Petro Pershy in Ermіtazhі. Mikhailovsky Castle, a monument to Peter I: description, history and facts
Bartolomeo Carlo Rastrelli (1675-1744) made requests to Russia for a robot as a sculptor. The agreement with him, including the confirmation of the most popular substitutions. Ale golovnim, for whom the requests of Rastrella in Russia, the monument to Peter was built. From the pupil of the chamber-junker F.V. Berkhholtsy mi diznaєmosya, but Rastrell ordered the viconati to see two images of the emperor - on horse and devil, about the rest of us, seemingly deprived, but the sculpture of the bull is ready before being extended, but not at all about the future share. In the process of robots over the monument, a portrait bust of Peter was born (1723, GE; repetition in chavun-1810, RM).
Bust of Peter I - never seen before Rastrelli the portraitist. Peter I performances in the commander's skirts and attributes of power. Bagata ermine mantle, draped over the figure of Peter, with moody folds falling from his shoulder to his left arm. The Emperor's breasts were straightened by the line of the Order of Andriy the First-Called, the first Russian order, which was tied, and a scarf was wrapped around it. The scene of the Poltava battle is depicted on the front plate of the Latin armor about Vijsk's valor to serve. On the right side panel Rastrella, showing an allegorical scene, introducing Peter, hung from a stone a statue of a woman in her skirts, crowned with a crown, with a scepter and power. Sens alegoria - nova Russia, Stvoryuvan by the Zusillas of Peter I.
Everything in the bust of Peter is laconic and vividly brought to the high step zagalnennya. The skin detail of the artist's work maximally serves as the basis for the portrait image.
The bust of the Emperor is a type of baroque TV: a dynamic composition with a seat of spaciousness and an unmistakable emphasis on a plurality of textures, with light contrasts of plastic masses, and a boyishness. There is sooner an image of the whole epoch, less of a concrete individual, and an image of a bust of monumental rice. All at once from the moment to the new є the reference is historical truth.
Be amazed at the tsiu natchnenno vіdkinut head, to build, chuєmo famous words of the tsar, said by him before the battle of Poltava: "You are fighting mute for Peter, but for the state, Peter was handed ... but about Peter, see that life is not dear to him, only b lived Russia, glory, honor and goodness! "
The creation of Rastrella, the image of Peter I is seen to be realistic in the transmission of portrait figs and at the same time with this superb cleanliness. The person of Peter is not tied up with the power of will, the trick of the great sovereign dyach.
The understanding of the aspect of the reception of the Nemovs is changing the way of exposing Peter. So, the most large-scale viglyadє when viewed in front, yo-livy profile is solid and quick, when you look right-handed, on the other hand, it appears alongside the summaries and at once.
The side of the bust overflowing, as in Rastrella, is a great robot from nature. Winning the mask from the living Peter, then using the wax model. Divovizne vіdchuttya іstorizmu, power Rastrella, the artist's assessment of the model inverse yak historical specialties allowed you to embody the image of the heroism of honor and greatness, great inner strength. Rastrelli pounded on the right can vvazhatsya on the cob the development of the Russian sculptural portrait.
On the day of Peter's death, Rastrell's term was pressed to the palatse for the nobility of the guts of the guilt, hands and nig of Peter, as well as for the visibility of the exact times of the first person.
Nadal, vikoristovyuchi evil Rastrelli vikon in the substitute for the emperor's "wax person". The sculptor himself made a figurine from the tree in the exact form of the measurements of Peter I. Widely open, as if to marvel directly at the gaze of the eyes of the "person" of the victorious finances at the golden hour, the famous artist-miniaturist of the Petrovsky hour, Andriyom Ovsov.
The "persona" of Peter I is dressed in a bagate of dressing from a blakite grodetuar - a solid ribbed fabric. Petr's costume was upgraded with a dear gold - "with a striker dagger with a golden ephesus, embellishments with jasper and small chervonyi yahonami.
"The wax persona", created by Rastrell, is not only a tsikavy monument of Russian culture, albeit and only one saved to our days, a tvir of this kind.
For 1741-1744 rr. Rastrelli svoryu is a cinema monument to the emperor, who knew in its 60th rocky creative force, absolutely changed the first baroque decision of the 20s.
There is a great deal of space, kindly "read" your image with a graphically clear silhouette, a great calm image with a graphically clear silhouette, a great calm and new stream of forces at once, the monument of Peter I wiklik in the memory of the creation of the Maystr. However, the interpretation of the image of Peter the Great is original and indicative of the extremely familiar, epic images of the wise sovereign dyach, the warlord.
Rastrelli introducing Peter to sit quietly on a rich horse. On the emperor there are important air-dunes, an ermine porphyry with coats of arms is thrown over the shoulders. On the head of Peter I - laurel wines, on the legs - Roman sandals and podkolinniki at the viglyadi left-handed napivmasks, and on the belt - an important sword, the hilt of which is adorned with the head of the left.
