figurative words




Dzherela of wealth and variety of Russian movi

  • The imagery of artistic movement is attainable in special imaginative (literary and stylistic) ways: paths and stylistic figures.

  • stitches- tse figurative movnі zvoroty, in which words і virazi are implanted in a figurative meaning. The transference of the meaning of words is established on the basis of the presence of two appearances and to live in the text as a literary phenomenon; the stench is not fixed in the vocabulary.

  • Figurative words і virazi to tighten up the respect of the reader, to snarl him, to poke over, to poke a new figure і between the images, to be even more intelligent than his senses.



adolescents

  • adolescents- figurative design. The stench characterize, explain how the power, the witness, the subject, or the phenomenon. To get used to the meaning of the word, on yak and to transfer one's meaning, one's signs.

  • At the epithets, they often get angry imaginatively and lyrically on the cob (rendered to the imaginary). They get into the message of the writer. brudna vіyna; bandits prices; barbaric methods.



porvnyannya

  • porvnyannya- a chain of imagery of an object, an understanding or a manifestation behind the help of one of them. Two elements are not unmistakably amenable to each other: those that are in conflict, and those for which to correlate (it’s just a metaphor that’s just another element that’s present).

  • Anchar, yak ugly wart, stands alone in all things.

  • A.S. Pushkin

  • Rivne pivot for help yak, for sure, nemov for you can just look at the similarity (similar to ...).



  • Neridki vypadki, if the writers open up razgornuti razvnyannya. They have a splinter sign of one manifestation, or the characteristic of a whole, a group of manifestations:

  • “The choloviks are here, like and skryz, there were two kinds: one thin one, like all fell at the women; because of them there were such a kind of bully, that by force it is possible to see the knowledge of the people of St. Petersburg, Mali has already been thought out and combed sideburns with gusto, or simply beautiful, to reach smoothly vigole ovals of wasps, so they themselves didn’t say enough to the French, so they didn’t They smiled the ladies like that, like in Petersburg. The first generation of choloviks became like Chichikov, so it’s not so tough, it’s not thin. ”

  • N.V. Gogol



metaphor

  • metaphor- implantation of the word abo virazu, which means an object, a manifestation, a sign, a sign, by the name of a figurative name of an object, a manifestation, a sign on the basis of its preferences.

  • metaphor- tse prikhovanie porvnyannya, in the presence of only another element of simple porvnyannya (those with which to porvnyannya). Those who fight, don't rely on respect. View of the reader needs to be aware of the vision and see the image:

  • Above the babusa hatinka hang a hlib okraєts.

  • (Misyats)

  • Let's make a sun at the fox plomenina bagattya.

  • A. Fet



Takі virazi, yak metaphorical epithets.

  • Takі virazi, yak "Zalіzniy vіrsh", "shovkovі vії", "ranok sive", immediately vikonuyut the role of epithets and metaphors and being called metaphorical epithets.

  • In a metaphor, you can see the value of the summed up word: znika sense !!!



detached

  • detached- the reception of the artistic image, how to be formed in the fact that creatures, inanimate objects, the manifestation of nature is nourished by human health and power: the gift of moving, feeling and thinking.

  • Tse one of the lasting images in kazkas, bikes, fantastic creations.

  • detached as an artistic path - a moving sound, in which the power of people is transferred to the manifestations of nature, objects and abstract understanding. Isolation is a special kind of metaphor.

  • The sleepy birches laughed,

  • Shovkovy mows were opened.

  • S. A. Esenin



alegoria

  • alegoria- one of the forms of narrative, clearer than the image of an abstract understander behind the aid of a concrete living manifestation. From the images in the alegory of creatures, people, objects are dependent on the respect of the individual, speeches, stories, facts.

  • alegoria expanded in an imaginative mystery (for example, a woman with a bandage on her eyes and with vagami in her hands - justice).

  • In literature, Alegoria is widely used in the form of folklore, ancient mythology, and the Bible. The idea of ​​a great philosophical snake is allegorically twisted around.

