Bach nayvidomishi create. List of the main works of Bach. The meaning of the composer's work

Tokata і fugue in rem minor, BWV 565 - organ for organ by Johann Sebastian Bach, one of the most popular of his works.

The Tvir "Toccata and Fugue Re Minor BWV 565" is included in the efforts of the authoritative BWV catalog and in (the most recent) newly seen works of Bach (Neue Bach-Ausgabe, in the form of NBA).

Tvir imovirno written by Bach on the hour of his transfer to Arnstadt in the period between 1703 and 1707 rr. In the midst of 1703, when the end of the day was over, I got the posad of the court musician at the Duke of Weimar Johann Ernst. Unbeknownst to me, exactly what was included in the yogo binding, ale, shvidshe for everything; For seven months of service in Weimar, the fame of the new yak and the viconautsa has expanded. Bach requests for the settlement to look at the organ to the Church of St. Boniface in Arnstadt, which is located 180 km from Weimar. It’s the oldest nimetsy place among the family of Bachs.

At the serpentine Bach took the post of organist of the church. Pratsyuvati yomu was brought three days per day, and the payment was very high. In addition, the tool is trained in a good standard and new system, Expanding the possibilities of the composer and viconavts. At the same time, Bach opened up a lot of organ creations.

A special feature of the small polyphonic cycle is the uninterrupted development of musical material (without interrupting it with current and fugue). The shape is made up of three parts: tokachi, fugue and codi. Stay, perekuyuchisya with tokata, I will fix the thematic arch.

The title page of BWV 565 in a handwritten copy by Johannes Ringk. At the zyazyka z tim, scho autograph of Bach, buv of ruin, tsya copy, camped for 2012 ric, є

Tokata (in Italian toccata - dotik, blow, from toccare - stosuvatisya, chіpati) - virtual musical p'єsa for keyboard instruments (keyboard, organ).

ear of tocachi

Fuga (ital. Fuga - big, vtecha, shvidka current) - the most developed form of polyphonic music, which took away all the wealth of polyphonies. The wide range of fugues is practically non-intertwined, protects against ferrying or one sees an intellectual cob. The fugu develops a similarity and at the same hour the streamlining of the turn.

Tsey tvir to obey with an anxious, albeit husband's wolf cry. Win the moon is three, descending from one octave to the bottom, and to bring up to Gromov a chord gurkota in the lower register. So, on the cob of tokati, one is surrounded by a worldly obscure, grandiose sound space.

Johann Sebastian bach"S Toccata and Fugue in D Minor BWV 565 played by organist Hans-André Stamm on the Trost-Organ of the Stadtkirche in Waltershausen, Germany.

You can still feel the straining "swirling" virtual passages. The protrusion of the violent and general ruk is nagad alarming, re-patching between the lines from the violent verses. And next to the fugue sound, improvisationally prompted by the current, in yak volovoe the beginning of a bi-tidy spontaneous force began. And the rest of the tactics of the whole creation are drawn to the yak of Suvor, and the power of the unpretentious human will is great.

(Nim. Johann Sebastian Bach; 21 (31) birch tree 1685 (16850331), Eisenach - 28 linden 1750, Leipzig) - Nimetsky composer, Organist and Skripal, a representative of the Baroque style, one of the creators of the light music classics, and one of the most famous composers of the light.

Yogo robots gave natchnennya to the skin composer of the European tradition, from Mozart to Schoenberg. Winning attention to the achievement of the musical mystery of the transition from the period from the Baroque to the classicism, and in the majesty of polyphony and counterpoint, there is no other middle class.

biography

Johann Sebastian Bach was born in the small town of Eisenach and was the child of the violin of Johann Ambrose Bach. All Bahi lived in the Girskiy Türlingia. From the ear of the 16th century in the homeland of Bach, bully flutisti, surmachi, organ, violin, bandmaster. Їх musical gifts were passed from generation to generation. Koli Yogan Sebastian vypnilsya five, dad presented him with a violin. Johann shvidko is hung up on this grati, and music has become an unimportant part of his life.

