Planks in oak lisі
Ivan Ivanovich Shishkin (1832-1898) graduated from the Moscow School of Painting, Sculpture and Architecture (MUZhVZ), the Academy of Artists, as well as being a senior citizen, as a pensioner, in Nimechchin, who feuds against the little ones.
If you are not satisfied with the busyness in the walls of the academy, Shishkin in the middle of the hour is painting and writing from nature in the outskirts of St. Already in the first year, he was awarded two small medals for the best babies and for the view in the outskirts of St. Petersburg.
In 1858 he got a great medal for a view of Valaam, in 1859 he got a small gold medal for a landscape in the outskirts of St. Petersburg. and, nareshty, in 1860 - a great gold medal for two views of Cucco, on Valaam.
Having added, at once from the rest of the city, the right to travel beyond the cordon in the capacity of a pensioner of the Academy, he was sent in 1861 to Munich, having entered the maistern there vіdomykh artistsіv, Mіzh іnshim Mysternі Beno and Franz Adamov, who cried out for great popularity, and then, in 1863, he moved to Tsurіkh, de, pіd by prof. Koller, who entered into one of the depicting creatures of the creatures, writing and writing the rest from nature.
At Tsiurichu Shishkin, having tried the first engraving with a bitter gore. Zvidsey won the tour to Geneva with the help of getting to know the robots Dide and Kalam, and then moved to Dusseldorf and wrote there on N. Bikov's replacement "View on the outskirts of the whole place" - a picture, like, being sent to the academician in St. Petersburg ...
She lost her way to Batkivshchyna, Shishkin, in 1866, turning to St. Petersburg. until the end of the term of their pensionership. From that hour, he was unhappy about the price of the artist's trip to Russia, he was showing off his work in the academy, and then, because the fellowship of oversaturated shows was falling asleep, on the cich of the show, having been swirled up to the baby in 1870 SPb. the kitchen of aquafortists, having felt the knowledge for engraving with a bitter bit, like not leaving his life until the end, attributing styles for the hour, for the painting.
All the robots with their skin rock took on the reputation of one of the most beautiful Russian painters in the landscape and uninvolved, in their own way, aquafortist. In 1873, the academy called yogo in the name of the professor for the painting "Lisova wilderness".
Academician and professor stverdzhuvav in his landscapes the beauty of great spirits native nature And at the same time it is the talent of Russian painters: “We, by innocent modesty, do not write at all, but write rudely, without relish and not like that, like beyond the cordon, ale right, but bachimo here, and in Berlina, it’s right our nagato is more beautiful. "
After I enter into the new statute of the academy, in 1892, Shishkin buv the requests of the keruvat and the initial landscape maistern, ala, behind the small furnishings, the viconuvav tsyu posad badly. Win died Raptovo, Birch 8, 1898. The midst of Russian landscape painters Shishkin impeccably lay the picture of the most powerful artist.
The painting "A plank in an oak forest" was painted by Ivan Ivanovich in 1891. The size is 124x204 cm.
The painting was thought out by the artist to the point of singing, melodiously, one of the most bezel-less, ingenuous robots of the author and a good photograph.
On the canvas there is an image of an oak guy, through the yak there is a trampled stitch without people. Everywhere there are warm planks, and when it’s old, it’s fresh and cool. A man and a woman are walking around in a parasol slow pace, and a couple in front of them, who are more likely to be the author of the picture, who, having seen the board on their dots, saw a parasol.
Tradition for the artist's landscapes accuracy in detail in the whole picture is available of the best rivnya: All the breadth of space will be transferred to the maximum extent for the additional growth between the clear trees in front of us and the growth in the background, as I see it in the background, I draw in the color and get angry with the silver-gray color.
Dosch rychny, mushroom. Tsei vysnovok mi robimo picks up puffs in the leaves of trees and grasses. Surprised, you can poke, like a sleepy groove, break through through the plank shroud and hang into the skin stone and blade of grass;
Qiu picture I embroidered on the Day of People's Day of Senior Sin. The robot came, slyly, not so grandiose, like Shishkin's canvas - 51x72 cm, but the robot went to the robot.
