Analysis of Mykoly Karamzin's verse “Autumn. Autumn. Mykola Karamzin. 3 school programs
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Mykola Karamzin
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Vіyut osіnnі vіtri
Have a gloomy dibrov;
To roll on the ground with noise
Chew the leaves.
Field and garden sporozhnili;
Add pagorbi;
Spіv in gaiy zamovklo -
Having prikhovanie birds.
Piznі geese stanitsa
To kick in the afternoon,
Carrying with smooth pleasure
At the girskiye boundaries.
V'yutsya sivi fog
In a quiet valley;
Interfering with the village in the evening,
Go down to the sky.
Mandrivnik, stand on pagorbi,
let's look at it
Marvel at the blue osen,
Млосно zіtkhayuchi.
Mandrіvnik of sumny!
v'yane nature
Only for a short hour;
Everybody chew
Everything is new in the spring;
With a proud smile
I know the nature of the rebel
The mavsha clothes are weighty.
Mortal, ah! in'yane navi!
old man in the spring
Vidchuvaє cold winter
Dilapidated life.
Mykola Karamzin (1789. Geneva)
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Sens virsha " autumn"In thoughts about the end of life, about the quality of life human life and to the hand of nature. Nature in "Autumn" is in tune with human lives, as it is also experiencing the time of flowers, youth, maturity, old and death. Three remaining stanzas of need for reason, so, do not marvel at such a view of nature and people, nature seems to appear, at that hour like a human being in the world, once and for all. To that, if people are lucky to drive into 'nature, then we can take it easy - nature is all one to be born. And the axis, if there is a sum of money through the mortality of the people themselves, then nothing can be helped here, this is a law of nature.
Pro z e n n i e kartin k i
Analysis of N.M. Karamzin's verse "Osin"
But nevertheless, as it seems, the best tsikaviy sings not in the love lyric, but in the elegant verses of a meditative character (Latin meditatio - meditation). There, devin zanuryuєtsya in the field of metaphysical thoughts about life and death, about the plinth hour and the vital circuit of the feast in nature... "Autumn" (1789), "Oduzhannya" (+1789), "Volga" (1793), "Before the nightingale" (1793), "Prayer for the boards" (1793 ), “Do Alina. On the death of a cholovik "(1795)," Hour "(1795)," Before the Poet "(1796)," Melancholy "(1800)," Coast "(1802). The skin of the cychids has its own individual lyrical tonality, the skin is determined by trying to create an emotional atmosphere on the subject of the image.
"Autumn" informs about the evolving nature, how to see the little one with a non-gateway inevitability. Tse v'yanennya summarily, ale it is not tragic. That is why it’s inevitable that “everything will start in spring”. The share of the people is tragic. Aje "cold winter" life will come close to new and in spring. Nature zgasaє on khvilka appears, and lyudin zgasaє navіnno.
autumn
Vіyut osіnnі vіtri
Have a gloomy dibrov;
To roll on the ground with noise
Chew the leaves.
Field and garden sporozhnili;
Add pagorbi;
Spіv in gaiy zamovklo -
Having prikhovanie birds.
Piznі geese stanitsa
To kick in the afternoon,
Carrying with smooth pleasure
At the girskiye boundaries.
V'yutsya sivi fog
In a quiet valley;
Interfering with the village in the evening,
Go down to the sky.
Mandrivnik, stand on pagorbi,
let's look at it
I will not marvel at the autumn,
Млосно zіtkhayuchi.
Mandrіvnik of sumny!
v'yane nature
Only for a short hour;
Everybody chew
Everything is new in the spring;
With a proud smile
I know the nature of the rebel
The mavsha clothes are weighty.
Mortal, ah! in'yane navi!
old man in the spring
Vidchuvaє cold winter
Dilapidated life.
In any sentimental creature, a special plan of development can be clearly discerned. In other words, obviously implicitly, the altogether vivid point of the image of pictures of nature, or the experience of people, appears a sub-active glance at them from the author to the creator. At the culmination stanza "Autumn" there is an image of a mandrіvnik (projection of the author-poet). It is worthwhile to stand on the pagoribi and marvel at the autumn of the Farbi. Compositional figure of razdіlyaє vіrsh on two parts. At the first part (chotiri pochatkovy strophes) picturesquely and specifically depicted the main landscape. With the noise vіtru, like ruinuvav chew the leaves from the gloomy oaks - veletniv. With lowered fields and gardens. The three rushed to the warm afternoon with low geese in the high sky. With gray mists, settling in a quiet valley, where you will feel good about the silly hati. The other part (the remaining three stanzas), as follows the culmination of the n'ya stanza, the author himself takes the word. Vin is now in the foreground, pushing the mandrel figurine. Tse yogo, author's, meditation-reflections about the dissimilarity of the share of newfound and turn around until the life of nature and walk with the people.