Maliy Skripal, with a still good voice, singing at a good little school, a happy dignity, skitched early - if a Maybut composer only got 9 rock times, he died of his mother, and through the rik - dad. Sebastian and his brother - Johann Jacob, having taken his older brother - Johann Hristoph, who is the organist in the Ohrdruf region. Sebastian and Jacob entered the school, and at the same time brother of the group in organ and keyboard. Ale only vikonavstva Sebastian was not enough - he wanted to create music himself. Those yomu away from the closed-off shafi, notniy zoshit, de brother Bouly wrote down the famous composers of that hour: Froberger, Kerll, Pachelbel and іnshikh. At night, secretly, rewriting the notes. If the start of the robot was already approaching completion, the brother caught him for a busy time and saw his mustache, it was crashing. Those sleepless years in the midst of a month of light must be grimly recognized at the dawn of Bach.

At 1700 rots, since the family of Johann Christophe is growing steadily, Sebastian goes and goes to Luneburg, and in 1700-1703 he goes to the schools of church pianists at the monastery. Singing to the voice (to the sound of mutations) Bach can play the gratis in the orchestra on the violin. Before the hour, Bach will go to Hamburg, so that you can learn about the music of the organist of Reinke and see the opera house. Besides, there is a wine bouv in Celle, there is a possibility of a bit new French music at the viconnes of the French themselves, who served there at the court. Bach’s first composer’s prelude to the rock is to create for the organ and the keyboard.

The message of the end of the day of Bach about joining the university didn’t come, it’s necessary to make a penny for life. From 1703 to 1708, one day to serve in Weimar in the Ernst of Weimars' chapel, however, through a few months of traveling to Arnstadt, the organ was sent to the new church, and the organ was reconstructed. Unimportant, welcoming, welcoming for life and creativity, mind, in Bach there is a great deal of confusion with your arnstadts. At the end of the period, there is a story of a story in the composer's biography: in 1705, Bach was close to 400 km from Arnstadt to Lubeck, as the sound of the sound organist Ditrikh Buxtegude. With Lubeck Bach, having tried more, it is allowed to lower this level (it’s allowed to replace 4 times in Lubeck’s Mayzhe 2 months), through a spur between him and the possession of the place, and so until that hour, I wished to envy, even more. On the cob 1707, Bach moved to Mühlhausen, de 15 years old, was officially confirmed in the town hall of the church of St. Vlasia.

At the same time, Bach will become friends with his third sister, Marya Barbara Bach. Yogo creative interests boules zoseredzheni todi, head rank, in music for organ and clavier. Until the end of the period, zokrema, "Caprichchio for the trip of a kokhany brother."

Weimar (1708-1717)

Pislya bagatokh posad in provincial places of Türringia (Arnstadt, Mühlhausen), the composer will disregard the court musician's misce at the Duke of Weimarskiy 1708. Bach will be grounded in Weimar, to spend 9 rockies. At the same time, he is also a local organist.

Virtuoz-viconavets on organ Bach opening for the whole instrument create, as they reached the heights of organ music. The emergence of the unique organ style of Bach was heavily influenced by choral preludes, roztsineni by the composer as a kind, romantic, romantic companion of the artist. In cich lyric poems, yaskrava was born, rich in musical mova, which passed the hour. In great fantasies, they merged into one of the people and the most professional currents. Choral fantasies in terms of artistic smilivist, a wide range of options for turning and forms.

In the genres of preludes and fugues, tokata, fantasies, Bach played like the grounds of the Nimetsian organ school, and especially his predecessors - Reinke and Buxtegude. From Buxtegude, before what Bach went to the rock of the youth, he transformed the vilny poetic character of organ empowerment, oratorical pathos, blissed concert decorativeness. Bach's organ works are characterized by an emotional richness, a deep inner mediocrity, a dramatic swing with a written sound and freedom of form. Bach has combined polarity in two-part cycles for its versatility of parts: empirical tokat, fantasy, or prelude and polyphonic fugue. Organ fugues are considered to be a great swing, and a great swing, for them, in some cases from the clavier, the boules are characterized by a tight dramatic development and grand culture.

