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See the Maystri still life in a graph. Still life in the inter'er. see still life

The beauty of nature prevailed on the hearts and minds of people. Artists, with their special aesthetic spirits, are maggized in an effort to bring them back alive and inanimate. Still life - the sound of objects outside of nature. The peculiarity of the composition allows the artist to convey to the eye of the emoticon the richness of the picture.

The still life with quits of nastilka malovnichy itself is not in its own right, but it is not in the middle of the development of additional details. The color of the illumination, the addition of lines and fars, the form and texture allow the creation of a unique drama to the image.

Is it still life?

Still life in the crossbar french movi mean "nature is dead." Wine took shape in an independent genre of painting in the 17th century. Still life of the dedication to the image of speeches. All kinds of portrait, landscape, historical themes. Ob'kti of wildlife (riba, game, fruits, kits) are present in still life. Ale є vіdіrvanimi from its natural center. For example, riba and game - on the table, fruit - in tarіltsі, kits - at the vase.

The image of people, animals and coma can be seen in still life. Ale the stench, faster, є added to the main motive. To that, I met a still life - the texture of objects, concentration on details. It is aesthetically pleasing to the contrast of shapes, colors, and background.

The artist himself chooses the composition for his painting: objects, beaten, draped. I can change it, put it over or increase it, be it a detail. The whole composition of the aim is to lay down on the basis of the artist's views.

symbolism still life

All objects in still life have a singing sense, a dark pidtext. Objects are shaped with a glance at moving symbols.

The skull is a symbol of the perishability of life.
Kryshtaleviy Kelikh - Krikhkist.
I will empty the vial (on a daily basis) - nagaduvannya about death.
Gold, silverware - a ring to rozkoshi.
Keys - prikhovannya or vozgoloshennya tamnitsі.
Snakes, lizards - accessibility and cunning.
Flies, pawuki - malice.
Horih in shkarulupi - a soul, a scuttler with a shit.

The versatility of the meaning of objects lies in the era, the land, in the same book of writing still life. The bills at the vase are prikhovannya significant elder and v'yanennya, as the stench has caked. Yaskravі and svіzhі symbolize youth, beauty.

Violets, forget-me-nots talk about purity, innocence. Yaskraví, chervoní kiti - about pride, superlatives. Olivka gilochka is a symbol of peace. Butoni kvitiv - prikhodnі poznostiі. Konvalii, dzvinochki - modesty, nizhn_st. Litayushi snowstorms near vases with quotations mean immortality, regeneration and regeneration of the human soul.

Still life with squares

The greatest development of still life as a genre of twists and turns in the canvases of Flemish, Dutch artists. Objects for a while, for the kitchen, for being idealized, becoming important good people in the picture.

The popularity of the quilt motifs is tied to the tradition of the Dutch viroshuvati sadi, room roses. The flavor of green, the versatility of the views, the exchange of dreams and the drop-boards in the leaves are attuned to the artist's natural relish.

Still life with quits more and more drank after the canvases of such maestros appear, such as Jan Davids de Hem, Ambrosius Bosshart the Elder, Balthasar van der Ast.

French empressism has developed a development of still life like a genre. Colored beaches, embellishments of light, the transfer of an adversarial flow in the canvas - a new principle of taking care of the world - were introduced by Gustave Courbet and Edouard Manet, Edgar Degas and Claude Monet, Paul Cézanne and Renoir.

Russian artists (Igor Grabar, Kostyantin Korovin, Isaak Levitan) trokhs inakshe backed the style of still life. On the first place of the stench they put the reliability of the image. Tom is so realistic pictures. Still life, quits move into a real area, hostile with their emotional overconfidence.

lucky painting

Actual still life with quotes and in our days. Tse pictures, painted in oil, watercolors, olivts. Energetics to space, natural color gamut, ample opportunities for photomurals to bring their own correctives to the genre of still life. Tse of gardens and summer cottages, designer bouquets and modest spring leaves.

Such pictures can easily fit into the interior of the booth. Oh, the amount of intensity, barvy emotion to add the necessary accent to the decor of the apartment. The versatility of the arrangement of quotes, objects, and contemporary realities lies in the natural fantasy of the artist.

dead nature - genre imaginative mystery, The leading rank of easel painting, assigning images of inanimate objects: kits, fruits, beaten game, ribi, attributes of any kind.

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STILL LIFE

French nature morte - nature is dead), one of the genres of painting. In still lifes, the gifts of nature (fruit, kvit, riba, game) are imagined, as well as speeches, broken by the hands of people (tableware, vases, year, etc.). Some non-living objects sit with living creatures - lumps, birds, creatures and people.

Still life, included in the plot compositions, is also used in painting old times(Nastіnnі drawings in Pompeii). There was a change about those who, the old Greek artist Apelles, had painted grapes in a maistern manner, but the birds took him for a reference and became beaks. Yak self-styled genre still life was created in the 17th century. and even having survived his own development in the creativity of the Dutch, Flemish and Spanish maystras.

