Antonio Vivaldi pori rock winter description. Spring in the classic music

Cycle of chotir'oh concertos for violin solo and orchestra.

Spring

Axis Came Spring (3)

SPIV PTAKHIV (4)

Ptahs are happy to wind the spring with a cheerful spit, (5-6)

і devilishly in the lower whisper of marshmallows, it is easy to spill over here and there, (7)

and at the end of the hour, the haze is bottled in every hour,

scho the birds need to be zamovknuti. Come new euphonious charm: (12)

there, on a flooded puddle, to foster a look, a little lower whisper of leaves and herbs. (15)

Sleeping SHEPHERD (15)

Sleep the shepherd, but the order of the dog is a true dog. (15)

Vin grumble angrily - yomu ajhe all hour is brought to voice barks. (15)

From the sounds of the shepherd's wolf and from the shining cover of spring, the merry nymphs and the shepherd dance. (eighteen)

Shepherd's Dance (18)

lito

LITNYA znemogi (31)

Leave the trivial hour of fate - it's time for a hot dream, - people grieve, flock herds, pine trees burn. (31)

Turtle Doves (38)

The axis of the turtle-dove in the garden is ready to fold its own songs. (38-39)

Nіzhno vіє zephyr. (40)

ПІВНІЧНИЙ ВІТЕР (41)

Buremni vіtri (41)

Ale raptom Borey is closing the super-spline with his own susid. (42)

SKARGA peasant (44)

The young shepherd will mourn his lot, because he is afraid of the rough huts, which will encumber the flock. (45)

It hurts my legs and arms, and I feel comfortable, because of fear I think about blizzards, about terrible thunderstorms, about grim flies and gadflies! (50)

FLIES І Ovid (50)

Burhlivo LITNYA PORA (53)

It is no wonder the villagers are afraid. It’s getting beaten up: to make up my face, to sing the blinks in the sky, and the axle was already beaten by a hail of ears, more grains. (53)

Have a curl and gurkit. (57)

autumn

Dancing and PISNI settle (72)

Sacred villagers with dances and songs. (72)

The joy has come from the chosen one. (72)

ONE drunk (75)

Bacchus' volos have styles of fun! (75)

І ALL DRINKS (76)

AXIS CHEY VIPIV! (80)

Spitting P'yaniy (83)

Burkhlive sacredly end with a blissful dream. (83)

Sleeping P'YANI (86)

Everyone wants to see from there, dance, dance. An unhealthy food to bring malt. (86)

For an hour the rock is getting more and more and more and more cliche, we feel the liquorice sleep. (86)

Myslivtsi from early rush to the meadow, with towels and carabiners to sleep in the wild.

Everybody is alive to hide, to the sound, and to the misleading, to re-listen. (96)

Back in the hijack (96)

Yogo whistle. The axle is already wounded, the victim is overlapped, and it is blocking and playing the barking of the dogs, and the shooter from the rushnitsa. (96)

STRILBA Z towels and barks of dogs (96)

WILD ZVIR I GINE (101)

Win is weak, very weak, in the world, in winter. (101)

winter

Tremite frozen mandrіvnik under cold snow. (106)

ZHAKHLIVIY VITER (107)

Suvoro dme terrible viter (107)

NOISE ВІТРУ (113)

People run around, all hour dulling their feet against the cold, (109)

I would like to be wrapped in wool, not to eat one tooth for a tooth. (117)

Smell to kick your donkey: it is also so nice and peaceful to fire in the fire, while they were angry, they were running the booth behind the walls. (123)

People walk on the ice of the river. (126)

GO CAREFULLY, with the beaten and full of crocus, respectfully quit, do not bother and do not fall. (128)

Varto, speed up the croc chi, turn around with a sound, as you skip and fall. (128-129)

PADINNYA ON THE GROUND (129)

Ale people go shvidshe, left the ice without shaking and not seeing the splinters. (132)

PIVDENNO-SHIDNIY VITER (133)

See, if you go outside the door, how to dim Sirocco, Borey, and all the three are fighting among themselves. (135)

Such is the winter, ale and won’t bring joy. (138)

We will fall in love with the genre Antonio Vivaldi (bl. 1678-1741), who was nicknamed "rudim priest", having a concert, with the power of svyatkov_styu, blisky, great touch, - in a word, style, rooted in a wide, versatile and spragly yaskravich feud audit.

12 years old in the Vivald family, having replaced his father in the short orchestra, and in 15 years he took a black dignity. In 25 rockies Vivaldi became the first violinist of his native place - Venice, ten years later he became one of the most famous composers of Europe. Black dignity allowing Vivald to become a musical reference book of the Ospedalle della Pieta woman conservatory. Todi in conservatories began to build up to music for children from 7 to 18 years. The main features of the conservatory are the preparation of personnel for the opera house: spivak, spivochok, orchestra students, composers. Vіvaldі vikladіv vikhovankam spіv, gru on harpsichord, violin, flute, general bass and counterpoint (written music). However, the heads of the robot have lost their performances to the Conservatory Orchestra, or, as they said, drops. In the orchestra we played a lot of girls. From the critical Vivald, the stench reached such a majesty, which at the beginning of the hearing came from the best children of Europe. The composer himself played with the chapel as a soloist-violin and a concert hall for a great number of concerts, more than 450.

