Khrutsky's still life paintings. Shcheb vryatuvati seven from zlidniv, Bilorussian artist Ivan Khrutskiy seen from holy glory

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June 27, 1810 - June 13, 1885

bilorian and russian artist, painter

biography

Ivan Khrutsky was born on the 27th of 1810 in the homeland of the Greek Catholic priest Fomi Ivanovich Khrutsky. Bilorus ..

Ivan Khrutsky took the middle painter's education at the Polotsk food school. In 1827 rotsi vin priyzhdzhak to St. Petersburg. Here, until 1829, he took lessons from the English painter J. Doe and immediately took up art at the Imperial Academy of Arts as a free-flowing scholar. Copy in Ermіtazhі. In 1830, Khrutsky joined the Academy of Arts. There, there were such majstrіv, yak A. G. Varnek, M. N. Vorobjov, K. P. Bryullov, F. A. Bruni.

In 1839, Ivan Khomich was born in St. Petersburg. In 1844, he added Zakharnichi's pockets in the Polotsk district (20 km from Polotsk), having spent a vivid project in the booth and closed the garden. Since 1845 Y. Khrutsky is permanently alive there.

Creative activity

Ivan Khrutskiy vidomy yak artist pratsyuvav in line with the Russian academic school. In the history of the painting, there are winners with their still lifes.

The first dates of the artist's studies - "Still life with a vase" and "Still life with a bird" - were dated until 1832 to rock. Khrutsky's main point of creativity in the center of the period is a robot over a still life, which I can name in official documents as “paintings of kits and fruits”. We have a group of similar robots in style - "Fruit and Bird" (1833); "Fruit" (one thousand weighing thirty chotiri); "Grapes and Fruits", "Still Life with Apples, Grapes and Lemon", which were inspired by the simplicity of the composition.

Nezabarom I. F. Khrutskiy has moved from the early productions, where there are only a few objects, up to the size of still-life-paintings with a folding composition, and once again the lifeless and versatile children; “Still life with a candle”, “Quite and fruit”, “Fruit, fruit, bit of game”, (all 1830s).

In 1836 rotsi for the painting "Quite and Fruits" І. Khrutsky Buv on the city of Academic Rada with a great silver medal. That zh rotsi yom bulo was assigned the title of a vilny artist "to respect for good views in landscape painting." Landscape painting Ivan Khrutskiy was engaged in stretching out some of his falsified creativity ("View of the Ulagina Islands in Petersburg", 1839; "View into the mattress", 1847).

Often the landscape served as a corruption in the portraits and genre scenes of the artist. So, in the most significant year of the 1830s - "Portrait of a squad with squares and fruits" (1838) - a young woman is pictured at a table lined with baskets of fruits, a decanter of water and a bouquet in a ceramic vase. The background for the whole stage is an osinniy landscape, vibrations in crimson tones. A similar composition, which is like a synthesis of genre portrait, still life and landscape, appeared in Khrutsky as a tribute to romanticism.

Yaksho robot I. Khrutsky's "Portrait of a Druzhina" stands closer to the academic one presented by such artists as K. P. Bryullov and F. A. Bruni; academic education, for example, from A. G. Venetsianov and especially V. A. Tropinim. In 1838 Ivan Khrutskiy was awarded a small gold medal for the still life "Quite and Fruit".

Spring 24, 1839 Y. F. Khrutskiy "for his insight into the portrait, landscape and especially the painting of fruits and vegetables" he was honored with the title of academician of painting. Three hours later Khrutskiy stopped painting effective still life.

In the history of Russian and Russian painting by I.F. Khrutskiy uvіyshov, nasamper, like a master of still life, the artist wants for his creative life the artist has opened a number of portraits, landscapes, inter'єrіv, writing іkoni.

Ivan Khrutskiy was born in 1810, born in 1810 in the place of Ulla Lepel, in the family of Uniatsky priest Fomi Khrutskiy, who came to Polotsk school in Polotsk navichki. Mozhlivo, even in the childish rock of I. Khrutsky showed an interest in painting, and mozhlvo, tseviyavilsya in the rock navchannya in schools.