Holland felt a bit of still life. "Dreams" and "desserts" were painted by the artists in such a way that when they were well, no people would be instructed to turn around at once. On the table there is a steam pipe, a wintry servetka, you haven’t finished drinking the wine in your cell, a lemon sprinkling, a crumbling chlib (P. Klas, V. Kheda, V. Kalf). Popular boules are also images of kitchen appliances, vases with quotes and nareshty "Vanitas" ("sunta suet"), still life on the theme of the perishableness of life and of short-lived joys, as they called out to the memory of the soul of souls. Favorite attributes of "Vanitas" - a skull and a year (J. van Streck. "Sueta suut"). for Dutch still lifes, Yak and vzagal for a still life of the 17th century, The presence of an accustomed philosophical pidtext is characteristic, a foldable Christian chi love symbolism (lemon is a symbol of pomp, a dog is a vivacity and T. D.) light (pour shovk and oxamite, important kilims of tablecloths, small grains, juices of berries and noble wine). The composition of still lifes is simple and stylized, ordered diagonally or in the form of pyramid. They have a visionary head "hero", for example, a cell, a glechik. Maystri subtly vibrate against each other with objects, protistavlyuchi abo, navpaki, unstable colors, shape, texture of the surface. Retrievely scribbled found details. Small by the format, the pictures are rocked on the saw, they are carefully watched and interpreted by the senses.

Flemings, navpaki, painted great, majestic canvases for an hour, intended for embellishment of palaces. There is a great number of objects, the folding of the composition. Such still lifes were called "shops" (J. Faith, F. Snyders). They pictured tables filled with game, seafood, bread, and the order was given to the gentlemen to smell their goods. Ryasna їzha, they didn’t fit on the tables, sang, snapped right at the gazes.

The Spanish artists volunteered to be surrounded by a small set of objects and worked in streaming colors. Dishes, fruits or shells in the paintings of F. Zurbaran and A. In front of them are statically placed on the table. Їх form is simple and noble; the stink of retro vivid lightness, the more visible, the composition is strictly leveled (F. Zurbaran. "Still life with oranges and lemons", +1633; A. Peredu. "Still life with a year").

At 18 st. before the genre of still life, the French master J.-B. S. Chardin. Yogo pictures, how to imagine a simple, solid stuffing (bowls, a small tank), vegetables, simple grubs, reminiscent of life, travel houses and save the beauty of a popped butty. Chardin also painted allegorical still life ("Still life with the attributes of mysticism", 1766).

In Russia, pershi still lifes appeared in the 18th century. in the decorative drawings on the walls of the palaces and in the paintings - "trompe l'oeil", in which objects were painted on the floor exactly, as a reference (G.N. Teplov, P.G. Bogomolov, T. Ulyanov). At the 19 st. tradition of blende bouli reappraisal. Still life is going through the first floor. 19th century in the works of F. P. Tolstoy, rethinking the tradition of "trickery" ("Berries of chervonoi and biloi currant", 1818), artistic school of Venetsian, І. T. Khrutsky. In the most primitive objects, the artists did not want to polish the beauty and perfection.

New development of the genre is infused in the book. 19 - hon. 20th century, if the still life becomes a laboratory of creative experiments, as the twisting of the artist's individuality. Still life is a significant place in the creativity of post-impressions - V. Van Gogh, P. Gauguin and P. Cezanne. Monumental composition, avaricious lines, elements, zhorstki forms in Cezanne's paintings poklikanі viyaviti construction, the basis of speech and nagadati about the imperishable laws of svitoustroy. The artist sticks the form with color, adorable material. At the same hour, the imperceptible overflow of colonic views, especially the cold blakite, seemingly open space. The line of the Sezannist still life was continued in Russia by the Maister "Jack of Diamonds" (I. I. Mashkov, P. P. Konchalovsky and I.) folk art... The artists of "Blakitnoi Trojandi" (NN Sapunov, S. Yu. Sudeikin) introduced nostalgic, stylized old-fashioned compositions. KS Petrov-Vodkina's still-lifes are taken over by philosophical uzagalnennyy. At 20 st. in the genre of still life, you have seen your creative zavdannya P. Picasso, A. Matiss, D. Morandi. In Russia, the greatest masters of the boule genre are M. S. Saryan, P. V. Kuznatsov, A. M. Gerasimov, V. F. Stozharov and I.