  • alegoria often permeates the entire tvir. Won’t get stuck in bikes, folk and literary cossacks, deceit alegorically depicting foxes, greed and anger - in the image of a wolf, boyguz - in the image of a hare and t. P.



  • Alegoria lie at the base of the bagatokh of riddles, adjectives, as well as parables:

  • Sieve svito, Golden pokrito, Hto gljane, Every cry.

  • (Sonce)

  • "eight. Hear, my blue, the napuchenya of his dad, and do not see the science of your mother,

  • 9. Bo tse is a wonderful wine for your head, and an embellishment for yours. "

  • Book of Proverbs of Solomon




metonymy

    metonymy- Replacing in the artistic movement the name of the object, the witness, the manifestation by its name, we will tie it to the name of the object (according to the summity). For example, in our case, the author and the book were written by him in a misguided manner;

  • Then after reading Adam Smit ...

  • A.S. Pushkin

  • Not the ones in the middle, in the golden ...

  • A. S. Gribodov

  • To the one who decals are here Walking a little nizhka, A golden curl ...

  • A.S. Pushkin



synecdoche

  • synecdoche- a special type of metonymy. Vona, as has already been said, is based on the name of the whole manifestation by the name of this part, or, navpaki, I call it the whole thing, it’s like it’s part. At the same time, it is not easy to substitute one for many, or for many - one:

  • From Potomkin to the Swede ...

  • A.S. Pushkin

  • We all marvel at Napoleon ...

  • A.S. Pushkin

  • We have nigged a tunic, і spurs, і vusa!

  • M. Yu. Lermontov



hyperbole

  • hyperbole- figurative hanging, which is stored in an oversized size, strength, meaning of the imaginary manifestation

  • ("At one hundred and forty songs zaid fighters!").



litotes

  • litotes- artistic application.

  • Tsi priyomi є explicitly aboard the installation of two different appearances, based on the zagalny meaning, with this subject, whether the appearances are attributed to a sign, or a decal is a sign, which in real life you cannot smell the stench of volodya.

  • Litota is also called a stylistic priyom yak bi sub-list:

  • "Nebezuspishni", "not unbeatable".



  • Visnovki:

  • Imagery in artistic movement is attainable by special imaginative means (literary and stylistic) - stitches.

  • The stitches are the typical moving sounds, in which the words і virazi are imprinted in the figurative meaning, it just zoosuly only in the given text.

  • Stitches allow writers in a figurative form to convey to the reader the ideological and artistic vision of the creation



  • 1) Flashing fog, like a thousand censers.

  • Pisenka's companion to the wondrous heart of yatriv

  • (A. Akhmatova).

  • 2) Oh, there is a cool day in the wonderful place of Petrov! Lying behind the bagatty crimson, it thickened more and more. (A. Akhmatova).

  • 3) Crying autumn, like a widow in the olyazi of the black ones, to cloud all the hearts (A. Akhmatova)



4

  • 4) Gay, beard, and yak go to the stars to Plyushkin; (N.V. Gogol).

  • 5) Your spy, charming spy, is no bigger than a thimble! (A.S. Gribodov).

  • 6) Farewell, great element!

  • The last time in front of me

  • Ty kitish hvili blakitnі

  • I shine with proud beauty! (A.S. Pushkin).

  • 7) I love you, Petra svorinnya! (A.S. Pushkin).



  • 8) Nature has decreed that people are loving in the singing period of life. Mentor tsei period - well and love in the force of the blade (A.P. Chekhov).

  • 9) Double bass drank tea with a bite, and flute overlay (A.P. Chekhov).

  • 10) Be sure to take care of your kopeck. (N.V. Gogol).

  • 11) I lightly boiled down to svitanka, like a Frenchman (M. Yu. Lermontov).

  • 12) Khmar vechіrnіkh worm kilim with self-flowering seams (V. Lugovskiy).



  • 13) is bolted to the ground for me.

  • I am a tired Japanese woman,

  • I pull the whole light, like a child,

  • Rida on the back

  • (Є. Єvtushenko).

  • 14) І hands hung down.

  • The youth has corrupted the teeth,

  • Axis I - Sustainability of summaries

  • Plastic slit zhuє.

