Describe zm_st pictures wet meadow. Fedir Vasil'ev. "Mokriy meadow" - painting-requim

10 April 2015

Fedir Vasil'ev, having lived a shorter life, deprived of 22 rock. Ale, zvychayn_y people did not go into the distance for the whole century to kill those who have been so cottony for such a short period on earth. Phenomenal talent, unwavering goodness and love to the point of being good, which helped the young master to become popular.

strokes of biography

Because of that, as Vasil'ev went to St. Petersburg, the doors of the Art School opened in front of him. Krim Navchannya, a young artist, engaged in restoration, zablyayuyu on life. Malyuvannyam meister tsіkavivsya from early childhood, іt did not just drown, tsebuv a special gift, talent. Vasil'ev in his sixteen rockies, not having studied nowhere in front of him, famous artists that hour such yak Rupin, Shishkin, Kramskoy.

They didn’t come up with a name for the young lads - a mock, a jolly, “a miracle lad”. Zavdyaki yogo cheerful character, Vasil'ev will be a lover of the publication. For a few rockies now, the artist’s main character went to a high professional level, which was given to him through a rich rocky, uninterrupted work. His unique talent was given for a little bit, they thought about the involvement of mystical forces, but they didn’t have a problem with zdrіsnikіv.

Piznishe sister Vasil'va went in for the already famous Todi Shishkin, and she met the young artist with the already-formed majstr with the familiarity. At night Fedir still worked as a restorer. Winning the popularity of the middle of the ladies of the best light, so as you will be in good view. Yoho charming, wondrous smile, lemon mittens on the hands, a cylinder on the head, and also an active participation on all important visits could not fail to enchant young ladies, spraglich love and addictions.

His special life has been haunted from someone else, the artist is alive in a small cell, rooms and painting miracles, playing landscapes, in which he has invested all his soul. The pictures of the young artist are primitive, they show a lot, simplicity and poetry.

As a result of painting hostile legends, the development of tuberculosis has become a legacy of what has become, and Vasilyev's motivation has gone to Yalta, a deaf song, a song and more seafood. It was here that the painting "Wet Meadow" was born.

"Mokriy lug" as a conceptualization of Maistr's painting

According to the words of the young artist, the canvas appeared as a result of the escalations, directed in early hour and in the winter months.

His robots Vasilyev zvilnyaє from the traditional canonical priyomy. The stench does not seem to be the color of the farb and the monumental image. The painting "Mokriy Meadow" brought all the picturesque eyes of the artist into its own, his concept was directed. The plot is presented to the canvas - a wet meadow with a board. The beauty of nature in the rosmata and vidtinkiv, the yak includes trees, slopes, banks, water. Tse yak nibi whirring from the living twist, the moment of rest and relaxation in the bosom of nature.

If you name a static picture, you can also name it neatly, and if you are pleasantly surprised, then it is possible to wipe it, as it is against the wrath of a tree, and the smooth water ripples. In the quality of the self-styled character of the canvas, there is the sky, in which there is a prototype. Wanting a thunderstorm still in the back, heaven gives the nobility about the old board, and here it is far more possible to feel the gurkit of thunder. The gloom's lights are dripping over the ground, and the background still hasn't risen oholonuti after the thunderous gloom. Vasil'ev to finish often turns to the image of the sky in his creativity. Tsei element in the pink canvases of overwhelming his own peculiarities, his character, win yak bi vislovlyu thought of the maister.

Heaven in the painting "Mokriy Meadow" wicks the hostility of unimportance. On one side, the stench is covered with light-blaky headlights, through them sleepy promenades emerge and the whole meadow is reminiscent of light. From the other's side, half of the canvas is empty on a few frowning tones of black ones.

For the inclusion of wet onions, the author of the vikorystovu m'yakі lіnії green vіdtіnkіv. All the wine is alive and filled with strength, sending the plank of grass to the color of the smaragda. The whole picture is full of other details, as they create a sense of integrity and completeness. Here you can punch the ice with a stitch, pagorbi, writhing. The superficial glance cannot be captured by the canvas. The motive of the painting is simple and unique. The skin of a person is here in memory, there is a detailed plot of life.