Create a dynamic and timbre resource for the instrument. Large-scale fantasies, variations and fugues are inspired by bright coloristic and dynamic contrasts.

Before the works of the Weimar period, a large number of adult organ preludes and fugues (c-minor, D-major, e-minor, g-minor, G-dur, f-moll and in.), Fantasia (C-dur), fugue (g -moll), fantasy and fugue (d-minor, C-major), Pasakal_ya to Minor that іnshі. Also, two blues were born here, perhaps the composer - Wilhelm Frideman (* 1710- † one thousand seven hundred and fifty chotiri) and Karl Filip Emanuel (* 1714- † one thousand seven hundred fifty).

The creativity of Bach marked the pinnacle of the colossal development of organ music throughout the era of the Renaissance. The infusion of organic creativity is also seen in the composer's works (cantati, solo violin sonatis, preludes and fugues).

Kyoten (1717-1723)

In 1717 Bach accepted the requested service of the Duke of Anhalt-Ketensky Leopold. Life in Keteni is a sprinkling of the composer's happy period: the prince, illumination for his hour of Lyudin and the indigestion of the musician, citing Bach and not capturing his creativity, asking him for his trip.

At Ketenia Bach wrote, in the main, keyboard and orchestral music.

Bach was the first to write a concert for the clavier (behind the eyes of the violinists), by which he himself consolidated the independence of the instrument. Unimportant to the lack of knowledge of everyday instruments (harpsichord, clavicord and іn.) bendable, Bach opened for them a number of even more beautiful creations.

The genre clavier music Bang the new way. rozkvit yogo clavier creativity falls on the period of robots at the court in Keteni, the first book of the opening was the first volume "Good tempered clavier", "Chromatic fantasy and fugue" fantasy.

Especially Tsikava Zbirka "Good tempering clavir" - 24 preludes and fugues, written in all keys, and in practice, bring the transitions of the tempered musical scale, near the hardening of some hot super-tunes. Bach having opened another volume "Good tempered clavier", also with 24 preludes and fugues in different keys.

At the end of the boule period, Little Preludes, English and French sympathies, tokata (fis-moll, c-moll) for the clavier were written, as well as Brandenburg concerts, which should go to the genre of concerto grosso and continued the tradition. Shvidkі parts are in the sense of energy, often danceable character, plastic temporality of form, in the form of highly degraded foreign technology. Concerts are characterized by scale, polyphonization of texture, symphonic, single, solo and acomponual instruments, bright individual, glib images.

At the skin concert, they play solo and instrumental ensembles. (Warehouse to the Bach orchestra: strings, oboes, recorder, bassoon, French horn, trumpets, percussion instruments, ino gobo d'amur, oboe that swing and root for swing). I want Bach pragnov (which is typical for the era) not styles before the individualization of timbre-colorful effects, as before the appearance and adoption of polyphonic logic, the composition of the composition of the new instrumental without any changes

Create for a violin solo (3 sonatas and 3 parts) is based on a foldable rich-voiced structure, vilnistyu viraz, unimpressed on the framework of genre obscenities. Vilny preludes, fugues, variaatsii change in them with subtle dances. Violin sonatas show the strength of the composer's presence, who is exalted in all the interdependent traditional form, material and technical capabilities and tools.

Today, a series of suites for solo cello have been created.

However, in Keteni Bach there is no trapilosya. For an hour, since Bach and the prince were not in the world (the prince took the music with him, if he saw from the place), his squad Marya Barbara died. Ї praised 7 linden 1720

In 1721 Bach became friends with another - on Hanna Magdalena Vilka. And in 1723 there was a vison of the "boarding according to John" at the church of St. Tom in Leipzig and Bach, having rendered the estate of the cantor of the church - the head of the school choir - with a one-hour visit to the school teacher at the church (Latin and spiv).

Leipzig (1723-1750)

At Leipzig, Bach is alive until the end of his life. Winning became the "musical director" of all the churches of the world, stitching behind a special storehouse of musicians and spivaks, supporting them for those newcomers, indicating the necessary things for the visitor to create and to see a lot of problems.

