Mova style specialties postі bіdna lіza. Artistic capacity of "Bidnoi Lizi" - Analysis to the creation of "Bidna Liza"
In the life of Karamzin, the lives of heroes are portrayed through the prism of sentimental ideals. The images are embellished. Father Pomeranian Lizi is an intelligent family man - he must love his robot, having done good to the earth and we can finish it, everyone loved him. Mati Lizi, "sensitive, kind old", weak in the eyes of her own cholovyk, who see the villagers in my mind. It’s scary to love your daughter and to have mercy on nature with relіgіynym wisdom.
Yordan, a little bit to see, ale, vrahoyuchi on the complacency of his brother, win virishu accept, sob for krati. Tim by the hour of vivivia vidbuvayutsya not deprived of New York, but of Rome. And in Rome Morin Martin, policeman and American, being tied up after the death of his boyfriend, tied up with the murders in New York. With such a rank, one can reclaim spіvpratsya between two places and two policemen, so that you know a serious one. Based on the first novel, the growth of the author is shown in a simple tendency and in a lighter style, as to curb the novel with a lighter style.
Same іm'ya Liza on the ear of the 80s. XVIII Art. mayzhe did not develop in Russian literature, but as it did, it has its own inshomovy version. Vibrating for his heroine tse im'ya, Karamzin Yeshov to break the suvorogo canon, who is glorified in literature and starting out of the way, like Liza, who is to blame for the occasion. A whole behavioral stereotype originated in the European literature of the XVII-XVIII centuries. Tim, the image of Lizi, Lizette of dressing, peredusim, with a comedy. Liza at the French comedy? tse zvychay servant-pokoivka (maid), confidante of his young lady. Vaughn is young, garnished, it is easy to finish it, and everything that is tied with a loving intrigue is from the word of mind. Innocence, innocence, modesty is the least powerful comedy role. Unbreakable ochikuvannya reader, knowing the mask of the heroine, Karamzin by himself ruined the foundations of the culture itself to classicalism, loosened up the sounds of such a thing, which means and between the people and the wide range of people. For all the intellectuality of the image of Liza, I am tied with the character itself, and not with the role of the hero. The establishment of fallowness between the "internal" character and the "call" became the sutta of Karamzin's conquests on the way to the "psychologism" of Russian prose.
The descriptions themselves, as they were victorious in the first novel, do not bother the reader in the novel scenarios and connect them to the young characters, add a moral and symbiotic ring, and transform them into friends in the old hour. The novel, which appeared in miraculous indications, and again demonstrates the great beauty of Faletta at the galusa literary. A comedian, a cabaret, an actor, a spivak of progress in his own mind as a writer, a great success is being published. Nichogo, krym eyes, tse friend of the robot. Dzherelo: buy-to-buy.
The Lipna Vidian Phazi published "A Song of Shelter" by Giovanna Ricciardi, and another one handed out to the investigators of the Comissar Ottavio Ponzetti. The plot is wrapped around the local patriarchate of the famous socialist writings on a croissant, I want everything to be built, to grow up at the bulldog dear, since the reader is mindful of what he needs to respect, often "Gra", yaku Richchiardi maє z reading, will show you a trick at once. In some cases, the text appears to be "interactive", with explicit requests to "take the fate" of the investigation.
Ale the smut in the story is not a plot, but rather, as it’s too little to awaken in the reading room. The main heroes are told by a number of announcements, for example, from the sum and the spokesmen are told about the share of the common divine. The image of a sentimental notification after becoming a message in the Russian literature, some of the messages being “behind the scenes” and being neutral in terms of the way it is described. Alerts to know about the history of a single Liza without ever going from Erast, and it is not easy to come to Liza's grave himself. Announcements of "Bidnoi Lizi" mentally received to the great heroes. Also, the name of the page is prompted on the following day. vlasnogo imeni heroine with a testament, which characterizes the response to it.
The image of the Prandello theater with its heroes draws on a report about the most recent comic book from the TV stand, a product of the Kamilleri pen. Zhovtiy, writing by Giovanna Ricciardi, do not wry, because of the history of that technology. We do not need to get certified tips from the writer and the teacher, but we will not be asked to the classic crocs, or to explain the way of thinking about the names of the minds. Those who read the reader are even more sturbed, є the important motive is to tell about Vittí on crozzy.
Who knows, how old are falling, frowning, people with a droplet in their hands, like children in nadra solfari, so that you can bring Arnon's wealth to the surface for gravy with soup. Sicilian foxes, mini, who were still growing up in the middle of the last century young and even young.
