Linearly constructively induce objects. The aftermath of a robot over a still life
In the staging of still life, the head object is seen, which is the most significant yak behind the zmist, so also behind the form and color. Reshtu of the guilty subjects is taken in accordance with the meaning of the main subject.
Objects in still life are guilty of being kindly illuminated, it is necessary to think over that, as it is more beautiful than color. If the objects are visible in front, then the stench will be icy through the visibility on the surfaces of those days. When the back is illuminated, objects are transformed into a subtle contour outline. Naybіlsh vigіdne the setting of objects can be reached with the deyakom verhnobіchny illumination, if the objects are seen to be reached by holding them.
When spaced out the image of a group of objects on the square of the paper, it is important to show the scale of the group of objects according to the relationship to the field on the format of the paper, so that the objects are not thick and not accurate. Arkush paper went down to the size of the objects, but it was more than once lost. A group of objects on the square of the arkusha paper was growing, one hour later it was clearly composited and healthy center. As a practice demonstration, in a large number of students, when they see a compositional development, they lack respect, through two centers, one view of one is superimposed, destroying the image of the composition itself.
It means that the health center does not stand for composition in its operation. Tse rich in what lies in the nature of the image. From the center of mind, the center of the picture area, the center of the picture area, from the center of the picture, and from the compositional - whether it is the main head object, near which other row or additional objects are moved around (pic. 84). It is due to the nature of the image, the composition and the healthy center are guilty of being guilty, or for insignificant views, one is one, or when it comes.
There is also a possibility in the pictured order of other row of details to the head object and by itself to provide the pictured compositional usefulness. To see this picture in the image, it is necessary to correctly vibrate the point of view of the spacious position of the objects to one one, so that at the different points of view, the head object will move slowly to the right or to center along the center. For the optimal solution of the compositional production in the image, we will respectfully look at the natural production from the other sides, and not be satisfied with the vipadkovo we will choose a "great image" for the image. Vibravshi for themselves a singing point of view (mіsce), then think about angles (line horizon). On the top of the table, on which objects and staging are to be laid out, it is guilty of good overlook, so as it is to enter the layout, and the images of objects are guilty of witnessing the stiffness.
With all the minds in mind in the very production of objects and images of still life, I will take away the most variability, and the students are easier to grasp characteristic features items. It is significant to fall down on the decision of the beginning.
Malyuvannya still life gives students the opportunity to creatively victorious earlier to reject the knowledge of the rules of perspective, tools to constructively induce objects on the area, to remember to form light and convey the texture of objects. The image of a still life is rich in the acceleration of the need to transfer a spacious middle ground to the background in tone. tse є an important mind linking objects between themselves on the backbone and bringing the little one to the tone, compositional integrity and harmony of unity.
Proceeding to the image of a still life, it is necessary to strictly follow the methodical principle of the consistency of the image of the baby (from the zaghalny to the private and from the private to the zalous), without which the main zmist of the image is important. Violation of the principle in the robot over the little one means accelerating the mastery initial material For those students, it is important to close the steps. In the world of mastery of the new material on the image of simple still lifes and step-by-step acceleration, the building can be transferred to larger foldable still lifes, with draperies included in them.
At the end of the day, the basic rules of promising prompting, proportions, laws of light and tones, the process of the image itself is overwhelmed, like in the middle of the simple objects of the group according to the image
The technique is presented at the All-Union Competition of Malunks and Techniques ART LESSON
I am familiar with the gift of teaching to serve: the gift of love to children, love to the teacher's work, and especially the joy and spiritual malaise, which the teacher is proud of in his own dignity. Igumen Georgiy (Shestun) (1)
I am Viklada the subjects "little ones", "painting", "composition of easels" for the program "Academic foundations for educational literacy" and the subject "Fundamentals for educational literacy" for the program "Start" since 2002. For rock robots in art schools and schools of arts, I changed the candidate's right pedagogical sciences Evladova E. B., yaka through the analysis of singularities additional education children, their functions and values were shattered from the background, but our sphere is the most friendly for the development of the spiritual and moral vikhovannya of schoolchildren. In robots, A.K. Brudnova, about the goals, is differently said: so as they are based on self-designation of specialties, the strong vibe of the children themselves, their interests. " Dodatkova's education of children will be based on the principles of humanistic pedagogy, as it has taken over the rich values of Christian anthropology. Philosophers, teachers and psychologists, who stood by the turn of the day (K.D. Ushinsky, V.V. Zenkovsky, S.I. to my own vikhovantsyu with a povaga, tsіnuvati yogo internal light and the right to freedom of choice, reflection "everything that is valid in people can be only free, which is in the middle." (3)
I think scho in robotі artist-teacher within dodatkovoї osvіti bezsumnіvnimi ins Je mozhlivіst tvorchoї spіvpratsі kerіvnika i uchnіv, organіzatsіya spіvtvorchostі uchnіv scho vplivaє on rozvitok spіlkuvannya i vzaєmini dіtey, mozhlivіst nerozrivnostі navchannya i vihovannya in protsesі navchannya, zgurtuvannya i odnostaynіst very best collectives for interests. I add a special and even difficult role of a fair teacher і cool kerivnik have a form geological values at scientists.