Bilorusi did not have any chief pledges, It is possible to deny the idea of ​​an artist to a professional education, and the talented young of the zmushen Bula have gone to St. Petersburg, to Moscow or to Europe.

If in 1827 Ivan Khrutskiy arrived in St. Petersburg, he was already unfamiliar with Volodya Malyunkoy and having entered the free-going study to the Imperial Academy of Arts, and also after taking painting lessons from George Doe (1781-1829), English 1828 rock in Russia.

How many people know in St. Petersburg, we may not be homeless, but a ticket for the right to copy in the Imperial Hermitage in 1830 was issued “for the recommendation of Pan Academician Oleshkevich”. The practice of copying, as a form of science, is widely expanded in Russia, including in the Academy of Arts. I.F. Khrutsky successfully copied the creation of the old people of the European Mysteries of the 17th-18th centuries, Osmislyuyuchi dosvіd of the European classical art, use the navichki, take the leaves, rule the composition.

It is also possible to let the young artist learn about the methodology of the Victorian artist and teacher A.G. Venetsianov (1780-1847). In the Venetian manner, Khrutsky's painting is also reverently placed before the new object light, which the artist can depict in all the details he finds.

Even more abundant in the works of I.F. Khrutsky was pondered over at the Academy of Arts. Smooth, glazed manner of writing, dominant local color, static frontal composition in still lifes, in the center of which, as a rule, a written bouquet of yaskravikh, illusory typified, garden pictures. Composition and coloristic solutions, malovnich and illusionist style of painting objects in yo still lifes, the first for everything, from academic "studios and fruits". In 1836 Ivan Khrutsky finished his studies at the Academy of Artists, having rejected the title of a non-class (vilny) artist and a great medal for the painting "Quite a few fruits" (nini in the State Tretyakov Gallery, version in the National Art Museum RB). In 1837, the artist was brought into being by Emperor Mykola I for years on a golden lance "in a zahochennya to the farthest prats." In 1838, for the paintings "Kviti and Fruits" and "Old, Patching Panchoh" (offense in the State Tretyakov Gallery) І.F. Khrutsky was awarded a small gold medal of the Academy of Arts.

The robots of Ivan Khrutsky in 1830-1840s were shown at the shows of the Academy of Mysteries, were played in the lottery of the Petersburg Association of artists who were attracted by the great popularity of glances, which were found in a sacred and expressive color, and representational. The artist, having trimmed off a lot of substitution, stars such a great number of options and repetition of his still lifes. І. Khrutskiy knows his theme in the arts and crafts in the first half of the 19th century, in the first half of the 19th century, we will shrink and most demand. Winniest and Samy "Buy" Meister to Still Life of the 19th Century in the Russian Empire.

Canvas I. Khrutsky's 1839 rock "Still Life with Binoklem" was more popular among the fellows, but the artist repeated it more than once. On this year's vidomo there is a repetition with different names: "Fruit and Svichka" (National Art Museum RB), "Still Life with Binoklem", "Still Life with Svichkoyu". The traditional glechik in the center of the canvases is supervised by us on the wicker canvases from vines, cats with grapes, Likov is a box with apples. A dimlyacha cigar and a binocle in the foreground, a candle is lit to indicate the presence of people in the surrounding space.

In the introduction of new principles of still life painting I. Khrutsky, madly, orієntuvavsya and on the singing of the European painting of the XVII - XVIII centuries, for example, a traditional motive Dutch still lifes- a lemon sourced from a spicy zest, a spiral snapping from a stylus, a glass half-filled with water. The artist's gift to organically unite the hostility from the classic still lifes with new meaningful accents most clearly manifested in the still lifes of the 1830s - "Fruit and Dinya", "Quite and Fruit" (1839), "Trojand and Fruit" (1839), "Trojand and Fruit" (1839).

Ivan Khrutskiy, who was shaped like an artist in the tradition of the Russian painting of the first half of the 19th century, at the same hour opened a new reading for painting a still life, transforming into a new one the tips of the European still life.

