Still life with the olive of nature. Viklad navchalny material
Otochuyuchi speeches, objects and objects were imagined for all hours. At the fragment of the current schedule Ancient Egypt"Foods" mi bachimo judged those bowls, gods and heroes, ritual objects.
Have Ancient Rome great popularity of nabula embellishment of stin. Walls, living rooms, and huge weekends were covered with drawings and mosaics, reaching great dignity in the image. The skin of the era, the skin of the people of Mali, their beloved objects, bring their reasons for this image.
Mystery of Serednyovichya was broached in plots of a religious character, but the materiality of speeches did not change. Ale in the era Vidrodzhennya vinikak interest to material light... Still life as an independent genre, wine at Flanders and Holland between the 16th and 17th centuries. In the Russian Mistress, still life of wine of the 17th century, at once from the approved painting, evokes the cognitive pathos of the era and the pragmatic truthfulness and accurately convey the subject light.
Years of the year can be seen with still lifes of great artists: A. Matis Chervoni ribki ", A. van Beijuren" Still life with lobsters ", M.S. Sar'yan "Still Life", Caravaggio "Vase of Fruit".
Let's take a very meaningful meta to our lesson.
That's right, we can see a still life from nature in a simple image of a simple person, but at an advanced level, it’s still life from nature.
The beauty of the subject matter, how to experience in still life, is deprived of one of the sides of the addiction to the genre. At the new, like at the mirror, the history and culture of the people, the hand-made light and the individuality of skin speech, the aesthetic likening of people, I’ll become, for an hour, thinking, feeling that the artist's own mind.
Achieving such a sense of glibini to the genre was taken by the artist's mastery - by taking objects, placing them on the subject area, so that the composition carried a singing sense of the word, to write in the vibrational format, according to the color characteristics.
Before tim yak malyuvati, the artist selects objects, like tsіkavі yomu by form and color, and from them a natural setting.
Brutal respect for our production. The composition of our still life warehouse - glechik and two apples.
Composition - tse tsіlіsne ob'nannya of all parts to the master of the clearest picture of yogi zmіstu.
What do we need nobility, why should we paint a still life?
We should lay eyes on the eye, like the correct composition of the still life. The intelligence of rosetting objects in the composition.
Robot over a still life to repair from the design of the compositional rosetting of all groups of objects on the square of the arkusha paperu. We will allow the contours and design of objects in a still life to be molded, repaired from the largest ones. The leather object is wet in shape. The shape of the object is designed to be designed - budovaya. At the heart of any form or construction lie the simplest geometric body.
Yaki geometrical body є the basis for the form of objects in our still life? (The constructive basis of the form appears.)
Objects were watched naturally, it was necessary to correctly depict them - to persuade them.
Vibrate a thought on a group of objects, allowing you to show the beauty of the skin and admiration and sense of the word. Pobuduvati - to mean namaluvati the object so that the image saved yogo characteristic signs, the proportion of the parts, the proportions of the proportions of the composition of the symmetry, the proportions and the setting of the illusion.
The leather subject is of great proportions. Proportions of objects - The process of determining the values of the parts of the object, the relation of the part of the object to the whole.
It is necessary to know the definition of objects in the format of the arcade. Having surrounded the field, in what if there are images of the main parts of a still life, it is possible with a few light lines to trace the skin of objects that area, on the stench of a still life.
What object in our performance is to be closer to you, and what is far away?
What kind of object is found in a still life? Downy? (Clarification of a skin object is one of one, but it starts from proportions of a single one).
I have a lot of respect for the table from the rosetting of still life objects on arkushi.
Yake roztashuvannya objects, in your opinion, є correct?
The image of objects is not guilty of being great and going beyond the borders of the archway of the paper. The image is not guilty but it is also destructible or ruined to the edge.
To say, on which of the composition of the objects, the rosetting is correct, but on which - ni? Explain why?
Gave the teacher for the help of the pedagogical baby showing the last day practical knowledge... The head in still life is a compilation. We fix the painting on the basis of the area, so that all objects stand. The area is vibrating from the perspectives of a promising sport. The miraculous image of all objects in a still life up to rectangular, composited on arkushi, repaired from the best. In this vypadka z gllek. Having nailed all the objects to a still life, I will start to do it until I get a glechik. The robot is started from the image of the axis line. Let's move on to nіy points, which form the silhouette of the glare. There are a few specks behind the help of the elips. Elips tse colo, yake lie near the area. At our vipadku we are astonished at the subject of trocha zgori. To that end, the basis of the glare will be more visible, below the top. Let's describe the outline. Let's drink a little apple. Let's get a great apple. Robimo easy to lay out. Visnachaєmo, kudi falls light. In a light tone, I see the dark side of objects and still life as a whole. There are a lot of babies in a step-by-step manner. The strokes on the objects are put in the form.
It is possible to reach the transfer of the difference from the illuminated sides (faces) of the subject, which is deserted from the old growth in relation to the price of the light.
The robot is evoked by the forms of the progressively offensive level. And then proceed to the graphic image of a still life from nature.
Municipal autonomous installation additional education children Center for aesthetic development of children "Tvorchist"
on topics: "Still life yak genre imaginative mystery»
Adjuster:
preschool education teacher
Kelekhsaєva E.Yu.
Topic: "Still life yak genre of imaginative painting"
Meta busy: n auchiti malyuvati still life from nature
Zavdannya:
Approved:
NS Learn about the still life of the pundits, the steps of the robot over the still life of the painting and the graph.
Developing:
rozvivati creative mission emocyne srynattya.