Winning the image of a commander, a triumphant in tradition, an ear of which lies still in the monument to Marcus Aurelius and continues to be found in Donatell's "Gattamelate" and "kondot'oriv Colleoni" by Verrocchio. The great performance of figurines, the clarity and rigor of the silhouette, the organic anger of the masi and the vigor with the spaciousness, the end and the importance of all forms in the memorial replace the baroque folding of the hand and the pomp of the writing drapes. Husband, simple and clear plastic language, like Rastrelli glorified - pervertedly and generously - the strength and power of the Russian sovereign power, mindlessly promoting the tradition of antique-Renaissance open spaces. Itself in them the sculptor zoomed in the Veleten image, that in the triumphant and vibrant Russia, the image of the hero, which inaugurated the historical and national feat - the re-creation of Russia. Monument to Peter 1 is seen in the image of a suvor.
The share of the Bula monument is more than dramatic. For the life of Rastrell the vicon, only a life-size model, the forks viroblyav vzhe yogo sin (1748). After the death of Alizaveti, the monument was cleared away, and then about the new one they got into trouble. For Paul I, the Rastrellievsky monument was installed at the Mikhailovsky (Engineer) castle, which will remain until the end of the day, having become a part of the ensemble outside.
In the wake of the death of Emperor Pyotr Pershoy at the Cabinet of Curiosities, the office of Peter the Great, Kudi Bouli selected special speech, documents, and tools. Nadal "Kabinet" updated materials, which give a statement about the development of the life of the Russian suspension in the Petrovsky period, about the great development of the economy and culture of the country, about the development of science, technology and mystery. In the morning, in the "Cabinet" they had speeches prepared by Peter I himself, for his part, the image of the tsar and his companions.
Later, a large part of the collection of the Bula collection was transferred to the Hermitage, in the Russian culture of the XVII century - the ear of the XVIII century, the De Bula was organized by the post of the exhibition, assigned to the status of Peter the Great. Part of the exhibition was two sculptural portraits of the Emperor, which were richly embedded in those that represented Peter in his work of the coming generation of artists and sculptors.
"Wax persona"
Among the picturesque and sculptural portraits of Peter the First, a more important place is called "The Wax Person". The creator of the book was Carlo Bartolomeo Rastrelli (16771744) - a talented sculptor, requests to Russia by Peter for three rock and prophesied here twenty rock right up to his death. Even for the life of Peter the Great, Rastrella knew the wax mask from the face of the Emperor, and obey it, viconov in 1719 the wax wickedness of the head of Peter I.
1725 rik
So the figure viglyadaє in the exposition, and, by all appearances, is not a copy.
1725 rik
And so "Wax persona" viglyadaє in the old days.
Piznishe Rastrelli more than once imagining the tsar, but after his death, pranguchi perfected the image of Peter, having created the "Wax Person". From the wax of the boule of the vison of the face, the hands of the hands, the feet of the nig, the figure of the bullet itself is taken from the tree (with the whole hands and feet it is possible to fasten the hinges). Hair on the wax head boules, from the head of Peter himself! Odyag sprazhnya, so it is itself and the Order of St. Andrew the First-Called with a wide blakitnoy line on the breasts.
Bust of Peter I robotic Carlo Rastrelli
One of the beautiful images of the Russian sculptural portrait, made by K.B. Rastrell in 1723, is a bronze bust of Peter I. For the model, the Viconano is made of clay, and, moreover, for wax, Rastrella saw two piles: bronze and chavun. The bronze bust of the bust was finished in 1729, if Rastrell's assistant, engraver Semanzh, completed the carbide processing. Particularly finely engraved in patterns, as well as numerical details of the ceremonial costume. On two breastplates of the carapace, the relfnі images glorify Peter as the creator of the mighty Russia and the prominent commander. On one of Petro's performances by a sculptor with a chisel and a hammer in his hands, on another - as a top performer, who will take part in the Battle of Poltava.
1723 rik. bronze
Imagine not looking at the image, looking at Peter the Great, penetrating, lovingly, blatantly revealing, unpreparedness, rosum, strength, will, temperament - everything that was lost in the character of Peter 1 is miraculously conveyed in the whole portrait. To develop behind the shoulders of the Ermine mantle, the small vicinities and the gostri kuti siluetu sculptures, the glimpses of the light on the nervous, crumpled person show more energy and porosity, powering Peter. The bronze statue of the bust is located in Yermіtazha in Danish hour, and the chavunny version is delivered to the Russian Museum, so the most offended museum was known from the masterpiece of Rastrella.
triumphal stop
With the names of Carlo Bartolomeo Rastrella of dressings, the idea of the monument to Peter Pershom is also tsikavi, which is not known, but about which can be judged by the current model. "Triumphal stop" was shown in the Round Hall or Rotondi Ermіtazh. Hall of boulevards of promptings in 1830 by the architect Montferrand, and after 1837 updates with acts of change by A.P. Bryullov. In 1880, a bomb went off in the hall, ale the Emperor Oleksandr II, having lost his swing, lost eleven people from the staff of the palace and guard.
In addition to the model, there is also a large chandelier, made in 1723 from the elephant's basket. The king of the tsars' "turners", in the beginning of the day, took the fate of Peter the Great himself, the master hand twisted a number of details for the chandelier.