Do not be cunning and maneuver, the composer has repeatedly Conflict Situations, They took care of their life and saw them as creativity.

Until now, we have gone to Bach's pasion of "boarding according to John" (1723) and "boarding for Matvey" (one thousand seven hundred twenty-nine), which is tied to the old traditions of folk last days the life of Christ. The directors of irony to the plot, specific for people, Passion is heavy to operas greater than those of Bach. The "boarding houses for Matviyem" have a vinyatkogo adnannya bagatoplanovoy structure. A recitative viklade of the Evangelical text, according to the subtle transmission of various details, there are not many rivals in the Italian opera, lyrical arii and chorus, Protestant hori and drops, and in the supervisor, they plan to form three ideas of tragedy in the supervisor

"Pension for John" is characterized by a smaller swing, the stench of the closest to the fire. The music of both boarding houses is carried to the top of the Bach music.

The composer has played close 30 Radiansk cantatas (in the middle - comic "Kavova"і "Selyanska"), as a rule, there is little to be seen from the spiritual in style. "Selyanskaya" has introduced numbers of folk-by-beat, song-and-dance character. The satirical cantata "Zmagannya Phoebe and Pana" poses the problem of socializing folk and professional music.

It is also written create for organ, orchestra, harpsichord (middle of the last see the cycle "Aria with 30 options", so called "Goldberu-variatsii", 1742). In 1747 rotsi Bach opening the cycle of p'єs "Music gifts", of the assignments of the Prussian king Fridrikh II. Tvir pid became the last robot of the composer I will name"Mystery fugue "(1749-50) - 14 fugues and 4 canons on one theme.

In the late 1740s, the rock of Bach's health was lost, especially the turbulence was lost. Two not far away operations from the visible cataract wicked more and more silently, ale and todin prodovzhuvv to create, dictating notes for recording.

Ten days before his death, Bach did not get a glimpse, however, for a few years he had a blow. Unimportant to the efforts of the likars, Bach saw the 28th lipnya 1750. The quickening of the opera is called the quick cause of the death of the composer.

Johann Sebastian Bach's urochiste wikkliclo a great influx of people from small cocks nimetsky lands. The composer was praised for the church of St. Tom (Thomaskirche), in which he served 27 years. However, on the territory of the storehouse, the road was paved and the grave was ruined. Only in 1894, the surplus of the last century was known for an hour of awakening robots, so that it was overwhelmed.

creativity

The creative fall of Johann Sebastian Bach is superbly great, I am looking for 1000 compositions, of which 320 holy and spiritual cantatas, a lot of months, "Rizdvyana" and "Great Day" orators, numerous chorales, motets, and instrumental creations.

Bach's contagion is accepted as the BWV number. Bach werke verzeichnis- catalog of Bach's works). The classical Bula was propounded by the German musician V. Schmider in 1950, based on the thematic principle: numbers BWV 1-224 are associated with cantatas, BWV 225-249 - with orators, BWV 250-524 - with spiritual chorales 525-748 - organ create, BWV 772-994 - create keyboard, BWV 995-1000 - create for lute, BWV 1001-1040 - chamber music, BWV 1041-1071 - orchestral create and BWV 1072-1126 - canon and fugue.

more vocal creations Bach was written on religious texts (For example, "boarding according to Ioann", 1723, "Pension for Matviyem", 1729, "Mesa si minor" 1733-1738). Music їх is perfected by great religious sentiments and, at the same time, philosophical background. Three of the composer's vocal creations, especially the cantati "Phoebus and Pan", "Selyanska", "Kavova", bezposeredno tied with a todish knot.

Bach's instrumental music was written for organ (preludes, tokat, fantasy, fugue, etc.), for harpsichord ("Good tempering clavir"- 48 preludes i fugue,"Mystery fugue ", 6 partitas, 6 French suites, 6 English suites, etc.). He also played a sonata for solo violin, a song for solo cello, as well as music for an orchestra (6 "Brandenburg Concerts", 4 syuity), concertos for violin and orchestra, for harpsichord and orchestra and інші.