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For a new characteristic, respect for the picturesque rosette of the light middle, for the versatility of the texture of the young materials, the subtlety of the tonal indications and the numerical harmony - from the vishukano modest color of the "monochromatic images of the composites" by V. Khedi "dessert"). The Dutch still life is a great number of creative types in the whole genre of majesty and versatility of types: crim "snіdankіv" and "desserts", "ribi" (A. Beyeren), "quita" (J. Vinik, M. Hondekutera), allegorical still life "vanitas" ("suєta suєt") and in. Dutch version of the term "Still life" - "stilleven" (the first zmist - "neruhoma model") - Vinnik Liche in the 17th century. , having shared all the ideas. The Flemish still life (the main rank of "rinka", "shops", "kits and fruits") is seen as a swinging composition: the stench of the rich, large and dynamic; tse - hymns of prosperity and prosperity (F. Snyders, J. Faith). At 17 st. There is also a nimetsky (G. Flegel, K. Paudis) and a French (L. Vozhen) still life. З кінця 17 art. the French still life has overpowered the decorative tendencies of the court painting. A hand with a still life of kvitiv (J.B. Monnoye і th school), Myslivsky N. (A.F.Deport і Zh. B. Udri) deprive the eye of the eye of a rambling still life. Ale in the 18th century France has one of the most significant still-life mayas of France - J.B.S. Chardin, whose creation is perceived as a special wondrous zest, freedom of composition and a wealth of coloristic solutions. Yogo image of the light of the popular speeches, democratic for their sutta, іntimal and people, the Germans have gone to travel houses. In the middle of the 18th century Vinik term "nature morte", which vіdbiv vіdbіvly put to still life from the side of the academic kіls, whісh wіth thаt presented the revelation to the genres, the realm whісh іѕ thе "nature is alive" (historical genre, portrait and іn.). A little bit of the advanced art ruined the academic architecture of genres, which hindered the development of still life. The compositional stamps of the still life were outlived, and the regularities of the picture form were re-evaluated. At the 19 st. do a still life to start painting, to practice in various genres, and to start a still life in the struggle of natural and artistic ideas (F. Goya in Spain, E. Delacroix, G. Courbet, E. Mane and modern French). At the same time in the 19th century. do not hang out in the still lifes of the great maestros, but specialize in the same genre. On the floor of a routine salon still life of the 2nd half of the 19th century. I see, in the out-of-the-box, traditional robots of the Frenchman A. Fantin-Latour and the American U. Harnett, in a way that is a type of "trompel" oeil. 19th century expressive possibilities of still life right up to the sharp dramatic rotation of the social and moral positions of the artist are included in the works of the Dutchman V. van Gogh. for this creative concept, she made a great infusion on the development of still life (like painting in general) in the 20th century painting from the ear of the 20th century still life є a kind of creative laboratory painting. along the way of the sharpened development of emotive and decorative and expressive possibilities of color and texture, and representatives of cubism (J. Schlub, P. Pikasso, H. Grice and I.) in the specificity of still life of analytical possibilities, to stop hardening new ways of transferring space and form. Problems (or motives) for a still life are met and may be more recent trends - in the case of artists, in the development of the world there will be an idea of classical decline with new insights in painting (Francis Piekasso, Surrealism and "pop-art", who create in general go beyond the historically shaped genre of N. Realistic tradition of N. (not from the old social tendency) in the 20th century. presented to the creativity of D. River and D. Sikeiros in Mexico, R. Guttuso in Italy.

The Russian Mistress still life appeared in the 18th century. at once from the hardened painting of light, conveying the cognitive pathos of the era and the pragmatic truthfully and accurately convey the subject light ("trickery" by G. N. Teplov, P. G. Bogomolov, T. Ulyanov, etc.). The given development of the Russian still life has an epizodic character. Yogo deyakiy pidyom in the 1st half of the 19th century. (F.P. Tolstoy, school of A.G. Venetsianov, I. T. Khrutsky) The 2nd half of the 19th century before the still life of the etude character deprives the star of the beast І. N. Kramskoy, І. Є. Rupin, V. I. Surikov, V. D. Polunov, I. І. Levitan; podbny camp still life in the artistic system of the Wanderers vikhodilo from the statement about the private role of the thematic picture. Self-meaning still life-etude of growth at the turn of the 19th and 20th centuries. (M. A. Vrubel, V. E. Borisov-Musatov). Rozkvit of the Russian still life of an attack on the ear of 20 tbsp. Before yogo brilliant ideas to be used: Impressive for their dzherels, alley in a simple way, with new artistic movements of robots KA Korovin, І. E. Grabar, M. F. Larionova; subtly play on the historical and buzzy character of the speeches created by the artists in the "Light of the Mistress" (A. Ya. S. Sar'yan and in. painters of the stake "Black Troyandi"; yaskravі, plastic N. Maystrov "Jack of Diamonds" (P. P. Konchalovsky, I. I. Mashkov, A. V. Kuprin, V. V. Rozhdestvensky, A. V. Lentulov, R. R. Falk, M. S Goncharova) with the cult of one color and form and the pathos of the very process of interpretation of nature [...] 2 .

In the 17th and 18th centuries. v pivnichniy Europe still life occupying an important place. Around the new organizovuvalosya space of the booth, yogo "razgaduvali", with him "grabbed". Still life is brave to my active part in the thickest of the Vishukan bybout culture of baroque, rococo, and classicism. And only because of the entrance of the "gallant table" the role of still life in the background is becoming increasingly ornamental and ornamental.