Subject peculiarities of the canvas

The canvas has grown into gilly trees on the aphids of the lowlands, chained behind the smog, the gray serpentine forest. At the center of the creature, a backwater was swept away. Tighten the look of the dark-blaky waters and the Tyutyun-brown shores. The composition of the picture, with its simplicity and lack of influence, is overpowered with accents of monumentality. All the details are in them, as well as in the past, thought out before the dribnits. Such organization and completeness is given by the view, which is the same as the frame of the video.

When looking at the picture of a man, you cannot not evaluate the quiet power and emotional contribution of the artist, which led to the harmony of the canvas. The plot can be interpreted in a pictorial way. There is a need to shake up a prototype of good and evil, light and temperament, someone enchanted by Alegoria to fight life from death, the young generation to go to zabuttya. The picture is sensitiveness, even when looking at the robots, Vasilyev can be rejected by the cold from the sight of the board, the sight of the thunderstorms of the dark, inhale the aromas of grasses, trees.

The picture is highly valued not only by the lucky artists. They were surely given the life of the artist, calling the painting "Mokriy Meadow" "a swan's painting". Yogo special life is filled with chambers and secrets. My nikoli is not solved by the psychology of the maister. Yogi life didn’t come to the conclusion, Vasil'ev’s fees were filled with garlic and unverified strength, or with talent, as if he had played the subject a bit and agreed. It is true, the price, that the robots are at the top of the boyish mystery, the stench cries out and soothes the souls of the censors.

Painting "Mokriy meadow" the early deceased genial landscape painter Fyodor Vasil'ev (1850-1873) is involved in one of the most significant realist Russian landscapes. ARTHA razpovist, yak fought for new Grand Duke Mikola Kostyantinovich and collector Pavlo Tretyakov; what is in the picture, stems in the Crimea, there is no one in the picture; they themselves were celebrated in "Wet Lusi" by Kramskaya and Rupin; why Mykola Ge vvazhav, who Fedir Vasil'ev vidkriv for Russian painting the sky is alive; This is also a picture of nostalgia and a lot of life behind the Central Russian swamps.

Furnish the painting "Mokriy Meadow"

The hour from the breast 1871 to 1872 rocky rock, if it is written "Wet meadow", - the first winter of Vasilyev in Krima. The artist, who has diagnosed tuberculosis of the larynx, lives here innocently, with likarsky attributions and fences, if you fall in love with the Cream - do not go. The nature of Krim is built to Vasil'ev deliberately efficient, the Farbi are rather contrasting, the forms are too sharp. I have a handful of writing the Crimean landscapes only for replacement, for a livelihood, but he himself is burdened by the whole robot, who is very soulfully chasing after its nature the average swamp of Russia and its uncomfortable beauty. Ivan Kramskoy, his dear friend, Vasilyev, in writing from Krim elegіynі leaves, de, mіzh іnshim, talk about his own in love until ... the swamp: “About swamp, swamp! As soon as they knew, it’s painful to clutch at the heart of a difficult transmission. Well, how would I know not to succumb to the dichotomy of the privileges, who with all the power to throw a wound over the searing water? Even at me everything is muddy, as well as everything is muddy. And I, as an artist, will spend more than half! "

Kramskoy has seen some comrades: in the Association of Artists, as a subsidy for the transfer of Vasilyev to Crimea, a Chergov show is soon planned. Not nadishle chi Vasil'ev scho-nebud for the competition? I Vasilyev, according to the memory of the artist, the landscape - the wine of the name "a wound over the swampy place" - a distant view of the Crimean natural realities, but then a good idea of ​​the artist from the mark Znamenska go to Tver and the town of the Hothin province of Sumy Count Stroganov - philanthropist and great shanuvalnik of the unabable cheated Vasil'ev. Win fingering and glancing at his studies and zamalivka, shattered in Khotyn, all tsi, as a vislovyuvsya Rupin, "Charіvni burdocks for the sake" Ale himself conceived Vasil'ev - NOT a chamber, already niyak. At the conceived їm of the robot there is a scale, space and fortune, hostile to the open space (the same "privilege", about which Vasil'ev in the leaves of Kramskoy has zgaduvav).