The author of the messages is a single middle-man between the reader and the lives of the heroes, with the word. The information is carried out from the first individual, the author's presence is always perpetual atrocities before the reader: "now the reader is guilty of the nobility ...", "the reader can easily detect his own ...". The formulas of beastly, how to give an identity to the emotional contact between the author, the heroes and the reader, and even guess the way of organizing the notification genres Russian travel. Karamzin, transferring the formulas into informal prose, attained to the fact that the prose had filled with penetrating lyrical sounding and began to spry out so emotionally, like a poetry. For the story of "Bidnoi Lizi" they are characterized by short or flared lyrical steps, with a skin dramatic turn of the plot, the author's voice is felt: "My heart can be covered with blood ..."
For a better, be it a miner, maybe a miner can represent a prototype of a hand-made prototype, not only because the robot has been outdone, but because it’s so necessary and so far away from our so far, so invisible, that we can forget about that, oskіlki mi zabuvaєmo, that the roof is flowing in our veins.
Riccardo focuses on respect for the reader on the abandoned miners, and the spring on the group of unprotected Sicilians, who are illegally vignified to France in jokes short life... Discussion of director P'utro Germi from the film "Shlyakh Nadii". Summarily reference film and history.
In their natural one, three central images of the story - the author of the messages, the other Liza and Erast - with the unprecedented for the Russian literature, again implemented the sentimental concept of specialty, worthy of their moral
Karamzin was the first to write smoothly. In his prose, the words were intertwined with such a correct, rhythmic rank, that the hostile rhetorical music was lost in the reader. The smoothness of prose is the same as Rome in poetry.
I went downstairs and looked like this, nibi boo at the pekelnomu coli: the skeletons were given a bow warm warm, the miners, as they were in conflict with the day, the bully goals were going on. The stinks slept Vitty on crozzies. We wrote down a song, which miraculously passed in an hour with a shearing of a pneumatic pump. From the beginning of the recording, we launched the film.
Reference head hero Books, Annamaria, have gone to the stage, dominate over her from the ear and until the end of her “other people's lives,” she’s forbidden with love, steal and addiction, like an old one for condemned people. The book of Richchiardi discloses about social dualism, injustice, evil and indiscriminate unused problems, like the commissar Ponzetti inevitably wandering in the direction of his robot. Giovanna Ricciardi: Winning walnut and Latin mov at middle school from Rome and a member of the Republic of Pyatnitsa.
Karamzin viv at tradition silskiy literary kraєvid.
1. First kroki in psychological prose. 2. Artistic features povist. 3. Novi priyomi, as vikoristoyutsya Karamzin. N.M. Karamzin, the founder of sentimental-realistic literature, became the mayor of the root of the miraculous stories, and talk about the share of his fellows. The talent of a sentimental writer has emerged in the whole genre itself. Povisti Karamzin: "Frol Silin", " Bidna Liza"," Natalya, boyarska daughter"," Yuliya "," The Face of Our Hour "," Chutty and Cold "," Martha Posadnitsya ", - one view of one behind their artistic peculiarities and structure, є bright images of psychological prose. Most often, through its collapsed emotionalism and visibility, the main characters of the Karamzin stories are considered to be the representatives of beautiful statues. At the same time, the author pragnuv to characterize the people who belong to all the different camps, to that such a great hero: the noblewoman Natalia, the "peyzanka" Liza, the svitska lady Yulia, the posadnitsa Martha, the boyar Lyuboslavsky. The scribe does not just tell about the life of these people, but reckon up the internal light, show the perevaga that is short-lived. It is possible, the very same heroes are even more realistic and how extravagant people stink of suffering and love, shy gentry, and do not get a gidni vchinka. You can say that Karamzin went deeply to touch the soul of his heroines, and, therefore, to create rich and truthful images of women. The story of the writer "Bidna Liza" has become very popular. To get involved, the creativity of the writer M.N. Muravyov, who was one of the first who learned the value of human specialties: “I was impressed by the mirkuvannya, but that day a simple peasant had infused me with a povaga, since I marveled at my noble, inferior breed with contempt. I have sensed the power of special guilt. There is one thing to look after people and to bear every camp. " Like the heroes of the prose of Muravyov, Liza, behind the literary studies, live in front of, "bilya birch guy, the middle of a green log", which allows you to be close to nature. The main heroine of "Bidnoi Lizi", a young woman, born imovirno from the peasant family, evolved from the point of view of such moral ideals. Nebizhchik її "having loved the robot, having plummeted the earth with goodness and made sure of life". The daughters of the family instilled in the daughter the rule "get your hands on your own and do not take anything for nothing." Mati Lizi, having lost her cholovik early, lost her true memory of the old rock, "I love the villagers!" With his hand, the sympathy of Mikoly Mikhailovich is remembered for his heroine. I can, I’m not ready to open it. social center their characters, that Liza and її mater can be brought both to the township women, and to the representative of the old noble family. I don’t order those women who are krіpakami. However, it’s not turned on, the scribblers didn’t work, but Liza “did