According to the description of the number of books before painting, they played the role of a vocabulary of their own kind, the stars clearly scooped up symbols. So, following the emblematic mystery, the mystery of the image of simple, sinister speeches, overwhelmed by the wicked, given by the serpent, is victorious. Vinikaє mystestvo still life. The very extreme realism here is natural to unite with the very extreme allegories, alegory. And what is the realistic images of objects, the more tricky ones for looking at them are a mystery. In some cases, you can have a little thought about any "smitty" that "inflicted" in your picture of the Netherlands Maystri still life of the 17th-18th century. But the call is not "smittya". Symbolic bachelor of wicked objects, they are not wicked at once, zmushuє talk about the high culture of comprehension of life in the Netherlands, are torn apart by religious and glaring disputes.

At the 17th century in the Netherlands, there was a bezlich mighty still life. Ale, if on the very ear of the capital the pictures of Dutch and Flemish maysters of mali are larger than spilny rice, then even before the end of the century, the wisdom has grown. Create Dutch artists with great stripes, virivnyany for color, in them I will respect to the details, to the skin-like speech. Flemish create dynamism, yaskravі and objects in them are stored in a folding composition. In the first place, it is not "nature is dead", but rather a virulent life.

Winning and developing centers for still life in the Netherlands. In the middle-class, bourgeois Harlem, the people were enjoying "snidanki", in the aristocratic Utrecht, it has long been famous for the divorced apartments, - bouquets, In the port of Haas, there are ryasny ribny compositions, in Leiden (the university's place) - "vcheni" still life (so called "Vanitas", attributed to the permanency of life).

In these wondrous paintings, objects, from the real navkolishny open space, became their own invisible and strongly symbolized the world. And in the light of that, there are no vypadkovich objects. Also in the other half of the 16th century in Praz at the court of Emperor Rudolph II, passionately loving the mystery, the winery, was called "the circle of the Rudolphians". The new one included astrologers, alchemists, artists and singers. Here, they respected the knowledge of the Universum, its basic laws, the same sounds and people. Soon the whole suspension became the center of a new artistic direct - "Manorism". For the "Rudolphians" there are no "insignificant" objects or appearances. The important and the go of the planets, the flight of the bird, and the microscopic microscope (only the microscope), and the growth of the simple grass. And to anger everything in the unity of harmony, the artist himself is guilty on his canvas.

If there are some reflections in the object itself, in its form, especially in its sense, then it is even more necessary to transfer the object to the canvas. So it is natural to enter the painting "trick" - until the illusion of the truthfulness of the image of the object (call out the coma, or the drops of water), even before the end of the 18th century in the simple focus.

At the same time, it was not unambiguous to read the image of the object more accurately. Navpaki, speeches, navmisno vimykayuchis zi vivid otocheniya, were the first, and often i protylezhniy zm_st... So, for example, still lifes with expensive stuffing and vishukannye stray, as the confederates were brought to the type of "rozkishnykh", often they "read" them as a call to the view of overthinking.

As well as symbolic, reminiscent of whimsical meanings, mystery of still life with literature, then of all literary genres, the most popular, mabut, lyrical poetry. Not for nothing, the poetry itself is tied with the emblematic. It’s not for nothing that, in parallel with the opening of a still life, experiencing its own journey in the Netherlands of the 17th century is a very lyrical journey (especially when it’s obvious that it’s a still life, it’s so called, “I went to children for a trip”, and were described in detail in other details.) I, as it is unfortunate, I will rationally describe the lyrical verse, so it’s not really necessary to describe the symbolism of a particular still life. Glyadachev is expressed gra - grounded on the real power of the subject, which is symbolically meaningful in the composition, folded by the artist.

Inodi, however, is an artist who helped gljadachev. So in Artsen's painting "Myasna Shop" (1551), on the first plan of performances, there is a burst of different varieties of meat, ribe, cowbass. In the background, in the very first place, there is a scene flowing into Egypt - in the course of the great wealth, which will inevitably be lost.

Often the artist has directly included the text in the picture. It was unmistakably common in all of Leiden's still lifes "Vanitas" (lat. "Porozhnecha, fecklessness, nepotrіbnіst, hibnіst, nezmіstovnіst"). Quotations from the Bible, for the ancient authors, dedication to those "suєti suєt", became the most important here: "All flesh is grass, and all beauty is like a flower of poloviy" (from the Book of the Prophet Isaï), "Days of people, like a grass, like a flower , so vin tsvite "(from the Psalter)," Minuliy povz trojandi, do not rustle її bilsh "(z Horatsіya). The text takes place either in a beautiful cartouche, or a book of writing on an old archway paper (long time ago became synonymous with reliability), or references to an old-fashioned side of the book, which I named as bi-vipadkovo thrown books.