Painting-nostalgia

I will call this robot "Mokriy Meadow". In general, a picture-nostalgia, a picture-spogad, a picture - viznannya in love until then, can’t beat me anymore.

One of the most hostile moments is that when Vasilyev wrote without nature, mayzhe wholeheartedly rely on his amazing memory, like, once stored, it took it and took it to find the memory details through all I thought before and special features of the beloved individual. Memory did not bring, reviving in the whole picture Vasil'ev's hostility to the so-priced "pivnichny" (price, ostentatiously, cleverly - behind the contrast with the "introduced" Crimean) landscape. Protstavlennya zvsim not vіdkrito, ale vono є in pіdtext: Vasil'ev images are not the ones who bach "here and at once", but that, scho pam'yataє. The replacement of the endless sea is a crumbling water place, not the bolt, not the lake. To replace the boiling suns of the Crimean steppes - "fat" in the meadows of grasses. The replacement of the state-top Yalta cypresses, as the skin day before the eyes of Vasiliev in the Crimea, is the round crown of an acacia of a leafy tree.

Impulsive and temperamental Illy Rupin, more than one senior comrade Fedor Vasil'ev, yogo viminnya image roslinny light led to re-seizure: “Yak vin sees the plasticity of every leaf, stem! So the stench of a new one rozgortayutsya, turn in the sides and straight from the foreshortening to the gaze. Vasilyev has a rich memory in all the prices to find the details! And then azhe zadzha vіn uzagalnu picture to a grandiose feud ".

Landscapes Vasil'va Kramskoy naming "Sub'єactive"... Dyisno, and "Wet meadow", with all the mastery of technicality and accuracy of the little one, - all the same, it is not that superbly lectured, even the photographic "activity" of the Frankfurt school, like the old friend of Vasily Shishkin's friend ( Until then, on the yogo birth sister Evgeniya). "The poetry of yogo reception of nature is varto in deyakom rubbish with proseism and toughness, as will be completely accepted for Shishkin", - write Mistress Oleksiy Fedorov-Davidov. Vasil'ev's landscape has much more lyricism, grasping (moreover, it is not static, but goes from a quiet bag to an urochist drowning), an emotional cob.

"Vіn vіdkriv the sky is alive ..."

As a rule, the memory of the mental retardation is altogether in the landscape "Mokriy Meadow" of the dumb, idyllic calmness. Yogo composition is based on the contrasts between calm and crumbling, between the surface of a small water, earth, watery water, quiet in silence with roslin - and dynamically tiny, crumbling sky. Hmari, scho to curl up with finely fragmented collinear transitions will be at the expense of viclikati, especially drowning. The sky even more often appears in Vasil'ev's landscapes as the "main hero" and to navigate the defiant moral philosophy: interpreting "Wet meadow" "Enlightenment with the visceral light of all the dark, old, not awakened in nature"(The same is shown on the website of the Tretyakov Gallery). And Mikola Ge, an artist of the older generation, speaking about Vasiliev's innovation in the image of the sky like this: “Young, arduous, all five rocky are alive as an artist, like a majestic one ... ".

