Internal light of people in literary works. Internal light create

Internal light create a verbal mystery (literary and folklore) with a visual artistic talent. Some of the elements of the imagined action are one to one in the whole inner light of the singing system, artistic unity.

Vivchayuchi vіdobrazhennya svіtu svіtі action in sіtі artistic creation, Literary knowledge is surrounded by a great team, who will be respected, but the images in the creation are not taken by the reality of action. Literary cognition to get help from historians, so that the accuracy of the image of historical ponies, psychology and psychiatry, so that the correctness of the image of mental life diyovykh osіb... With the development of long-standing Russian literature, small history, there are little animals to the aid of geographers, zoologists, astronomers, etc. And everything is tse, zychayno, wholly correct, ale, unfortunately, inadequate. Expect to evolve the inner light of the artist's creation as a whole, intertwined with the jokes of "prototypes": prototypes of that particular individual, character, landscape, "prototypes", prototypes and prototypes of the types themselves. All in "rozdrib", all in parts! The light of the artistic creation of the post by the design, and the goal of being split up to the point of being effective, and the relief of integrity.

At the same time, the literary knowledge, which means the development of "vitality" or "irregularity" in the image of the artist, is not true, but, in this case, the crushers are not really robust, and the artist is not so flat.

True, it has already become a cliche to draw on the visibility of an action fact and an artistic fact. So declare to start with the vivchenna "Viyny to the world" or to the Russian bilins and historical songs... The insight into the light of action and the light of the artistic creation will be grasped with ample hospitality. Ale on the right side is not in the fact that it is "rosumiti", ale and viznachity tse "schos" yak ob'ekt vivchennya.

In truth, the need is not only to state the fact of the evidence itself, but in what sense it is clear, because of the smell of the mind and how to organize, the inner light to the creation. We are not guilty of simply establishing the awareness of the art of art and the specificity of the art of art. The specifics of the artistic creation of the surrounding authors, or literary strains, can sometimes be formed as times and in the vortex, so that in the fact that all the ideas in the surrounding parts of the

In the history of source studies, the number of vivchennya of the historical dzherel was interconnected with the nourishment: is it true or not? Written by A. Shakhmatov from the history of the literature, as well as vivchennya Dzherela was recognized as a disadvantage. A. Shakhmatov Vivchav Historically Dzherelo is like a complete monument from the point of view of that, as a monument of transformation of reality: the purpose of the Dzherel, the glance and political look of the author. The bosses of the whole have become able to victorious as a historical evidence to create, transforming the image of action. The transformation itself has become important evidence from the history of ideology and suspense. Historical concepts of the literature, as bi stinks did not reflect the action (and the concept, which does not reflect the action, in the literature is not), look for the pictures for the history, to testify about the history The concept of the writing has itself become a historical record. A. Shakhmatov, having broken all the dzherela in this chi іnshіy world, are important and tsіkavimi for a bitter history, and zhoden dzherelo mi not have the right to show. It is important to see it, about which hour of the hearing, you can give your testimony: about the hour of the day, if it’s folding, or about that hour, about which wine you write.

An analogous rank is found on the right і in literature. Leather artwork (just like art!) Imagine light of action in its creative perspectives. The first and foremost perspectives are intended for the all-purpose vivchennya in connection with the specificity of the artistic creation and the first for everything in the entire artistic whole. Vivchayuchi vіdrazhennya action in the artistic creation, we are not guilty of being interconnected with food: "vіrno chi nevіrno" - and only vіrnіstu, accurate, correct. The inner light of the artistic creation has its own power in interconnection of laws, power of power and power of sense, which is a system.

Significantly, and even more importantly, the inner light of the artistic creation is not by itself and not for itself. Win is not autonomous. It is possible to lay down in reality, "visualize" the light of action, altogether reimagining the light, as it allows an artistic twir, a simple and straightforward character. The re-creation of action is tied to the idea of the creation, to those employees, as an artist to set before him. The light of the artistic creation is the result of both a vigorous image, and an active re-creation of action. In his own creation, the writer is a wider space, in which there is a story. The whole space can be great, cover a number of lands, or navigate the paths beyond the boundaries of the earthly planet (in fantastic novels and lie down to the romantic level), but it can also sound like tight between the same rooms. The expanse that the author has created in his creation, maybe with his own "geographic" powers, is real (like in the literature or the historical romance) or clearly, like in the Kazakhs. The scribe has to create in his own creation for an hour, in any way against the creation. Tvir can hunt for a century or only for a year. An hour in the creation can be very fast or by and large, often or uninterruptedly, intensively reminiscent of the way or flowing and becoming "empty", little "populated" by the way.