The triumphal stop of the ideas of K.B. Rastrelli as a monumental monument to the Emperor. M. Pino and A. K. Nartova also took part in the development of the project. Due to the circumstances, the project did not have any implications for life. However, we took care of some useful and useful details, the doors for the model of the "Triumphal stop" (spring, bronze cylinders with relief images, A.K. ...
Relief paintings on the pedestal depict the borrowings of Noteburg and Narvi, the St. Petersburg department, the battle at Kalisha. On eight bronze cylinders, storage column and viconious in the main of A.K. Nartov, the battle of Lisovy and before Poltava is shown, taking the city of Riga and Revel (nini Tallinn), Prutskiy gohid, taking Fridrihtyhtyadt shtadt
Throw with a human foot.
There is a formal memorial for all the houses - Petro I on horseback, bilya Mikhailovsky castle. The model of the Bula monument was made for the life of Peter, by the sculptor Rastrella, the monument itself fell down with a saw at the foot of Paul I, after the erection at his ninth place. Zvadosya b, memorial yak memorial. However, just vibrate the singing angle and respectfully marvel at the horse's legs, shine, one of these nig is human! What is it? Chisky oversight? Sculptor's pomst? Just such cool heat?
Addresses: vul. Sadova, 2.
Let's go to the tsiy tamnitsi ....
The history of the monument to Peter the Great for the Mikhailovsky Castle (Engineer) on the squares of the constables, by itself, the tsikava, which was common for the entire XVIII century.
At the most recent period of his rule of Peter I, having lost sight of the passes of the roads and learning how great things were for his land, he had learned to improve his memory. With a good fortune in the Poltava battle of wines, having conceived to construct a celebration of special images on this occasion with special images in the new age and on horseback, as it will be seen from the new midi. However, that period was important for the state to reach, and it brought me to the point of view of my ideas on non-meanings of terms.
In 1716 the great sculptor and architect Bartolomeo Carlo Rastrelli arrived in St. Petersburg. Vіn buv requests for the stem of the monument to Peter I. Nearby two rocky vіn pratsyuvav over the prepared clay model of the horse for the monument. And the axis for making an exact copy of the specimen of the Emperor Rastrell, knowing the gipsov mask, on the eyes of the famous Venezians.
Before the speech, from її (masks) to help, the wax bust of Peter was also bursting. Behind the idea of the great emperor on the monument, the blame was written by. For the її TVіr the whole team took on, how to stock up from the athletes and students of the Parisian Royal Academy. The text is guilty of buv bootie in latin mov. Wine and embellishment of the year Monument to Peter in front of the Mikhailovsky Castle.
The great Emperor will be able to do this by erecting the first cinematic monument in Russia. Once I went to the main line, de laboring Rastrella, and giving him a bit of even more valuable and cinnamon joy. Tse bulo in 1719 rotsі, Pіvnіchna vіyna went to the end, and the Russian empire was guilty of stati in nіy femdom.
And tse meant that the new memorial was guilty of the blame for the triumph of all Russia, as well as of the emperor. After 5 rocky Bula, a new wax model of the memorial is ready. Bagato critics were respected as a monument of reincarnation with different details. However, there is no need to be forgotten, but to be carried to the era of the Baroque, with rice, which was the strength to the transcendence and rosiness.
Spochatka Monument to Peter I mav takiy viglyad. Mighty picture, on which the Emperor sits. There is a snake lying near the horse - a symbol of zeal. Nadal її was transferred to Mіdnyi vertik. The monument is also composed of six allegorical figurines - garlic, statues of the Neva, cupidons, earthly spheres. For the life of Peter for the memorial, it was called іnshe mіsce - old Senatska square on Vasilyevsky island. Peter will be given the help of Rastrella's idea. However, the statue was not ready to be seen from bronze.
After the death of Peter I in 1725, it was close to 10 years of decline and they did not guess about the monument. Prior to the speech, the payment from the state property for his work B. Rastrell was deprived of it in 1734. Still close 7 years of writing, the memorial fell with a saw from a comor, ale if the daughter of the Great Emperor Alizaveta came to power, she violated again and again to tell her piddanim, chiєyu dear є.
The Empress wanted to do it in front of the Winter Palace. However, having looked around the monument, they came to Visnovka, but they didn’t see the savor of the new hour anymore, and it’s necessary to do it. Naturally, the price was given to the old Bartolomeo. As a result, the monument will only include the image of the emperor-triumphant without any bas-reliefs or alegorii.
In 1743, when I looked around and grabbed the model by Alizaveta Petrivna, Rastrella started to make a great sculpture. The robot over it was completed in 1744. This is how the lot went - not during the life of Peter, nor for the life of the creator of the memorial, without any rulings.
In 1744, Carlo Bartolomeo Rastrelli died in St. Petersburg, and the forging of the statue of Peter in bronze based on wax models, the old man is still alive and well, Francesco has three rocks for that. The Empress Catherine II appraised the monument and visnency of the great monarch, who sent Rastrella the young bouv from the right, and Catherine replaced the new monument to Peter the Great Monarch Rastrella.
