Guriy nikitin kineshemtsev biography is short. Guriy Nikitin. People - Guide to the Golden Circle of Russia

Today, I want to ask you to go to the Suzdal Savior-Euphimia Monastery, to marvel at the beautiful frescoes of the robots of Kostroma, Guriya Nikitin. Guriy Nikitin with his comrades wrote a lot of churches: we have in Tutaev, in Yaroslavl, Rostov the Great, Moscow, and here, in Suzdal. Kostroma school - radіsna, zhovtі, blakytni and chervonі toni - three main colors, it was simple, but it’s right, and the wealth of seen in all the palates in the churches of the beautiful Kostroma school of fresco painting. To navigate the stage of the apocalypse and passions of Christ does not drive, but instill a thought, that everything is going to be seen - to look for the divine scenario, and God is light and love.

The Savior Monastery was built by the Suzdal-Nizhny Novgorod princes in the middle of the XIV century on the high birch of Kam'yanka. Already at the time of the first abbot of Euphim, there was a kamyan of the church, but, however, the territorial claims of historians. In 1660 there are a lot of monasteries, like a Volodya more than ten thousand souls, going through the strained walls of a red-horned ring with a length of 1200 meters and twenty towers. In the middle of the wall it is quiet і "pharmacy city".

On the territory of the monastery, the head Transfiguration Cathedral with a lateral vicar, a dzvynytsya, the Assumption Church were preserved, prompted in 1525 to be introduced to an innumerable number of stone churches with a hipped roof.

The guardian with the door is the octahedron of the Church of St. John the Baptist, who will knit with the people in 1530 the birth of Tsar Ivan, nicknamed Vasilovich for his sinister disposition.

Church of the Dormition Isyaschna. Voronin vkazuє, a collection of two symmetrical tents of small size above the apses of the biches.

We go to the five-domed Cathedral of the Transfiguration, which can be taken up to the 16th century, and you can marvel at the frescoes. We were spared, once, if we came to see a small concert of a chamber choir.

The temple is great, ale vseredini not drove spacious interior, frescoes by Guriy Nikitin will immediately take you into his divovizhniy svit... Overwhelming warm zhovty kolir, golden, nagadu golden vizantyysky mosaics, which pictured divine light, dumb zigriva.

Wonderfully hostile to the face of Jesus Christ in the halo of a daylight from a window, from a wall of dematerialization and the image of the Germans to hang in the evening.

Beautiful vbrannya, like fabrics on them!

Mishechok z Serebryannikov in the hands of trimm Yuda is the center of composition, as little change of light! I have all the Roman soldiers in the port.

