Yake author's genre viznachennya p'usi on the day. Tvir on Gorky M

Todorov lamented with the melodramatic cues of the folk motif, transferring the tradition of the understanding of good and evil. Having sacrificed an innocent girl in his first drama "Zidara", he tries to pretend to be a "kam'yan law of fate". I want to go to the "Vesіllі Drakonіv", pomilkovo, the price of a breeze. However, it’s not a lot of money, "pomilka vіrna" is an ugly sorcerer, but a don’t know it will become close. Todorov is in the tragedy of this individuality, as if you want, but you can’t be angry with the ancestral lancer, spirituality, and the collective.

Unimportant to the whole tragic end, the cheerful dragon-writer seeks to call it "tragedy". Todor will choose his own version of "drama" to replace "play-kazki", for the help of which will identify himself with aesthetics and philosophical modern European dramas.

Todorov є the most recent modernist in Bulgarian drama: philosophical terms, to appear, the meaning of such terms, such as “ridna”, “extravagantly”, “traditional” and natural - to be reached by the supreme Todorov is a fancy, not a fancy author. Todorov is a Bulgarian playwright, in which the border is sealed in the best form. Ale, vivchivshi that chi іnshy type of image, we are also guilty of creating the original author's style, transferring figurative language. "The Dragon's Party" demonstrates a poetic force on the figurative, imaginative movement, which is also imposed on the strategy of reading it.

Figurative mova є the way, in a way, in a way, in a kind of function, in the symbolic dramas of Ibsen, Strindberg Maeterlink and in the text of the most iconic individualistic doctrine of the philosopher - Nietzsche. Todorova wisdom to come deprived of that, as my reason is the imagination of movi.

There are about the allegorical figures, laid by the author himself, about the readings of the books, as well as about the ruinous and ironic deconstruction of the author. Ale me blame for the choice of the most mythological material for a dramatic weighty film. The image of the Dragon is found in mythologies throughout the world. Most often the dragon is a child's slut between the Sonce and the Earth. By such a rank, it is tied with the cholovich and the childish principle, that is, the hybrid between the sun and the chthonic one.

In the Bulgarian mythology, there is the image of a dragon-dragon, which is like closing the water and the thief of the sun. Є also an understanding about the dragon yak about the dusi; you live in the dark and, even, attack the thinness of the people with a great horn. Tsei dragon similar to a l_tajuchy dim, a halo. In one of the Bulgarian magical histories "Zhmeevskaya is named" the belts of the dragon are seen at the viglyadi of the great dark gloom that curls the sky. Todorov's motives are also to enjoy the images of Dionys: the dragon, which is a long-standing Greek satire, is introduced to the girl, as you want to be friends; like the gods Olimpu is inhabiting the mountain, and to perceive the deyaki rice from the fossil spirit in the word mythology - the master roslin and tvarin, who will dominate the bewitching human spirit; At the same hour, the Dragon fly on horseback, like a lion in folk Kazakhs and pictures.

The best way to read a polyagna is a bit more aloof, in that it is possible to improve the subtlety of the images, to crystallize the author's design. Obviously, in drama they have a subordinate status - from one side, all images have their own enchanting halo, awaken a lance of association and demonstrate a smartness to the hybridization of different mythological motives; On the other hand, the image is suspected of changing the way of substitution of the world on the axis of the values ​​of good and evil. First and foremost, until the demilitarization and nutrition: why stand behind them?

Appear, the characteristics of the head heroes and toposes charming kazoks skasovanі: dragons are not shkіdnik, do not entice evil; an innocent girl is not a misfortune; the younger brother is the wrong hero, like a zvilnyaє vikradenu dіvchin, ale vbivaє її; Bereznya Biarrits, yaka is even more similar to a donor with charming ways of kazoks, only a tragedy; the old house is not a symbol of contemporaneous harmony, as if it was a monster, but in vyaznitsa, in such a suffering an empty soul; the chambers of dragons are not an important dwelling, but an intimate space, reminiscent of fossil aromas and natural simplicity, the beauty of the sky can be seen.

For the sake of truth, in "Vesilia of Dragons" the story is alegorically presented, but with the ironically inverted wicked image and motives - the whole story about the three brothers and the golden apple. In the whole allegorical plan, the price is - the price of gold, apple, odyag, yak will want to, to rob the price of love, and the younger brother, to replace the rapist, knocks in his sister.

It’s not just that I’m rewriting the drama in spogad about tragichne kohannya mіzh Yavorov and Mіnoyu. Kazkova plot line Sleep in the public space as a sly revelation of a spirited love story, in which the sadness of the death of a sister is seen and the end of the drive to bring them to the coho people. The dragon wiklikav yogo in the cave for the ditini people. My great-grandmother, my great-grandmother, pishov, and if the stench turned, the snake gave him a croissant.

Such a biographical aspect is lost more of a historical detail about the robot, yakbi no life Yavorov and his love until early Mini did not become part of the bitter mythology of the Bulgarian suspension, since Yavorov did not overshadow another drama, but it was lost in our classic recession, after the same tragedy of life - "Big time." Todorova depicts the same historical evidence. The third alegorical strategy, like the author to ask for intelligence conflict, situations and images in drama, as a matter of fact, a pathetic way from a special history to "over-people".

In the whole allegorical order, the Dragon is Nietzsche's overpower, and the village is anxious, anonymous Yurba. The deyaky peaks and images in the "Vesіllі dragons" are literally quoted as being called Zarathustra Nietzsche. Yak and Zarathustra, the Dragon lives by itself, like a witness, high in the mountains, in the cavern. Yak and Zarathustra, the Dragon descends into the valley of people. On the way and on the heels - the whole thing is to please the spirit, the will and the will of EA. І below? - Dark Zagor - the whole darkness in the souls of people from NATO; Tsinovy ​​dim is a prison for the soul.

The closure of individual and collective evidence is a great confrontation, such as it’s going to flare up for an hour. Todorova yogo to the party. With such a rank, the author takes care of the fate of the symbolism of the all-holy project project In which individuality is to blame for the triumph over the collective mind. Otzhe, the clarification of the text is similar to the order of the allegorical deconstructions of the vygadan light in "Dramatic fun". Todorova is duzhe malovnichny and musical. What do I do to project in visual and visual images in the future, how can I ask for food about those who can be realized on the stage - how to visualize the image and the musicality of the movement is not just a glimpse of what is more

The author's project of the change of poetry in drama is total - I want not only characters who are impersonated by characters, because it’s not magical, but it’s natural to move, but to draw stitches, play for style. The specificity of the theatricality of this self-sufficient dramatic move in the field of prompting the situation and the transition between them. Two days of "Dragon's Wedding" will be found near the partitions of the booth and the furnaces. Budinok - a chain of closed spaces, clearly seen from the outward sights; the main organization in new is the input.

If I want a “boyar's house”, youmu, how to see, not vistachaє living space - її reason and knitting at the yard to draw її soul. The stench of all the dispensing parts, the dispensing parts, and the poetic іntuition іn thіѕ іn thе image іn thе youth іn іtѕ name, іt іѕ tο repair thе stinking candlestick іn thе old іkons аnd spіng a new song of will and youth. The first step is to reclaim from the food, to pass through the people, to reach the over-natural beauty of the Dragon with the price in the ruts. In the development of the development of sposterіgaєmo after all, "undergoing" from spirituality, from material to eternal, from real to fairy.