The first leather object in the picture is given to the text: trojanda, kviti polovi, komakhi are the traditional symbol of a short human sensation, and the panicles and grandmothers are a symbol of the order of the soul. Especially significant objects were selected for such still lifes. The Happy Year was told about the shredding of life, bouquets of apartments - about the last and the last, dim lamps, pipes - about the shortness of the hour, and the king's regalia - about all the baggage that is in life. The human skull was especially visible - a yaskraviy symbol of perseverance, empty (or half vipity) sklya kelikha, which meant the chuckle of a human being, and undercooked candles - a symbol of waning life.

Often in still lifes "Vanitas" there are "vypadkovi" books of old people (already in the past hour), vimіryuvalny attachments (no longer needed), flutes and violins ("the sound is so beautiful and so beautiful"). In French still lifes there are characters, so they let miles of bulbs - human life is likened to nighth and inconsiderable bulbs. And in England, written in 1649, the "Vanitas" have portraits of the anguished Charles I Stuart - the king's child deprived him of a thought about the fragility of earthly happiness and the cunning of earthly rulers.

It is often a symbol of the perseverance to serve the court and grass. Especially, kviti and grass - polovi. The stench is bigger than the odor of the empty hole. Some of the sheets are lined with coma, and the order will be taken out of empty shells or gorikhi.

Vlasne kvitkovi still lifes were changed to "garlands" and "bouquets". Especially important for the rose "garland". In the genre of "garlands" they wrote about the maystri - Y. Bruegel Oksamitovy, D. Segers, Y.D. de Hem. Especially glory on the whole tereni having given the monk to the Order of the Ozuytiv Father D. Segers. As a sign of their drowning in the mainstream, the crowned European specimens doused him with dear gifts - a golden cross with allegorical figures from emala, golden rings and a golden palette, etc. We wrote to the poets the singers assigned the verses.

The garland, turning around the central image (and it could have been even more flamboyant, most often it was a portrait that was seen by those majstas), nagaduvala vidomy symbol of Vicnost - a snake that wrapped itself around the crying years. This and the composition of such a small glorifying meaning. Into the garland itself were intertwined billy lines and an ear of corn, traditionally tied with Christ or Mary, they said at once about the purity of the glorified. In addition, it was richly symbolized here for rock: kiti - spring, ears of wheat and fruits - summer, grapes and vegetables - autumn, lemon - winter ("everything changes, unknowingly lose memory").

Mova kvitіv, postulates vіdrodzhennya s middle symbolism, buv in the XVII century zrazumіli practical whether-like a wicked aristocrat. To that, the garlands were easily "read" by glances. The Mother of God sowed Priliski, Orange, Troyandi, Irisi; the beastling before Christ was symbolized by tulips; gilkoyu budyaka - the addiction of Christ; a triumph of heavenly love, often caught by daffodils.

Garlands are not wrapped around only portraits. Often a price tag, a Eucharistic bowl, kelikhs of wine, and wind a cartouche with text. Once a small wine is placed directly into the cup. The composition goes all the way to one with a vidom emblem: a goblet with a wide bowl, filled with wine, in a float of wines. It is written with a little bit: "Don't you think about the share of mortals?" So the urochist garland followed the zmist from "Vanitas".

Still life at the viglyadi of bouquets (at the vase, for the glechik, or just on the table), three kinds of sorts were formed. The first emphasis is on painting, having spent time on various objects. In the radial composition (the stems of the stems diverged flabby from one point), the heads of the image of the stem, placed in the center of the converging stems. Compositions of a different type, mute kilim, cover the entire space of the canvas. Todi vibrates vertically. The third type of composition is embedded in the figurine of the tricot. Here the most significant quota is to serve as the central point, and the quota is symmetrically grouped around it. In the face of Suvor, the symmetry will soon collapse and the beloved old, broken up by Ya.D. de Hemom S-like the shape of the bouquet with vitreous curls, showing the rococo style.

Warehouse to navigate a free iconographic scheme with a clear podil in the vastness of the zone. Below, bilya vazi, start rocking signs of tainty - evil or zyv'yali quits, like peels, empty shells, caterpillars, flies; in the center - the symbols of modesty and purity (middling pomp), otchinny with written nondovelty quotes (convoys, violets, forget-me-nots, cyclamen in refined trojands, carnations, anemone, etc.); There is a great list to the composition, often to positive meanings, such a bit of garbage (the same in otochenny blizzards and attendants). The vase itself was likened to a general tendential judgment, however, it could mother and tlumachennya tila, like "judge a gidot and grikha."

Numeric sklyans, kryshtalevs, that earthen judges, with quotes and without them, went off like a cry, nevirne, ready axis-axis is broken. The dear judges were deprived of their senses of vision, inconsequential to the extraordinary sense of richness. Instead, the Sudin was interpreted in a rational way. Water is the theme of christening, purification, wine is the theme of communion. However, wine, especially underdrink, could symbolize and not live life until the end, and an excess of marnoy rose.

