Harvesting is a given painting in its creative work. Description of the painting "Stubble" by Plastov. butt interpretation

The song of death from a home artist Plastov has surpassed more than a thousand robots, which have surpassed their sites. Alas, it's a pity, in 1931 a tragedy began, and a lot of paintings by Arkady Oleksandrovich disappeared in the fire, but the artist didn’t make a mistake, and after moving on to the robot, we opened up new genial malovnichi masterpieces. First and foremost, like a zmusiv look at the artist's light in a way, Plastov described the village of Russia, a little more surface, then even if he was more overwhelmed, then he could see more deeply in those who were in the picture. The very fact of all this picture is the life of the villagers, zovsim common people... Ale tse life has already gone in the past, and now there are no gates before it. The first axis of the present tsіkavі pictures from the past steel revived on Plastovskіh canvases.

On one of Plastov's paintings, there are indications of the seeds of the family, like a day in the field, harvest the harvest. The canvas "Stubble" conveys the atmosphere of that day, if everyone is busy with a robot. So it is already visible in the Plast's picture, that all the wheat in the fields is mown, that part of the right is already broken, but still the struggle for harvest, for its protection is triple. On the canvas, you can pachit, but they have already raised the batter with the wheat in the sheaves, and de-not even stand to wind the stacks. Now the villagers will have the opportunity to bring all the prices for the current, and the harvest will not be lost. In the distance, you can see the carts, harnessed to the horses, as they sleep on the strum. The stench has already risen to the curtain with sheaves. And the same piece of wheat, as if to be carried, is neatly folded on the field in a copy and can be seen across the entire field.

Ale such a robot is rich in strength, so it will be necessary and given some time. The artist depicts the very same hour, if there are people, villagers, go around. Х obid not rosy and even simpler. In one bowl, for the little girl, and for the daddy. Shvidshe for everything, the girl brought obid to the teacher. Ale that, rozumiyuchi, as a miserable person of the little man and who the children always want to be, having received the proponation of their granddaughter. And she did not begin to think about it. And there are not only little girls in the bowl, but the lads, who, better for everything, helped the old on the field, and they were also very hungry. Having had a little snack, one of the lads pictured in Plastov's picture, sip milk. The milk will be cold for the glechik, so it will be so great for people who are cleaning in the field at this time.

Not far from the villagers sit a dog, which spokyno spostering for the team, as offending people. If you are hungry, even if you are accustomed to the fact that you will be offended by the workaholic, then you will be able to get peace of mind and chekatie, or if you go out of your way. It can be seen that the dog is calling the young, that hour is the hour of the barking, that is the time, that is, it’s there, and he’s checking his part.

It is more beautiful to depict people, to what class the stench is admitted, the artist in detail misses їх odyag. So, the old fashioned in simple and simple fashion. On his feet he is swollen, so the yak walks around the field is not safe: it is possible and prick his feet. The new siva has a beard and also a sivi and thicker hair, which grows in the sides. Winning hard, he wants to make money for his family, and that one doesn’t think about those who are like winners. Ale, the hands of a peasant, great and laborious, are on the canvas of Plastov.

At that moment, if the artist had portrayed it, it was simply a trim of a small shmatok of black bread, and it could not be put down to a new level, so it knew that it was expensive to get away. In the іnshіy rutsі of an old tree, a spoon, like a wake-up call in Rusі, was carried with them in the hope of some kind of life. Wines in a shirt and pants in a blue color. On the opposite side of the village, a little girl, you can take note of how her hair is braided in two small pieces. She covered her head, like it was going to lay at the same hour, with a spine. There is a yaskravo-chervona sp_dnitsya and shkarpetki on them. Vona probably didn’t come to the field barefoot, but she had slippers on her feet.

The lads on the Plast's picture are simpler. The offense of a stench in simple linen shirts of a white and yellow collar, trousers of a dark color, you couldn't see any drank on them. I want to take a look at the picture, everywhere around the central images there is a field with wheat. All zhovty kolir, which will eat wheat, її surplus. That is why people decided to eat and eat one of these sheaves, so that they would like to get together among the fiery exchanges of sleep. The stench was thrown at the handguard by their sorcerers. The lads poured with sickles: the stench spawned from a chunk, bending down, earing from the roots, and then, taking a rake, everything was grabbing, so as not to miss the spikelet. Before the speech, at the same time it is not so practical in the field. And todi tsya pratsya was even more important. Ale with a rake and sickles, work the lads, and the axis is right in front of the old inshe: to mow wheat. It’s worth it, it’s tied up to a haystack.