U 1839 rotsi I. Khrutsky, having cut off the title of the Academician of the Imperial Academy of Mistresses "for the new practice in portrait, landscape and especially in the painting of fruits and vegetables"

This is also a series of portraits of women that are perceived as subtle feelings of warmth and love in the interpretation of images. In these portraits, the artist organically shares the romantic manifestations of the ideal that are characteristic of the hour. An important role in the cich portraits was introduced to a still life ("Portrait of an Unknown". Mid-1830s).

"Portrait of an Unhappy Woman with Quits and Fruits" 1838 Rock - more ceremonial in composition, mood and coloristic accents, the canvas, in which I.F. Khrutsky is home to picturesque events and finishes. The painting itself became a visit card not only of the artist's collection in the National Art Museum of the Republic of Belarus, but of the museum as a whole.

Singing infusion on creativity І. Khrutsky was shattered by the mystery of the European Bidermeier. In the culture of the Biedermeier era, a new type of artist has been requested, which has taken a link with academic art and inspired his creativity to feed a wider public.

Painting Biedermeier attracted interest to see the child. Tsiy temi met tribute and artist Ivan Khrutskiy. At the “Portraits of a Girl in a Blakitny Platty” of the mid-1840s, the artist will see the canon of a representative salon portrait. The little girl is pictured in a povnyi zryst, in a shabby platte, in a park. The handler is a dog, an innocent companion, whose presence is to add a potion to the composition. The portrait "Cotton in a straw drip" (Kinets 1830 - an ear of the 1840s) is presented in a larger composition and coloristic streaming.

One of the primary motives for the creativity of the Bidermeier mayors is that they are scenes and portraits in the interior. At Khrutsky's canvas “At the rooms of the artist’s sadibi. Children in front of the easel "(1854-1855) in the realm of the details of the situation, the details of the pobutu, life, the naturalness of the imaged space, the organic presence in new children see the world of love to the family, home vognisch.

From the beginning of the 1830s, he was an artist of requests and a portraitist. Youmu replace his portraits of rich people from Bilorus, Russia, Lithuania. In 1838, there were several writings "Portrait of Yosaphat Bulgak", the Uniatsky metropolitan, who lived at the same hour in St. Khrutsky “Portrait of I.I. Glazunov ", the best Petersburg book reader.

In 1839, the artist's father died. Ivan Khrutskiy, as the elder son, fell for the share of his mother, brothers and sisters. It was because of the temptation to leave St. Petersburg, even though it was widely seen and requested, and sent to Batkivshchyna, to Bilorus. In 1844 rotsi I.F. Khrutsky, having added Zakharnichi's mauettes not far from Polotsk, having stayed at the booths, vibrating a room, take to the architecture of the first half of the 19th century, in 1845, having become friends with Hannah Ksembergovskaia ... Three hours before the end of his life, he is alive and working in Batkivshchyna, for a vignette of ten years from 1846 to 1854-55 Rik, if he worked at Vilno for the replacement of Archbishop (from 1852 - Metropolitan) Josip Semashko. Seemingly, at Vilno Khrutsky wrote the icons for the iconostases to the Oleksandr-Nevsky Cathedral in Kovno (Kaunasi), the cavernous church of the three martyrs near Vilno, the church of St. Josip the Betrothed in Trinopol. In addition, win vikonuvav for I. Semashko copies from the works of European artists, landscapes, Vilno and outskirts. For the replacement of Archbishop I. Khrutsky wrote 32 portraits (all of one size) of a spiritual title, in which only one was taken for the current day, "Portrait of Vikentiya Lisovskiy" (1847), іnromonakh, spiritual father І. Semashko, a portrait of the archbishop himself, and in 1854 a portrait in the inter'er - "Metropolitan Yosip Semashko heard from his office an additional secretary" (nin in the State Russian Museum).

In tsі rock, tenacious in Vilno and Zakharnichy, we write portraits, landscapes, still life, inter'yri. In the still life of 1954, the rock "Beat game, vegetables and mushrooms", the traditional composition of the composition, the artist is more pragmatic to the greater subject-by-point concreteness, less pomp; it is possible to allow, scho still life of writing from nature.

