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Technological features of the still life in the graphic. Busy lecture "Graphic composition of still life

CREATOR MISTESTVO

N.P. Beschastnov

Still life

admitted Initially methodical communication for knowledge in the field of technology and design

textile virobs in the capacity of a naval handbook for students chief pledges I will start

for the direct preparation of diplomas of the

and easy promises "

RECEPTIONS:

Department of Artistic Decoration of Textile Virobes of the Moscow State Textile University IM. A.N. Kosigina (Head of the Department, Professor YE Salman);

Professor of the Department of Communicative Design, Moscow State Art University іm. S.G. Stroganov, doctor

A.N. Lavrent

Beschastnov N.P.

B53 Graphic to still life: navch. A guide for university students to start learning for a straightforward education. graduate. fakhivtsiv “Mystetstv. projecting virobiv textile. i lig. prom "sti" / NP Beschastnov. - Moscow: Humanitarian Publishing Center VLADOS, 2008. - 255 p.; il.; 48 pp. col. il.: ill. - (Educational art).

ISBN 978-5 "691" 01629 "5.

Agency CIP RSL.

The basic theory, methodology and practice of imaging were examined by the newcomer. graphic still life a hundred and fifty zavdan navchannya artists decorative " applied art... Bagatii іlustrativny material demonstrating versatile imaging technology different types still life.

It is addressed to the students of the most important projects, as they are preparing artists for the sphere of decorative "applied art", maybe for the students of middle artistic projects, as well as to use the art.

UDC 75.049.6 (075.8) BBK 85.147ya73-1

VLADOS ", 2008 © Design. TOV "Gumanitarniy vidavets"

Until students!

Still life graphics - the warehouse part is important for the course for special painting, for an hour of literary artistic practice, for entering the process of selecting material before coursework and diploma work... Along with the still life painting, lustful life the whole period of being at the university, the still life graphic is an effective complex for students to recognize color-tonal natural displays in the open space on the basis of the images of the simplest, everyday leather objects.

In such a rank, a leather student

v tiy chi іnshіy form kіlka developed to vivchennya still life stretching out to the period of navchannya. I want robots in graphic still-life jokes to change

v Falsely from the main problematics, the main principle of the image is to become invisible.

V The link from the cim to the booklet to complete the report is to look at both the theoretical and practical aspects of the robot over the still life, as well as the special nutrition, where the collection of natural material for

a viewer of speeches, allow to open a twir of high artistic truth, which is not inferior in strength to painting. Tse zmushuє memorize the clearing at the vivchenna history of graphics to still life and try to viklasta method of displaying such images.

I am interested in the main problems of graphic images to still life, which can be seen in robots of students of the universities of the arts. Put creative solutions in the distance with the advice of the best artists in the creative and applied art, the history of the artistic craft. Bagato uvagi is attributed to the wiklade of the peculiarities of the image of the main plots in still life, to the creation of creative techniques

і materials. When preparing the material for a book of books, you will receive information about the graphics of still life in Russia, as well as behind the cordon. The analysis of the creation of the masterminds was carried out with the help of the homework of the original robot at the VNZ.

V the asker is analyzed yak black but-bili, so-colored images. Oskilki daniy posibnik є advanced cycle earlier seen by the author robin by chorno-biliy

і color graphics, basic theoretical understanding about graphic images

і straightforward. This allows more respect for the creative process, which includes practical robotics and techniques.

Entry

Still life - one of the most widespread genres imaginative mystery... There are no people, as if I wouldn’t know, scho tse take. Still life axis is already a bit of painting to decorate the interior of apartments, mansions and huge buildings. The robots of the Flemish artists Frans Snyders, Jan Feith, Jacob Jordaens, as well as the Dutchmen Willem Hedy, Willem Kalf, Abraham van Beyeren, were set in the end of the XVI-XVII centuries. and they have shown the way to the genre of still life in the arts of the country. Reproductions from їх canvases and new-year bookstores in shops in bagatio capitals of the world and souvenir pictures of the most famous art museums. The joy and happiness of the life of the founders in the genre of still life, they continue to grasp the shanuvalniks of the painting. chuttava beauty material light - Head topicїх artistic ideas in still life. Skin is lovingly engraved with rich color, texture, shape.

bagato see artists educators Western Europe and Russia

respected still life performances in a navazhlivy form of new art. A.G. Venetsianov, the meaning of still life in initial process, I am really glad to my own collegiate scholars A.A. Aleksavu, as a seeding to the mice of the reader of the painting

v Pskov, turn to still life. "Let's draw from cups, flasks, candlesticks, stylists, chobit, mitten, stones, kits, paper fools and іnshogo ..."

in 1836 p 1 Venetsianov vvazav, scho a still life from the first crocs

v mystery allows you to shake and sound the naturalness of the boot.