Plastov's painting will perfectly show the hour, as soon as it was recently, but as soon as it came. Light and wonderful feeling of wine in the soul, if you wonder at the endlessness of Russian fields and roses, as the Russian land is beautiful after all.

Nykoloritnіshoyu figure in the picture є old people. Win beards, gray, thick hair not combed, in new importance, straining hands. In one hand, the wine carefully trims the shmatok of the black bread, in the other hand, at the new tree, a spoon, as it scooped up the wine.

Celebrities artist Plastov Arkady Oleksandrovich having overflowed ten thousand picturesque robots at the recession. For the first time, in 1931, all of the artist's robots were gone.
In his robots, the artist showed the village of Rus, yak went and did not turn any more. Tse yak bi caught my life, they didn’t bach me, they didn’t come to life on yogo canvases.
Axis i in the picture "Harvest" of readings the moment of recovery of the sixth hour of the "battle for the harvest".
Wheat is harvested and brought to sheaves and haystacks. The part of the tree is still driven by the villagers to the current - horses can be seen on the horizon in sheaves. Often I grow, as they have not yet been taken from the field, folded in a copy, shown far away.
And when robots, the sheaf came close to see me. Didus and lad with a little girl decorously take spoons from a cup їzhu. The Іnshy lad p'є s glechik water, and maybe booty milk. In such a glechik, the water does not heat up and becomes cold, in the summer it even bakes cold water.
Behind the їхніmi actions from the tsіkavіstu sposterіgaє dog, "tribal nobleman", and in short it seems a mongrel. Win encourages, for the first time, to build up, the axle-axle will bark, and I respect myself in a beastly manner.
People wore homespun, simple waggle, the old man was swollen on his feet, the one who easily beat his legs on the stubble, and wandered and grown-up and children wore barefoot.
Nykoloritnіshoyu figure in the picture є old people. Win beards, gray, thick hair not combed, in new importance, straining hands. In one hand, the wine carefully trims the shmatok of the black bread, in the other hand, at the new tree, a spoon, as it scooped up the wine. A blue shirt and blue pants complete your outfit.
A little girl with her back to look. Her hair is braided in two pigtails, on her head there is a knot. There is one to wear it on their heads, and those characters are sitting with their unhacked heads. The little girl has a chervon sp_dnitsya and pendants with shkarpetki.
The offense of lads can be simply put on - in shirts, chewing, and in dark pants. And around them a field of thick wheat sprang up, everything was harvested from the surplus of straw. The stench was blown away by the sheaves, on which they throw the scent of prats.
The lads reaped the grain with sickles, the robot's tame, like the need to bend down "in three deaths", the little girl grasped the spikelets with a wooden rake. Just like that at once in the museum, so in the pictures. The old man has mowed the wheat with a scythe, the yak stands right there, tied to the kulu. Close to the sheaf to lie on the husttsi ogirki, handled with a knife.
A beautiful picture of the past beggar, overflowing in the light with a sense of joy, marveling at the endless expanse of the fields.

Description of Plastov's painting "Stubble"

One of famous artists Russia є Plastov Arkady Oleksandrovich.
Vіn mav great willpower and zhagu create.
Unimportant to those who, in 1931, were written by an unbearable piece of work, there were close to ten thousand beautiful creations to those who took part in the decline.
In his robots, the author imagines the village life of the Russian people.
On these canvases, we can show those who have been brought from history or chuli from the old people.

My favorite painting by the artist is TVIR "Stubble".
On a new one, the author showed the common simplicity of the village family in the interruption of the robots on the floor.
All around you can see great sheaves, great people and horses and a field of spikelets of wheat.