Bach's instrumental works became the dzherel of transcriptions by the composers, Zokrem Ferenc List, Feruchcho Buson, Sergiy Rakhmaninov. The piano transcriptions of Bach's organ works were played by Ukrainian composers - Levko Revutsky, Grigoriy Beklemishev. By becoming a kind of creative experiment, becoming Bach's "richerkari" in Anton Webern's pointe-listic instrument for the octet.

organ creativity

The organ of music in Nimechchin until the hour of Bach is already small in old traditions, so the leaders of Bach's successors - Pachelbel, Bemu, Buxtehude and the other composers, who have infused them in their own way in their own way. Bach buv is especially special for them.

With a hand of life Bach will be more vidomiy yak first-class organist, vicladach and composer of organ music. Win pratsyuvav yak in traditional for that hour "vilny" genres, such as preludes, fantasy, tokata, pasakalia, and in more strict forms - choral preludes and fugues. In his creations for the organ, Bach was able to draw on the rice of the young musical styles, with the wines known by the stretching of life. The composer was infused with both the music of the North German composers (Georg Boehm, with Yakim Bach was created in Luneburz, and Dіtrih Buxtegude in Lubeck), so the music of the new composers: pіznіshe win navіt reclaiming of the violin concertіv Vіvaldі for organ. With a hand of the most fruitful period for organ music (1708-1714), Johann Sebastian didn’t just write a lot of pairs of preludes and fugues and Istanbul and fugues, but he came up with an unfinished Organ booklet - a collection of 46 short songs creation on the choral ones. Writing from Weimar Bach becoming less writing for the organ; protest, written by Weimar bouly, written richly, create (6 three-sonatas, collection of "Clavier-Übung"і 18 Leipczyzka Chorales). All of Bach's life was not only putting music for the organ, but taking up consultations on the development of instruments, revising and adjusting new organs.

Іnsha klavіrnі creativity

Bach also wrote a number of works for the harpsichord, many of which can be played on Klavikord. Bagato with tsikh creation є encyclopedic zbіrkami, showing the development of priyomi and methods of establishment polyphonic creatures... Most of Bach's clavier works, seen for his life, were martyred in zbirniki pid I will name "Clavier-Übung" right ").

• "Good Tempering Claviers" in two volumes, written in 1722 and one thousand seven hundred and forty chotiri rocky, is a collection of 24 preludes and fugues in the skin volume, one for the skin tone. The whole cycle of buv is even more important in connection with the transition to the system of tuning the instruments, which allows you to easily visualize music in any tonality - persh for everything, up to the bitter, rhythmically tempered fret.
• 15 two-voiced and 15 three-voiced inventions - small create, roztasovani in order to increase the number of signs in tonality. It was intended (and vikoristoyutsya dosi) for playing the game on the keyboard instruments.
• Three episodes of syuity: English syuity, French syuity and part for clavier. The skin cycle of revenge of 6 suites, motivated by the standard scheme (Allemanda, couranti, sarabanda, Zhiga, and a necessary part between the remains of the house). In the English suites of Allemand, there is a prelude, and between the Sarabande and the presence of one part; French suites have a number of unnecessary parts to grow, and preludes to come. The partitas have a standard scheme of expanding: the smallest opening parts, the presence of additional parts, and not only between the Sarabande and the gigot.
• Goldberg variations (close to 1741) - a melody with 30 variations. The cycle is to complete the folding and non-intricate structure. Variation will be better on the tonal plane by those who are not on the melody itself.
• Riznі p'єsi on the chstalt "Overture in the French style", BWV 831, "chromatic fantasies and fugues", BWV 903, or "Italian concert", BWV 971.

Orchestrova and chamber music

Bach wrote music for both instruments and ensembles. Create Yogo for solo instruments - 6 sonatas and parts for solo violin, BWV 1001-1006, 6 suites for cello, BWV 1007-1012, and parts for solo flute, BWV 1013, - a lot of things that are important to some of the composer's most famous works. Besides, Bach wrote a piece of works for lute solo. Writing vin is also a trio sonatis, sonatas for solo flute and violi da gamba, which are supported only by the bass general, as well as rich canon and richercar, without the need for instruments for the show. Naybilsh significant butt of such creations - the cycle "Mystery of the Fugue" and "Musical Bringing".