About documentary testimonies i artists, Krim "Self-portraits" in 1884 will go to the State Russian Museum (St. Petersburg); Remaining rocky life of Ivan Khrutsky, we do not know.

In 1985 rotsi in the National Art Museum of the Republic of Belarus ( Todi GKhM BSSR) Bula is organized by the Persha and the pooky dina is a personal show of the works of I.F. Khrutsky from the most famous museums in Bilorus, Russia, Lithuania, Poland, Latvia, and private celebrations. Buv published an album-catalog, which has become a bibliographic ridkistyu, in a frame of statistics with new biographical views and an analysis of creativity, boules are included practically all see at that moment create an artist.

In 2009, at the National Art Museum of the Republic of Bilorus, the exhibition of works by Ivan Khrutsky, the greatest still life master in painting of Bilorus and Russia of the 19th century, was expanded. "Ivan Khrutskiy himself, in honor of the still life as a genre of great art, he himself was alive in the Russian artistic middle, the ideal of the high still life of the classical epochs" 4.

T.V. Alexeva. Artists of the Venetsianov school. - M., 1982 .-- S. 132.

Josip Ivanovich Oleshkevich (1777-1830) - Bilorussian, Lithuanian and Russian painter, portraitist, academician of the IAH. Entering the nest of the otochenna A.S. Pushkina, A. Mitskevich.

3 Indicator before the "Collection of materials for the history of the Imperial St. Petersburg Academy of arts for a hundred years of knowledge" / Ukladach A.Є. Yundola. St. Petersburg, 1887 .-- S. 333.

Ivan Khrutsky. 1810 - 1885. Album - catalog / Aktari - skladalniki І.М. Panshina, A.K. Resina. Minsk, 1990.

4 Bolotina I.S. Still life in Russian painting of the XVIII-XIX century. Abstract dis. ... a candidate for mastery. - M .: MSU im. M.V. Lomonosov, 1971.

Fruit and Dina. Become a friend. 1830s.

A variant-repetition of the painting "Quite and Fruits" in 1836 is located in the State Tretyakov Gallery, for the yak the artist has trimmed the medal.

Canvas, ol_ya. 49 x 67. To the right along the edge of the table: I. Khrutskiy

Fast. In 1955, the funds of the House of Artists. Earlier Zbori V.M. Mazovia. ZhB-5

Still life. Quite a few fruits. 1839.

An option-repetition of the picture under the name "Quite and Fruits" is located in the State Russian Museum.

Canvas, ol_ya. 49 x 66.4. Zliva Below 1839 Khrutskiy

Prydbannya shares. in 1964 at M.D. Tsireshkina. M. ZhB-9

Fruit and a candle. Kinets 1830 - hon. 1840s.

Variant-repetition of paintings of 1839 "Still life with binoklem" (National Museum. Warsaw) and "Still life with svichkoyu" (zbori L. Tsurkis. L.) The picture was repeatedly repeated.

Canvas, ol_ya. 66.5 x 87.7. Bottom right: I. Khrutskiy

Prydbannya shares. in 1957 at O.K. Treskin. M. ZhB-11

Quite a few fruits. 1840.

The option is repeated under the name "Fruit" to be located in the State Russian Museum.

Canvas, ol_ya. 71.5 x 89. Bad luck on the wall: I. Khrutskiy 1840

Prydbannya shares. in 1968 at F.E. Vishnevsky. M. ZhB-13

Bit of game, vegetables and mushrooms. 1854.

Canvas, ol_ya. 54.2 x 71.7. Zliva below: I. Khrutskiy 1854 .

Written on the pidramnik: zibr. Khrutskaya-Makiyivskoy.

Prydbannya shares. in 1963 at B.N. Gribanova. M. Ranishe zbori Є.І. Matsiyevsky. L. ZhB-21

portrait of a nevidomoi s kits and fruits. 1838.

Canvas, ol_ya. 80.2 x 112. Bottom right: Khrutskiy 1838

On zorotі: written: із 'gathering Stan. Ant. Bilvin '; sticker with text:

Vlasnoi. Stroganova Cl. M.