Ale nibilshe screwed up to myself I respect the first plan of the picture.
A small sheaf of a large sheaf was rostered.
An old man, two lads and a little girl.
I go even as old as the old people, the new Siwa has a beard, thick uncombed hair and even straining hands.
In one wine there is a trim of black bread, and the other is scooped up with a spoon.
It’s even marvelous, because it’s hot on the street and it’s even hotter on the street, and on a blue work suit, a brown jacket is thrown over it, and on the legs there are slivers.
You can, so, don't rub your legs and arms.
Children are lighter.
For the lads in light shirts and pants, and the little girl in red cloth and sweater.
On her head there is a hustka.
Svitlenky lad p'є z glechik water or milk.
Tse old clay glechik, in the new drink, it might even become chilly, but it’s just handy in such a sinter.

The handrail for them to lie in order for the robot.
Trees rakes, like a tree, are loaded with spikelets.
Erase from a sheaf of sickles.
The lads use them.
Tse duzhe is important pratsya, for that all hour it will be brought up to be bent.
I should be instructed with a sheaf of scythe, which I do to work.
Also, behind the back of the child and the lads, lie a bag with bits and nizh.
Mozhlivo, price on a friend.
For the whole process of greed and greed, the dog marvels.
It’s worth bilya dydovih nig in the hope that the shmatochok chogos is gone.

Wiklik's picture is twofold for me.
Perche, there is a lot of goodness, warmth, turbotliv.
And in a different way, I’m skoda tsikh people, even the stench is so important to clean, just clean the shmatok hlіba.
The author even miraculously and emotionally conveyed such moments on his canvas.

The painting "Stubble" Bula was written in 1945-1946 pp. The painting is included in the cycle of paintings "People of the Kolgospnoe Village" (the cycle also includes the paintings "Kosovitsya", "The Evening of Tractor Drivers" and in.

For the painting "Kosovitsya" and "Stubble" Plastoviy Bula was awarded the Stalinska Prize.

The picture "Stubble" depicts a simple, peasant family, an hour of stubble living in the field. Heroes sit on the grass in a small amount. An old man with two girls scoop up yushka with spoons. Cotton, having gone to the colin, p'є with glechik, ymovirno, milk. On the left hand of the peasant's little mongrel to sit quietly and sposter at the meal.

For a little girl with pigtails, lie with little pieces and a blue circle. In the last part of the picture, pictures of images are stig sin, on the new - silskogospodarski іnstrumenti. In the distance, in the field, you can see the copy of the synopsis and the original writers.

A.A. Plastiv about his painting "Stubble":

"... the motive will give me a glance at the deyaki speeches. In front of me stood that stubborn, non-ignorant Russia, as if it were supposed to know the way out and obey

Delivered by the history be-yake zavdannya. I’m even more aware of it and the very modesty of the plot. The minimum of everything: farb, gestures, diy and t. D., Until then, all the tses bulo me endlessly vidomo ".

Description of the painting "Stubble" from the book by V. Sisov "Arkady Plastov":

".... everywhere the panun of Suvor is in need of thinking about himself the horrible inheritances of recent war. ... the same thought to sound in the poetic concept of the new canvas" Stubble "(1945).

And here I’ll reject development in another one that is highly important for the author directly, tied not only with the current days and the great Russian nationality, but with the immeasurable historical insight in the middle generations. We are more familiar with those who, by the will of the sinister circumstances, were judged to substitute for the silly robots of the short-lived ancestors, to become the support of the demolition of the family in the hard times of the fortune-teller.

The compositional idea was based on a scene, poured out on a cold, sickle day on a zhitnaya field. The martyrs of that day, the artist smashed a small eskiz, amid the additions of a seriєu malunks, made up of watercolors, a great canvas was compiled in five days, and an intensive robot was respected on the basis of the imaginative barvist frame of living, living, living.

In the fringes of the malovnichiypoverkhny, nemov on the charming screen, the vinykla emotionally barbed, the artist's reality speaks for itself, more than three hours for the golden age, to be like the watery horizon, stretching out to the wide de the earth is staring in the sky.