The food about the art hour in literature is dedicated to completing a lot of robots, if the author often thinks of the art hour, create the author's hour, looking at the author's problem at the hour, and I can’t keep the good things hanging on the writing about the hour, but I don’t think z tim artistic hour, Yake the writer himself to create in his own creation.

The creators can have their own psychological light, not the psychology of the surroundings, but the out-of-the-box laws of psychology, where all of the different aspects are ordered, so that they create a "psychological plot," in the same way. These laws can be ascertained from the laws of psychology, which are sensible in action, and they are well known for the exact reasoning in psychologists' or psychiatrists. So, the heroes of the Kazka may have their own psychology: people and animals, as well as fantastic things. It’s a luring special type of reaction to new ideas, especially arguments and special actions in the case of antagonism arguments. One psychology is in power to the heroes of Goncharov, іnsha - to the heroes of Proust, the other - to Kafka, and he is special - to the heroes of the literature or the lives of the saints. The psychology of the historical characters of Karamzin and the romantic heroes of Lermontov is also special. All psychologic witnesses are guilty of being able to survive.

The first step is to mean about the social device for the light of artistic creations, and about the social device artistic light create a trace of the author's glances from social food and not to the idea of living with the development of juxtapositions from the world of action. peace social news in the artistic creation there is also a vimag of vivchennya in its integrity and independence.

You can also vivchati light of history in deyakim literary works: In the literature, in the tragedy of classicalism, in the historical novels of the realistic direct, etc. І in the whole spheres there will be not only accurate and inaccurate production of ideas real history, Ale and its own laws, behind which historical podii are seen, its own system of causality, or "unreasonably" podiy, - in a word, its own internal light of history. The creation of the artist's glances at the history, as it is seen in the painting of the artist's glances for an hour. You can see the historical look of Tolstoy, like the stench swirling in the historical approaches to your novel "Viyna and the World", or you can see it, as opposed to the approaches in "Viyini and Sveti". Tse dvі rіznі zavdannya, I want and zaєmozalezhnі. Because, I think, it’s more important to stay behind, and if you want to serve as a deprived person (far from being a first-class one) for someone else. Yakbi Lev Tolstoy is a historian, and not a romanticist, perhaps, for his meanings, two times were remembered in memory. Tsikava, before the speech, one regularity, as it appears at the vivchennі vіdminnostі between the glances of the writings at the history and artistic images. Yak is a historian (in his worlds on historical) The scribe even often adheres to the regularity of the historical process, but in his artistic practice he sees the role of the role in the share of the historical and simply different aspects of his creation.

The moral side of the artistic creation is also even more important і man, as and everything else in the whole world, without a priori "construct" meaning. So, for example, the light of the middle-aged creatures knows absolutely good, but evil in a new one is unmistakable. To this, there can be no more sacred things than just a bit of a bitch, and a little bit of a rotten vchinka. Yakby win tse zroiv, todi to win and not to be holy from the middle point of view, only to pretend to be hypocritical, to the hour of being vicious and inn. Ta in. But be it a villain in the midst of middle-aged creatures, they can change quickly and become holy. There is a kind of asymmetry and the "one straightening" of the moral light of the artist's creations of the middle. We need to start the freedom of the story, inspire the plots (zokrema, the life of the saints), recite the reading of the middle creations and the inn. (Psychology of reading interest - reading "ochіkuvannya" continuation).

The moral light of the artists' creations is going through the whole hour with the development of the literature. Try to truth the evil, to know the reason in a new way, to see the evil as a social protest, or a religious one, which is characteristic for romantic creatures directly (Byron, Njegosh, Lermontov and I.). In classicism, evil and good are like standing above light and creating a unique historical background. Have realism moral problems to permeate with oneself a beggar, to act in thousands of aspects, the middle of which is unhealthy, to develop realism in the world, to develop social aspects.

The educational materials to inspire the inner light of the artistic creation are taken from the action of the artist, who knows what is going to be the case before their declarations about those who are going to see them.

The light of the artistic creation depicts the action at once, bit by bit and straight: bit by bit - through the artist's back, through the artist's manifestation, and directly, without the middle in quiet vistas, if the artist is not aware of the artistic meaning, to transfer the meanings into your era.