Soroka E.Yu., teacher of biology and chemistry Frescoes and ikons - the main adornment of the church and cathedrals. The main theme of the drawings is the glorification of Christ in his divine and human viglyad. The meaning of the place is introduced by the wonderful on the right, thoroughly perfected by Christ, by the bag of parables, in which it is said about mercy and love. By the same token, yaskravikh farbs, varied lines, pidnesenikh, serious themes of painting to defy the frescoes and іkoni with even a valuable memory. It is wonderful to admire the architectural features of churches, to admire their beauty, greatness and beauty. The walls of the Russian monasteries were written by the Podil majstras. In them, the painter Guriy Nikitin, who was asked by the tsars and patriarchs to decorate with frescoes the churches of Moscow, Rostov, Yaroslavl ... Vin was born in 1620 - the same rocky in Kostroma, which was the first to develop the craft of the icon painter. Nikitin strictly adhered to the canon, however, in the folding compositions of the Vikoristovuvuvuvuvuvuvuvuvu engravings of the Library of the Piscator. The biblical frescoes of Nikitin are seen as a saintly decorative, richness of symbolism; treading pragnennya to the secularization of the mistress. In 1653 Guriy Nikitin, imovirno, took part in the design of the Moscow Church of the Triytsi in Nikitniki (China - Misto). In 1660 rotsi buv wikikaniy for robits to Moscow. In 1661, the abbot of the Father Danilov Monastery in Pereslavl - Zalisky Sava began to write the monastery church in the name of St. Triytsi. At the prodovzhennya 1661 - 1662 rr. the stench wrote vo choli і zakomorekhͩ, but they didn’t get up to finish writing the list, as they were going to wiklican to Moscow. Here, in 1664, Guriy and his comrades under the leadership of Simon Ushakov wrote ikons in the Church of the Great Martyr Evdokiya, which was in the sovereign's sinyakh. Hanging from Kostroma to Moscow in 1666 rotsi, Guriy pratsyuvav according to the renewal of the wall design of the Arkhangelsk Cathedral, for offensive rotsi buv nadaniy yak fodder ikonographer of the first statty. From today to May 1668, after the instructions of the tsar, he wrote by the very kind leaf and from the great writings of the two ikons for Makar, the patriarch of the Antiquity: Almighty Savior, and in the fields 12 are holy to the passions and і. Theotokos Odigitrії, across the fields of kontakion and ikos and akathies. Having successfully completed the work, Guriy Nikitin of the editorship, according to the petition of the igumen Savi, to Danilov Pereyaslavsky monastery for the completion of the wall design of the monastic church, ale in the correction of the same leaf in the church of the glass window for the vitreous In 1670 and a thousand six hundred and seventy-one rock, together with the other Yaroslavl and Kostroma iconographers, they wrote anew the wall sheet in the Assumption Cathedral in Rostov; in 1671, together with the iconographer Siloya Savvin, "as found masters", they wrote two ikons for the Emperor: Theotokos outside, so the cathedral of presv. The Mother of God is complete. In 1678, he was working in Moscow at the Embassy yard, Guriy biv the Tsar Cholom about his transfer from the feed ikonographers to the zhivan. Thanks to the good feedback from Simon Ushakov about the robots, I am pleased with the message. In 1680 rots in the church of the Prophet Ilya in Yaroslavl, and in 1685 rots in the Podilsky Ipatievsky monastery. The two remaining robots, like for their vikonannya, composition and versatile plots vazayutsya some of the most wonderful creatures of the other half of the XVII century. The guriyu was assigned the most important role: vin namenilͩ, to pick up the contours of all the little ones, behind which they also didn’t read the sheet of the ikonographers. The hallmarks on the pіvnіchnіy stіnі of the Trinity Cathedral of the Ipatyivsky Monastery: To celebrate the change of the names of the artists - the iconographers, who took part in the painting of the temple: Artemiy Timofev, Petro Averkiev, Grigorey Grigor'ev, Marko Nazariev, Vasil Mironov, Foma Urmilov, Filip Andreyanov, Yukhim Karpov, Makar Ivanov, Vasiley Vasiliev, Luka Markov, Gavriil Semenov, Vasil Nikitin) dor (L) Ogi (new) ͩ Artil was a collective of talented artists - monumental artists. In the 60s and 80s of the 17th century, Guriy Nikitin, as a comrade, was entrusted with the task of leading robots in the Moscow courtiers and patriarchal churches, at the courtyard of the Rostov Metropolitan and in Yaroslavl. Guriy Nikitin died in Kostroma at 1691 rots. Yogo can rightfully respect the Kostroma school of painting and painting by the legislator.

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Born in the 1620s in Kostroma, he developed the craft of the icon painter. Volodiv іkonny shops.

In 1653 rotsi, imovirno, taking part in the design of the Moscow Church of Triytsi in Nikitniki (China-misto).

In 1660 rotsi buv wikikaniy for robits to Moscow. In 1661, the igumen in Savva was instructed to write the monastic church in the name of St. Triytsi. In prodovzhennya 1661-62 rr. the stench wrote “in choli and zakomoreh”, but they didn’t get up to finish writing the list, as they would have wikklikani to Moscow. Here, in 1664 r Guriy with his comrades before the Kerivnist wrote the ikons in the Church of the Great Martyr Evdokiya, who was in the sovereign’s sinyakh.

