Misc landscapes paintings by home artists. Misky landscape

Vin is a kind of transgender giants in our eyes and writing with great precision, in the vision of creative technology, yaka showed an ear to Staude. At close range bends The art of Staude in the images of people appears richly differentiated. However, the basic tone of self-reliance of the figure is to become overwhelmed. The order of dry and solid creations is a mystery - all the pictures are great hardiness and fun, albeit without the pride of "New hearing" we know the glance, like a portrait of Nika Mariano, a lady, I ran the villa of Bernard Berenson, the picture of a special picture , was left unfinished.

Nagaduvannya about the small figurative portraits of Fayum's portraits or the portraits of the Renaissance is represented by portraits of Feliche, a young art butcher. For the Stauda, ​​a special incentive for the Italian is to learn in one and the same people, who learn to navigate in the robots of the great monsters. In a whole mystery and reality, he was well overpowered one by one.

Tsia Rozmova especially cares about portraits of Adriani, the daughter of a young farmer in a mysterious region, and she puffed Stauda on a series of classic paintings and pastels. In the beauty, pride and laid-back stench, all at once they got into a mysterious truth, for every Staud he saw the addiction gradually change. Often, the Staud presents his figurines as inaccessible, omitted, and in some and fiercely guilty. To him, he wanted to give the Spans such a mysterious and obscure viglyad, typical for a new one, the eye, which does not open up and marvel at us, like a goat of his individual.

Navigating the garniture portraits of Josip of the thirties is a glimpse of how you can see it. On the other side, the first picture, which can oppose us only for a strong and straightforward confrontation with the representation of a human. With a particularly beautiful butt, the picture of three figures Vasco, Germain and Feliche, in which two young people turned their backs to a sposter, and in the center, a young blonde showed at a sposter with an unruly glance stinging with an addictive set of gray.

In a wide range of contexts, we will also include a portrait of Makkhioro turf and a pastel portrait of Roboamo Poli with a head with a clean Italian cordon, hijim bird, as if to marvel at us with his blakitnye ochima. In the same way, you are enmity with the portrait of Capello at the table for a stylish look and a way of great and rich painting. It shows an analogous quality in the imaginative viconance and portrait of Paolo peciliyam. Particularly, the feud at Stauda was numbered in a number of exponents of the generation of the 1960s and 1970s.

They, who don’t turn to the historical models, know the opportunity to come to the unconventional human type of the Renaissance era. Tsya gra z the forms of the past in the season, which is often known in Stauda. So, in an olive of a high size, a blonde is standing by the shorts, which, in the background, nagadu about Pum's frescoes, as well as about the pictures of the era of the Renaissance. For a bust of Little Divine in Chervonyi near the portrait of a typical bust of the first Renaissance, which, protest, without the self-awareness of the characters of the fifteenth century, is stuck with a glazed view through the parapet, an element of introduction to the family at such an hour for such a portrait.

It is possible to navigate in large groups of figurines from the tradition of Staude. Nareshty, next to make a self-portrait. The stench in its own kind is found in the most famous paintings of the twentieth century. The stench is at odds with its own little boy culture, as well as with its own style and with its general style. A miraculous self-portrait with an easel depicts a hanging, self-made artist in a lot of evil images of green and blue, with objects that characterized his life: easel and canvas.

Patience, intimacy and sensitivity to light, color and formal communication by important vimogues before the image is corrected for the image. Appearance of Staude at Florence and Rome, especially on the streets of the Florentine and Roman outskirts, as well as his paintings in Venice, may be a unique position in the twentieth century. Wonderful Misc Landscapes Kokoschki re-listen to the minds of this genre: stinks are miracles of panoramic views of baroque amplitudes, imaged from the height of a bird's-eye, and not from the point of view of a pedestrian or a huge man.

However, in Staude there is a remarkable similarity to the hostile city landscapes, to navigate through the Market and Utrillo, I want the concept to form even further. Parisian paintings by Monet, Pissarro and the other artists, who documented the new Parisian boulevards, the boulevards are not just a copy of the city. Build up, that the artists bully pershim, hto mav denounced in Paris, may well be on the lookout for our reception of this particular picture and the light: a glimpse of light with a blue light of zinc façades, a variety of greenery and a number of leaves All over people.

