her words and almost in a way. This image conveys subtlety and evokes a deep awe, both in the reader and our hero.
It seems that our hero is in the midst of a struggle between the gods and will succumb to the struggle and struggle until the end. To the point that everything is harmonious and correct. It’s impossible to forget that Asya is an extraordinary girl. Almost Mr. N.M. are woven together from pains to completion, from subtle aesthetic feelings. The team behind Asya is becoming increasingly tense, over-anxious and super-intelligent.
The culmination of the work is the recognition of Asya. This young girl is ready to do anything for her sake, but our hero does not accept her frankness: “To make friends with a seventeen-year-old girl, with her money, how is it possible?” We are afraid of success, it is unwise to sacrifice apparent goodness and peace of mind for the sake of valid feelings. This kind of work is an irrevocable inheritance, and the business that has practically come to fruition has blossomed, in our opinion. Gagin takes Asya to another place and our hero will no longer be able to meet with her and tell her everything.