"A board in an oak lisі" the artist wrote in the period of his creative development in 1891 rotsі. Winning in its genre: all the details and nuances are prodded with high clarity and precision. All paintings, and not blame, are reminiscent of life and convey nature in such a way, like won є. The axis, for example, oak wood, is washed by a lithium board. From the board on the lisovy road there were kalyuzhi, and from the earth to the viparovannya, making the impression of a serpentine. Through her, that and from behind the board, the distance will be built up and unclear, so it will be guilty on a warm summer day.
For some people, there is a lot of cleanliness. Well, it’s like the weather is only brooding and weather. Well, well for the skin. So there are people, images on the landscape. On the first plane, a couple is represented, holed across the board in a parasol. The woman is wearing a raincoat, so do not bother him. The stench doesn’t go vapo, melting with oak wood and fresh board. In front of them, іde a lyudin, as if retracted his head into his shoulders і walk directly along the kalyuzh with a quick move. Yomu does not like this kind of weather; sooner he would like to return to a calm warm booth and take some wet odyag with himself. On the same lisov_ road, there were such people.
Ivan Ivanovich Shishkin is not just a prominent artist, ale, persh for everything, great meister landscape painting. Naybіlshe artist who loves the leaves of the landscape, pictures of beech, pine, oak wood. Shishkin loving and zahoplyuvavsya nature, beauty and may trees, valleys, rychok. Gaia, lisov dali became the beloved images of Ivan Ivanovich Shishkin. To build a flap of landscapes in a pine forest, the artist pragnuv to transfer his own special shape in the skin of them.
Landscape "Plank in an oak forest" written in 1891 rotsi, before the end of the nineteenth century. tsey garniy kraєvid, Wonderful sight of easel painting, part of the collection of the State Tretyakov Gallery.
The plot of the landscape "A board in an oak forest" is reminiscent of lyrical motives. The canvas is even more poetic, subtle, and glaringly. In the picture, there are three roadways. Two of them wander through the oak vologuy lісі leisurely, ice hovers through the board in a parasol. The one, self-contained mandrel, do not get wet, clinging towards the board, with a watery crocus to go into the canvas, all the distance and distance into the thick fog and the forest gush.
"A plank in an oak forest" - a landscape, like a nod to convey all the beauty of a vologous fox, the smell of grass, oak leaves, a lot of light sent to the plank, a camp of fog, which reminded everything about it quieter and calm.
The oak forest is a little more garnishing, trying to sleep with sleepy blisks, as it appears in a similar vologo forest twilight. The landscape is creaky, warm, everything is widening, dikha, alive.
The depth of the fossa is reminiscent of a milky mist. Cut the trees far out of mute razchineni in the whole foggy intoxication. The image of the fog is given to the canvas of mystery and easy mystery. On the whitish wall, the fog overlooks the images of the trees. The bright leaves of the oaks are vibrant, the scintillating light gives the landscape a camp of quiet carelessness and youth. The dream poddekudi kovzaє on the straining stovburah of the trees, blooming іkh і kіlka rosіyuyuchi і pom'yakshuyuchi covered with a thick fog.
The foreground of the painting of the vikoniy detailizatsii, the report procuring of small blades of grass, stones, mohu. At the same time, the artist is victorious in the development of a versatile palette, everything should be more valuable by varying and remembering reflexes and pivotons. Once upon a time you see yak okreme apparition, alive, trembling, smart, ready to rostanuti, to know at once the misty serpent that spreads on the fox.
In general, the landscape is soft, screaming, compositionally rich in plans. Svitlotyn pidkreslyu mіnliviy in the eyes of the atmospheric camp of nature, pіdkreslyuє hitku rіvnovagu between picturesque plans and barvy spheres of the landscape.
The landscape of Shishkina pulsates and lives in our svidosti not only as an image, but as a smell, as a spit of fox birds, as a fox, as I am aware of my child's life.
In the picture "A board in an oak forest", a road in a forest is depicted, the whole is flooded with warm, lithium board. Winn’t a walk, a couple, a yak, were captured by a parasol spokiyno on their right.
Yaka z tamnytsya in the wild fox
So unaware of us,
Zabuttya zanuru soul
І thoughts are new people in niy?.
Koltsov.
The great Russian painter Ivan Ivanovich Shishkin was born on the 25th of 1832 in the city of Alabuga. in the merchant family.