Prydbannya shares. in 1960 at K.M. Chulanov. L. Ranishe zbori S.A. Bilvina. P. ZhB-6

Portrait of I. Bulgak. 1838.

Canvas, ol_ya. 100.7 x 80. Bottom right: M: Jan Chrucki 1838 Pridbavshi. in 1957 at A.M. Shuster. L. ZhB-7

Portrait of a lad in strawdrops. Kinets 1830 - hon. 1840s.

Canvas, ol_ya. 66 x 53. Evil below: I. Khrutskiy Pridbavshi. in 1957 Yu.V. Nevzorova. M. ZhB-12

Portrait of I. І. Glazunov. 1843.

Canvas, ol_ya. 83.8 x 67. Evil below: I. Khrutskiy 1843

On the bell it is written: Glazunov 'Ilya Ivanovich' born. 13 July 1876 p + 20 Fierce. 1849. Reproduced 'The dictionary ± Rovinsky volume' І ї p. 567.

Prydbannya shares. In 1954 A.V. Gordon. M. ZhB-16

Pictured by Ilya Ivanovich Glazunov (1786 - 1849), one of the representatives of the most trade and type of Glazunov family in Moscow and Petersburg, which was developed from 1782 to 1917 r

Portrait of V. Lisovsky. 1847.

Canvas, ol_ya. 45 x 35. Wicked down on the sleeves: pinxit Joan Chrucki 1 847

On the sound of the dubbing canvas it is written: On the original canvas it is written: Vikentiy Lisovskiy writing Ivan 'Khrutskiy. one thousand weight one hundred forty seven years' .

Prydbannya shares. in 1987 at A.P. Ivanchenko. L. Ranishe zbori L.M. Rosenfeld. L. ZhB-19

Image by Vikentiy Lisovskiy, ієromonakh, spiritual father of Archbishop Yosip Semashko. He lives in the Troitsky Monastery near Vilno.

Ivan Khrutsky - the most recent one and at the same hour the most unavailable bilorian artist... I know everything about the picture. Shche b pak - a fragment of one of still lifes of Bilorus skin for a day trimmed in the hands of a few times. Adzhe same vin of rozstasovanii on a thousand denominations. At the same time, it is possible to guess yogo im'ya. "Do not know the love" - ​​this is the name of this master, for those in Khrutsky's biography and creativity of the simple riddles and great beaches.

Until the end of Bilorus, Khrutsky didn’t have a zhodnogo canvas

Vlasne, and they saw an artist for the Bylorus only in the play of rock. Legendary Olena Aladova, see the Ninish Art Museum, picked up a collection for a new collection, put her own hands to turn Khrutsky's canvases to Batkivshchyna. Adzhe Vin Buv is one of the non-bogey artists with a "pure" Bilorus biography: born in Bilorus, alive in Bilorus, died in Bilorus. For 30 war years, Olena Vasylivna has got used to wikupiti at the private collections of 25 Khrutsky's canvases.

Viyavilosya, scho buy paintings simpler, lower z'yasuvati details of the stem. Nineteen centuries, in which the artist lives (born in 1810 rotsi, died in 1885 rotsi), in the epistolary era, one hour, if memoirs were written, help me. Daguerreotypes appeared in the 30s, and everyone rushed to take pictures. Pislya Khrutskiy didn’t have a lot of money, no photographs, no spogadiv.

Zata Khrutsky was spared in іnshomu. Some of the artists were left behind, but not overflowing with pictures. And Khrutsky's painting saved more than 100 canvases, - the patron of the director of the National Art Museum Nadiya Usova was singing. - It means - they loved, took care of, cherished.



Bit of game, vegetables and mushrooms. 1854 RUR


З піарів - in artists

The eldest sin of the Uniatsky priest, in principle, is guilty of keeping the father right. For the first time in 10 years, they lead from the native Usai to Polotsk in the lyceum of priest - a black order, which is to take care of the young people. Osvita was given blisky there, and they taught mathematics, physics, metaphysics, Latin, rhetoric, and verse. True, the Russian language for Polish-speaking scientists is like an earthly one, but it is a French and German language.