The thrill of living life, how to be taken into a natural still life, to bring a special sense into the world, to bring out beauty and versatility, as it will be necessary to bring all life to life. Navіt simple repetition we will learn the subject forms in a still life correctly set by the teacher - a little crock until success. “Chim sumlinnishe, retelnishe, purer will imitate-

1 Savinov O.M. Oleksiy Gavrilovich Venetsianov. Life and creativity. M., 1955, p. 155.

tel go to the right, not spokiinishe sprymati those, sihto bach, nіzh the streamer that svoryuvati, which is more when the sound of thought, but it does mean that it’s more likely to be similar and in the same order ", - meaning І.V. Goethe 1.

It’s hard to look at the graph of a still life without links to painting a still life. The stench is found within the framework of one genre and according to plot characteristics, and because of the inducement of the composition, it is often more identical. Bezlichny graphic arkushes for repetitions in engravings of canvases vіdomih maistrіv brushes. However, the cleverness of the graphic art and the special features of the graphic materials allow the graphics to the still life of the mother to have its own specificity of the artistic movement, which is the particular characteristic of the graphic still life. Not a collection of still lifes in graphic cabinets near museums, there are thousands of zberigannyas. Shows, attributed to the history of graphics to still life, are actively seen by glances. Bagato lovers of art have appropriated their life to a still life graphic. For example, there is a majestic number of shanuvalniks in still life graphics by F.P. Tolstoy and painter of the yogo stake. I on the right is not here in a special

1 Goethe I.V. Simple inheritance of nature, manner, style // Sobr. Op. T. X. M., 1937, p. 402.

nost "or" illusory similarity "of images of objects, and in the back of sound the intelligence of the truth in the mystery of the maystri and of the yogh chanuvalnik.

Why would you still add a graphic to a still life? By the purity of the vicariousness of the different ways, the cleverness of the movement, or the way of the virality of the metal lines? Quite, charming and delicate texture with intertwining clear lines and strokes of the business world, so that the engraving of Still life compositions is not used, but not in painting. Vaughn will be mesmerized, look, tighten the gaze into the hands of the arkushi.

The feathers of birds, lusks and shkira ribs and snakes are transferred into the graph so subtly, that the image is important to reproduce at the current polygraph. When reproducing, the strokes consume their own sense, the effect of the "knowledge" of the line in the porch, the stereoscopic imposition of these strokes on the thin lines, etc. is lost. You can say that there is a unique "dichanie" of the graphic surface of the original. Itself in the graphical still life, and especially in the black-and-white etching vikonanny, to try to understand that the still life is not "dead" nature. formal jokes, and the graph is ts'mu spriyє, if guilty, they are straight on the image of the

th. Formal right, being present in any art school - just before the joke of new ones, turning nature.

The speeches, which are like a cinnamon in the home, when depicted in a still life, set up their own middle, are transferred to the inner world. Achievement of simple objects can be very different from the most common and everyday life of people, vicious associations, to go far into the material life of objects. Still life - the price of a new life, inodi to find a cryptogram, as it is necessary to guess, to be aware of the essence. Graphics, as a mystery of vision, abstraction, with my own mind, allowing in still-life compositions to evolve folding, mediated in concrete action, symbolized "inspire" internal sounds. The ringing, whirring from the middle in a light stream, or being captured in the middle of nowhere, set up a special local light, the power of the skin subject composition.