Concert creativity of Vivald has become a member of the instrumental music the baroque style (baroque - "wondrous", "chimeric" style). Bagato Concerts Antonio Vivaldi Mayut the Program - it’s called or to find a literary dedication.

The cycle "Pori Roku" is one of the earliest shows of the programmed orchestral music. Pori roku (Italian. Le quattro stagioni "Chotiri pori roku") - the first chotiri from twelve violin concerts of the eighth opus, one of the most famous creatures and one of the most recent musical works in the baroque style. The concerts were written in 1723 and were published for the first time two rockets, after that, in 1725, in Amsterdam - the singer Michel Le Tsini. A leather concert of dedication to one rock and consists of three parts, similar to the skin month. The composer presented a sonnet to the skin with concerts - a literary program of his own. Transferred, by the author of the verses є Vivaldi himself. It is necessary to add that the paradigm of the baroque artistic imagination cannot be intertwined with one sense or the plot, and the transmission of the slightest sense, pretensions, symbols. The first to ask for an allusion - chotiri vіku people, from the people to death (the final part is to take revenge on the unprecedented tension on the rest of Dante's inferno). Nastilki, there is a lack of tension on the chotiri of the region of Italy, but on the sides of the light and the path of the sun across the sky. Tse shid (skhid, Adriatica, Venetsia), noon (sleepy, hot pivday), pesny zhid (Rome, Latius) and winter (cold in front of the Alps, with frozen lakes). But in the whole zmіst cycle they are meaningfully rich, but it was clear to any modern, well-known hearer (div. Philip Bossan, "Louis XIV, the king-artist", "Mezhi Olimpu"). At the same hour, Vivaldi can be reached here from genre and straightforward imaginativeness, but not to humor: in the music of the presence of dogs, the sound of flies, the roar of a wounded animal, etc. masterpiece.

Ale Vivald gave the musicians a more detailed program. In the score, in the parts of the soloist and in the parts of the third instruments, the explanation is not only to the skin news by those, Ale і to the action of short musical phrases: the stench to clarify the zmіst, bringing in new energy and humor. Chotiri concert cycle - "Spring", "Lite", "Autumn", "Winter" - barvistically paint pictures of nature. Vіvaldі into the distance to transmit in the music of spіv ptahіv ("Spring", in the first part, "Lito", in the first part), a thunderstorm ("Lito", in the third part), importantly without falling ("Winter", in the other part), noise vіtru. The virtuosity, the technical foldability is not in the ears of the listener, but has taken the root of the image, so that it will be remembered.

Kozhen from chotir'oh concerts are composed of 3 parts, contrasting between themselves: shvidko-povіlno-shvidko.

1 Concert No. 1 in m major "Spring", RV 269
2 Concert No. 2 in sol minor "Lito", RV 315
3 Concert No. 3 in F major "Osin", RV 293
4 Concert No. 4 in fa minor "Winter", RV 297

Concert No. 1 in m major "Spring", RV 269

1 Allegro. Spring has come

2 Largo e pianissimo semper. Sleeping shepherd.

3 Allegro, danza pastorale. Silsky dance

Spring is coming! I am happy to see
Nature. The dream is warm,
Dzyurchat the streams. І svyatkovy news
To distribute Zephyr, like a miracle.

Raptom nabіgayut oxamitі khmari,
Yak blagovist sound heavenly gram.
Ale shvidko can see the whirlwind,
I chirps again in the open space.

Quitiv dikhannya, rustle of herbs,
The nature of the mri.
Sleep shepherd boy, statute for the day,
І bark ledve sensitively dog.

Shepherd's wolf sound
To fly over the bows,
I nimph of dancing charms
Spring raztsvіchenі wondrous exchanges.

Concert No. 2 in sol minor "Lito", RV 315

1 Allegro non molto. Spec. Allegro. Zozulya. Gorlinka. Zephyr. Boreas. The crying of a peasant.

2 Adagio - Presto.

3 Presto, tempo impetuoso d'estate. Summer thunderstorm.

In the fields, the flock is wandering.
From the heavy, suffocating spec
Guardian, everything in nature dries up,
We all live on with the spragoy.

RAPTOM NALITAK PRESTRIAN AND MAYBOY
Borey, calm quiet calm.
Nearly dark, angry gnats.
І weeping shepherd boy, drowning in a thunderstorm.

In view of fear, bidny, head of the world:
B'yut bliskavki, gurkoche grim,
I stigle ear of virivaє
Thunderstorm stabs mercilessly.