  • (Є. Єvtushenko).

  • 15) Eh, and I’m heading up my own Pacific golіfіscha, I’m going to see them like a coral reef! (V. Mayakovsky).



stylistic figurines

  • On the path from the paths, as a new figurative zmist, stylistic figurines inject the reader into the special methods of syntactic organization of the move.

  • stylistic figurines- I will especially encourage you to promote it, as I will allow the variation of the artistic word.



antithesis

  • antithesis- a stylistic figure to contrast, a sharp contrast of objects, appearances, and powers. Swing around in antonyms:

  • Ty bagatiy, I am a bit old;

  • Ty prose, I'm singing.

  • A.S. Pushkin



oxymoron

  • oxymoron- the creation of protylezhny behind the zmisty sleeves, figuratively razkryvayut the day of the image.

  • viter vesely

  • Eh ty, woe to the girke,

  • I evil and radium.

  • Licorice life.

  • The city is written, the city is old,

  • Spirit of bondage, stringy look ...

  • A.S. Pushkin



gradation -

  • gradation - Such is the reason for the part of the vislovlyuvannya, when the skin is offensive, the part is to take revenge in the self to accept (or to menshu) a meaning or expressive meaning.

  • Our officials have long gone into trouble, scho the goiters take care of the people’s goodness, take care of the people’s good, take care of it, beat for the skin!

  • If there is a zhovtyucha cornfield,

  • І fresh lis to make noise at the sound of windows,

  • І hang out in the garden raspberry plum

  • Tinnyu sweet green leaf.

  • M. Yu. Lermontov



parallelism

  • parallelism- the installation of two images with a path parallel to the image. Likewise, there is a similarity to the seat, or the likelihood of appearances, thanks to the special prominence.

  • parallelism typical for usnoy folk creativity (songs, parts). Most often in folklore, the image of nature and the image of people are introduced.

  • Oh, do not freeze yakbi on quiti,

  • І levy bkіti roztsvіtali;

  • Oh, yak bi is not a pipe on me,

  • I didn’t grieve about it.



  • In literature, there is a great deal of nayriznomanitnishe stasosuvannya, and the order of verbal-figurative parallelism can be and compositional, if in the novel, parallel plot lines develop.

  • To shine in the blue sky,

  • The blue sea is sickly.

  • I wander through the streets of the galaslivih,

  • Do I enter a temple with a lot of people,

  • Sidzhu l mіzh unakіv bozhevilnykh,

  • I am being seen by my world.

  • At the night there are many children of charisma,

  • Krasun 'is rich in Moscow.

  • A.S. Pushkin



anaphora

  • anaphora- the repetition of the cob word, word production or two independent changes in the movement.

  • Stogne vіn through the fields, along the roads,

  • Stogne wines in prisons, in prison.

  • N. A. Nekrasov



epiphora

  • epiphora- Variety of repetition of breaks or breaks in the end of the motion.

  • N.V. Gogol



inversion

  • inversion- the correct arrangement of words at the speaker, I will break the order, the rules.

  • Day after day, it became a pity to anger me.

  • V. V. Mayakovsky

  • Direct order: the first axis of the tse became less angry day after day.



replacement

  • replacement- the dumb bell, in which the thought does not fall into a twist, ale the reader will ask about unvisited.

  • Ale me chi, me, beloved by the sovereign ...

  • Ale death ... Ale vlada ... Ale dashing people ...

  • A.S. Pushkin



Rhetorical food

  • Rhetorical food- a swollen zombie, like a pole in a lumpy hardened in a nutritional form.

  • What is shukak wine in distant lands?

  • Throwing wine in your native land?

  • M. Yu. Lermontov

  • What is the first Russian not to love shvidkoy їzdi?

  • N.V. Gogol



nasal manifestation

  • nasal manifestation- Isolation of nazivnye vіdminok, which is called the topic of falsified phrases and nods of viclikaties of particular interest to the subject of fiddling.

  • 11 spring 2001 rock. The whole day has become a black day in the life of the whole planet.