The yak is laid out for a share of the landscape "Mokriy meadow"

A little bit about the picture appeared before the end of the day. Maybut Emperor Oleksandr III, having replaced a copy of the picture of the 20-year-old Vasiliev "Vidliga", for Anichkov's palace a copy of the picture of the 20-year-old Vasiliev "Vidliga" On "Mokriy lug" in absentia "poklav an eye" a double brother Oleksandra III, Grand Duke Mykola Kostyantinovich - the specialness is unrepeatable, in the first place of the Romanovs, as they finished with the powerful initiative master mortgage(The Academy of the General Staff), having raised a lot of prices and zbirav zbirav Western European painting. Mykoly Kostyantinovich's share is not special: after just a couple of rockies, the canopy of 1874, the seven of them will ring in the house of three diamants from the salary of the ikoni, the family of the festival, for the gift of the American dancer; in judgment, the Grand Duke Zbreche, swearing on Bibliya, is not guilty, if everyone is to prove it against him. Romanov publicly denounce him as divine, to amuse the slump and to fence off the secret of his name, and Mikoli Kostyantinovich himself should be sent without the right to turn to Uzbekistan. Well, I won’t be lost there: make friends, live up to the Zhovtnevy coup (died only in 1918), become the master of many business, and this collection of five hundred objects of art will fill the Tashkent Museum imaginative mystery... A few of the paintings "Mokriy Meadow", about the yak in 1872, mriyav Mikola Kostyantinovich, there will not be, then he will be seen with the Grand Duke for the Vasiliv masterpiece in the camp of Pavlo Tretyakov.

The cost, which Fyodor Vasiliev sees for living in Crimea by the Association of Artists, did not start out. For the first rіk win, kіlka developed in sheets up to Pavel Tretyakov for a fee of pennies: “The position is my own, the most bewildered. I am alone in a strange place, penniless and ailments. I need 700 rubles ... " Tretyakov was hanging pennies in the rakhun of maybut pictures, and again, and again ... “Be healthy, dear friend, take heart! How old is it for a young man, for an old age! .. Yours is P. Tretyakov". Seeing to ourselves those who are blessed and crocheted, the artist obytsya to Tretyakov, that only in the future I’m not going to have the right to start wondering and vibrating Vasil's paintings. Such propositions are not imagined. I Tretyakov is starting m'yako; For example, ask Fyodor Vasil'ev in front of him, how to send "Wet meadow" to St. Petersburg for a show, send a picture of you to Moscow - for the forefront acquaintance.

We do not know, at that moment Fyodor Vasil'vim collapsed, destroying ale tsya umova vin. In the end of the fierce 1872 rock mountain, in contrast to Tretyakov's prokhannyu, vіn vіdsilau "Wet meadow" in St. Petersburg - Kramskoy. Whistle, the wistavkovy competition is still programmed, having taken over another place: first to publish Shishkin's paintings “Sosnovy Bor. Shchoglovy Lis in the Vyatka province ".

Knowing about those "Wet meadow" axis-axis from his hands, Tretyakov is comfortable traveling to St. Petersburg. The Shishkin "Sosnoviy Bir" was already purchased without any re-code before the start of the competition, and the axis for the picture of Vasil'ev namir competed. Knowing that the main contender for her is the Grand Duke, Tretyakov will immediately signify a sum - a thousand rubles - and "Wet meadow" will fall for him. Infection of the tse of the Tretyakov Gallery.

"The first glance is not at the reproach of strength,- writing to Fyodor Vasil'ev, having obliterated "Mokriy Meadow", about his super-articulate persuasion in the picture of Kramskoy. - Vaughn was built for me, it was light, and not those watercolors, but they were finished. Ale tse buv one moment ... Everybody wondered immediately before such a world to speak clearly, that you thought and saw, that the very moment in nature without saying anything more ....

Fedir Vasil'ev. Mokriy meadow.
1872. Canvas, olive. Tretyakov Gallery, Moscow, Russia.

The bribe of 1870 r the artist got very cold, and the new one showed a stronger ill health of the legends. By the beginning of spring, the ailment became more acute and turned into tuberculosis. For the proposition of Stroganov, Vasil'ev spent the summer of 1871 wearing yogh masts in Kharkiv and Voronez provinces. There is a wine prodovzhuvav pratsyuvati. Before the whole period of his creativity, the following: plein-air landscape "Zhito", "Poplars, illuminated by the sun", unfinished landscape "Village".