We know that the line, so widely victorious in the graph, is not in nature. Imagine the image on the porch with lines, in the middle of the situation, so that, with all the pragmatism, everything is clever. To that, looking at a still life as a unique genre, it will allow you to live in the middle of the lifeless purely mystical food, we are guilty of intelligence, but graphically it is possible to see it even innocently and to help you.

gladly. Not vipadkovo, scho in the XX century. graphic art has become unsuitable for the development of painting itself through still life. Painting and drawing still lifes, images by artists-cubists, redovno price. All the zmushu us with special respect will be put to the graphical European still lifes of the XX century.

With the victories of the mystery of the mystery, which is presented in the decal handbooks of the book, we tried to enhance the particularity of the three types of graphic still life and the seven main plot lines of still life practice.

Kolir vikoristovuyutsya in the graph of a still life, both illusory and abstract. The abstract color of the still-life composition allows the decorative character of the still life composition. Such compositions of babies do not only have a wide field for superimposing different colorful beaches, but they can have a parallel compositional structure. In vipadkas, if the color in the graph "viplava" is for the shape of objects, the composition of the organization of the image will begin to be assimilated by the outline of the objects. Not vipadkovo, but before the graph to admit the little ones and etching, made up of watercolors, I mean a part of the watercolors images.

The aspirant, in the capacity of illustrative material vikoristovuyutsya to create easel, book and applied graphics. Specifics of the view of allowing the expansion of the illustration

ratіvnyh materials for rakhunok created painting, as well as painting still life, in a small way, the principle of importance for the development of still life compositions into graphics. In addition, it is necessary to rely on the history of decorative arts and crafts and the curious practice of students of other primary students of applied arts.

Illustrative material for education about the possibilities of students in creative universities in Russia to know and see the graphic decline of contemporary and foreign artists in museums and libraries. At the razdіlі,

Devoted to the main plots of still life, especially respect was given to the Russian graph of the XX century, as well as the period - the hour of the development of the graphical painting in Russia.

Unimportant to the popularity of the still life genre, for a long time they didn’t get into the art of literature. Tilki on the cob XX Art. in museums, they began to pass and finish books and scientific attributions of still life displays, and remember the master stories about still lifes only in 20-і rock! 1 Bagato pidzhanri still life chekayut their preliminaries.

1 Div .: Viper B.R. Problem and development of still life. Life of speeches. Kazan, 1922.

SCIENCES OF GRAPHICS Still life

Knowledge lies at the heart of the artist's knowledge scientific situation mystery. In the quality of the scientific position of graphics to a still life, invoke perspective, the laws of optics and color knowledge, laws about proportions and psychology of spirits. I will look at how the majority of the scientific state of the still life image is in abundance in the world.

laid down in handcuffs i navchalnyh posіbnikov according to the mystery, in this book, I respect the specificity of the painting in the graph of the still life of three scientific positions: the geometry of the spacious motives of the graphical images on the area, the principles of the painting in the graph of the light and the number of harmony

1. Geometry of spacious motives of graphic images on the area

Naybilsh is often and in detail in the books of the imaginative mystery, but from a linear perspective, as if our scribbling before reaching the era of the Renaissance. However, in the graph of still life, the principle of a linear perspective is generally obscured, and about the other systems of spacious motivation, the artists seem to be weak. Understanding about the "flatness" in the graph, how to be found in the middle of the artists, in the majority of vypadkiv not to think scientific basis... Tsi f

presence in original robots... All the same is not trueє successful practice... For effective creative activity, specific recommendations are required to induce an image of a reasonable characteristic.

I will try to enlighten the principles directly in the method of rejecting spacious motives in the new stages of robotics over the graph of still life.

Mathematical analysis of the most typical geometric regularities of educational material, conducting by the Russian

Meta lesson:

Show to the scholars, how the line can turn the emotional and spiritual camp of the little one, navchit the bachiti, but the technology of the little one is the basis for the bag of the artistic schools, the way of the little one, the old ones, the sanguine, the brownie, the cradle great artists.

Zavdaniya lesson:

developing:

Navchiti bachiti changes the picture to the light and the image of the people, putting in the center of the spiritual problems and orderly and cleverness in the ways of imagining the development of the senses and emotions.

chief:

Add a touch of practicality, vikoristovuchi babies, colors, beaches, tone, space of the specificity of the figurative mode of a particular type and genre of imaginative art.

