Description of the inner world of people in literature. Artistic detail as a way to represent the inner light of the hero

The genre of the psychological novel in Russian literature did not disappear before Lermontov. Winning his own short prose creation - the novel "The Hero of Our Hour" - for the first time putting on the first place not a story, not a kind of social problem, but the inner light of the hero, revealing another psychological analysis. The author will describe his hero Pechorin razko and mercilessly. It’s possible to build by chance, but Lermontov is hard to the point, but right there in the author’s іntonatsії reminiscences and performances, and truths. How can Lermontov find such a wealth of psychological views? One of the ways is the folding composition of the novel. The chapters of the novel are not in chronological order, but not the author's primacy. Lermontov has a great role to play. V.V. Nabokov in front of "To the Hero of Our Hour" calling this composition "spiral". The bottom line is that "just once you touch Pechorin to us, leave, nareshti, he himself will not speak to us, but until the very hour of you will not be alive." When you read the novel, I’m a copy of Bachimo’s vchinka Pechorin and I’m given my explanation, and I’m depriving it of the knowledge that the stench is right for the wiklicans. At the end of the day, Pechorin's motives are true of the whole novel. For example, a sprinkling in the novel "Bela" will bring us down sincere callousness a hero, especially in the presence of a seat-and-chair. You can zhahnutsya - so well tse for a ludin? And then, even through a lot of sides, mi bachimo, yak Pechorin, zaganyayuchi horse, rush into the angry from the not safe Caucasian road just after Tim, but I would like to beat Vira once, just one minute away from her. The first call in the light of the day before us is a wondrous lyudin. Lermontov led the reader to the mind of his hero's soul. A collection of information about Pechorina yak bi "through third hands" (from the notification, which he himself has a history about Pechorina from Maxim Maksimovich). Because of the notifications and Pechorin, they are very special, and if the hero's records are not read in the book. Tilka lost with Pechornin "one on one", without involving someone else's spry, my mind, well, I wanted to convey to us Lermontov. The only way to depict the inner light of the protagonist is the inner monologue, the psychological self-analysis of Pechorin. In the newest entries of the world about his feelings, thoughts, his analysis of his children, his behavior: "Now I am alive? For what purpose am I born? ... In front of us is the inner spirit, in which wine it mercilessly scourges the power of weakness and vices. Much more often, Lermontov depicts the inner light of his hero behind an additional landscape, like, in addition, describing the scene of the action, the vicon and the psychological function. The yak axis will describe the Pechorin road to the city of duel with Grushnitsky: “I don’t remember the wounds of the big and fresh!” Pechorin, with unfriendly captives, have mercy on nature, ala vin pam'yatak, but through a bit of chilin you will have to get up before the barrel of a gun, that will prodovzhu: "... , converged in an impenetrable style ". Lermontov didn’t mind the words and thoughts of Pechorin replacing the pictures of nature, emots_yny mill hero. The next element of psychologism in the novel is the portrait. It’s not only the image of the hero’s call, but the individual and psychological characterization of Pechorin. Here Lermontov is a small internal light of Pechorin "zzovny" of the ochim of the opovidach-mandrivnik. From this portrait description we are not only clearly aware of their name, but the sense of how Pechorin sounded to endure "all the difficult life of a wandering life", mauled "to the order of the people", maw the secret character and buzzy until "gliboia persistently". The novel "Hero of Our Hour" is called philosophical. Head hero often overlook philosophical problems, Rosemirkovuє about good and evil, life and death. Especially primitive in the whole sense of the story "Fatalist". Vaughn to repair from the Pechorina super-link from Vulich about the riverside human life... Vulich is a supporter of fatalism. Pechorin will ask the nourishment: "If it’s true, it’s a matter of course, then will we be given the will, rozum?" Qia superperechka turn over with three butts, three deadly bands with a share. In the first place, after trying Vulich, knock yourself into a skroony, but it ended in failure, in a different way, Vulich’s punching on the streets by a pianist Cossack, in a third, Pechorin’s adversary to a Cossack-hammering. Do not obscure the very idea of ​​fatalism, Lermontov thinks about those who cannot be reconciled, but we will take over. With such a turn of the philosophical ones, the author has merged the novel into a gloomy final. Pechorin, about the death of some kind of diznaєmos in the middle of the novel, in all of the rest of the world, not only from the vernacular, but first of all good children, who are to bring harshness to people. and to replace the funeral march at the finale of the novel, to sound a greeting from the side over death: "the officers did not greet me - and it was as if it was chim." Otzhe, Lermontov in the novel "The Hero of Our Hour" has masternally portrayed the inner light of his protagonist. The author is the author of reading the reader to look into his soul, being a merciless judge. The unkindness of children and pratsyuvati is an important burden for people. As soon as I have a good health and a positive quality, then don’t smell the stench will be demanded by the suspension.