the trick day and night - weaved linen, knitted panchohs, ripped off curtains, and took berries — and sold everything from Moscow”. Selyanskiy pobut і the poignant activity of the leading heroines also seems to be the author in a modern pastoral manner: “... Liza served ... ... Vzaimini Lizi and the nobleman Erasta are also inspired by sentimental, idyllic moods. Moreover, the tragic finale is not dictated by the social nervousness of the cohans, but by the uncomfortable surroundings and lightness of the protagonist. At the same time, all the most clearly manifested itself is the idea of \ u200b \ u200bthe story of Karamzin from the works of Radishchev, which, navpaki, is of great importance for the social rationing of his heroes. Bringing the shutter one to one Lizi and Erasta carried a sentimental and romantic mood on their own. The main heroes are absolutely seen from real life. Moreover, if it is possible to try and invoke the powerfully rich young people, like “I read the novels”, then, for the logic of speech, I’m a stranger from the village’s village, like it sounded from the early childhood of real life... Tim is not the least, young people often take characters from a pastor's idyll. Navit Liza at his mriah not so often reveals himself and his obrantsya not ty, kim stink є in the haunted life: “Yakby, who now borrows my thoughts, populations will forgive a peasant, a shepherd, - and I’ve become a herd now ! I leaned in with a smile and said gratefully: welcome, dear shepherd! Kudi ti gonish your flock? I here grow green grass for your sheep; and here is a red thread, from which we can weave a thread for your captain. " At the same time, many of the head heroes are more likely to receive a sentimental and romantic mood for the creation. Such words, like “soul”, “loving friend”, “love”, “chervoni kiti”, can be used to adjust the reader in a more romantic way. Let me see you respect Karamzin, eat us in front of the inner camp of Erast and Lizi. The author, who is a master artist, subtly shows all the views of the kohannya. Image head hero, scho pragne nbuttya sprazhny kohannya, razkritiy to finish one line. Karamzin is not pragmatic here, as it was violated for the establishment of the rule: Liza is sensitive and kind, and she does not go overboard ethical norms... However, this genre is not characterized by a tragic connection to the creation. In the future, in Russian sentimental prose, everything will end not with the glories and appearances of loving hearts, but with the death of one of the heroes. Liza put her hands on her. In the protest of Mykoly Mikhailovich's beliefs, he grows into his own humanistic directness, and moreover, he tries to expand yak on the girl, and at the same time. When describing the image of Erast, the author made a decision to go out of the old-fashioned classical norms, beastly up to natural laws. Young Lyudin, mayuchi noble character, sued herself. I felt guilty for the death of a child and felt moral torment until the end of his life. The hero himself informs the author about his spiritual drama: “Erast, until the end of his life, is unhappy. Having learned about the share of Lizinoya, I didn’t think about it, and I wondered about myself. I got to know him by stretching out fate until his death. Winning my own history and grafting me to Lizin's grave ... ". Erast's character is seen as more lifelong and believable. Karamzin would like to use his own creative work once again to bring it to the fore, that it is not sensible to be ridiculous, such as to do evil only from love to the very evil and to hate good only because it’s good: “People shy away from a lot of evil - without hesitation, there is little frustration; pity heart, bezosudnіst, lack of illumination with wine vile right ... Thoroughly gallant about a ludin, how to love evil in order to be evil, and to hate good in order that it’s good, є why isn’t the posture of a miraculous wiggle, accept іstota is invisible to the laws of nature ". On the butt of Erast, the author shows how the rotten vchinki are in power and for noble people. Folding and rich-faceted human nature, on the thought of Karamzin, is unsuitable to fit into the framework of classicism. Vinikla needs a joke from Russian literature of new strains artistic variety... Tvir of the writer "Bidna Liza" will be able to finish up nicely with the literary community. Bagato, in general, was the author of new forms of artistic variation. On the thought of V.V. Sipovskiy, Karamzin, up to І. V. Goethe, revealing to the Russian reader those "new word", which everyone had already checked for a long time. The scribe has continued his literary activity with a sentimental-psychological straightening out. Another new story appeared - "Natalya, boyarska daughter". As a historical tvir, there is no less notice of less about the main heroes, less about the real history of the story. Karamzin's innovation manifests itself in a subtle image internal light their characters, more, more, almost the main heroes are transferred from the development, from the actions of the dynamism. Natalia, for her day, is little more than a lover of Liza, she is overwhelmed by these attributes, which of the heroine of the sentimental stories of the end of the 18th century.
All will demand what you want, turn around, whether it’s a man’s chi mice. Florence is in the background; In a classy atmosphere, together with the characters, the plot evolves, in the viglyad of the vіysk schooner, interspersed with large horny arches, standing in quiet places, de pomegranates do not arrive.
Lyudoviko is a journalist who writes about "Nation", a traditional newspaper of Florence, and so it is, as it seems that D'Annuncio sings about his own ideas about the prestige She is charismatic, and she has a cohabitant, Claudia, a beautiful woman is that squad of a rich lawyer, who does not ask for a penny that favors.