Pratsuyuchi over the cim-cheese, Karamzin sketched the metric scheme of the vyrsha and putting it in the upper part of the sheet above the text. Tse is duzhe ostentatious. He sings over the tim, as by the very rhythm of the rows to convey a foldable mental camp. On one side, hopelessness and that sadness, and on the other side, live in life, in new and in power. It is super-verbose, unprecedentedly aware, and if so, then the form is simply invisible. The rhythm and the melodic sounding of the verse are unrecognizable.
The rhythm and sense of the twist is always tightly tied. Let's go to them together, it is permissible to have a small excursion into the theory of the verse. For a reason, it’s time for a meter and a rhythm to the created creation... Two witnesses mean not one but the same. Meter (in walnut metron, tobto mira) - tse, vlasne, і. The meter is laid in the basis of the verse, the whole cob scheme, and the rigid frame. The main types of strong-tonic verse: trochee, iambic, dactyl, amphibrachium and anapest. Horey and iambic - two-storey size: if a skin foot (to repeat a group of warehouses in rows) is stored in two warehouses. The warehouse is taken to mean a sign that I have turned upside-down krishechka: І. Above the shock warehouse, in the stop, put a shock sign: ў. This rank of trode will be conceived as: (the first warehouse of the foot is percussion, the other is not disgusting). The iambic is schematically viglyadatime: (the first warehouse of non-nagging, and the other is shock). The diagrams of triskladovyh feet follow the same principle of attaching percussion and non-worn storage at the foot. Only one foot is stored not from two, but from three warehouses. Dactyl:. Amphibrachiy :. Anapest:.
It’s not just important, but it’s hard to absolutely accurately show the metric scheme! The Russian language has a number of warehouses in other words in superficially Riznomanitno: from one warehouse to twelve, or even more. І voices in words are not fixed in the singing warehouse, as the stink is fixed, for example, in Polish abo french movami... In one word, it is easy to stand at the first warehouse, in the fourth - at the fourth, etc. The axis of what is real (Not in a nutshell, but not in a computer) is to take revenge if the metric scheme is broken, laid down in its basis. Most often, there are pyrrhic, so that the skipping of the voices transmitted by the scheme in the warehouse, or spondy, so that the voices in that warehouse are not to blame for the scheme. Chim is more self-made and talented sings, he is smarter to turn into a metric scheme. Winning a vison and one hour, I will ruin, together with an individual idea of his creation. From the dialectics of passage and breakdown of the vine, a unique rhythmic baby of the skin varicose, and hence, a unique sense.
Rhythm is an understanding and a manifestation of nagato more about me and folding, less than a meter. The rhythm will hunt all spheres of life, earthly, and cosmic. rhythmic organization literary creation nabula outlined special problems in the works of ancient philosophies and philosophers. The rhythm is associated in them with the aesthetic ideals of antiquity: symmetry, harmony, beauty. Finding more intelligence in the essence of the manifestation, having proponated Plato, meaning the rhythm yak "order in Russia". Effort of the onset of the rhythm will come from a genially simple formula, but there are two beginnings of the butt: the statics of the already known form (guided like the butt of the ordering meter) and the persistence and the inevitability of the mind. Plato wakes up to the rhythm of the best sounding day of the idea of dialectics. An hour pass, І інshih genіalny mislitator - Augustine - to supplement the Platonic formula with a spiritual cob. Vіn spіvvіdnese rhythm with creative robot intelligence and spirit: "Rhythm is the result of robotic spirit".
Spіvvіdnoshennya meter and rhythm, the number of two head instruments in the inducement of the verse, superbly versatile. Riznomanittya explained historically. The train is a mystery of a long time ago, and to lie in its foundation, a meter, tse, seemingly figuratively, which has risen to the richness of the capital of the past and to catch the rhythm. By virtue of its overtaken form of wine, it was inspired by tradition, richly developed by repeated semantics (meaningful meanings), and thus, it should be accurate. The meter, which knows its engagement in the vertical dimensions, the central frame, as heavy over the rhythm of the wind. The meter is static, the rhythm is dynamic. The meter has risen to the back of the read shape. The rhythm, which is given to chilin, organizes the very process of creativity, is special, spontaneous, there are few transmissions.
Historical glance vivodit to poetics. On the other hand, due to the implementation of the meter, it’s the best for the prescriptions, for the computers are superior models, they are not alive. The rhythm is lively melodic sounding, as it is victorious as a result of jokes of individual indices with unrepeatable recessions, pidyomas, accelerated and trusting, as a result of an adaptation to a metric scheme and overnight. The meter posture to the rhythm is deprived of theory, and the third rhythm of the meter posture cannot be known at the top of the completed form. It is more poetic to repent from opposition, and not so harshly to a hostile confrontation to the meter and rhythm.