For the robot over the monument to the great tsar, the French sculptor Et'in Moris Falconet took up, so the famous for the whole world "The Midniy Vystnik" was born, and the finished monument of the Italian sculptor did not get lost from Prince Grigoriy Potomkin, he didn’t bother. Tilki scho came to power, Emperor Pavlo I guessed about the sacrificial statue of an ancestor and ordered to build it in Kronstadt.
In a dozen hour Pavlo changed his work and issued a mandate to transport and erect the monument to St. Petersburg, from 1800 until the end of the day, to stand by the facade of the Mikhailovsky Castle on the square as a constable. Pavlo, having also punished the death on the pedestal of the writing - "Pradyda Great-grandson 1800", clearly peep over the writing "Peter I Katerina II Leta one thousand seven hundred and fifty two" on the stone of "Mіdnogo verhnik".
The sculpture of the tsar is erected on a high marmur pedestal, on the offensive side of the embellishment near the viglyadi bronze basilions, so that the history of the two battles of the Pivnichnoe Vinyi is revealed. On one side (skidnoy) - a fragment of the Poltava battle, on the other side (backward) - the battle at Gangut. On the first basement, Petro is depicted, with a sword he will put his comrade-in-arms Prince Menshikov on the stepping-up Swedish roads, the trumpeting genii of Peremoga soar over their heads.
On the other side of the picture, the first great sea battle, played by Peter Bilya to Misu Gangut, was played. The ship of Tsar Peter and himself is pictured in the left part of the barn, in the right part of the flooded Swedish ship, over which the Russian ensign is rising. In the middle of the composition there is a scene of a sinking sailor.
The insult of the base of the viconan by a whole group of sculptors, over them V.I. Demut-Malinovskiy, І.І. Terebenev і І.Є. Moiseev. The most spectacular battle scenes show a high artistic level, the accuracy of the images found in all the details of the composition.
Barellers are loved and chanted by the city dwellers, as a good note of the hour. In the eyes of those who fall into the polished parts of the barrels - hoarding horses, Peter's leg and the sinking sailor, especially p'yata. Tse of mischievous legends, which have grown into a practical memorial of our place. To get involved, if you touch the sailor's p'yat - you DO NOT drown, but if the tsar's jackboots are touched or a horse is saved - you will bring good luck.
Original taken from
The most important mayor of Russian sculpture of the first half of the 18th century was Count Carlo Bartolomeo Rastrelli. Having not broken anything in Italy and France, in 1716 he arrived in St. Petersburg, having become a viconuvati of great powers, replacing a collection for Peter I, at the same time for Annie Ioanivnya and Alizaveti Petrivnya.
Pratsyuchi in Russia until his death, the sculptor opened a number of prominent creations of monumental, decorative and easel plastics.
Rastrell was born in 1675 as a succession of the noble family of descendants of the city dwellers of Florence. In its own place, the traditions of the Renaissance era have been taken over, the great Donatello, Verrocchio, Mikelangelo, Chellini have been able to create.
If they showed up yogo nahili to the mystery, the boy will be sent to the sculptural master of D.B. Foggini. Having gone through there vishkіl, characteristic of the Florentine sculptural school, Rastrelli unpollutedly mulling, having witnessed the prototypes in young materials, imbued with artistic literature, jewelery rights, the principles of theatrical decoration, architectural and architectural planning. Such a ground preparation in the field gave the master of the necessary opportunities to show himself in the most different types of creativity.
In 1698, a young sculptor went to Rome and stretched out the monuments of antiquity there, and the statue of Marcus Aurelius in the first place - a classic sight for other monuments and the work of the bright representative of the Bernian Baroque L.
Not knowing in the Italian history of his majesty, Rastrell all at once with his squad - an Hispanic noblewoman traveled to Paris, de they had in 1700, the son of Francesco Bartolomeo was born - the Russian architect was the year of celebrations. There, a strong infusion of official-parade art of the renowned French sculptor A. Kauzevoks is small for his creativity.
Good luck on the ear of the creative way Rastrella supervoduvala. In 1703, the project was made in the style of the written Italian baroque for the mausoleum over the ashes of the diplomat Simon Arno, marquis de pompoms in the Parisian Church of St. Mary (changes in materials in 1707, renovations in 1792). In 1704, the father of the papal nuncio F.A. The guaterio win will be removed from the Vatican court the count's title and the title of the papal knight of the Order of St. John Lateransky.
For good luck, Rastrella became a fashionable sculptor and vicon of the number of monuments on the gravestones. As a result, there are a number of projects in tombstones - for Cardinal Guaterio, Marshal Shamil and others, about which one can judge the author's little ones. For cich tombstones, a primordial, pompous form with numerical allegorical figures is characteristic, but there was no such thing as a grave in mustetsky stakes, but classic foundations in sculpture and stripped vikorstannya in new baroque priyomy were introduced.