Vikhovna:

Vikhovannya of artistic and aesthetic relish, the need for mastering knowledge about genres and technical ways of doing things.

Necessity and possession:

For scholars: A3 format, 3 olivtsya (T, TM, M), vugillya, eraser.
For the reader: presentation on a computer (graph), babies on a dock, blanks for a still life.

Vikoristovuvan literature:

N. M. Sokolnikova - "The base of the baby", N. M. Sokolnikova - " short vocabulary artistic terms ", encyclopedic vocabulary young artist, І. І. Evdokimov - "Maluvannya", "Zakhidno - European graphic XV - XX century."
technical problems

Lesson plan:

Organizational moment - 1 min.
clarified news by those- 5 min.
A practical part - 5 min.
Self-operation of the robot- 18 min.
Pidsumok for a lesson - 1xv.

Go to lesson

1. Explanation of the news by those:

Years at the lesson I will get to know you with such a genre of painting, like a still life, only with a still life of a viconanim in olivtsi.
(A small boy is self-important in art, being a kind of graphic art, and at the same time, be it a kind of plastic art, you can’t do without a new one, for that small children are the basis of painting and sculpture, folk art and applied art, design and architecture.
Malunok is the structural basis of any image: graphic, pictorial, sculptural, decorative. Malunok - because of the knowledge and efficiency.
The numerical types of the malunka are developed according to the technology, methods and the nature of the painting, according to the characteristics, genres and themes. The little ones can be servants to the chief, auxiliary purposes, with the creation of new species Mistress and embellish the interior.

Dodatok 1 (contact the author for the drive to remove the dodatok 1)

Behind the help, the little one quietly zasob_v: lines, strokes, plyami- the artists set themselves up in a versatile way to spry the light. All lie as an artist vikoristovu ci koshti artistic variety, As a result of a line and a place for a plum, in a proportion of vikorist light and dark, as a transfer of space and in. Zavdyak dumku drawing, caution to fix on the porch. Malunok viyavlyaє the assignment of the artist to the image. The artist's handwriting depicts his soul camp.

smut virazny zіb baby - line. The line of knowledge is imperceptible in Russian life. They merge at the versatile form, the line is thin, viscous and unliving, prickly and evil, low and velvety. The baggage of graphic materials for additional assistance is of a borderline developmental nature.
robots the most important of the past and provincial artists, in particular, allow the quilting and history of the development of the baby, reveal the special features of the creative method and bendable robots with olivtsem, ink, vugillam, sangin, pastel and other graphic materials.

An ear of theoretical priming rules for painting to the Egyptians. The stench of the first began to rise to the laws of the image, to the singing canons. The beginning of the technical painting is going straight behind two paths. On one side, a whirling hand was wobbling, and the study could easily be applied with a pencil of head contour lines on the surface of the plate or papyrus. From the point of view - the scholar is guilty of making a hard hand, the contour of the baby on the wall for the fresco, on the stone for the basement and on the stone.

All the types of technical receptions of the malunka, which went up to our hour in the main, were in the era of Vidrodzhennya in Італії. Already, the lead was stuck in the little one, the middle and the other metal slates(Pins), grafit, italian olivets, sangin, vugilla, kreida,pastel, as well as materials - bistro, carcasses, black color,watercolor, bilila. Painted with goose and delineated L feasts, whales on the white papier and papier of the versatile rooms, toned and grounded. Everything called to the vicious wealth of artistic and technical priyomy.

Technique Malunka, which was born in the era of the Renaissance, infused the generation of artists into the coming generation and became the basis for many artistic schools, as they used their technical and artistic skills to receive robots with these materials.

With the creators of the graphics of lyudin, they stick with the stretch of their life. Malunky and engravings, how to represent self-styled, ending on a thought for creative arts, fonts in books and on posters, books and illustrations, a poster, postage stamps, magazine illustrations and cartoons, packaging for business travelers, travel goods signs and letters of installation - all the principles of easel and applied graphics.
So what is the graph also? The word "graph" itself resembles the Greek word "grapho" - "I write", "armchair", "paint".