Ale in 17 years, Ivan virishutsya yykhati in St. Petersburg, sob reading the artist. Why does St. Petersburg, also have a university with a department of arts? It is disgusting to speak Russian yunak go to the capital, yak, yak vidomo, no check. Pidtrimuvv yogo htos, chi buv in a new patron or a patron, nothing seems to be the case. Ale, judging by usyogo, brought you a lot of sickness.

Polish presenters took up the artist's oncourse not too badly until his death. Ale 84-rychny old man having seen їm shvid more familiar legends, nіzh facts. For example, when Khrutskiy in Petersburg became brothers of lessons from George Doe, a brilliant English painter, who asked for requests to the Winter Palace for painting 327 portraits of the heroes of the 1812 fate. What diva give you cotton lessons from Polotsk? Shvidshe for everything, Khrutskiy simply pidnosiv English farbi. We will learn that in the Academy of the Mistresses we will find it "outside".

Ale is a young Lyudin, it looks like Volodya has a strong character and uncompromising ambitions. If you want to see it, you need to make money, and you need to make money, you need to know how to make it. Well, over the past 200 rockets, nothing has changed.

The sounds of Ivan Khrutsky know in the middle of fellow countrymen, as they ruled in Petersburg. Academician of the Academy of Mistresses, gentry of the Minsk province, freemason and good-natured Ezef Oleshkevich, having broken through the first announcement to Hermitage, which has not yet been bought by a museum. You can eat in the royal palace only if you recommend.


The master of the Russian still life

It’s worth trying to copy the Dutch still lifes, and adapting the academic relish and romantic tendencies, ”Nadiya Usova said.

With an unobtrusive still life, the artist Ivan Khrutskiy went out to decorate the saloons and the capital's publications. At the same time, while the genre of still life was already in the West, Khrutsky turned the fashion on them and became a lawmaker. Youmu get to work on 6-7 repetitions of the skin still life, the stink flooring is becoming popular. So to come, the first few pennies and the first knowledge. For the still life "Quite and fruit" I will take away the first city - a small medal of the Academy of Arts. First in 26 years. After two rockies, the new gold medal is still small. It was overlooked to the great gold medal, and the world of any Russian artist of that hour was scattered. Volodar of gold medals once claimed for a number of rockets in Italy for a state-run rakhunok. The Academy of Mistresses created a program for the artists, written on the basis of the robotic stench of guilt, and it was necessary to supervise the Batkivshchyna. It was the same in Italy after having spent time with Oleksandr Ivanov, writing there "The Appearance of Christ to the People" for 20 years.

Alecim grandiose plans have not been judged to be fooled.

Father rescued from monastic shackles

Father Khrutskiy Thomas Khrutskiy made a speech against the union of the Uniat Church with the Orthodox Church. Prior to the speech, one of the initiators of such an arrangement is Bishop Yosip Semashko, who, for the most part, I mean the role of the artist's share. On the arrival of the priest Khrutsky, a rev_z_ya immediately burst upon him, they put a bag on him and send water to the monastery, as they did not send the priest to the prison.

Ivan Khrutskiy immediately writes a leaf to Metropolitan Yosaphat Bulgakov, father zvilnyayut. And Ivan, obviously, on the sign of a sign for the whole zonnennya write portraits of all the critical Uniatskoy church.

Ale yak only in 1839, the rotsi uniatska church was defiled under the fence and the priest Thomas Khrutsky appeared without coming, he died. The mothers and five young brothers and sisters of Ivana are overwhelmed. Guilty of taking all the turbot about the family. Goodbye, Italia!

At 29 years of age Ivan will be called by the Academician of the Academy of Arts "for the advice in portrait, landscape and especially in the painting of fruits and vegetables". The price of the call was given by the nobility, and not only a special person, but spadkov. Khrutsky became, in essence, a two nobleman, and at about the same hour he was given the title of nobility of the family. Pidtverdzhennya nobleman I will stand at the gentry Russian empire thirsty for the insurrection of 1830 fate.