Wandering from Kostroma to Moscow in 1666, Guriy pratsyuvav according to the renewal of the wall design of the Arkhangelsk Cathedral, for which in the offensive he was given the name of the fodder ikonographer of the first statute.

From today on travens 1668 r the orders of the tsar was written by the very kind leaf and from the great writings of two ikons for Makar, the patriarch of the Antiquity: "The Almighty of the Savior, and in the fields 12 is holy with addictions" and "prech. Theotokos Odigitriya, through the fields of kontakion and ikos and akafisti. " Having successfully completed the work, Guriy Nikitin of the editorship, according to the petition of the igumen Savi, to Danilov Pereyaslavsky monastery for the completion of the wall design of the monastic church, ale in the correction of the same leaf in the church of the glass window for the vitreous

In 1670 and a thousand six hundred and seventy-one rocks, together with the other Yaroslavl and Kostroma iconographers, they wrote anew the wall sheet in Rostov; in 1671, together with the iconographer Siloya Savvin, "yak found the mayor," they wrote for the Emperor two ikons: Theotokos outside, so the cathedral of presv. Theotokos outside. "

In 1678 he was praised in Moscow at the Embassy yard, Guriy biv the Emperor Cholom about his transfer from fodder iconographers to zhivan; the staff of Simon Ushakov's garnery message about yogo robots, I am pleased with the message.

In 1680 r. From the previous day, the visonana was a stinopis in the Church of the Prophet Ilya in Yaroslavl; Among the two remaining robots, as for their vicissitudes, compositions and adaptability of plots, one of the most wonderful creatures of the other half of the 17th century is involved, Guria had the most important role:

Photo gallery

Russia was famous for its rich culture and a magnificent number of talents. Guriy Nikitin is one of the most significant and significant figures in Russian painting and painting. His life and creativity fell on the 17th century and deprived the culture of Russia. I want factual tribute about the artist, who has gone to our days, to finish the urivchast, his robots, the individual handwriting, and to become the monuments of the high spirituality of the past hour.

biography

The exact date of the people of Guriy Nikitin is not home. Orintovno tse buv ear of 1620/1625 to rock. The birthplace of the Maybut artist Bull Kostroma. Nikitin is the artist's pseudonym, or rather, according to Batkov (Mikitovich - Nikitin). reference note yogo - Kineshemtsev. Until now, we have trimmed the chain of trade shops in the salt and ribbed rows.

family

Batko Guriya Nikitina (Mikita Kineshemtsev) died in 1653 before the hour of the plague, to that day Solomon's mother appeared. Guria has a brother Luka, for they called him a father, Auchka. Vin was engaged in Shevskoy craft.

As a mother and brother, Guriy Buli has two brothers Mikhailo and Fedir. The stench boi is definitely possible for people. After the death of Guriy Nikitin, having settled down a little of the little marbles in fur, cloth and ribbed rows.

About the peculiarity of the life of the iconographer, it is almost certain that it was not a good thing, not a child. About the price of writing in the Landrat's book, it was destroyed on the way to death. At them it will appear exactly the risk of death of an iconographer (one thousand six hundred and ninety one) and during the day of the decline.

creativity

Guriy Nikitin from the early age appeared in the creative mind. De vin zdobuv illumination, unavoidably. The leading glorifier of yogo creativity V.G. Bryusov passed on, and Vasyl Ilyin, a teacher of Nikitin, was a Kostroma artist and painter of that hour.

Ale is rich in a creative flowing through the mother of the Maybut iconographer. Zanureniy in svіy svіt, young Guriy mav is a quiet day, I am friends and family. And in that difficult hour, it was easy to finish the Russian life, which was lost without a warning. The image of a woman-mother is perceived as a special place in Nikitin's work.