In a large variety of quilts, still lifes were supplemented with objects that were placed on the table. Most often, empty shells are a sign of empty fleshly grants. Fruit of a lemon, which is beautiful, but all the middle sour. The egg is a traditional sign of the Resurrection. Bursting a pomegranate fruit is a symbol of prudence, Christ and his sacrifice. Sunitsya is a sign of worldly nasol and spokusi. And all at once (kits, judges, objects) served as a single idea.

In the middle of the 17th century of a special widening, still lifes with images of plasuns and amphibians were filled. Їх appearance in the still life of the simple meaning of “dead nature”. Shvidshe come to Niderlandske yogo name - "stilleven" ("quiet, unruly life").

More often than not, Italian painters were put in place. Ale and the Dutch develop lizards and snakes, so that they can climb in the rough grass. Tse zovsim is not a passion for painters to plasuns. It's just that the snake is a symbol of admiration and evil, and the grass is a screaming human sensation. Often, in the grass, grabbed berries were added to the grass - "happy to melt in evil." Misha, toad, Yizhaki also took over as devilish creatures and often imagined to replace snakes. Our love for the animalistic plot was the image of a snake, which is a whirlwind. So evilly glory be-yaku hope for a little trouble.

Most of the representatives of the still life fauna become komakhs. More important here is the tradition of the three stages buttya (earthly life, death, posthumous life of the soul). Naybilsh yaskravim vіtennyami cikh the phenomenon in still lifes has become the image of caterpillars, lyelechki and snowstorms. So the image of a snowstorm, ready to flutter out of the shell, unambiguously "read" like "a soul that leaves tlinne tilo." The same antinomy of life-death was pictured by a snowstorm with a caterpillar or a ravlik. A fly or a pavuk were respected as symbols of evil, death, sin, avarice. That’s why it’s a fly to sit on an apple or a peach is traditionally associated with the theme of gravity.

Three more creatures, the little one, for example, symbolized an easy-going girl, without any unhappy earthly blessing. Ale inno, wondered if she could represent and lightness. Zaets - "commemorating hearing, sentiment, prosperity, fearfulness, fear, fear". Crayfish or lobster is a smallness of light, and of wisdom, judgment, and generality. The image of a papuga is often seen. In all the broadenings of the Duma, in the Middle Ages, it was likened to the righteous and symbolized redness, just like, or represented a different one. Mavpa woke up like a creature, mimicking human vchinki and symbolizing the development of vices, the sinner and the devil himself. Vaughn, tied or tied up - addiction to vices and worldly rights. Yaksho, the mavpa was looking at the mirror - the center of the picture was missing.

It is not easy to enter a still life light kishka. For the positive quality of the creature's spirit - sprittness and pridefulness to freedom - they were often associated with the Mother of God (especially with a small woman at the look of a cross on the back). Ale zzvychay tsei zvіr associating with the dark forces, magic. Already in the Middle Capital, the kishka symbolized the devil, and Misha - the soul, gradually to be given to those who are not safe. At Noviy Hour Kishka, especially a great shmatok of meat is fed with kigty, a stupid nagaduvala about fleshly things. This is so characteristic (especially for Snyders and the first school) of the images of cats, scattered at the table, littered with ribbons and wild game. The dog is, navpaki, like the antipode of the cat - the virny guard, who will be able to see the villainous little animal from the ryasny table.

Numerical gold and middle speeches (vases, cups, decorative virobes), like symbols of power (king's vintages, skipetri), lie infinitely until still lifes if they die. Wider miluvannya with vishukany riches it is wonderful to dine with the artist with moralization. Inodi, especially in small still lifes, indulge in painting and sculpture in the field. Tse, madly, the field of mythological characters. Zignuvsya pid vagoyu godin satyr - hour, re-maga diyavolske, fleshly beginning in the people; Razuvaev Merkury - calmness from the earthly turbocharges, etc. 3 .

Have a wonderful light

(Nicely creative artists)

Is it still life?

Meta: Oznayomiti vikhovatel_v with a still life, read the tips and see the still lifes, set them in their fold.

The mystery carries in itself the great admiration of the great people with the new light - the people, nature, speeches, - and that, for all of us, the knowledge of the spiritual and natural values of the world people. "Only, through the mystery of a man, one may not learn, if one does not vivchit, but rather experience someone else's admission!" talk vidomy artist and teacher B.M. Nemensky. Aesthetic sense of the bagatovimirni, often protyezhno straightened ("І smіkh, і sleep, і love"); It smells to train the human nature of the people, and, repeated, to enter the social fund, to make it more timid, it’s accessible to the mind of such an experience, with which the people themselves in life have not yet stuck, see the paths of being attained to spiritual values.

Painting is one of the main types of creative painting. її wandering aroundє: color (coloration of spi sound), babies and composition. Behind the help of the colorah, the artist can wicklikati at the glyachiv singers emots_yny mill: Joy, confusion, triviality, peace of mind, pacification .. Maljunk conveys the specialness of form and character to the image. The composition is the motivation for the image, the vision of the head - the image is cherished by our children.