Bach wrote a songless creation for the orchestra and instruments, and then play solo with him. One of the most popular - "Brandenburzki Concerts". Stinks boules so named, oskilki Bach, seeing the Margrave of Christianity Ludwig of Brandenburg-Swedish 1721, thinking about it at the yogh court; tsya sproba appeared not far away. A large number of concerts written in the genre of concert groso. The Інші orchestral masterpieces of Bach, went down to us, include two violin concerts (BWV 1041 і 1042), a concert for 2 violins in D minor BWV 1043, so the title "third" A-minor concert (for flute, violin, harpsichord, strings and digital) bass) BWV thousand forty chotiri and concerts for keyboard and chamber orchestra: one for one keyboard (BWV 1052-1058), three for two (BWV 1060-1062), two for three (BWV 1 063 and 1064) and one - for minor BWV 1,065 - for chotiroh harpsichords. At our hour of the concert with the orchestra, we often see the piano, which can be called Bach's piano concertos, but it’s not just forgotten, but for Bach’s hours there’s no piano. Krim concerts, Bach wrote 4 orchestral suites (BWV 1066-1069), acts around the parts of which in our hour are especially widely popular and may be popularly transcribed; the third syuity is aria.

vocal create

• Cantati. By extending the entire period of his life, a generous Bach in the Church of St. Thomas Keruv in the cantati vikonannya, the theme of which was chosen by the Lutheran church calendar. I want Bach viconuvav and cantati of the first composers, in Leipzigu it is sklav yak minimum three new cycle of cantatas, one for the skin not for rock and for the skin of the church sacred. Besides, he came up with a cantatas in Weimar and Mühlhausen. On the whole, Bach wrote about 300 cantatas on spiritual themes, from which only 200 went to our days (the rest is at the viglyadi of one fragment). Bach's cantati is strongly developed for form and instrument. The acts of them were written for one voice, the acts - for the chorus; deyakі vimagayut for the performance of the great orchestra, and deyakі - all the number of instruments. However, the most often victorious is the offensive model: the cantata is seen with a clean choral opening, then there are recitative and arii for soloists or duets, and all the chorales end. As a recitative, you are encouraged to take the same words from the Bible, which can be read in the same language according to the Lutheran canons. The final chorale is often transmitted to the choral prelude in one of the middle parts, and also to enter the opening part at the cantus firmus. Nyvidomishim from Bach's spiritual cantatas є “Christ lag in Todesbanden” (no. 4), “Ein 'feste Burg” (no. 80), “Wachet auf, ruft uns die Stimme” (no. 140) і “Herz und Mund und Tat und Leben "(Number 147). In addition, Bach sklav also a circle of svit cantatas, timed to the occasion, for example, to the wedding. Among the most famous cantatas of Bach - two Vesilny cantatis and hotties Kavova cantata and Selyanska cantata.

• Addictions (pasioni). Passion for John (1724) and Passion for Matthew (close to 1727) - create for the choir and orchestra on the Evangelical theme the citizens of Christ, designated for the Victory at the evening at the Strass on the feast day in the churches of St. Thomas and St. Mykola Addictions are some of the largest vocal creations of Bach. Seemingly, Bach wrote 4 or 5 pensions, ale only two and two more went to our days.

• Oratory and Magnificat. Nayvidomisha Rizdvyana oratoria (1734) - a cycle of 6 cantatas for a show for an hour in the period of literary rock. Easter Oratorio (1734-1736) and Magnifikat are sooner great and efficiently used cantatis and maybe smaller ranges, less Rizdvyana oratoria or pasioni. Magnificat іsnu in two versions: the cob (M flat major, 1723) and the bigger one and the second (D major, 1730).