It’s not easy to go to the misstate. Adzhe Guriy walked from a simple robotic motherland, distant from the iconography. Significant dosvіd artist otrimav, if in the warehouse of Kostroma artіlі painted in Moscow temples (Church of Triytsi, Archangel Cathedral in the Moscow Kremlin). Krim maystrіv from Kostroma, where the talanovit іkonographers of Yaroslavl, Novgorod, Moskv were praised.

The colossal creativity of the era of this era has become for Nikitin the first croc in the history of art. Having shown himself as a gifted artist, Guriy renounced a rich request from the Orthodox churches of Russia and Tsar Oleksiy Mikhailovich himself for the design of the walls and writing / updating the icon.

individual handwriting

Talking about the writing and symbolism of the Russian iconography, the masterpieces are expected to refer to the unrepeatable generations, such as Buv Guriy Nikitin. Yogo's paintings are a unique combination of decorativeism and monumentalism in one creation. Not a vague development of yogo creativity was born with the development of decorative and monumental art in Russia (another half of the 17th century)

All robots of a prominent artist and icon painter may have a unique style, individual handwriting. Win vibudovuvv in the composition of paintings by the principle of nondiagnostic symmetry, in contrast to lightness. Artistic design means the internal dynamism, feeling the rhythm in the registered images. In addition, the frescoes of Guriy Nikitin hunt a wide range of headlamps, which is insanely, decoratively infused with compositions.

see robots

The riddle about the first artistic creations of Nikitin is dated to 1650 rock. They are tied with the inscription on the porch of the Church of the Resurrection and the Trinity Cathedral in Kostroma. The popularity of the frescoes of Guriy Nikitin in the Cathedral of the Holy Exaltation in Romanov (Nini Tutaev) (early 1650s) Yaroslavl, 1680). For the rest of Nikitin's boules, written and svyatkovy ikoni.

Rik 1666 became an uneasy, turning point for the Russian church. Nikitin is brave to take an active part in the main letters of the Arkhangelsk Cathedral. The images of the war-martyrs and fragments of the monumental composition "The Last Judgment" can be found on the peninsula.

ikonopis

The studio of the artist and the icon painter is located not far from the Epiphany Cathedral. Crazy, such a fact signifies the fate of Guriy in the list of the temple. Naybіlsh yaskravі drawings, іkoni Gurіya Nikіtіna for the cathedral are dated to 1667-1672 rr.

At the time of writing, he wrote folded cypress trees to replace the Queen Mary Illivny. The composition of the Bula is represented by such a rank, in the center of the images is the image of the Mother of God of Kazan, the right-hand man is Mikoli the Wonderworker, and Zliva is the Great Martyr Agripini and Evdokiya. And also boules with a set of icons for the Antiochian patriarch Makariy.

Even more richly ikon was written by Nikitin for the Assumption Cathedral. Among them: "The Last Judgment", "Znamennya", "Zixestya of St. Spirit "," Kazanska in miracles ".

By the rest of the work, the icon "Old Time Triune" by Guriy Nikitin for the Trinity-Sipanovsky Cathedral in Kostroma, written in 1690, will be used.

attributed to create

існує кілька artistic robot The authorship of which is attributed to Guriya Nikitin. However, the stench did not take away enough attributes. Prior to them, the "Feodorovskaya Icon of the Mother of God from the Opoviddyu" (1680), "Martyrs Kirik and Iuliti" (1680-і pp), "Exaltation of the Chrest" and the fresco of the Ipatievsky Monastery in Kostroma. For historical tributes, deyakі from them (for example, "Feodorovskaya іkona ...") є not in the hands of the artist's creations, but in a master restoration work in advance.