Still life As a rule, it is an old boyish genre, which is to know children. "Dead nature", "unruly nature", "spokiyna, quiet life" - this is how the understanding of "Still Life" is translated. Name all the reasons and do not understand the essence of the genre. Explain the concept of the development of images in still life, as there are two large groups: natural objects (kits, fruits, grubs, some in the guides of birds, other children, children, people)

Objects of the image for the artist of the price for themselves: the versatility of their forms, color combinations, textures, their strength, softness, hardness, juiciness, vology, vology, style, sophistication and creativity. The artist calmly, inexpensively, respectfully distributes objects close up, showing them in close-up, in different angles - tsilі, rozrіzanі, rozbitі. All the things that allow you to see such power and quality of objects, as they zmushuyut look in a new way to know, evoke speeches and appreciate their beauty.

However, not only the artist's price. Through the image of objects and objects of the plant and food, showing the individual characteristics, it is possible to play that role, like the stench of seeing the life of the people, showing the specialness to people, setting rіznih lands and epoch.

One of the main themes of the still life genre is the theme of love to nature, the theme of learning and mastering, being flooded with abundance of gifts, of beauty and endless development. And it’s not just a love of nature, but a glorified people, like a virgin, taking over, taking over all the riches. Mistress K.G. Cherlikina write about those who, on the canvases of Snyders, behind the ribbons of the shops, see the neat little Dutchmen who plowed the seas of the whole world, and behind the stringy clumps of fruit in Saryan's paintings - the hands of the Virmen villagers. Still life has a rule to read the theme of pratsi and creativity of people. Nice, looking objects, images in the picture, repairs, ideas, money and meysternity invested, vygotoviti vase, printed podnos, vishny towel, vyrostiti vegetables, specty khlib.

Rozkvit still life yak genre instruction in the 17th century. The painters glorified them, as they renounced the mischievous "Little Dutch", then for the small size of the paintings, or for the "different" ones - the still life is a novelty.

Most of the "little Dutchmen" loved small garnishing dishes, homemade stuffing bagatu, tables, nakriti vyshukanim, rozkishnyi stravs. Їх were called "snidanks"

At the same hour in the midst of Flanders, the artists mastered the same kind of still life - "Hedgehog."

Flemish still lifes fell to the Russian artists' souls, they adorned the Hermitage - the Emperor's Museum in St. Petersburg. The first Russian artists began to read the Flemish, inherited and fold the same great and barvy paintings.

The Russian painters made their own still life for good, and did not paint it from nature. Marvel at Legashov's painting "Fruits". Here right on the ground, before the old people lie with a birch stump, buy fruits and berries - peaches and grapes, apples and pears, oranges and plums. A great garbuz is evil to show off. Immediately there is a bachimo quitty Troyandian bush, where mushrooms can grow, trees are wrapped around ivy. Awesome fantasy! The artist svoryuє still life, similar to a kazkarya, just write a kazku not about people, but about kits and fruits.

Still-lifes were still loved by the artists of France's impressionism. The stench was painted not in the mains, but right on the streets of Paris, dwelling on their canvases with divine luster, juice, sleepy color.

In this rank, there were two types of still life:

1.Still life , In what speech to speak about his ruler (yogo zvichkoyu, character, profession)

2. Still life In what kind of speech, speak persh for everything about yourself, your own qualities. The stench is nemov to smell pomiluvatisya beauty їkh viglyadu, formi, kolora.

Knowing children with a still life, follow the brutal respect for all the characteristics: type, character to the image, taking into account the artistic variety, individual manner of creativity of the artists.

Mystetstvoznavtsі neіdrozdіlyayut still life behind the types. Ale is important for robots. seemingly offensivesee still life:

one-order- images of objects and objects of the same type (only vegetables, fruits, kits)

changes - presentation of educational objects and objects

plot - images of educational objects and objects about the subject matter. Before the plot, you can bring a still life from images of living things: birds, animals, people.

Happy children up to artistic culture suspensions, known for their still life as one of the genres of painting, we are guilty of being responsible for the order of the child's intellect to his social interests. The very emotional sense of the child provides access to the sense of the artistic image, the idea of the creator. children preschool education it is important to independently touch the aesthetic moral values, Pledges in artistic images. That is such a great role for a grown-up person who, with his food for beasts, respect children for the variety of still life, to look directly at the artist's picture, bachiti, as a rank for help, the little one, the colorah, the composition of the picture, the artist conveys the picture of the pre-image, setting the picture.

Knowing children with a still life can be repaired even from a young preschool age (4th rik life). The view of artistic paintings and witnesses about them is guilty of giving to the children and the individual possibilities of children.