Karamzin emerged as one of the first Russian poets, developing virshik and poetry. Perche, vvvazhav vin, tse - hitting the meter and exact pidbir Rome. The other is followed by the inner call of the soul, if the very form of the answer begins to serve the "strong and stringy awareness and unprecedented sensitivity." Vin calling out “not only as a poet, but as a Poet”. Primed in "Autumn" on the declared metric scheme, win immediately re-translate, knowledge "clear and sensitive."
Simple for the rhythmic organization "Autumn". Vaughn is not easy. Sings two different shapes in one row: dactyl and trochee. A metric scheme. Vinesema in her all the warehouses of chotir rows of cob stanza. Significantly shock the warehouse with an accent sign "ў" (Latin accentus - baldness). I razdіlimo leather row on the foot:
Is it mi bachimo? More lingeringly sounding dactyl (vin triskladoviy) is placed in a row more often and clearly sounding good (vin two-folds will complete the row, like bi її shaved). When you start reading it, it’s anxiety-and-turbulent, and it’s complete. Finish the rest of the foot to the dactyl, there is one, which is a defect, there is a warehouse. Ale yogo is dumb! It’s important to know such a rhythm, such melodic intonations, such as with their easy non-stoicness, would be settled by the soul of the reader super-verbosely. Before us is a rhythmic fairy tale of its own kind. The rhythm of additional help to unite in a single splash of emotion radisnagu is guided by the clues about the continual improvement of nature and summery in the thought about the inevitable "ziv'yanenny" people.
Robot with a word 1. Pidberit synonyms to words: frown, sivy (fog), sumovitiy (glance), sumny, blidiy (autumn). Yake the stink of setting the mood? 2. Explain the meaning of word forms: narіkayut, stanitsa, mezhі (girskі), languid. 3. To know in the text old grammatical forms, to accept the current prominence.
Power supply and power supply 1. Why, on your thought, do you think the sensor is opposed to the overwhelming and restless chotiryvirshі in "Autumn"? 2. What is nature to fight for? 3. For what, on your thought, did the author see deyaki rows in italics? Let's turn to them.
4. Know the rhetorical brutality in the text. Why do you want to be victorious? 5 *. singing literary directly the power of the motives, confusion, tightness, self-reliance? 6. Who caught the simplicity of the style of N.М. Karamzina? 7. Get ready to read the verse.
Dzherela prezentaciy.html V.A. Zapadov Russian Literature of the Remaining Fourth of the 18th Century: A Reader. - M.: Education, 1985, with Literature. Class 9 Pidruchnik for zalnoosvit. install. Part 1. Pid ed. V.Ya. Korovina e ed. - M.: Education, 2009, p.
Russian historian, publicist and huge dyach Mykola Karmazin has taken to the literature by writing his own stories and numerous notes. However, I know little about those who are gifted with a poet, vikhovanim in the steep traditions of European sentimentalism. Karamzin from his youth flaunted with great and French literature, to show himself in the whole arena, protest for the fathers of the father of temptations, buuvati for the father of the senses, and write a political career. So loved by Europe, you have given me a little more to eat in a grown-up vice, having grown a dozen or so. On the other hand, the trip turned out to be successful, and the writers of the Russian literature were filled with a new genre - road notes. Also in the whole period of the opening of the tsil, a cycle of even more sentimental turns with a light philosophical nalot, one of which became the "Autumn", written in Geneva (1789 rik).
The first part of the whole verse has a descriptive character - it sings about the beauty of European nature, along the way, hoping to know in these rice meadows and leaves. However, dibrova bobbing to the author of the gloomy, sings in a meaningful way, like "spiv in gaiy zamovklo", and recorded zgraiv ptakhiv go to pivday. Mysteriously mulling disheartened, raising a tight and desperate picture, Karamzin wanders to an unheard-of mandarin, calling out to him, so like a snake in the nature of a time clock. “Everything to chew, everything is new in the spring,” - means sings, bringing notes of optimism to the verses and nagaduchi to all of us about those who are cyclical life. Winter is not unmistakably coming for the spring, twisting the earth with a bushy carpet, and at the beginning of spring, “I know the nature of the rebellion of the clothes weighed”.
At the same time, Karamzin is unmistakable, that is similar to the life of a person, which is similar to the life of a person from the early periods. The poet's youth is associated with spring, maturity with summer, and autumn is the first acquaintance of the elders. If nature lives under its own laws, and since the beginning of spring the whole world is re-created, then people are relieved by the power of such a renewal. The very same "the old man in the spring sees the cold winter of the decrepit life."