Winning a zest for landscape painting and Shishkin is still an hour away from the Academy of Painting in St. Petersburg, a small medal was awarded for "View on the outskirts of St. Petersburg". In 1858 the artist got a great medal for the painting "View of the Valaam Islands". For the success in the new wines, as a scholarship of the Academy, having made a trip to Munich (1861), de Ivan Ivanovich introduced the main series of popular animal painters B. and F. Adamov. In 1863, Shishkin moved to Zyurich, then to Geneva, Prague, Dusseldorf. Shishkin turned to Russia ahead of schedule, not finishing the term of his degree. Became an academician of painting (1865). Shishkin get into the robot and open up such miraculous paintings yak "Cutting the Lisu" (1867), "Zhito" (1878), "Pine trees, illuminated by the sun" (1886), "Wounds in pine fox"(1889 r)," The ship's guy "(1898) and a lot of them.
In the picture "A board in an oak forest", a road in a forest is depicted, the whole is flooded with warm, lithium board. Winn’t a walk, a couple, a yak, were captured by a parasol spokiyno on their right. In front of them іde ludin, grabbing his hands in the swarm і not the beast, respect for bad luck. For perekazami here the artist depicts himself.
Mighty trees, as they stand on the offensive sides of the road, have presented leaves, and be built with a thirsty warmth, summer vologue.
Dalі the road go to the depth of the fox, which is a picture with love. The skin tree was written by the artist, it is impossible to wind a hollow on one of the trees. behind-the-scenes paintings... The artist miraculously conveyed the perspective in the fox. The front of the tree is written exactly and in detail, and all the distance is in a hazy serpentine tone, as it is suitable for an hour to board.
In kalyuzh, you can see the image of navkolishn_h trees. The meaning of the boards is not so strong anyway, it may soon disappear.
The painting "A plank in an oak forest" does not carry on its own cards of epic and suvorikh pictures, as the artist painted at that hour. Uninvolved in bad luck, the artist simply showed the beauty of the navkolishny light.
Derzhavna Tretyakov Gallery, Moscow.
Інв. number: 24794
Chuynist until I am, wait, in the whole of the canvas is close to the impressionistic, only in the picture of the non-artistic impression. But not because the format of the picture is larger, it’s not the kind of robot of French impressions, but because of the monumentality, the wide panoramic composition doesn’t allow talking about the chamberness of the landscape. Shishkin, yak yazyvay, say not to the variability of the smear, but not to the dots of the brush, not to the forcing of the color, not to the perfect composition, but to the vernacular of the creation ...
From V. Manin's monograph. 2001
1890s rocky - a crisis for itinerants in the period. At the end of the hour, the artists "shoved" on another plane, who were promoting new ideas; In the midst of the itinerants themselves, there was an obvious lack of intelligence - they didn’t know much about the need for a change, and in the eyes of the innovators, they transformed themselves into the ossified conservators themselves, to stand on the path of the natural development of the art. Shishkin vmіv zmіnyuvatisya. Pomerliy in 1887, before his very death, rose up to death, saying that Shishkin nareshty "tone of vision". The artist clues to the images of atmospheric stanovies and conveys the light-povitryanny middle, not changing with his main creative principle of the integrity of the subject form. "Dosch at the oak fox" - the best support for that.
This painting has an artist and earlier absolutely accurate and "active". One yogo zgaduvala, like once, striking through the thunderstorm of malice from yogo dacha, Shishkina appeared with a pod, standing barefoot and in a call of wet ointment in the middle of kalyuzh. "Ivane Ivanovich!" "Hey, I went to the boards! - the artist said. - The thunderstorm found me at home. Having beaten a miracle at the window and wondered at it. Yaka is overwhelmed by the picture! to remember and light, and color, and lines ... "why not win my robot?
Muzyka at Farbakh:
Artists are very fond of imagining an atmospheric camp; zvvychay zvratayuchis to the image of light before the thunderstorm or write her. Shishkin, writing meysternally, is quieting down angry. A thin glimpse of haze, fluttering in the space with trees, uniting the sky, the earth and the forest in one beautiful whole. Human figures are born on the artist's canvases, and nature is more self-conscious. In this vypadku people, it is dumb to splash under their parasols, to listen to the sound of this low music, which permeates the whole picture. Glyboka kalyuzha, who set herself on the Bridge, is a free "vidlunnya" only when she progresses a threat, gives me strength. On the її three rippling smooth surface, the light sky is seen, obtzyaju іsvіdke sun.
"Art Gallery", №65. 2005