Otzhe, the graph is a price for all the little ones, the mystery is line, strict, based on the common black and white, and moreover, the papyr itself is big, and the black one is the olive, and the wugilla or the “dry” barv
material.
Little ones can be made by people who are familiar with the help of other technologies, both man-made and machine-made. This graph can be divided into two types: the bezposredniy babies on the porch and the graph is drawn

STILL LIFE

The word "still life" is at the cross of French. means “nature is dead”. This is what I will call otrimoving one of the genres of creative art. The creators of the genre imagined to feel the speech of people - objects and pobutu, їzha ", kviti, fruit and t. P. Vinik the genre in the 17th century. In Holland and Spain. artists of the XV-XVI centuries.) Through the image of speeches, how to feel the love of a man, the artist can represent the characteristic figures of the master, the sign of the life of the singing historical era.
In the history of painting, there are two main types of still life. In one - the speeches to speak, persh for everything, not about themselves, but about their ruler. Tse yak bi yogo is an indirect characteristic. Lyudin is invisibly present at 1 picture, and it takes an hour to build, not only to see it, and to turn around at once. The first composition of speeches is essentially natural here.

All about scho I say - to project on the screen.

2. Practical part:

The good guys are responsible for the beautiful lines and beaches. I will show everything on doshtsi.

I show you the motifs, which are technical to the right, superbly corny for the development of the hand. Figuri is a slid of viconati in the meaning of lastingness in great dimensions - a soft olive, vugilli, or on a preschool creed, with an irreproachably responsive hand, not sticking with it to an imaginative surface.
The image of the figure is trivial until the moment, as long as the hand on the floor is extended, the figure will be correct, easy and envisioned.
Especially caryous, the painting of the little figures on the classroom dosage, that is why it will be brought to the wide ruchs of the hands and the urgency to the right.
The presence of the tsikh is right to blame for the shvidkom copied and viral transmissions in different lines most characteristic signs motive schodo form.

3. The autonomy of the robot.

With a swift mouth, the olivtsa proponate the lads to the lads with a spike of vases on their own. It is necessary to praise the quiet lads who show more imagination. Beautiful robots obov'yazkovo demand to show. Start to painting a still life. I show everything on the dots and I seem to show that the still life can be built in 8 stages.
I walk along the rows and I will help to clarify the babies, I will show the three strokes, which are already ready robots I wondered if it was falling down - the very dark beach - to be victorious with a little olivtsy; vlasna tin - dark plyama - the area of the table is vertical. Do not forget to say that this is also a vidblisk and reflex.

Vistavlyaєmo robots to doshka
Conducted analysis robot
pick up the pardon
vistavlyaєmo estimates
Pidvodzhu pidsouk lesson
Dyakuyu for a lesson.

Rozdatkovy material (

Moscow: 2008 .-- 255 p.

The newcomer has learned the basics of the theory, methodology and practice of depicting a graphic still life one hundred percent of the creation of artists of decorative and applied painting. Bagatii іlustrativny material demonstrating the versatile technique of depicting young types of still lifes. It is addressed to the students of the most important pledges, who are preparing artists for the sphere of decorative and applied painting, maybe for the students of middle artistic pledges, as well as how to use the art.