Concert No. 3 in F major "Osin", RV 293

1 Allegro, ballo e canto de'villanelli. Dance and song of village boys.

2 Adagio molto, Ubriachi dormienti. Sleeping p'yani.

3 Allegro, la Caccia. Poluvannya.

I am sacred to rustle the villagers.
Cheerfully, smіkh, incendiary pisen dzvin!
I Bacchus sik, set fire to the roof,
To blame all the weak, give a licorice dream.

And the decision to pry the prodovzhennya
Ale spіvati and dancesuvati still carried.
I, completing the joy of nasol,
In the best dream of all zanuryu nich.

And vrantsi on svitanka jump to the pine forest
Myslivtsi, and with them geri.
I, next to know, let the hounds go down,
Recklessly zvira to marry, to surmount in rіg.

Perelekanija zahlivy gamor,
Wounded, scho weaker utikach
From psіv to torment to live for the first time,
Ale often guine, nareshty.

Concert No. 4 in fa minor "Winter", RV 297

1 Allegro non molto

Tremtish, freezing, in a cold snow,
On the first day of the week, the sickness began to accumulate.
With cold teeth knocking on the big
Pounding with your feet, you can't get away

Yak liquorice in a calm, warm and quiet
From the evil scoundrels, get caught up in the winter.
Stone fire, reminiscent of mirages.
I froze souls with peace of mind.

On the winter expanse of the radio people.
Having fallen, having licked, and kitten again.
І radіnо sense, yak rіzhetsya lіd
Let's go with a conic, scho zaliz of fetters.

And in the sky, Siroko z Borі zіyshlisya,
Ide is not on the heat, there is a battle with them.
I wish it was cold and the hurtovina didn’t stay away,
Give us winter and our own nourishment.

For the first parts of his concerts (shvidko) Vivaldi having set up the form of a rondo. Head topic for tutti to turn at the viglyadі refrain, swallowing with solo episodes of the developmental type. Thematically, the stench is tied with a refrain, pozichuyu in new material; But here, in episodes, those of the completed budov and razchinyayutsya in sequential-figurative movement. The theme is reliably emphasized by episodes, but it is a flowing, ruhomous background, not very imaginative in nature.

Written in 1723, a cycle of 4 concerts "Four Seasons" was created by Antonio Vivald, one of the most popular music creations of the Baroque era. Spring is the first concert from the cycle "Pori Roku".

At the first part of the famous cycle of concerts Vivaldi "Pori rock" for additional music celebrity composer Having hung up the whole month of spring, create three superlatives with joy, barvyly describe the manifestations of nature.

The sonnet, which is superbly conductive to beautiful music, Vivaldi is also divided into three parts: in the first appearance of nature, sounding from the winter full, in the other, a shepherd is sleeping peacefully, and in the third - a shepherd dancing with the nymphs under the veil of Spring.

Concert No. 1 in m major "Spring", RV 269

For the idea of ​​\ u200b \ u200bwald the skin season, the singing region of Italy is brought up and for the spring, the romantic Venets and the shores of the Adriatic, de especially beautiful sea landscapes and the dream of waking up from the winter slicker land.

Sonnet:

Spring is coming! I am happy to see

Nature. The dream is warm,

Dzyurchat the streams. І svyatkovy news

To distribute Zephyr, like a miracle.

Raptom nabіgayut oxamitі khmari,

Yak blagovist sound heavenly gram.

Ale shvidko can see the whirlwind,

I chirps again in the open space.

Quitiv dikhannya, rustle of herbs,

The nature of the mri.

Sleep shepherd boy, statute for the day,

І bark ledve sensitively dog.

Shepherd's wolf sound

To fly over the bows,

I nimph of dancing charms

Spring raztsvіchenі wondrous exchanges.

Tsikava is not only the old-fashioned baroque form of the musical concert "Spring", but the solo sounding of the instruments: the lower sounds of the violin change with the trembling oboes, the bass step in step, imposed on the melody there, the "flash" appears.

The melody in the first part of the spring cycle - Allegro - often changes the rhythm, breaks up, readily "to the voice and trill of birds", "dzyurchannya strumka", the lightness of the wind. Another part - Largo - is melodic, on the protest of the sound of music, a three-layer texture is promoted. The upper layer is the melody solo of the violin, the sound and the troubles. The middle ball of the invoice is accompanied by the quiet rustle of leaves and grass, the sounds of monotonous and kindly sound with the bass of the third ball - rhythmic, which imitates the ice sensitively "yapping of a dog". The third part of the cycle is based on the tempo and dynamism of sounding nagaduє pershu, but here there is also a rhythmically galvanized sound in the skin melodic weakness. The lead hero of the Vesna Vvaldi cycle is vibrav a solo violin, dividing the leather "misyats" into three stages: exposition, development and reprise.