Vasil'ev in the clearing of creative plans, ale the sickness of the unflattering perelidu. "For a lot of people, I want to draw wounds over a swampy place, - write about your plans to Kramskoy on the 27th breast of 1871," (Well, don't think that there’s a fair swamp - not, Danny is in advance, but only prepare for the swamp). , swamp! Yakbi Vi knew that it was a pain to clutch at my heart in front of a difficult transmission. as an artist, I will spend more than half! "

Unimportant on friendly think about life from Stroganov, not fixing his health Vasilyev. The fellowship of the hooded mists gave youmu koshti yyhati in Krim. Before leaving Vasil'ev, we will volunteer to study the Academy of Arts and take the title of an artist of the 1st stage with a mental showcase and a science course.

In 1872, rotsi Vasil'ev settled in Yalta, taking with him a working album with sketches and sketches of Ukrainian Silk motives. Yak bi is included from the pivdennaya beauty of Krimu, Vasil'ev pragne innovates the landscape of the middle smog of Russia. At Krim, for the studies and with the help of the winners, he painted one of his most beautiful paintings - a wide epichne canvas Mokriy lug - a painting-requiem.

It's too early. Rosvidnilosya. The fear of the dawn of that viglyad in the smooth surface of the lake. Behind the stolen pagorbahs, the edge of the sky is golden. Then get closer to clubbing, shouting fuss, big smiles. Тіні хма́р kovzayut on vologіy earthі, klaptiki grass, bushes of wet onions, dark kupam trees. Privilno, svizho. A light serpentine was given. To the artist in the distance of naivazche. The landscape is alive. Ridko to see the classic of the European landscape painting Charles Francois Daubigny, the same lyrical painting of the canvas. The unblooded prose of the narodzhuval to the humble poetry of the privilege. At the same time, the breeches of the void, rozbudzhena vіtertsom. Already bursting with blades of grass on the palpable light earth. І darkness, scho pozie from the glibini, came before the onslaught of the people of the day. The rustle of hirlyava grass. Vodi's vague babbling. Nime, there is no overwhelming change. Grace of light and tin, awakening of nature, with a board and ready for the start of a new day.

One of the peculiarities of "Wet Bows", which dominates the greatness of Vasil'ev's speeches, is the integrity of the image and, at the same time, the retailer and the detailed distribution of details. A skin blade of grass, a stone with a dream, a dry branch - everything is built equally expensive, on everything like a blade lies a respected and loving look of the artist.

"I have to grow up to the inappropriateness of a skin tone, - write Vasil'ev in one of the leaves," which I am terribly lukewarm. buvah and in music: one musician to such a world mau rozvinne vuho, which motives are created by the same one-old ... The picture, true to nature, is not guilty of playing a yak-non-fictional mischief, not guilty of spicy rice on a ring of roses

According to Suvora's composition, the picture is hostile to the freshness, the richness and the richness of the inner gradation of color. The image of nature, images of Vasil'ev, conceal in his own a folding din of sentiments, conveying the experience of the artist himself.

Painting tsya gliboko grasped Kramskoy, leaves like a boule for Vasil'ev mayzhe dinoyu, ale plidnoy with a ring of Russian mystetskims. Vasilyev cherished the pleasures of Kramskoy, sharing his plans and summaries with him.

Kramskoy write about the imperious painting of the painting of the residual, about the fantastic and immediately natural light, from which it is impossible to see the eyes, and about the truthfulness of the nature transmitted to Vasil'ev, so in a way the tree appeared in the water, in the water. all the while from the dark and in the bright spring green grass covered with a board, the image in the foreground. "... You have grown up to the most unhealthy bewitching vizo ... I beat you, as if you need to write ... Chee you note, I don’t say a word about your farbs. I am a great viglyad of nature, I bach the fox, trees, khmari, bachu stones, and a train of light to walk on them, like an urochist quiet, well, you’re very much conceived, taumniche ... "

Having appeared on the cob of seventy rockies, in the period of forming a new type of landscape, the painting of Vasilyev Bula is, for his hour, a manifestation of the birth and the banner, which has opened a new path for the Russian landscape painting: "On new road if there are few other people, if you want a bully and a nikorotsh, - writing to Kramskaya Vasil'ev in the period of appearing "Wet Bows" at the competition, - if you go through the least, in an hour, if everyone changes, the very road has already been needed for a long time. "

Painted from nature, but put together by the artist on the basis of falsifications, crumbled in winter and in the early hours, she smacked the modern art, the exactness of creating the atmosphere, and there is more to it than not to go through.