format: pdf

Rosemir: 46.5 MB

Zavantazhiti: yandex.disk

Zmist
Until students! 3
introduction 5
Chapter I. SCIENCE BASES OF GRAPHICS Still life 9
1. Geometry of spacious motives of graphic images on area 9
2. Chiaroscuro 17
3. Color and color 22
Chapter II. GENRE Still life in creative arts 26
1. Western European still life 26
2. Russian still life. Development and development 52
3. Russian still life of the last four of the XX century 70
4. Still life in the Mistress of the Far East Region 88
Chapter III. Variety of the GRAPHICS IN STILL-LIFE IMAGINATIONS 94
1. You see different kinds of things. Elements of graphics 94
2. Principles of composition 96
3. Power of the surface 100
Chapter IV. VIKORISTANYA ELEMENTIV GRAPHICS In still life composition 102
1. Dot picture 102
2. line graph 104
3. Bar graph 106
4. Spot graphic, silhouette 110
5. The image, made out of the vicarious combinations of graphic elements 112
Chapter V. VARIETIES Still Life 123
1. "Wall" still life 123
2. Still life in inter'er 128
3. Still life in the open air 133
Chapter VI. BASIC FORMATS OF A STILL-LIFE COMPOSITION TA ЇX Pivotal Mobility 136
1. Basic formats of still life compositions 136
2. Horizontal still life 137
3. Vertical Still Life Compositions 141
4. Still life, stimulated on a square area 144
Chapter VII. BASIC PLOTS Still Life 148
1. Classification of still life plots 148
2. Still life with squares and fruits 149
3. Still life with the attributes of the Mistresses 160
4. Still life with utensils, dishes and kitchen stuffs 170
5. Mislivs and Ribals still lifes 181
6. Still life with gifts from forest and forest 188
7. Still life with old speeches 193
8. Still life of philosophical or religious zmistu 198
Chapter VIII. PRACTICAL BASES OF GRAPHICS Still life 208
1. The basics of the technique of robotics over the graph of a still life 208
2. Baby and zamalovki from nature 209
3. Eskizi 212
4. The end of the graphic arkushi 216
Chapter IX. Ornamental IN GRAPHIC Still life 220
1. Ornamental organization of still life composition 220
2. Ornamental still life graphic 227
Chapter X. MATERIALI TECHNIKI GRAPHICS Still life 233
1. Graphic baby 233
2. Engraving and lithography 238
3. Computer graphics and photographs 251
visnovok 253

Still life graphics are important for the course for special painting, for an hour of art practice, for entering the process of material selection before coursework and diploma work. Along with the still life painting, lustful life the whole period of life at the university, the still life graphic is an effective complex for students to learn color-tonal nature displays in space on the basis of the images of the simplest, everyday life.
In such a rank, a leather student in this chi іnshіy form kіlka develops to vivchennya a still life by stretching out the period of navchannya. If I want all robots in graphical still-life jokes to change in the prevalence of new problems, the main principle of the image is to become invisible.

Meta lesson:

Zavdaniya lesson:

developing:

chief:

Add a touch of practicality, vikoristovuchi babies, colors, beaches, tone, space of the specificity of the figurative mode of a particular type and genre of imaginative art.

Vikhovna:

Vikhovannya of artistic and aesthetic relish, the need for mastering knowledge about genres and technical ways of doing things.

Necessity and possession:

For scholars: A3 format, 3 olivtsya (T, TM, M), vugillya, eraser.
For the reader: presentation on a computer (graph), babies on a dock, blanks for a still life.

Vikoristovuvan literature:

N. M. Sokolnikova - "The base of the little boy", N. M. Sokolnikova - "Short vocabulary of artistic terms", Encyclopedic vocabulary of a young artist, І. І. Evdokimov - "Maluvannya", "Zakhidno - European graphic XV - XX century."
technical problems

Lesson plan:

Organizational moment - 1 min.
Explained news by those - 5 min.
A practical part - 5 min.
Self-control of the robot - 18 min.
Pidsumok for a lesson - 1xv.

Go to lesson

1. Explanation of the news by those:

Dodatok 1 (contact the author for the drive to remove the dodatok 1)

Behind the help, the little one quietly zasob_v: lines, strokes, plyami- the artists set themselves up in a versatile way to spry the light. Everything lies in the fact that as an artist vikoristyєtsi in addition to artistic variety, as vіn vіde linіyu and treasure plyamu, in what proportions vikorystovu light and dark, as in front of space and іn. Zavdyak dumku drawing, caution to fix on the porch. Malunok viyavlyaє the assignment of the artist to the image. The artist's handwriting depicts his soul camp.

The smut, wandering about the little one - line. The line of knowledge is imperceptible in Russian life. They merge at the versatile form, the line is thin, viscous and unliving, prickly and evil, low and velvety. The baggage of graphic materials for additional assistance is of a borderline developmental nature.
The robots of the greatest majesty of the past and the provincial artists, in their own way, allow the simplicity and history of the development of the baby, open up the special features of the creative method and the versatility of the robot, by the olives, the pastoralists, the grafters.

STILL LIFE

All about scho I say - to project on the screen.

2. Practical part:

The good guys are responsible for the beautiful lines and beaches. I will show everything on doshtsi.