Elips

  • Elips- navmisny pass of any member of the proposition, which is based on respect for the context.

  • Your sheets have true life!



Know stylistic figuri movi

  • 1) It's tedious for me to protect people from myself, it's tedious to click grace on other people's friends

  • (A. Akhmatova).

  • 2) De stile bouv strav, there is truna kostu

  • (G.R.Derzhavin).

  • 3) Swede, Russian kole, rubak, rіzhe

  • (A.S. Pushkin).



  • 4) To the second, the distance beyond the windows of warmth, to the second, I, sleeplessly, slept as a partner (A. Akhmatova).

  • 5) Tobi - biliy svit, shlyakh vilny, toby Zoryushka dzvinitsi. And me vatnichka and Ushanochka. Chi do not mischief me, convict (A. Akhmatova).

  • 6) So love is there ... At a stranger's nich. Reinventing the scream, words. Having become invisible, Hoch is alive (I. Brodsky).



  • 7) Live - so at will, die - so at home

  • (A. Akhmatova).

  • 8) Black evening. Biliy snig. Viter, viter!

  • A concrete person does not stand on his feet.

  • Viter, viter - in all God's light! (A. Blok).

  • 9) I am not naughty, I am not crying, I am not crying.

  • Go through everything, yak z bіlikh yablun dim. (S. Asenin).



  • 10) I saw sorrows, I foggy tablets from the earth.

  • I abandoned ships in the distance.

  • I like for the mis-vitrila.

  • I like a voice over the sea

  • (A. Blok).

  • 11)

  • I drink for the roarings of the booths,

  • For my evil life,

  • For self-determination double, -

  • I drink for you, -

  • For nonsense my lips hurt,

  • For the dead cold eyes

  • For those who are bright and rude,

  • For those who God didn’t hide

  • (A. Akhmatova).



  • 12) Happiness? Cool evening in the dark garden, in the wilderness? Іl frowning, vicious malt of wine, addictions, death of the soul? .. If there’s a kid? An obstinate sound will not become strong without a tip of hearing ... Yak everything is scary! Yak is wild! - Give me your hand, comrade, friend! Forget knowing (A. Blok).

The statti is clearly visible, and it also has a figurative twist. Yake mean meaning, like get used to it, put them on top of the reports.

Tlumachennya i viznennya

Otzhe, figurative hangs - tse odinitsi movi, like persh for everything to get used to the portable sense. When shifting to іnshu іvu, as a rule, it is possible to increase the amount of rose-colored clarification. From the side, it is also possible to date the same: figurative hangs - tse widely implanted words, moving, quotes from historical individuals, literary characters, as they became out of touch in an hour.

Such a kind of vislovi so long ago and so much disappeared into our everyday life with you, and to build up, how the stink was invented by the people. A little the fact is not plausible. An imaginative hang є for those who need it, they should not be deprived of haunted life, Ale і in literary works, vikoristannya їkh to bring non-inversion color.

The directors of the miraculous bibliographers and literary scholars have picked up and published books, how to tell the readers about the personalities of the winners and the implantation of vislovs of a similar kind. The directors of the uniqueness of such books are skin-to-skin people who can create and multiply the variety of their promotions, master and date the novelty of the rich decline of the past.


virazi people

The imaginative hang of the slid looms up. For a shorter and more intelligent mind, take the steps out of them.

  • For example, vishaty nis. In few words, you can say "sumuwati, sumuwati".
  • Abo the axis to drive a wedge. Tsei vysliv can be interpreted as "weld navmino, weld mіzh kimos".
  • Speak to your hand. To get into trouble, or not to give the opportunity to get over it.
  • Abo axis - give free rein to Movi. In other words, say a lot, lovingly, it’s more than enough, navpaki, see the tamnitsi and secrets.
  • Dati light up. You can say: shout, punish, punish the shortcomings.
  • Shukay vіtru in the field. Tse means offensive: irrevocable waste of chogos for hopeless results.
  • Razberemo takiy hang, yak "razbivatisya in a biscuit". You can be aware of such a hanging by the offensive rank: you are even trying hard to grow.
  • For example, such a hang: hand in hand. Call it a little bit if you describe it to a happy couple. The stench goes hand in hand through life.