The Academy awarded Vasil'ev the title of "the best artist of the first step". At the Chergovy competition, he gave a prize to a friend.

Tvir-description behind the painting by F. Vasil'ev

"Mokriy meadow".

The painting by the Russian artist F. Vasil'ev "Mokriy Meadow" depicts the nature of an early evening. Meadow with dark green grass, zhovtuvaty-brown earth, yak can not cope with the hostility of the heavy, but kindly go back to the picture of the bow. At the flooded rychka, mirror the sky, spread it over the whole meadow. Vono borrowed a large part of the whole picture. The artist Vikoristav Riznomanitni Farbi, must show all the majesty and beauty of yogo: from light - bright and light-blakit to bright buzkovy vidtinku. On the wet pockets there are no great Russian pines, large oaks and white-trunked birches, and only the dark green branches of the tree stand by themselves.

In the distance you can see a light green color, oranges, closer to brown, a small pagorbi, a little grass that breaks through. The artist vikoristav nepomіtnі kolori for describing wet bows, and at the same hour, he brought great respect to the squares of the sky.

The painting is fair and unforgettable. I would like to see on the canvases and dumb great trees, as the great Russian artists loved the images so much, and without them the whole picture is sweet, kind and close to the soul of the Russian people. The very breadth of the soul is drawn into the image of the simple sky in the picture, and the openness, the breadth - in the pure, fresh, plank-covered pockets. The first mirror of the river is like the mirror of the soul.

The painting of F.A.Vasil'ev was worthy of me. Earlier, I didn’t know about the creativity of this Russian artist, but I would like to look at the canvas even more, I would like to see all the beauty of our Russian nature more and more to learn about a human soul, how to imagine a picture of an edge and the nature of Russia.

side 1

The phenomenon of the "artistic prowess" of the landscape painter Fyodor Oleksandrovich Vasil'ev is the precursor to prodovzhuv and prodovzhuv to everyone who is so inclined to stick to his creativity. Mistress L. І. Iowleva means, on the horizon of the Russian mystery of the 1860s, the rock is vinik the rock is at the age of eight, maybe a self-taught boy. Ale, as it is unsuccessful, mayzhe raptus in the early days was among the provincial artists of that hour. On the "rivnyh" they took part with them on the shows, on the "rіvnykh" professional achievements, On the conquest of those who have been in the rock, and in the hour and the whole life.

Fedir Vasil'ev. wet meadow

Cheerful, early, temperamental Yunak F. Vasil'ev, yakim vіn postaє zі storinok spogadіv І. Y. Rupina and I. Kramskoy, with ailments on Nevilikovna at that hour with ailments - dryness. Vin went to Krimu and stayed two rocks after living in Yalta.

On the Yalta high schools, the migdal was obscurated, the Trojands were split, the "Osika" was dressed in a written thick-rhymed outfit, the flowers of magnolia, great bristles of glittery sounded from the naughty batogi-giloks. Ale the artist Volodya nezdolanna craving for the native land, for the uncomfortable attachment of the Russian nature.

In Yalta, F. Vasil'ev is still imagining old, knowing and painfully dear to the heart of his own motives. In the middle of the album mullions, de vin robiv of the olivtsev zamalivka news for the new Crimean nature, є sketched behind the spogad landscapes of the middle smog of Russia.

At Krimu F. Vasil'evim Bula, the painting "Mokriy Meadow" was painted, which became one of the masterpieces of Russian landscape painting. They want to see their own love, all their love - everything, who cares about the memory of the heart. On these days, there will be no gir, no cypresses, no small winter windows, no blaky sea - all the withering wet meadow is surrounded by a majestic sky, a splinter of trees is far away, and you can walk along the green grass.