I show you the motifs, which are technical to the right, superbly corny for the development of the hand. Figuri is a slid of viconati in the meaning of lastingness in great dimensions - a soft olive, vugilli, or on a preschool creed, with an irreproachably responsive hand, not sticking with it to an imaginative surface.
The image of the figure is trivial until the moment, as long as the hand on the floor is extended, the figure will be correct, easy and envisioned.
Especially caryous, the painting of the little figures on the classroom dosage, that is why it will be brought to the wide ruchs of the hands and the urgency to the right.
The presence of the tsikh is right to blame for the shvidkom grasped and viral transmission in a varied line of the most characteristic signs of motives in the form.

3. The autonomy of the robot.

With a swift mouth, the olivtsa proponate the lads to the lads with a spike of vases on their own. It is necessary to praise the quiet lads who show more imagination. Brush robots obov'yazkovo demand to show. Start to painting a still life. I show everything on the dots and I seem to show that the still life can be built in 8 stages.
I walk through the rows and help to clarify the little ones, I show the three hatching, which are already ready robots, viconious by the other scientists, I guess: falling tin - the very dark beach - to be victorious by the little oliver; vlasna tin - dark plyama - the area of the table is vertical. Do not forget to say that this is also a vidblisk and reflex.

Vistavlyaєmo robots to doshka
Conducted analysis robot
pick up the pardon
vistavlyaєmo estimates
Pidvodzhu pidsouk lesson
Dyakuyu for a lesson.

Rozdatkovy material (

Graphic materials were taken to dry and wet (to be diluted with water). Vikoristannya new materials and the technique is shown to the artist the lack of flexibility in the transmission of the texture of the object, of its character, of the power to the new.

The robot is superbly corny over the little one at the technical "vidmivannya". Vidmivannyam is called a watercolor robot with one color for syrup (carcasses, sauce, watercolor). When trivial robots in a wide range of technology, do a good job of applying light strokes of the olivtsa to apply the main reason for the malunka. For what, mending from the most beautiful mice, step by step navantazhuvati little ones, with a soft tone. Ale ciu technique can be even more successful in storing it in sharp scribbles with a single penzel without a cob ear. This kind of robot develops a backyard shape, feeling the need for a moment from life, which is even more important for a serious creative robot.

In the process of robots, there are even more technological developments. Dovgotrivaly little babies were to be diluted with quick fumigations, olivtsevuyu technique - in accordance with the technique of vugilla, which develops the quickness of painting, feeling spacious, as well as artistic relish.

Pastel (pastello is similar to ital. Pasta - just about pasta). Pastel is called art materials for painting. Pastels are used in the eyes of the kolorovoy kreydy or olivts without rims, which shade the shape of the bars with a round or square peretin. Pastel krady pressed from finely shaded sums, the yak included three Ingredients: a farbuvalny pigment, a mineral napovnuvach (a grade, or a special kind of clay), and obtained (in a large number of vypadkiv - hum). Pastel is made of one thousand six hundred vidtinkiv. Pastels are stuck in graphs and in painting. The pastel is often called the malovny malunky. Vona walked the whole journey through the Malunka three Colorahs to the end of the day picturesque technique, Popular in the era of baroque and style, loved by the impressionists. There are hundreds of colors and types of pastels in the seasons, which allow you to create wonderfully penetrating creation in different genres.

XVIII century - pink pastels. Pastel has become an independent technique and will be especially popular with France, de-vikorisovyvali such artists like Boucher, Latour, Chardin, Mriy, Lyotard, Delacroix. Prominent pastelist Bula Italian artist Rosalba Carriera. Let's take the classicism to the richest of the pastels, as the technique is not used, but I am amazed and amazed by the fun of the lines.

Sangina (fr. Sanguine from lat. Sanguis) is a material for painting, making preparations, especially in sticks with kaolin and oxides. The color range of sangini ranges from brown to close to red. In order to help the goodness of the naked human body, the sanguine portraits of the vikonana are seen naturally. After an hour, the robot can feel the sanguine and make the urgency of the stroke and the brilliance of the stroke, and not far from the line it is easy to see. Sangina is good for the "grisaille" technique.