Wiggle:
Vihowuwati natural relish
Vihovuvati rosuminnya role of mystery in the life of the suspension
Employment type: combinations
Busy type: painting from nature
Materials and tools: the teacher's little ones, fabrics, fruits, vegetables, teapot, papir, watercolors of farbi, simple olives, gums.
Go busy
2. Introduced the teacher's message
Termin "still life" to resemble French nature morte - “nature is dead”.
Still life One of the genres of imaginative painting, which is based on the image of inanimate objects.
The light of speeches in the still life is based on the cries of the criticism and the knowledge about active freedom, unrepeatable quality, beauty.
Step robots over a still life. graph.
First step.
Compositing razmіshennya malyunka on arkushі. If the whole production is very long in a vertical straight line, then the arch of the paper is larger in the vertical direction. As a still life, I can, however, do the same vertically and horizontally, to complete the development of a number of options for compositional solutions, changing images in different formats, and transferring the most versatile option to the main arc.
At the same stage, it is necessary to see a compositional center, tobto. head object in a meaningful way. The Іnshi objects of still life may be ordered by the composition center.
I fix the robot on the main arc, I will start the shape, the yak will fit into the whole still life, I will clarify the description of the back mass of objects in that proportion (Fig a).
Another stage.
Linear-spaciousness of the forms of objects from the perspective of the promising speed. When prompting the objects of the staging, it is necessary to consider the nature of the forms and structures, in which the changes in the forms in the perspective and proportional relation of the objects between themselves and the skin object are close. In a number of stages, it is easy to see, and invisible, parts of objects (Fig. B).
Third stage.
Revealing the amount of objects behind additional light. The transfer of the volume of objects, the appearance of spacious plans, that stage of illumination can be reached, as we see, for an additional tone and for the onslaught of lines. If all the items of the production are too small, proceed to the installation of the light, it is easy to find the main large surfaces of the light, to the letter and to the tin. With a light touch, I can tell you to fall. Having started the basic tonal vidnosini (Fig. C), it is attacked until the moment the object is formed in tone. In the process of the robot, it is necessary to change the amount of money, and the difference of textures. For the transfer of plastics of objects, the stroke should be laid with the shape. It is necessary to respect the animals for the transfer of spacious plans. Objects in the foreground are more likely to be processed, but not objects that lie in the background. It is necessary to vrahuvati, so that the background will be able to complement the role that will appear to the nature of the objects in the still life, which is not a matter of course.
In the process of robots over a small still life, in order to achieve the consistency, it is necessary to permanently torn objects one by one, before trimming tonal ones between objects and smoldering.
Zavdannya, which should be set when painting a still life from nature:
1. Viznachennya proportions;
2. Raztashuvannya objects in the open space;
3. Line- constructive pobudova from urahuvannyam laws of perspective;
4. Fade in the light of the volume of the skin object;
5. Transfer of tones between objects to still life;
6. The tone and composition of the publicity.
Step robots over a still life. Painting.
Think carefully about how more beautifully rostashuvati a still life on the archway of the paper - at the vertical and horizontal position.
There are a number of options for compositional solutions that have been added to the image in different formats. Naybilsh Virazne compositional solution transfer to the main sheet.
When painting a still life, it is necessary to see its compositional center, that is, the head of the senses object. Іnshі items and staging є in other rows and in order to the composition center.
It is even more important to compose the entire group of objects in such a way that the paperwork will be filled in equal measure. Malunok is not guilty of resting against the edge of the leaf, or is not guilty of sailing on a new one. In the distance, there will also be compositional space, at which the image is able to resist on the arc, and there is no reason to destroy the little ones at that one.
Malyuvannya still life from a teapot, vegetables and fruits.
5. The bag is busy... Organization of the display of children`s robots.
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Now, for a complete scheme, the brightly-toned arrangement of still-life objects.
The robot in kolori is led by the offensive scheme
Scheme
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4 proportions (Analyze mentally with children),,
5 spacious body of objects and their character in the whole little boy still life
Children, let’s see the aftermath of the still life.
First step. Compositing of objects on the area, linearly - constructively prompting the forms along the anchor points by skirting projection
Viconannya encourage still life
Children who, in still life, have found the best (the subject is the area), then they will fix their writing from the illuminated side, and it is necessary to show off the corpse, which is evident when it’s darker, but it’s darker. Then we pass to a larger scale for the tone of the objects. On the middle ground, there is a light on objects and on the background. It goes far to the illuminated part of the object, and demonstratively sticking with vertical and horizontal areas; and in connection with the written light on the drapery - on the dark and haunted objects of a still life, which is located on the first plane.
It is necessary, in fact, that when we start before the picture of the illuminated part of the offensive object, it is necessary to make sure that it is illuminated with the part of the front, but it’s worth it, we’ll take it, take it dark, it’s necessary.
Let's take away from the same consistency of the written words of objects. Distantly vigorous on objects, distant ones, which fall from objects on the area, and, nareshti, reflexions on objects that are connected with the background.
Strokes are applied behind the shape of objects, if the object will give us the shape of a coul, then along the cola (behind the shape of an oval), like a cylindrical one, or the end of the surface- then along the vertical, and the horizontal (pid kutom) is thin.
Another stage. Applying the main color of objects and draperies in case of additional tonal changes to the color on the lights and in the tin. (Coloring of the given task)
Third stage. Completed robots. By the method of forestry, the hostility to the material of ceramics and drapery is achieved. For visualization on dishes, biliy papyr.
(Promoting details, making a color decision to a still life to achieve the desired value)
Analyze your robots based on proprietary schemes.
Pidbittya pidsumkiv, vistavka robit.