Navigate the Years Bachimo Misto Paris Ochima Tsikh Artists. To navigate the creativity of the Staude є pastel, assigned to Paris, as it is often screwed up new and alive the nature of the subject: notre-Dame announced to the Cathedral, hatefully nasty New York, perhaps, the neo-gothic structure of Woolworth's awakening.

However, exposing the place of Florence has its own quirk, lightness and monumentality, before which artists often went to the exhibition. The art of looking at Canaletto's style did not, in the main, echo the spirit of Florence. Tse bulo persh for all the architectural paintings of the artists of the fifteenth century, sob to get close to the whole place in the architecture of the simplicity of black simplicity and toughness. But in them there are no mamo not іnshe, like scenographic pictures, in which there are razpovіdі of Florentine painters. Kilka back to the pure genre of the Mysky landscape, or within the framework of the street not to blame the typological power of the Parisian artists of the empire.

First for everything, the Staude has seen and shaped the signs and images of the city of Florence, which have inspired its nature. Yogo relish up to crusty forms, tying with a high sensitiveness to color and light, even close to sniffing the nature of the place. Zdavalosya b, vіn bouv persim, hto defeated yogo we are visible, now we will desolate in ruins and tourism. At that time, when they came to the Florentine Mystery, they were told about the idea of ​​translating their light and their contours into an unknown dialect, Staude's paintings, it seems, are formed by material, sawing and quoting the very place of gesture, and it seems like that.

The process of streaming, thinking and light moving - moving the quiet walls, whose hardness of darkness comes from the leaves, as they appear from them. Walls, quiet roads and movable facades of budinks, astonishingly, not the main heroes of Staude's paintings, at least not just one person: to just play an important role, fresh rankovy light, it’s late afternoon and early afternoon, midday.

However, light, like images here, not є light, like a lyudin baiduzh. Want Stode to be unique in anecdotal extras or picturesque zapamorochen, the ludin in his picture is not visible. On the view of Cezanne, the landscapes that are so overwhelmed by people, the prospects for the streets of Staude are inhabited by small self-contained figures, which seem to be moving, because they are not absolute, but they seem to be empty of other days, but all the funniest to bring a sense of freshness and freshness to vrance, or, navpaki, from the mind or to create a vacuous atmosphere.

The Staud took on the color of the terroir of the city of Florence and became a divine color. Earth, as much clay as the color of the place, is a neutral substrate, on which light it will viprominuvati all its magic. Pivdennі mіsta, pіvdenniy light, let us know the color of the "non-color": the setting for the non-power-hungry dull brown color of the wall can be extended in a wide range of colors: chervona іrzha, ochryano, orange All the same can be found in quotes haunted life, From light to light and from sound to sound, from less light and reverberation.

My idea is not only about apartments and illumination, but about light, how to go from the walls themselves, if the stench, it seems, is correctly transformed into a shining chromatic object, flashing around the atmosphere of the color. The art of pastels, in that viglyad, in which one can visit the Staude, is especially similar to the art of appearances.

Through the twists of the vigin stini, how to repair from Monte Oliveto, the Dome and Dzvinnytsya viglyadayut yak pіdnyatі, as if the stench would be over the hill, high above the other part of the place. It is also a characteristic Zal_zniy place on the Arno, with the winding palace of the Signoria and happy business bridge in the foreground. The classic design of the place in its borderline simplicity is combined with a decorative element of a funky design. Nareshti, pastel of the Ognisanti church, also on the lungarno, at midday it sank into the sun and became bright.

Here we bachimo sedimentation of great silence. Bulo b mayzhe said that the skin color is day, the skin detail of the quits and the axis-axis forms are baked into the silence of speeches. Painting Staude, yak bachili, collapses along the borderline between concrete compactness and autonomous color. Particular purity and beauty є pictures of streets and areas of florents in the forties and fifties of rock. Stode, assimilating the difficult nature of painting, the senses of the painting, the singularity of the painting, the same patience, the sophistication and readiness of the mind, but we can tell the specific quality of the paintings.

Spontaneously visualize French empressism in cich images. Ale Stode is a distant view of the eclectic acceptance of empiricism and development of its own ways of showing color and brush before a problem. Its generous concept forms an unified sensitivity to gradations, twists over chromatic passages, which captures from the fragmentary restlessness of the creatures of the sentimental impression. Staude respecting the beautiful, especially in the music of rock, the motives, proponated to you in the immediate proximity, in the streets and areas near Bellosgardo and in the area of ​​Port Romana, de vin anticipated the logics of the day, these days,