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autumn
Vіyut osіnnі vіtri
Have a gloomy dibrov;
To roll on the ground with noise
Chew the leaves.
Field and garden sporozhnili;
Add pagorbi;
Spіv in gaiy zamovklo -
Having prikhovanie birds.
Piznі geese stanitsa
To kick in the afternoon,
Carrying with smooth pleasure
At the girskiye boundaries.
V'yutsya sivi fog
In a quiet valley;
Interfering with the village in the evening,
Go down to the sky.
Mandrivnik, stand on pagorbi,
let's look at it
Marvel at the blue osen,
Млосно zіtkhayuchi.
Mandrіvnik of sumny!
v'yane nature
Only for a short hour;
Everybody chew
Everything is new in the spring;
With a proud smile
I know the nature of the rebel
The mavsha clothes are weighty.
Mortal, ah! in'yane navi!
old man in the spring
Vidchuvaє cold winter
Dilapidated life.
1789 Geneva
- autumn
The first large-scale "History of the Russian state", ale the pen of Karamzin, lay and beautiful poetical rows. Especially the elegy was given to you, the middle of which is the right pearl є virsh "Osen".
Tvir was opened in 1789 in Geneva. Describing the European landscape, he sings with a sum of money about native fields and overlaps. Inevitably, it’s not just nature, but the th human life - the expansion of the motive in the journey. Karamzin has a lot of respect in his worlds with a lot of respect, that the hinged nature is better known, and the axis of a man cannot turn the beautiful days of his youth.
The compositional elegy "Osin" can be divided into two parts. A collection of lyrical hero posts before the readers with a self-explanatory mandarin, as if summarily glancing from the pagorba navkolishny sumny landscape. Let the author be happy with joy: "... everything is new in the spring." I will conclude the tvir of a nevtishny visnovok about those who are mortal "in a nave".
Likewise, skepticism and gazing at nature, a sentimental poetry is characteristic of the lyrical hero. Vidokremleni mіstsya and osіnnіy landscape - favorite decorations for the genre. To that "Autumn" is completely traditional behind the zmist, ale original for the form - biliy virsh. Karamzin stashed two poetic razmіru here - a long rhythm of dactyl in the first three rows of raptoris shaved with a short and clean row of chorea.
He sings not buv znayomiy with the Japanese train hokku, ale vibrav for his own creation a similar laconic viglyad. Such a rhythmic reception of the opening of the view of the triviality, incompleteness, the bursting of the reader's emotions. Win nibi shared hope and naga with trouble and pride. Vidomo, scho Karamzin seriously tricked over the rhythmic baby "Autumn". On the margins of this manuscript, the metric scheme of the verse was preserved.
The poetry of Karamzin has few political motives, she is concentrated on special feelings and moods. Behind the words of the author himself, the smut for the new one is the enemy. That is why in the version "Autumn" all the artistic priyomy is straight on the lyrical associations.
The nature and the people of Karamzin are tightly tied with a single thread. On the whole, there is an effective detachment: "narcayut pagorbi", "with a proud laugh ... the nature of the rebellion of clothes weirdly", "fog ... go down to the sky." Zagalny mood confusion and in'yanennya are set off by the numerical prikmetniki: osinn_y, frown, sumny, blidy, sivy, sumny, cold, as well as words: wallowing, spilling, narcayut, substitute, v'yane. The summery notes of the landscape were carried away by the light farbs: chewing leaves, sivi fogs, blida osen.
The voices of the silenced birds, replacing the sound of falling leaves, like "roll with noise on the ground." I gave an aliteration in the first row to the creator - "vіyut osіnnі vіtri" - іmіtu whistle wіthru in the woods. Sound plays a great role in the whole of the world, low colors. A lot of words are tied together with a sound: vіyut, wallow, narіkayut, spіv, zіtkhayuchi. Tom "Autumn" shvidshe "chuєtsya", nіzh "bang".
Karamzin maisterno vikoristovuyu épiteti: "Poor dibrova", "pizni geese", "quiet valley", "sivi tumani". The image of the elder is clearly depicted in the original viraz: "the cold winter of the old life." The author often zastosovuє inversion, which is practically permeated with a skin row of electricity: "we’ll frown at a glance," in'yane nature. " Tsei priyom characteristic for the literary of that hour, it organically fit into the fabric of the verse.
Karamzin's innovation manifested itself in the efforts of his literary activity. In the lyrical journey of wines outside the new genre and form, the substitution of the widened iambus is widely victorious in the trochee, triskladovy razmіri and bіliy vіrsh. Ale golovne - Karamzin zmusiv kozhen vіrsh sound, subtly and precisely creating the atmosphere of the creation. “With him was born a journey of respect, love for nature, a journey of the inner, sincere,” - writing about Karamzin Vyazemsky.