The light of the artistic creation is made up of action in the form of a "quick", intelligent option. The artist, knowing his light, can’t, intelligently, see the action from this power of action by the degree of folding. The light of the literary creation has a lot of things in real light... Tse svit in its own way, encircling. Literature preserves only the deeds of reality and is cleverly quick and expands, to rob them more brightly or more plaques, stylistically organisate, but when the power is in power, as the law has already been told by the law, it’s

Literature "replay" effect. Tse "pereravannya" is seen in conjunction with these "style-forming" tendencies, which characterize the creativity of that particular author, that one literary directly or "the style of the era". And the style-forming tendencies to discourage the light of the artistic creation in the form of simple business and wealth, not the light of action, unimportant for the whole of this abbreviation.

On the basis of all the Russian rice Literature XIX the capital is fair to get involved especially respect to human specialties... You can say head hero the golden age of lyudin in all the development of his manifestation.

Lyudin with dummies, pochutty, bazhannyi and pragnennyi in an effort to find in the center of respect for artists' words. The writers of the ages of ages were magical to penetrate the most hidden caches of the human soul, to know the prikhovani cause of the bagatokh of human vchinki. Russian writers-realists Tolstoy, Dostoevsky, Turgenyev and іnshі, who saw new visions in people, having looked into their experience. They themselves are rightly called psychological writers with an unremitting interest in the inner life of the people of the novels, as well as the artists themselves, especially F. M. Dostoevsky, did not quite often call themselves psychologists.

Classical writers created styles of dissimilar one-on-one images, so mimovoly wondered how to take from them in order to develop a topic. I am mindful in that sense that it is necessary to show, yak, for the help of others artistic contributions and received the writer of the image of the inner world of the people. It’s for me to be built with a classic eye for the development of the original priyoms and ways of establishing a high artistic image of specialness є the novel by Mikhail Yuriyovich Lermontov, Hero of our hour.
To the whole novel in the writer's creativity we will eat Mtsiri, the Demon, the Song about the merchant Kalashnikov, written in the manner of romanticism, artistic method, Aimed at the image of feelings, emotions, addictions, psychology of people, so that internal motives in particular. For the manifestation of literary knowledge, the romantic writer wanted his hero to be addicted to the same kind of addiction, which means that he turned over his passion in the beastly man, so that it was hyperbolic, to snarl at the valley of the wine hero. such a Mtsiri, who knew one, ale half-minded addiction, wriggling in the closed atmosphere of a monastic monaster, like a duck from a new hour of menace, like a change of the leopard (all the way to the vignette of the furnishings) and the share has turned but we hate stin, I do not regret to be separated from the lives. For the novel about a young accomplice, conceived by the writer, the romantic method is guilty of sacrificing the realist, already tested in the novel by A.S. Pushkin, Evgeniy Ongin.
The versatility was due to the fact that Lermontov conceived a psychological novel, the first in the history of Russian and one of the earliest in the history of light literature. True to his principle of adding a half-heartedly and light to the people, the word, promoting the maximum drama of the message, the writer knows the original ways of imaging the psychology of Grigoriy Oleksandrovich Pechorin, the protagonist of the novel. Immediately I mean, that all of the priyomi and the ways to directly communicate to the composition of the elements, such as vikoristovyu at the beginning of the literary creation.

Internal light Internal (sub'єktivny) light of the psychic reality, organized by the wisdom of the human psyche, the need-emotional information of the substance, all of the spiritual life of the people, the dying of the spiritual. The internal (sub'єktivny) light of the psychic reality, organized by the change of the human psyche, the need-to-mootional information of the substance, all of the spiritual life of the people, the dull spiritual energy.

In the bitter words, the soul is synonymous with the inner light, I wish it wasn’t called for sure. The inner light can expand beyond knowledge and horizons, even if the soul does not develop at all. Tim is more mind and spirit is not synonymous with inner light. Internal light can be bagatim, glibokim, harmonious, foldable or forgiven. In the bitter words, the soul is synonymous with the inner light, I wish it wasn’t called for sure. The inner light can expand beyond knowledge and horizons, even if the soul does not develop at all. Tim is more mind and spirit is not synonymous with inner light. Internal light can be bagatim, glibokim, harmonious, foldable or forgiven. A unique view and a unique internal light of the people to be stored out of the warehouse: slump, special features of internal development, nervous systemі molded character, natural healthiness і vibrating interests, living for the sake of life, and in the flow of desires, declarations of values and perekonan, glibinnyh (the people themselves did not understand) attitudes, as well as a lot of things. Unіkalny viglyad i reentrant vnutrіshnіy's World Lyudin skladaєtsya of bezlіchі warehouses: spadkovostі, Especially vnutrіshnoutrobnogo rozvitku, type nervovoї sistemi i preformed nature, natural zdіbnostey i vibranih іnteresіv, zhittєvogo dosvіdu i vplivu otochuyuchih, statement tsіnnostey that perekonan, Glibin (samoyu Lyudin not usvіdomlyuvav) installations , as well as a lot of something. vіkіpedіya wіkіpedіya