Do not get moral satisfaction because of the victories of the deputy memorial robots and not having reached fifteen years of living with France in her own artistic performance, Rastrellі virіshu viіkhati in Russia. At 1715 rotsi vin ordering in Paris, agreements with I. Lefort - an associate of Peter I, for what was included in the yogo connection was a stretch of three rocky "pratsyuvati in the service of the Tsar's Majesty in the kumirodelіі of all figurines in marmurs ... for fountains and unapproachable waters, living people, in lithium, architecture, in the day of decoration or embellishment of cars to opera and comedy theaters. " Youmu was also put in the general order of the navchati of the Russian people who were creative. Itself in Russia, I became the greatest sculptor, having created something, she immortalized his name.
Having moved from Paris to St. Petersburg in 1716, Rastrell had a collection of signs here at the estate of the architect, and in the autumn he started to study sculpture, having made a contribution to the project of a movie statue of Peter I in memory of Russian overseas ... In 1721, in order to set the world up for the Swiss, at the request of the sovereign, he started pratsyuvati, together with K. Osner, N. Pino and N. Michetti, over the project of the Triumphal Stopp (the model was broken in 1723), which glorifies the valor of Russia. In 1722, Rastrella also showed a model of a colossal statue of Peter (not included), which was responsible for embellishing Vasilyevsky Island.
Kinna statue of Peter I was missed by the author and deputy of the urochisty and representative, at once quietly, Ancient Rome... At the same time on Rastrelli were injected the monuments of the lucky mysters, in the middle of the boules the monument to Louis XIV F. Girardon in Paris and the monument to the great Elector A. Schluter in Berlin.
To design a new hour, viconanas in little ones, lead and bronze models, to inform the master of triviality about the creative work. They have a step-by-step from the foldable, vigorous compositions, overpainted with figures of alegorii and mythological characters (Slavi, Miru, Mars, Mercury, fouls and so far), to the simple, ale of the most famous, famous
From the model of the cynical statue of Peter I, there was a lot of knowledge of the gipsy form, and even after the death of Peter, a dramatic history was felt, tied to the unworthy of the offender who saw the pennies on the forks of the monument in bronze. For Єlizaveti Petrivnya, as in the tradition of Petrovsky tsar, in 1744 a colossal wax model was broken, prepared before the fall of 18, 1744 Rastrelli died before he died. The robot in the material was solved by A. Martelli with the unprecedented participation of the sculptor Francesco Bartolomeo Rastrelli.
During the reign of Catherine II, the baroque monument was built in vidkinutius, as an old age, and for the establishment of a new cinematic monument to Peter I, altogether in the fashionable style of classicalism, having sent requests from France by the sculptor E.M. Falcone. In 1800, the statue was erected on a new pedestal for Paul I Rastrellievsky (architect V.F. Brenna, sculptors M.I. Kozlovsky, V.I. Demut-Malinovsky, I.I. Terebenev) in front of Mikhailivsky lock.
Rastrelli, as a witness of the Petrovsky reforms and the triumphant completion of the Pivnichna Vіynya, presenting Peter I to the viglyad of the Roman Caesar, the autocratic Volodar of the great empire. Wines of stretching into the tunic, over which an ermine mantle is thrown over, Roman sandals on the legs. The head of Peter was proudly lifted by the insane portrait similarity - with the majestic eyes of the eye and the great clean chol, - crowned with the laurel wine of victory. At the right rutsi vin trima, the marshal's rod is a symbol of power, slightly pulling the bridle, streaming the move of a taut horse.
The smooth sculptural surfaces organically come together with the embossed and chipped with fine jewelery many decorative parts (two-headed eagles on the mantle, wines, wand, blanket, kinska zbrya and so far). The monument is flared up in the open, ale so maysternally, from any point of view, one can see the whole and endings. At the same time, the composition of the memorial is even simpler. The author sees from any "symbolic overtones" characteristic of middle-class top Falcone. Yak, having written the master of art Vsevolod Petrov, "not alegoria, but the plastic itself, becomes the main characterization of the image."
Even in the process of robots over the monument to Peter Rastrella, he turned to a portrait, in which he could reach the pinnacle of his creativity. At Peter's hour, with a focus on documentary accuracy, the portrait itself has become an imaginative mystery of the provincial genre. To covet "liveliness", the sculptor is not so vividly victorious in the gimmicks of the face. In 1719, rotsi Rastrelli knew the mask of Peter I, as if she would be creeping with robots over the portraits of the emperor. Falling into naturalism, opening the wax bust and sitting figure of Peter with incrustated eyes, natural hair and dress.
Rastrella dwindled to the parade of writing with realism and gliboky, penetrating publicity. In 1723-1724, two images of Peter the Great were depicted in two images of Peter I. Alpatov, “Rastrelli came here before the righteousness of a historical portrait”, bringing in a new conflict and drama not only of the very specialness of Peter, but of the whole era.
The sculptor depicts the image of a people of non-promiscuous life of energy. When the king's callous calmness is evident, his inner tension is stronger, as it manifests itself in a lofty head, sunken eyebrows, deliberately closed lips and cradles with the folds of his mantle behind his back. Seemingly, the male bust of Peter I was gravely vivchal Mari-Anne Collo, and the model of the head of Peter I for middle-class top Falcone in St. Petersburg. Wonderful non-specialness of the transmission new materials: Hutra ermine mantle, festooned frill, seam of order stitch, metal armor from relief images of battle scenes.