If there is a thunderstorm, the sky is still more boiling, and if there is a virus. With a dreadful hurry to rush and wander around the monstrous gloom, thunder gurkit a little bit - everything in the picture is like a ruin, everything is alive and well: і bend under the windings of a tree, and the water is tightened by brigades, and the sky ... , as it is projected on the linen by the sinister hmaras, it is still necessary to slip towards the board to be seen in the distance of the forest.

The sky in the canvases of F. Vasil'ev has a significant role to play, and in "Wet Pockets" it is not a headlong twist of the artist's poetical thoughts. A shining warm chillin in the gloom, beating in the water and dropping by the blisks on the ground, fighting against the majestic dark and cold glosses and wading through the earth in darkness.

Yak bi to oppose the stressed life of the sky, the whole part of the landscape is borderline simple and the line is malyunka її myakshe, calmly. The skin detail of the painting (and on the whole of the canvas is rich) is a variation of the main ones, but all the details are so detailed as a whole, that they know only if you look at them with respect.

At first glance, "Mokriy Meadow" roztashovuє to itself a glance with simplicity and vivid motive. In the wide lowland there are two rocking trees. Far behind them, in a gray serpentine fox, the darkening of the sky appears. Uzdovzh lowlands stretch a steep slope, and in front of them - in the center - to shine a swampy float from the furnace with the banks. Axis, vasne, and everything that is depicted on the canvas of F. Vasil'ev. Alle, the participants in the first place went to a bigger picture, they didn’t find the image of the native artist of the unique nature.

The painting will gaze with a glimpse of a spiritualized landscape, without a presentiment of sentiments and moods, which are invested in it. The nature of F. Vasil'ev does not seem like "cold, vichno and baiduzha". Vin is innocently whispering in harmony, purity, the artist has played and inspired very poetic sentiments, and in his pictures that intimate-lyrical, summed up and burnt out the theme has died out for the first time. Turning in "Wet Pockets" the mood of fighting and support - from one side, and from the other side - the troubles and melancholy of fussing and passing through to the sum of the biography of the 22-year-old author.

The composition of "Wet Onions" is simple and invisible, and at the same hour it is important to have a well thought out and monumental tvir. The picture easily develops a compositional center, until the main lines of the landscape converge - cut the slope, the banks of the floodplain, the stitches, between the light and the tinsel on the pockets, the smog of the forest. We are looking at the center, organizing the whole picture, є a dark silhouette of two trees. F. Vasil'ev moved to the right towards the geometric center, and the picture itself is not static.

Wonderfully smoothly and reliably expand into the "Wet Pools" of space. The sky with the sky and the burlins, with the thunder of the light and with the cosmic unfinished image, is depicted by the unreconstructed mayor and poet of the sky, like the artist F. Vasil'ev. At the same time, there is a skin bush of grass in the foreground for the botanical accuracy of the design of the average smog of Russia.

"Mokriy Meadow" for the competition of the Partnership for Artists' Choice at Petersburg in 1872, having given a prize to a friend (the first Bula was awarded to the painting "Sosnoviy Bir" by I. Shishkin). Both artists have a lot of spirituality at the place of nature and art. The offense of the stench bulged by the children of this earth, they were challenged; offense bully tied with her tightly, they knew both from us and from the dwellers and from that they were able to bachiti and so reverently convey the beauty.

If the head of the Itinerants I. Kramskoy pobachiv "Mokriy lug" F. Vasil'ev, vіn buv hostilities. І spring clean greens, і flying light, і insensible wind, charging water into the overgrowth of the river bed, and invisible drops on the leaves of trees - everything spoke of the artist to an invisible and crazy up to "noise and music of nature".

"One hundred great paintings" N. A. Ionin, type "Viche", 2002

Fedir Oleksandrovich Vasil'ev (10 (22) fierce 1850 Gatchina, Russian empire- 24 spring 1873, Yalta) - Russian landscape painter.