Ale scho robiti with sim'yu? Having taken the young brothers to St. Petersburg, de bouly sisters and mothers, unavoidably. Mozhlivo, lived by relatives. Khrutsky pratsyuє duzhe bagato. For three rocks, he painted 21 portraits, so skinny 2-3 months. Today such people are called workaholics. Moreover, we write strong wines to the eye of the city's head of St. Petersburg, for the vidavtsa Pushkin and Lermontov Illy Glazunov. Yom still needs a penny.



A fragment of one of Ivan Khrutsky's still lifes on a 1000 ruble bill.


Deputy of Italy - Zakharnichi

I axis in 1844 rotsi, in 34 rocky, win kupuє pid Polotsk land. Only an Orthodox, a Russian nobleman is entitled to such a purchase in those hours. Khrutskiy will be a booth on the birch of the lake for a vlasny project, breaking up the garden, and then it took over. An artist, and here I am making a call - I paint portraits of vatages of the nobility of the Vitebsk province, the Polotsk province, the Lepel district ...

Through the rik, make friends on the Susіdіtsі Anna-Katarіnі Bembnovskaya and ... not a bargain їde. That Samy Bishop Semashko I ask him to arrange an archbishop's office in Vilno, write a porter for clergy.

Khtos іf prelіdnikіv vvvazv, who Khrutskiy having spent in bondage, - rozpovіdaє Nadiya Usova. - For the sake of good luck. Winner of a patron of the arts, who regularly gave him a substitute, having given him a living and a penny.

Singingly, there are ten rockies, as an artist, having lived on two booths, and explain why the new boulevard has only two children. Through the rock Semashko before his death "vidpuskak" Khrutsky. Win turn to Zakharnichi and change to a spokesperson. Vin is actively involved in the government, he wants to continue painting portraits of children and his beloved fruits, mushrooms and vegetables. But we don't see much of that period in the region.

I have my own version of what has become so. In the first place, in the 30s the daguerreotype appeared, and everyone rushed to take pictures. On the portraits, I have never had such a drink. And in a different way, passed insurrection curve 1863 rock, yak tucked bagatokh landlords - who were sent, someone was shot, htos emigruvav. Ale is apolitical and loyal Khrutskiy didn’t take part in the new one. They just stopped giving me a loan.

Remaining twenty years of life Ivan Khrutskiy provin in general abandonment. Vin, melodiously, did not know that he bought a still life at one of the auctions from Moscow for his gallery Tretyakov himself. And drinking before Tretyakov meant the insight of the insane artistic worth of the picture.

Before his death, Khrutsky wrote two self-portraits - for his son and daughter. Tse is one of the artist's images, as it came to us. On his death in 1885, the obituary for the death of the Academician of the Academy of Mistresses did not appear either in Polotsk, or in Vitebsk, or in Petersburg. Outside zabuttya.

Spadkoєmtsi of the artist lived in Zakharnichi in the 20s of the last century. Pislya maєtok bulo natsionalizano, booths zgoriv, ​​storeroom zesli, grave of Ivan Khrutskiy znikl. The memorial stands at the place of honor of the great-granddaughter.

riddles of the artist

Nevidoma with kits - a squad or a sister?

The charming female portraits of Khrutsky bezlich. Ale is still a mystery - hto tsі women. It is a bit of a mystery to marvel at why, on one canvas, a mitez does not represent his squad, he wants to write to all his relatives.

Ale zadovgo until he got married, having written all hour one the same woman, as we know well from the picture "Nevidoma with Quits and Fruits". Є won on yogo canvases as a little girl, mature, vagitnoi, old. At the homeland of the lands of Khrutsky, there is a legend alive, well, after all, the yogi squad, as he knew the 8th girl, and if he stayed with the little boys, he became friends with them. Ale, I let it go, "Nevidoma" is the youngest sister. I all girls-women on their canvases in the images of "beautiful gardeners" - the yogh sister. Aje stinks are similar one to one.

I don't know Khrutsky who wrote a lot of ten years - young ...


... young and ...
... grew up.