At the portrait of A.D. Menshikov (1716-1717, bronze, Lithuanian, chasing; 1848, marmur, State Russian Museum, St. Petersburg) rich in splendor and pomp, but here Rastrell was just one characteristic of a baroque beauty with a glib, realist, bitter image a bit more cunningly exposing the lucid prince, wondering in the distance in great thoughts.
For the compositional and plastic approach to the creation of a close one " Portrait of an Unhoomed "(S.L. Vladislavich-Ragushnsky?, 1 732, bronze, karbuvannya), also with a divine reliability conveyed a penetrating look, from the outside, lividly revealing, framed by curls of feathers, a wide cloth of a camisole with relfny hudziks and m'yake more than a toad.
We look to the achievements of the portrait painting of Rastrella є a two-piece bronze group "Anna Ivanivna with a little arapchon" (1741r, bronze, karbuvannya). Itself here the greatest potential for the Maister's powers and shrink sides yogo cheated. In the whole sculptural composition of Rastrella Vikorist, purely malovnichy effects in the material, in the transmission of frivolous fancy, I clearly decorate the toilet of Annie, shovel, with an amiable tiny cloth, smooth shkіri on bare skin. Yak і in the book monument to Peter I, the skin is an insignificant detail of the dress і embellishment, the leather curl of hair is treated by the mayister with the same respect and love. The jeweler's anti-morphology does not ruin the extravaganza of the creation and its monumentality.
The sculptural group "Anna Ivanivna with the little arapchon" does not sacrifice the famous statue of Peter I. At the monument to Petro, the performances are for everything sovereign and redefining the great empire. Immediately, the statue is uosoblyuє the despoticness of power, uncompromising marnotry and baiduzhism to all Russian. Massive, overwhelming figure of the empress, as they said about her party, “I’ll look terribly”, dressed in the parade of dress, and from the left side to her, a small figure of arap in a turban is straightened, to carry the symbol of power to the state. Possibility of baciti and supporting the empress of the Bula at Rastrella from the fall of 1730 to the serpentine 1732, if he had been in Moscow, the beruchs had an immediate part in the decorated coronation celebrations of Anni Ioanivni. In 1732, the opening medallion with a bas-relief portrait of Annie Ioanivny (bronze), depicting it in profile and back. I will fold the sovereign's stripe, with woven pearl barley and stripes, the crown of the Russian crown. The fall from the shoulders of the dress is bare on the outside of the shoulder and is also tidied up with numerous expensive stones.
Velmi Vagomo Rastrelli has seen for himself the same in the monumental and decorative mystery, the beruch fate, as for Peter I, in the linden decor for Peterhof's furniture, Menshikov's palace and decorative sculptures for the Peterhof fountains. Krim Saving Barrels " Triumph Amphitrity "і « Vikradennya Deyaniri by centaur Nessus ", They were victorious for the waterfall ledge of the Great Cascade in Peterhof (1721-1723, lead, spilno from K. Osner and F. Vassu), winners of two left-hand masks (maskarons), fountains for the upper terrace of the railway cascade. For the Upper Garden in Peterhof Rastrell, opening a great lead fountain group "Neptune with a chariot", in 1799 I was replaced by a bronze group due to the decay of the bronze group " Neptune ", brought from Nuremberg (sculptors H. Rittter, I. Eisler and G. Schweiger). 1737 to the square of the Upper Garden of Vin, having decorated the fountain composition " Proserpinaі Alpheus with sirens and dolphins ", yaka also through the rotting camp in 1773 rotsi bula znyata.
In addition, Rastrelli has melted the miraculous bronze composition “ Triton, why should you fight the sea monster "(1726, bronze) for the fountain, rostasovany in front of the front facade of the Great Orangery. Vona served as a prototype for the yogo sculptural group " Fascist stealing Triton buv was made by sculptor A.F. Gurzhin in 1956 rotsi.
In 1735, in commemoration of the 25th battle of the Poltava battle, the Great cascade of embellishments by the Viconano Rastrella composition " Samson! Strong, with taut musculature, Samson, who is in Russia with himself, razriva pasch leva, like a heraldic image of Sweden. It fell ill until the end of the 18th century, when the lead sculptural group of Bula was replaced in 1802 with a bronze gilded composition, taken for the model of M.I. Kozlovsky. Stolen by the Nazis, the bullet was created by the sculptor V. Simonov in 1947.
Rastrelli is richly destructive in the field of medal art, which special respect came to Peter I. At the turning of the sovereign (with the participation of A.K. Nartov), a vicon in the middle and bronze relieves for a triumphant (not successful) stage was won. Maisterno, with great volodinnyms of compositional techniques of battle genre, the sculptor depicting “ Poltava Bey "," Taking Derbent "," Alegoria Nishtadskoy "(Ear of 1720s).