The internal light of the people of the clergy of the Russian writers of the old people Guess the old Russian literature: Guess the old Russian literature: At the dawn in Putivl the voice, At the dawn in the Putivl, the voice, Iak of the early spring, early spring, the early spring ..on the wall is ridiculously small ... the most popular genre of that period, the life of the saints, and even in them the rudiments of respect to the inner light of the hero, if the main meta cikh of creation is relіgіine povchannya.

First two ten years of the 19th century against the prototypes of the literary currents of the archaists and innovators. The archaism bully was the idiot of the classicist genre system and cultivated the “high” genre (ode, heroic poetry). Novatori were on poetical creativity Karamzin and hung on the first plan of the "middle" genre (elegyu, friendship sent, idyll, madrigal), and the basis Literary Movies, On the dummy, the blame is the "middle" style, the order of the promotion of the sanctified nobility. First two ten years of the 19th century against the prototypes of the literary currents of the archaists and innovators. The archaism bully was the idiot of the classicist genre system and cultivated the “high” genre (ode, heroic poetry). The innovators were interested in the poetical creativity of Karamzin and hung on the first plan of the "middle" genre (elegy, friendship, idyll, madrigal), and the basis of literary movement, on the middle of thought, obeyed the style of " Follow the new style and new heroes. Follow the new style and new heroes.

genre social and psychological novel U 1850s pp. The dominant prose genre is the novel. One of the creators of the social and psychological novel followed Pushkin and Lermontov Bouv I.S. Turgen In the 1850s, pp. The dominant prose genre is the novel. One of the creators of the social and psychological novel followed Pushkin and Lermontov Bouv I.S. Turgen In the development of psychological prospect, the bully "Caucasian" rozpovidі, the trilogy "Dynasty" (1852), "Otrostvo" (1854), "Youth" (1857) and "Sevastopol Report" (1855-1856) by L.N. Tolstoy (1828-1910). In cikh works of art, there was a plot as the basis of notification, the artistic dominance was the sense of the message, the message of the message. The psychology of Tolstoy was brought up with respect to those, who were haunted by the souls, to the super-articulate understanding of the young, super-verbose thoughts and thoughts (Chernishevsky called this psychologism "the dialectic of the soul"). In the development of psychological prospect, the bully "Caucasian" rozpovidі, the trilogy "Dynasty" (1852), "Otrostvo" (1854), "Youth" (1857) and "Sevastopol Report" (1855-1856) by L.N. Tolstoy (1828-1910). In cikh works of art, there was a plot, as the basis of notification, the artistic dominance was the sense of the message, the message of the message. The psychology of Tolstoy was brought up with respect to those, who were haunted by the souls, to the super-articulate understanding of the young, super-verbose thoughts and thoughts (Chernishevsky called this psychologism "the dialectic of the soul").

Accept the image of the hero's inner light in Russian literature 1. psychological portrait hero. 1. Psychological portrait of the hero. 2. Author's estimation of the hero. 2. Author's estimation of the hero. 3. Putting before the given to the hero of the heroes of the creation. 3. Bringing to the work given to the hero of the heroes. 4. The image of the hero as opposed to or assigned to the creation by the heroes. 4. The image of the hero as opposed to the creation of the heroes.

5. Monologue of the hero: recordings, introspection and for the first time appearing in the novel "Anna Karenina" by L. Tolstoy because of testimony, accusations by modernists (J. Joyce "Uliss"). 5. Monologue of the hero: recordings, introspection and for the first time appearing in the novel "Anna Karenina" by L. Tolstoy because of testimony, accusations by modernists (J. Joyce "Uliss"). 6. Viprobuvannya of the hero to the strong, glorious feeling 6. Viprobing the hero to the strong, glibokim

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