Imagery in literature

The figurative hanging of the uzagalnyu iznі appearances in the life of people. Such short lines are transmitted from generation to generation. Transmission method - not only hung up form splilkuvannya, and th literature create... Riznі specialties in otochennі, in the manifestation of any action. For example, pospish - people rosmishish. Taking the tug, do not say, do not tug. It's nice to cook - only to calm down.

Oleksandr Sergiyovych Pushkin swarmed with folk licks, orders, heaves, which can also be brought to figurative ravages. “Oh, for a sense! For gold! »Such boules of vislovlyuvannya of the Russian poet. Sholokhov wrote to the drive: "The greatest wealth to the people is a tsemov!" Thousands of years accumulate folk virazi, and live the stench in words.

For the sake of it all, this is the wisdom of the people themselves. The stench even more often hangs out the truth, as it is perverted for an hour. Figurative words and twists are often vicious in public promises, vicariously when introduced, or in connection with one of the ways of argumentation, in order not to forget, well, to live in the air in the presence of a certain situation. In order for the word boule to go viral, and the images are emotionally baked, it is often in the shape of the images.


visnovok

Pidvodyachi pidsumskogo, although it would be significant for figurative licks. Smells get used to permanently in the invincible viglyad, in other words, it can be brought to stable forms. If you change the setting of the words, then the whole hang-up can draw in your glib sensation. Lotman wrote in his book "Lectures on Structural Poetics": "The statue of Apollo in the museum does not look naked, but try to tie it up on it, and try to smite you with its obscenity." The imagery does not take place in the process of growing, but rather it turns out that it’s ready and immutable, so it’s seen from generation to generation. Smell a lot behind your warehouse, walking and stylistic possibilities, allowing in minimal ways to convey a great message of communication and development of the walls in a dynamic and varied manner. Pashkovskiy wrote: “The words are alive! Pozhvlyuyut all those, to whom the stench is applied! »Їх vikoristannya to allow the skin to penetrate their promov unique and individual.

figurative words to convey a new visual-image statement about objects, things, and things. Viraz of such a meaning goes beyond the structure of the morphonetic structure of the word, and what is more, it is not possible to speak about something like this, because it is impossible to think about the sound of healthy images.

In the middle of the figurative words, there are two semantic order:

1) Words that call the image of the manifestation about the process of passing through the process, about the nature of the subject's ruin: dagdaң-dagdaң'Step importantly, oversaturated with an important burden', zapaң-zhapa'Not grabbed, overloaded', dardaң-dardaң'Slightly (about tovstuniv)'. Name these words mean folding images, appearances. From the structural and phonetic point of view, they are characterized by <ң>, <к> , Two-fold structure of the root and vikorystannya in the sub-viglyad (repeated repetition): tarbaң-tarbaң'Nezgrabno, unraveled.'

While the traditional figurative words do not shrink, but from them the words can be set: soroңdo from soroң-soroң
'Stirchati, hanging, see', coycocoteau from coycock-coycock'Gracefully vinyagaty shiyu'.

2) Words that can express the speed, instantaneousness of the action. The stench is a single-fold root, a three-sound phonetic structure of yak, it ends with a sonoric one, you can add a voice-over <к>, <г> ): zalt, zilt, thorn, shart, hot, kilt, sharp, shooting range, tyrp that in.

The meaning of the qih should be concretized only in the lingering, because all the stench is conveyed to the lousy, mittvu, the sharp manner of something : Hot etip kulumsurup zhyberdi... 'Vin raptom laughing cheerfully (laughing asleep)'. Chindik hot etip... True raptom appeared (blinked) '. Hot etip kutkun Bakit aldinan chiga Kelsi.'I will be happy with a rapt so I will come (blisne unsupported)'.