A hand and a right-hander on a rise in appearance looks like a natural one for a mint of a peasant pratsi, but heaps of life, not just flicker, and temporarily think of an unnecessary frame, diagonally unimaginably the same

At the center, on the overflow of the main power lines of the composition, it is pressed into the lower edge of the canvas, a close-up image of a compact group is shown, which is stacked from a gray summer peasant and three children, a common motive for children, generally. With its colossal, paramidal form, it’s wrapped up in the end of the day, the life is hidden, it’s obviously completed at the gigantic sphere of the heavenly dome.

Even with the first scene with the heroes of the Maybut picture of Plastov, the unprecedented glory of a simple wide spilkuvannya of people, the jingles of their soulful camp with the glorious internal atmosphere of the current Syl's services and turbots, was screwed up. Ale, with all the zvnіshnіy zvichnіstі of the stage in the її everyday mental order, we saw a lot of seriousness, introduced by the course of historical podіy, the real camp of speeches in the rozorenіy wіnuyu village.

In the picture, for the help of the artist, in the sense of simplicity, spiritual goodness, living dissimilarity with the modern light, brought to greater clarity and hostile intensity, brought to a clean, ready-to-go to simple<...>

At the chilli of the spiritual, spiritual dyyalnosti and firmly stand on the ground, yaskravi, self-imposed indivalence from the number of offspring hliborobiv, they forget about themselves, at the same time seem to be a spiritual interest, great power human zgurtuvannya.<...>

Zgadaimo, like a glimpse of emotional penetration into the spirited snake of folk drama, turning into the motif of the village meal in the picture of Zhniv (1945). ... in a guided group, imagining quietly, whom I was forced to stand in the fashion of the Silk laborers, who have not yet had enough and who are already gratefully frantic for the land. Bezposredn_y contact, scho winniem among the participants of the stage, here the bandages with an imperceptible force, called by the spirit of the people.<...>

The artist didn’t paint people, as the new one didn’t have any special sympathy. The shrine to the children at the new bulo is especially screaming, albeit without the tinny sugary, it’s out of the blue, for bliss. They have vin bachiv good luck I will bring social strength, so I am going to change my elders, I will give my own power to the nation to come to the era.

It is important for the spіvchuttam ozkrita to share the children of military rock in the picture "Zhniva" ... "

(3 books by V. Sisov "Arkady Plastov", view "Bile Misto", 2001)

Description of the painting "Stubble" from the book " Zagalna history misstv ":

"In the painting" Zhniva "(1945; Tretyakov Gallery) Plastov conveys the poverty and hardship of the village of wartime, since the people went to the front and the important thing was on the shoulders of women, old people and children.

With simplicity and love, the artist depicts the children and the old, who were shaking at a modest meal.

Life is not easy, hard work behind the help of ancient sickles and rake. Aleksandr is seen in a simple scene, in many people, as the inner meaning is especially special. Vona rooted in the humanity of the sentiments, as the zoom in the visibility of the artist in all the order of the picture, in the breadth of the information. "

(O. I. Sopotsinsky, from the book "Zagalnaya istoriya mystestv", volume 6, book 2, chapter "Radianske mystique")

Description of the painting "Stubble" from the book "100 great artists":

"A riotous growth of grasses, a radish sleepy day, willow hacks of mowers, blisk of yaskravikh, full of farbs - everything in the whole creation has come to light. Immediately after the painting" Kosovitsya "(1945) Plastov write the canvas -" The harvest ", the artist before The hardness of the life of the village of wartime. With the simplicity and love of the little, the artist of the children and the old, who rocked at a modest meal. It’s not easy life, it’s not easy for the village’s pratsyu. "

(D. Samin, "100 Great Artists", 2006 r,)

Description of the painting from the book "The History of the Russian and Radian Mistress":

"To ... the type of creatures, zagalnyuyuchih history about the style and heroism of the people in their struggle against fascist aggressors, a number of Plastov's paintings, written in 1943-1945, are introduced. Among them is the canvas "Stubble" (1945).
3 here, not appearing as a vicious and only for the artist the villagers, who have opened up the historical day of folk heroism, which manifests itself in a day-to-day, wakefulness, in a post-life readiness for a smart life. "

(Allenov M.M. and ін. "History of the Russian and Radiansky Mistress", 1989)

Tse buv describe the painting "Stubble" by Plastov: materials for creativity, analysis for creativity.