• Mesi. Nayvidomisha and the significant mesa of Bach - mesa si minor (finished 1749), which is a secondary cycle of the ordinary. In tsyu mesa, as in the richly rich works of the composer, the remission of early works has disappeared. Mesa nikoli did not go back to the life of Bach - for the first time it became only in the 19th century. Moreover, the music was not recognized for the recognition through inconsistency with the Lutheran canons (only Kirin and Gloria were included in the new one), and also because of the triviality of sounding (close to 2:00). In addition to this minor, until the present hour there have been 4 short double-frequency Bach's (Kirin and Gloria) meshes, as well as some parts, like Sanctus and Kyrie.

Bach's vocal creations include a number of motets, about 180 chorales, songs and arii.

Bach's share of creative decline

The share of this decline appeared foldable. They knew for the life of Bach, against the death of the composer, they began to forget about the music. Spravzhny interest before his creativity Vinik Liche in the 1820s. And after a while on May 11, 1829 in Berlin "Passion for Matthew", organized Felix Mendelssohn-Bartholdi (* 1809- † 1847). Felix herself bears the honor of "Turning to Life" (Wiederbelebung) of Bach's music, even after 80 years after the death of the composer and his full return. This gave a straining impulse to the publication of the works of Bach and their vicissitudes.

The generation of romantic composers, born in 1810, took over Bakhy compositions as a poetic music and took them for a show. Felix Mendelssohn-Bartholdi, Robert Schumann (* 1810- † 1856), Frederic Chopin (* 1810- † 1849) and Ferenc List himself (* 1811- † 1886) esteemed Bach's creation as an incentive and butt for powerful creativity. Like at that hour, musicians-viconavtsi (like Mendelssohn-Bartholdy, Chopin and Lista also Clara Schumann, Sigizmund Talberg and many others) brought Bach's creations into their concert programs.

U 1850 boo folds "Bahіvskiy spіvtovaristvo", yaka pragnula viyaviti and published all the manuscripts of the composer (46 volumes have been seen for the last half of the year).

І. S. Bach and Ukraine

On the thought of A. Kalinichenko, in the surroundings of the creations one sees in musical culture The theme of the fugue with flat minor from the 1st volume of "Good tempered clavier" (one thousand seven hundred and twenty two) is dying, and the theme of the fugue comes up to the lower voice of the melody of the Ukrainian folk song "Oh on the mountains, on the twists." True, here it is not possible to win the dispute between the melody of Ukrainian folklore and folk songs of the nimts (partly of the found, now forgotten ball), for the Polabian words, who lived in Saxony (Saxony). Bach's link with Ukraine could have been corrected by brothers who had traveled to Stockholm. Today, when he was hitting Poltava in 1709, at the same time with the Swedish king Charles XII, having served as Bach's brother, a part of the Ukrainian Cossacks joined the choli with the Maybut hetman Pylyp Orlik. Ukrainian pisnі, they smelled asleep, brothers could have gone to Bach. Bach's musical "Ukrainian" music could have appeared as a result of his knowledge (the witnesses of the ages take the same fact) with the Ukrainian bandura player, lute player and spyvak T. Bilogradskiy, who is alive in Dresden. There is also one of the composer's blues - Wilhelm Frideman, who was praised by the organist. You can’t be vicious, І. S. Bach (possible, in blue) sensu gru і spіv T. Bilogradskiy. The presenter M. Stepanenko was transferred, which was replaced and written by I. S. Bach lute partitas could also be tied with T. Bilogradsky.