Guriy Nikitin is alive in the divinity that lack of love, but this family is not small in the family of spirits. That same iconographer did not accept tonsure. This solution has become a mystery to the artist for the fellows. However, at the memorial note to the family of Nikitin, the date of death of the father of the family is designated as the name of the Deer-schemnitsa. The presenters allow for the churchly name of the mother Guriya (Solomonida), who is already in abducted vіtsі went to the monastery.

In 1659, if Moscow needed a talanovit ikonographer for the registration of the Arkhangelsk Cathedral, from Kostroma, poykhav Omelyan Pushkarov. However, the new bully had ailing legs, and unfortunately they were sent back. In my opinion, I recommend a small group of maestro-fellow countrymen, in the middle of the bouv Guriy Nikitin. The artist successfully passed the attestation in 1660 and received the status of the iconographer of the 1st statute.

Guriy Nikitin Buv the elder (or foreman) of the Kostroma iconographers. Unimportant for a number of privileges behind the settlement, the artist put himself even more clearly to his robot and did not allow himself to be weakened, to work with colleagues on the shop floor and to go more. When decorating the Ipatian Monastery and the Church of the Prophet Illey, I independently picked up the contours of the Maybut frescoes, and preached it to the scholars.

Ім'я "Гурій" literally means "brute labor". The very same і buv Guriy Nikitin. Biography of yo urivchasti, if you help the fellows to apply to those who, the icon painter is pious and God-fearing people. Prior to writing, the icon was based on both artistic and spiritual aspects. Vidomiy vipadok, if he had begun to write the image of Theodore's Mother of God in Great Lent, first received the Holy Communion. Piznishe, in the period of a splendid course in Yaroslavl, the whole image of a diva is shown.

Guriyu Nikitin was not very familiar with the old icons and records. It was carefully put before the cultural and historical decline, which has taken such stylistic specialties ahead of them, as the great figurians and the streams of the ruhivs. To that, the artist's robots have become invisible.

Mysteriously proclaiming the name of Guriy Nikitin to the list of the great Order of Andrei Rublev and making a great inflow to the Russian iconography and rightfully deserving an honorable place in the line of mysters of his own.

season

Bagato masterpieces by Gurya Nikitina have survived to our days. The most significant and significant ones are located in the artist's fatherland in Kostroma. So, in a given hour in the Troitsk and Іpatiyevskiy cathedrals you can have an excursion and learn about unique memorials of Russian architecture and painting. The central place, vividly, was introduced to the view of the frescoes of Guriy Nikitin.

At home, not tied with the iconography. Batko yogo - Mikita Grigor'ev (sin) Kineshemets - " livelihood good thin". The death of a man in the sea 1653-1654 rr. Mother Iconographer Solomon's Volodya in the courtyard in Kostroma on Mshanskoho Vulytsia. Information about family Guriya (Nikitina) Kineshemtsev was registered in the sentinel knot of Kostroma 1664 r yaka included the data of the unpreserved census book 1646 The family lived on Bragina street of the Bogoyavlensky monastic bile. In 1664 r Guriy Nikitin mav a shop "for two individuals" in Salt Ryad, three kramnitsi in Ribny Ryad. Brother Guriya - Luka - by craft "Shevsky Karpachova". Kostroma was home to two twin brothers Mikity Grigor'ev Kineshemtsev - Fedir and Mikhailo Ivanov Kineshemtsev, who volodymy were in the places of shops in rib, fur coat and cloth rows, as the last time went down.

Whoever has Guriy Nikitin beginning to paint is unprecedented, but it is possible to allow, his talent manifested itself from the young rockies. The first seryoznі to fresco painting Guriy Nikitin added, mabut, in Moscow, pratsyuchi in the warehouses of the Kostroma art in such churches, like the Church of Traits in Nikitniki in the Moscow (China-Kremі (1653). Arkhangelsk Cathedral Keruvav Vidomiy Tsar's isographer (ikonographer) Simon Ushakov.before the records, there were received a hundred majstrovs from Moscow, Kostroma, Yaroslavl, Novgorod, Kaluga.