Tekhnika malunka from nature behind the help of sangini from the house, repaired from the era of the Renaissance. At the end of the hour, natural sanguine of the mineral prodigy ("chervonia kreida") was taking root in Europe. Sanguine is a bit of a piece.

Sauce is a graphical material that is removed as a result of pressing down soot or in a powder with added roslinnaya glue.

Sangina - sticks with purified clay-kaolin with special additives, which give a versatile red-brown look. Pastel - kolorovy sticks of krady.

Vugilya in mystery, material for painting. Prepare for thin hairs or sticks of lip, verbi and іn. Derev. At the 19 st. bulking up a widening of solid "pressing of a vugil" (from a vug_lnogo powder, to grow it, glue). It is widely used for the establishment of self-styled little pieces and preparatory sketches, for example, the material is covered by the artist in the velvety texture of the stroke, you can follow the line and tonal effect in the same artist.

A felt-tip pen (the word resembles the trade mark "Flo-Master") - a tool for writing and painting behind the additional Farbi, which sticks from the reservoir to the tip of the porous material (nylon or povst). Before Europe, there were brought from Japan by the Nimetsky company "Edding" in 1960. On the 17th of March 1960, the rock in Japan was in need of sales of colorful felt-tip pens. Felt-tip pens are used to call a number of types of writing attachment: permanent markers, markers for boards, text and video clips, capillary pens, vlasne, felt-tip pens. Razr_znyayayutsya stink warehouse barvnik, form and signs. Not a sign of the last term for a marked felt-tip pen, in rіznih lands for tsiy often vikoristoyuyutsya names of brands.

Olivets (from the Türkic "karadaљ" olives) - black stone - an instrument at the viglyadi haircut, which is used to read material (vugilla, graphite, dry farbs, etc.) to be used for writing, painting, armchair. Often, for the sake of lightness, write an olive haircut to be inserted into a special frame.

Black and brown olivts (with a set of color olivts) - volodyut in a great range of toni. Adjunct for line, as well as for tone compositions.

Black carcass (nim. Tusche) - farba cooked with soot. The carcass is bushy, concentrated and dry near sticks or tiles. Chorna carcasses of high quality has a thick black color, it is easy to go off the pen or from the ruler. Isnu is also the name of kolorova carcasses (a special type of wild farbs) to get used to the edge of the carcass.

Watercolors are graphic material, especially and distinguished by their insight, purity and richness of color. Watercolors can be done on dry or on gray paper. Acceptance "according to the syrup" yes tsikavi and unsupported texture effects.

Gouache, tempera - kriyut farbi. With robotic materials, it is necessary to remember about their specialties. Gouache is powerfully stronger than the visibility, but the fold is more flexible in tone. Tempera is intense gouache, gives a matte velvety surface, when hanging, it does not break with water. In case of robotic gouache and tempera, it is recommended to use a unique bagatoraz overlay of one ball of farbi on the one, so when hanging the farb, it should be roasted and caked.

> Still life

Still life is one of the genres of imaginative painting, the main rank is painting. In still life, there are only images of everyday life, that is, everyday, everyday speeches, inanimate objects. All living, naturally, naturally become lifeless, dead (French "Nature Morte" - literally "Dead nature") and acclimatize to speeches. So, what a subject for a still life is fruit and fruit to blame for butti zirvana, wild birds - hammered, ribs, sea creatures - vilovleni, kits - sprays. Speech in a still life is straightforwardly grouped in a single middle, embodying the light of piece reality, in this world of change by people. The artist does not depict speech "from nature", as the stench of roasting in the interior, but in front of the company in the view of the wicked and artistic enterprises.

In still life, speeches are shown in an unruly camp, the stench is overwhelming in the mind's hour-by-hour space. Speeches dan yak bi in a close-up, the stinks look closer and see in detail. Composition of the enlarged small "size" of speeches in still life, virivaying them in an extravagant functional context. Being pretty much, thanks to the arrangements, the still life is supposed to take revenge in itself, as it happens, a secret sheet (cryptogram). Speech is transformed into symbols. Significance of these symbols, the zmіst seems to be perceived as being of great versatility, or more often to wear a splendid and philosophical character.