memory

• Monument in Leipzig, prompted on April 23, 1843 by Hermann Knaur from Mendelssohn's initiative and behind the armchairs of Eduard Bendemann, Ernst Ritschel and Julius Hübner.
• The bronze statue on Frauenplan square in Eisenach, designed by Adolf von Donndorf, was erected on the 28th spring of 1884. The spot stood on the Rinkovia square near the Church of St. George, on April 4, 1938, the bullet was moved to Frauenplan with a shortened p'єdestal.
• Monument to Genrikh Polman on Bach Square in Keteni, prompts 21 birch 1885.
• Bronze statue of Karl Seffner from the side of St. Thomas Church in Leipzigu - 17 May 1908.
• Bust of a robot by Fritz Ben in the "Walhalla" monument in Regensburg, 1916 rіk.
• Statue of Paul Birren at the entrance to the Church of St. George in Eisenach, erected on April 6, 1939.
• Monument to Bruno Eyerman in Weimar, the first time of the establishment in 1950, but two times of tidying and new ideas in 1995 on the square of Democracy.
• Relief of Robert Propf in Keteni, 1952 rіk.
• Monument to Bernd Goebel Bilya Rink of Arnstadt, prompts 21 birch 1985.
• Wood stele Food of Garison on Johann Sebastian Bach Square in front of St. Blasia's Church in Mühlhausen - 17 serpents 2001 rock.
• Monument in Ansbach, projects by Jurgen Hertz, installations in 2003 rock.
• Since 1950, the International Competition in the Name of Johann Sebastian Bach has been held in Leipzig.

Bach blue

Johann Sebastian Bach became the father of chotiroh composers, who can create sound at concert halls and be recorded on CDs. tse:

• Karl Filip Emanuel Bach (Carl Philipp Emanuel Bach, * 1714- † 1788),
• Johann Kristian Bach (Johann Christian Bach * 1735- † 1782)
• Johann Kristof Friedrich (Johann Christoph Friedrich Bach * 1732- † 1795)

Audio production

• Prelude and Fugue No. 20 la minor
  • From the Well-Tempered Clavier (Book 1)
• Concert for clavier with orchestra No. 1 in D minor, BWV 1052, first
• Concert for clavier and orchestra No. 1 in D minor, BWV 1052, second
• Concerto for clavier and orchestra No. 1 in rem, BWV 1052, third
• Cantata 140, persha
• Cantata 140, friend
• Cantata 140, p'itya
• Cantata 140, shosti
• Cantata 140, Sjomy
• Partita, BWV 1013
• Small plot number 1 - BWV 996, E Minor - I Präludium; Presto
• Small plot number 1 - BWV 996, E Minor - II Allemande
• Small suite number 1 - BWV 996, мі мінор - III Courante
• Little suite number 1 - BWV 996, мі мінор - IV (Sarabande)
• Little suite number 1 - BWV 996, мі мінор - V Bourrée
• Little suite number 1 - BWV 996, мі мінор - VI (Gigue)
• BWV 997 - Little Suite No. 2 in C minor - I Prelude
• BWV 997 - Little Suite No. 2 C Minor - II Fuge
• BWV 997 - Little Suite No. 2 C Minor - III Sarabande
• BWV 997 - Little Suite No. 2 C Minor - IV Gigue - Double
• BWV 998 - I Prelude
• BWV 998 - II Fuge
• BWV 998 - III Allegro
• Capriccio Departure of Brother
• Chaconne for violin alone
• English Suite No. 1 in A major - prelude
• English Suite No. 1 in A major - Allemande
• English Suite No. 1 in A major - Courante I
• English Suite No. 1 in A major - Courante II
• English Suite No. 3 in G minor - Sarabande
• English Suite No. 3 in G minor - Gavotte I and II
• English Suite No. 3 in G minor - Gigue
• Fantasy - C minor
• Fugue in G minor
• Italian Concerto - F Major - Persha
• Italian Concerto - F Major - Andante
• Italian Concerto - F Major - Presto
• Praeludium A minor
• Prelude in C-sharp minor
• Sonata in E minor - Adagio-ma-non-tanto
• Dobre-tempered clavier - Zoshit 1 - Prelude in C major
• Dobre-tempering clavir - Zoshit 1 - Fugue in M ​​major
• Dobre-tempering clavir - Zoshit 1 - Prelude to minor
• Dobre-tempering clavir - Zoshit 1 - Fugue to minor
• Dobre-tempering clavir - Zoshit 1 - Prelude re
• Dobre-tempering clavir - Zoshit 1 - Prelude d-minor
• Dobre-tempering clavir - Zoshit 1 - Fugue re minor
• Dobre-tempering clavir - Zoshit 1 - 10Epre Bb
• Add-tempering clavir - Zoshit 1 - 11Efuge Bbmaj