I respect the medal " Pidstava St. Petersburg "(1723?, Bronze, lithuania, chasing), Viconan Rastrelli in a landscape-genre key. They are given a more realistic image of the banks of the Neva, they were filled with praises, figures of sailors and robots - the first of the buzz in the new Russian capital.
In 1741-1743, Rastrelli opened a medallion with a profile portrait of Peter I (visible in bronze in the middle of the 19th century), framed with a painted frame. Along the entire perimeter, the won is adorned with relief images of a two-headed eagle and the Order of Andrew the First-Called and crowned with the crown of the Russian Empire.
The richness of Rastrell's creativity is hostile to everybody. The dermal creature is attracted to a high degree of professionalism, because until the end of his life, he is self-evident for the good of Russia. Carlo Bartolomeo Rastrelli died in 68 years, 18 (29) leaf fall in 1744 in St. Petersburg.
copies of sculpturesz marmura you can substitute in our company - Stone2art Group.
Everything is in a fair price - price in time! (C) Stone2art Group
The monument to Pyotr Pershom in front of the Mikhailovsky Castle is the best monument in Petersburg: here is the Russian Empire's coat of arms, the happy old man, and the human leg!
If I start to feed "How much is your love for a place in Petersburg?" A small street mіzh mysterious (you have been assigned an okremiy post) and і Bulinsky street (I want to know not everything, how to call it that way. , called not with maples at a time, but with chestnuts). In the hours of Paul I, the street was transformed from the parade ground, on what the neurotic emperor had drilled his way, in the quiet green of the coils. A miscellaneous of Pavlovsk officers took care of the babus in carriages, and in the evenings - some mild drunkards.
I like to walk in tsikh mіstyakh. And if you want to write a post, assignments to the walkers in the Maple Alley and near the Mikhailovsky Castle. But at the very moment I am aware of only one monument to Peter 1, the posts for Paul in the center of the parade ground, you can write an okremiy vipusk. Styles of colorful details and small mysteries of the city and legends are tied to the whole sculpture! To that, we will not have a new route for this year, but rather superficially: we will walk around the monument to Peter the Great, the father of St. Petersburg and the miracle
A monument to the buildings of Carlo Bartolomeo Rastrelli - the father of the famous Francesco Rastrelli, an architect, who will be in the Winter Palace. However, raise the monument in the distance only through a hundred rockets after the death of Peter, for Pavel Pershoy, at once from the building of the Mikhailovsky castle.
Not only with children, but ale with grown-ups, when you look at the memorial, you will immediately see a drink of food.
Bare feet and godly eyes
Why is Petro so wondrous to be adorned? Wine in a steel crayon, on the head of a new laurel wine, and on his feet - Roman sandals. Isn't it cold for the Russian emperor in such a swell?
There is nothing marvelous in the whole dumb. On the right, everything is in that, at that hour, often European monarchs were portrayed in the image of Roman Caesars. The kings, the emperor of that hour, had been playing in the emperor for a long time. The sculptors gave him such a trifling curiosity to our ninishniy look. Applying such sculptures "in the image" is rich. For example, match Peter the First with Frederic V in Copenhagen. The new one has exactly the same Roman sandals.
And what about the wondrous club of Petro trim in rutsi? Tse is a marshal's baton. The images themselves, for example, are all a field marshal in the field marshal's hall of the Winter Palace. Such a wand was a symbol of the field marshal's supreme power. Before the speech, it seems, in French such a rod is called bâton. In the case of perekladitse word means all deprived "club, stick". Zdogaduєtesya, like a Russian word to resemble a term?
And why does Peter's horse have such shallow, virile eyes? Is it painful or scary?
It is easy to say melodiously, ale shvidshe for everything, on the right in the one that the monument tsei turns into the era of the Baroque. The Іtalіyske word barocco in the cross-section means "wondrous, chimeric, unseen." Artists and sculptors, who worked in a whole hour, respected, what makes it more beautiful, it’s more beautiful. Tom, in the pictures of this era, seeks a rich and restless and restless ruch. And all the emotsii of heroes exceeded. As it was necessary to depict gniv, the artists of that era wrote a mouth with low teeth. If it is necessary to depict the unhappy accusations, then the artist paints the thickly furrowed eyebrows and the forehead with wrinkles and wrinkles. They were especially fond of writing lutikh tvarins. Mabut, the very same battle horse was killed by such gods, viryacheni, like bi in the battlefield, eyes. If you think that it’s wonderful to see Peter, you should be surprised to see the dolphins that embellish the fountains of Peterhof. Both superbly peaceful and intelligent inhabitants of the seas in Peterhof are becoming evil, toothy and not less divine, not Petrovsky.
Are the stars a lion in hmaras?
And now let's get down to clever riddles. On the pedestal of the monument there is a Russian coat of arms. Nicholas wondrous in the whole dumb, ale, deschoo, in the very coat of arms. To be impressed with respect. What is depicted on the Russian coat of arms? A two-headed eagle, and on the breasts of a new one - George the Victim, scho the enemy is a snake. However, in this vypadka from George the Victory is seen as the wondrous prominants - they are. Tsі promіnchiki - not scho inshe, like the Maltese chrest.