The process of learning about children with painting is about teachers and fathers of great patience, reluctance, tact, majesty and powerful emotional - positive instillation to the dully creative works of art. A slide of memory, for the children to see reproductions of an artistic picture and talk about it, it is necessary to vibrate every hour, turn on from all the side-by-side turbots, set up the installation for the creation of a mystery of art, to witness the message of the day. It is not necessary to sleep and see for "one visit" all create at once. Rob tse step by step. Proponate Chergov's reproduction, give the little ones a spontaneous look, with a sprinkle, and have mercy. Show interest before you won and won. Then fix the conversation - dialogue. Shanobly put up to see the skin of a child; The visibility of good-naturedness, joy, as well as smallness in the distance, can be seen in the picture, which is especially special. Have your own home, which made you happy or welcomed you. When looking at the reproductions, put them on a small place, when you are skinny, turn to nothing else, skin once in a moment and in a meaningful way - it’s new.

Children 5-7 years old paint still life with color olivtsi, felt-tip pens, farbs. For the image of a vase or a glechik innocently vikoristovuvati siluety, virizani from a color paper. We have a bouquet of quotes in front of a child with small farbs, handing out fruits and vegetables. Such still lifes are especially tsіkavі dityinі tim, so in them the technique of collage and painting.

Before tim, like a little still life, you can proponuvati child look around about and vibrate those objects, for example, the growth line, which is possible on the ground; power up from a person who has vibrated the same objects.

You can put a little extra in a glitch, or a vase, and proponate the little ones, look at them, have mercy on the beauty of the peels, leafing.

Try the Viconati also. Come on, child, two apples and a banana. Bazhano chob apple boule pink color (green and red), then, in the same place, with a fresh banana, let it smelt yaskravu for color composition. Propagate the little child with a little bit of still life, and then, with gouache farbs, paint the composition on the album arch. With wide strokes, fill in the entire space of the sheet, on the color tlі vyit garniy still life.

It is always a matter of rock instead of still life to change and learn new subjects for their paintings.

Insight into children with still life helps to develop aesthetic sentiments, figurative moving, just to bring together the appearance of yaskravikh associations, metaphors, porvnyans.

Still life(Franz. Nature morte - nature is dead), one of the genres of painting, which is a picture of the gift of nature (fruit, kviti, riba, game), as well as speeches, broken by the hands of people (tableware, vases, vases, etc.). Some non-living objects sit with living creatures - lumps, birds, creatures and people.

Still-life motives are still being created in the mystery of the Ancient Descent and Antiquity. There was a change about those who, the old Greek artist Apelles, having painted grapes in a maistern manner, how the birds took him for a reference and became beaks.

More clues about still lifes can be found in the XV-XVI centuries. Dovgy hour still life has taken over the links with the religious picture.

Yak self-styled genre still life was created in the 17th century. and even having survived his own development in the creativity of the Dutch, Flemish and Spanish maystras. Riznomanittya yogo types and forms in the whole hour tied with the development of national realistic schools of painting.

Popular boules are also images of kitchen accessories, vases with quotes and nareshty "Vanitas"("Sueta suut"), still life on the theme of the permanence of life and of short-time joys, as they called out to the memory of the true values and podbati about the salvation of souls. Favorite attributes of "Vanitas" - a skull and a year (J. van Streck. "Sueta suut").

for Dutch still lifes, Yak and vzagal for a still life of the 17th century, The presence of an accustomed philosophical text is characteristic, a foldable Christian chi love symbolism (a lemon is used as a symbol of pomp, a dog is a symbol of vitality, etc.)

Flemings, navpaki, painted great, majestic canvases for an hour, intended for embellishment of palaces. There is a great number of objects, the folding of the composition. This still life was named "Lavkami"(J. Faith, F. Snyders). They pictured tables filled with game, seafood, bread, and the order was given to the gentlemen to smell their goods. Ryasna їzha, they didn’t fit on the tables, sang, snapped right at the gazes.

V Іtalії and Іspanії For the still life, the creativity of Caravaggio was very much appreciated. Favorite themes for still life boules quit, vegetables and fruits, give the sea, kitchen stuffing, etc. (P. P. Bontsi, M. Campidoglio, J. Recco, J. B. Ruoppolo, E. Baskenis and I.).

Spanish artists willing to be interconnected with a small set of objects and applied in streaming colors. Forms of simple and gentry; the stink of retro vivid lightness, the more visible, the composition is strictly leveled (F. Zurbaran. "Still life with oranges and lemons", +1633; A. Peredu. "Still life with a year").

At the 19 st. tradition of blende bouli reappraisal. Still life is going through the first floor. 19th century in the works of F.P. Tolstoy, Rethinking the tradition of "trickery" ("Berries of chervonoi and biloi currants", 1818), artists Venetian school, I. T. Khrutsky. In the most primitive objects, the artists did not want to polish the beauty and perfection.

At 18 st. before the genre of still life, the French master J.-B. WITH. Chardin... Yogo pictures, how to imagine a simple, solid stuffing (bowls, a small tank), vegetables, simple grubs, reminiscent of life, travel houses and save the beauty of the popped butty. Chardin also painted allegorical still life ("Still life with the attributes of mysticism", 1766).