The order with similar words, in Kyrgyz language, figurative words, the basis of which will end in th... The stench is close to figurative words for semantics and is parallel to them. Yakshcho in figurative words with an additional element є <н>, <к>, then in verbs- <й> : kaldaң-kaldaңі Kaldan, dardaң-dardaңі Dardana... From them there is a way of understanding the words, establishing without the middle of the figurative words. The figurative words of the same kind can be a singing step of abstraction, like the power and figurative actions, but they are not meaningfully lower in the old words. since.: hot and'Vibliskuvati, blischaty, syayati', only a part of this figurativeness was preserved behind the word, as it is characteristic of the traditional word hot.

Figurative words and imaginative words are grounded on the healthy manifestations of people and volodiut to complete abstract semantics. The soundness of the meaning can be deprived of the unified sound complex and the soundness of the sound. Jmovirno, a collection of the price was based on metaphorization. The stench of men and women roots, a large number of non-living forms in happy mov... Ale deyaka, a part of the figurative words is tied with the living words of the Kirghiz mov and those of the other modern Turkic languages.

Falsely from the dzherela, the illumination of the figurative words can be divided into three groups:

  1. Words, confirmed from living, living and spiritual roots: bөkchөң-bөkchөң'Humpback, stooped' ( bөk'Gorbok'), kiisha-kiisha'The manner of grimacing, perevaluvatisya from foot to foot' (cue in alt.
  2. Words from uncommon etymology, words from the root of which are dead: choloң-choloң'Cooksey', orsoң-orsoң'Storchma', үрпөң-үрпөң'Laughing, skuyovdzhene.'
  3. Words, the root of which are tied with sound. Digital words may be in their warehouse an element that can be associated with sound-sounding words, and will develop with stench with additional elements. At the same time, in the changing side of such words, the singular spirit is promoted. So, in the soundtracks there are a number of words with a root element ball: balk-balk'Squish-squish', balp- those are the meanings. In additional words, it is also possible to construct an element Balkans, beams, Balzhan, balchao from the tangible meanings of pulp, puffiness, passivity in people. It is possible to allow, which is etymological, the word є spore. This is how the ringing appears and where it is inherited from the root element shal: shalp, shaltak-shaltak- sound enjoyment by splashing, shalpai, shalpaң-shalpaң, shalbir- figurative words (bazykati, flop, hang).

The figurative words, like and subtitle words, indicate the sign of the sign, the image of the object, or the appearance in the statics, in the camp of calm. The stench does not twist the process: dalday'Bootie is like a bulky, non-robbery,' Tarbaev'But we will decipher (for example, about fingers or about gilkah). " Koyondun Kulaga seyettі.'Vukha hare have become storchma (additional word)'. Koyondun Kulaga middle... 'Vukha hares were brought up (storchma) and went down' (word, interpretation from the traditional figurative word).

Figurative words in morphonological warehouse are close to sound-enhancing ones. They can also turn on additional sound elements and change their semantics. So, adding sounds |<г>, , <л>| pidkreslyuє mittєvіst, the singularity of the figurative sign: embossing-jav Karadі'Having looked', al zalt-zhalt Karadі'Glancing instantly': Al Meni Zalt Karadi... 'Vin shoots at me with a glance' , Jalt-zalt'Instant Blisk, Sleep': from
zhp etip өchtү
... 'The fire instantly blinked and zgas'. Mөl-mөl'Blisk': Kozunun zhashi mol-mol bolup Ketty... "Sluzi, Viblisuchi, flowed from the eyes." Mөlt-mөlt'Mittєve, one-time migration': Kozunn zhash molt etti... 'There was a shine in your eyes.'

element - ir in figurative words, showing the views of triviality, repeated, lasting in the character of the singing image: Zhiltir / zhelbir'Chatting around', mөltүr / mөltүr bulak'Shiny dzherelo'. Yakshcho to the sliv with the element - ir add a dodatkovy voiced |<т>[ Then the nature of the triviality is known to change and the words swell the meaning of the stiffness, the speed of the figurative twist: zhelbirt, zhalbirt'Sleeping, nosodivanka, mittєvist', dangirt, shiңgirt'Gurkit, dzvin' i іn.

There is more similarity, less distinctiveness, and there is one structural-semantic class of words when we look at these words.