Vy pam'yataєte, Pavlo I gave a prominence in Russia to the persons of the Catholic Order of Malta, which are the vignals from the island of Malta Napoleon. Moreover, Pavlo took on the title of grandmaster, tobto the head of the Order. The same chrest for Pavel Pershoi warehouse part... Far from all the tse befits, and the Malta Order became Catholic. To that, after the death of Pavel yogo sin Oleksandr didn’t take on the title of grandmaster, but the cross of the Maltese from the Russian coat of arms all at once. To that, only on the coats of arms, which were prepared for the Tsar Paul, you can have some non-vicious prominencers.
Take note of the riddles
And now let's marvel at the bas-relief on the pedestal of the monument. The stench of imagining two head battles of Pivnichnoe vіyny zі Shvetsіyu, in which Petro took on a special fate. On one side - the battle of Gangut, on the other side - before Poltava. The Battle of Gangut, which took place in 1714, became the first bridge of the Russian fleet over the Swedish fleet. Petro succeeded in a cunning maneuver, pulling his galleys (so small the ridges of the court) across the isthmus, then pulling down the Gangut from the land. In such a rank, the fleet of the Swedes having spent their time, and the great winding, heavy-duty Swedish ships, were driven by the corral of small Russian galleys. Peter I especially ocholyuvav boarding of one of the Swedish ships. Some of the enemy's ships were flooded, including the lead ship named "Elefant", tobotto "Elephant". The triumphal arch was prompted to drive the central bank in St. Petersburg, at the top of which are images of an eagle, and trim in the grooves of an elephant. The writing on the gate is like this: "The Russian eagle can't catch flies." Tsarske pochuttya humoru)))
Marvel at the basement: in the foreground there are two people in the chapel. One of them will help you to vibrate from the water of a person, who has a rubbed p'yata (and, for the rest of the hour, another priest).
Why should you rub p'yatu? Nichto can not give an exact answer to the price of food. Alone, I can tell you - the legend is old-fashioned. I remember that since I’m starting to be small, the ball is already rubbed to a blister. My granny told me that I need to rub it for good luck before the sleepers. Before the speech, I’m vikonav tse chotiri razi: three, if I entered before graduate school, and in quarters - if I signed up for the rights in DAI. All the times, everything went even better. So, the miraculous power of the process of five transformations and brought by me especially.
Maybe buti, they began to rub the heel of the heel, so that in this kind of people they play in the lead. If a good professor is on his way to sleep, he can “vityagnuyu” a drowning student. Ale the best, who are students, who are building up their academic maybuttn of miraculous ideas, don’t ever know about those who, for good reason, do not call a sailor here. Then take a full Swedish rear admiral. Lyudin with a rubbed p'yatoyu - tse Erenshtrem, commander of the Swedish fleet, who had been injured and tried to swim away, protesting the drowning of the Russians. Petro, to the point of appearing, communicated with him in a gentlemanly way, and not bar Ehrenshtrym, who had been allowed to go to Batkivshchyna. When Petro was full of pride, he was proud of his courage and manhood. So the share of the whole admiral went even better.
And now let's take a look at the khmari that are hanging over the sea battle. On one of the images there is a lion, wondering up and down at the Russian ships. What is such a lion? What does vin mean?
Before we go to the food chain, let's go around the monument and be surprised at the basilf, which is located on the protelezhny boat. Here is the battle for Poltava (before the speeches, it seems, the Petrovsky horse has been saving up to the Petrovsky horse recently, mabut, developing the theme of the happy little thing. accept). Above the Battle of Poltava, we are visible on the hmara cancer.
I think you and yourselves can help you to understand lion and cancer. Well, yak, have you thought of it? Surely well, these are the signs to the zodiac! A lion is a prickly tree (and the battle of the Gangut battle itself was only 27 limes). Cancer, in its own heart, is a worm. 28 worm - the date of the battle before Poltava.
Since I have already grafted you on the side of the monument, let me immediately guess about the old Misky legends tied with sculpture. To see from the memorial the trosh was given. Go to the curb. Stand on a rose-colored flower bed, right next to the sculpture. If you wonder at the monument from the central point, then you will be built, only one leg of the Petrovsky horse (I say to the respect of the wrong horse, which is on the base, but the great one) is NOT a kinska, but a human. Have you remembered?
Go about the straight line, like the zavdyak of your subtle and vitality, efficiently, quickly, along the contours of a young girl's leg. And a small bunch of hair behind the horse's hoard is more similar to the heel. In such a rank, the kinska's leg becomes similar to a woman's leg in chobot. A number of legends and incomplete speculations are majestic to drive the center of the most human feet. As a matter of fact, there is a whole lot of kinska leg there. And it’s good to see that it’s about ten crocs from the monument. However, by the singing kutom, and it’s true, Peter’s “waving” a human leg. This is how my grandmother called the memorial “Kin in chobot” - after the analogue of the cat in chobot.
And yet with the EIM memorial, an old legend is tied to it. The legend also shows Pavlo Pershiy and Petro Pershiy, and ale at the mayor's viglyad. Wonderful video:
That's all for the season. Come to Petersburg!