From Yulієya Popovoi mi know for 7 years, in such a visit I came to read the artistic presentation for the "Start" program. The girl immediately showed herself as a thoughtful, serious, respectable and creative artist. In the first class in the middle lance at 11 rocky, Yulia wrote a guided work in the Karelian-Finnish poetry epic - the lady of the whale in the wake of Ukko. Malunok proishov republican vidbir in the framework of the international project "Kalevala XXI century" and taking part in the vistavtsi childish creativity in St. Petersburg in 2014 roci. The robots of Yulia are permanent participants of the promotional shows and contests in all conditions and at all times only those of the manager of Yulia's pratsovitosti and patience. The student is actively creative in her posture, showing in her poorer, pozaschilniy activity: as well as plein air visit in Troitsa-Stefano-Ulyanovsk Monastery, in the village of Ib, Rostov Veliky. First part of the new Lyalkov performance for young groups"The Snow Queen", participation in the show of the collection of costumes at the show of the Republican Youth Show of the People's artistic creativity"Zarni kiyas" in the National Museum of the Republic of Komi; painting on the maister-class viclade of S. Andriyaki's school in the National Gallery of the Republic of Kazakhstan, demonstration of ethno-costumes in the framework of the Finno-Ugric transit in the Drama Theater of Im.Savina.
Topic: "Tonal baby still life".
Zavdannya rozrahovanie for 9 academic years.
Subjects in still life, prepared according to the Silk style.
Sanitation of the upper, bichne. Material - graphite olivtsi pink pulp, eraser, Klyachko.
Meta: znayomstvo z postvnostyu introduction of tonal still life from nature in a graph.
zavdannya:
formvati in the last robotics over graphic still life from nature;
consolidation of knowledge, mind, navichok in line-constructive robots over a still life;
vivchennya bends graphic material;
formulation in uchn_v navichok volodinnya material at vikonanny stroituvannya;
development of navichki malyuvannya from zalny to private;
the development of the building of the black-and-white toni gradation;
development of artistic relish, sparing,
development of creative health;
vikhovannya neatness and aesthetic relish.
The first ric of navchannya on the artistic presentation on the subject of "Malunok" of assignments to the analysis of geometric forms and the linear-constructive little one, is presented by the zavdannya - the first to see the general tonal little one still life from nature in another class. Yulia Popovoi at the time of the Victory Day is 13 years old.
A special proponent methodology for teaching a baby є preparing a robot with a single sheet at once, in front of the front area of tonal distribution of objects and a wide still life, which is developed in the scientific community, “on purpose” is used to introduce a specific rule of a robot into a specific rule of thumb.
When viconating a still life, the methodical endowment of the robot is to blame. The entire movement of the robot went to the stage, as it was last delivered by the factory.
photo # 1
Composition. Compositing poses of a group of objects in an olive line in different formats: horizontal, vertical, square - the most varied option. It is important to compose a group of objects in such a way that the format of the storage is equal. Foreskis in toni. Yulia vibrated the composition of a still life in a horizontal format.
photo # 2
Linear baby. I fix the robot on the main arc, I will begin to shape the shape, the silhouette of the whole still life will fit into the yak, I will clarify the description of the back mass of objects and their proportions. At all stages of the process, both are visible and invisible parts of objects. Yulia stood with folding objects in a still life, as long as the bowl was at the bird's side, for more than an hour it was stained into the analysis of their forms and proportions.
photo # 3
Ploshchina rozrobna tonal vіdnosin in still life. Zapovnennya with a light stroke of the whole sheet - directly shading before one cut, appearing between strokes of 1-2 mm, the steps of drawing on the olive are the same. Olivets NV. Yulia namagalasya fit with zavdannyi on a whole stage, ale I want it to be marvelous, scientifically most often on the tonuvanny of the whole sheet with a stroke to see the discomfort.
photo # 4
Ploshchina rozrobna tonal vidnosin in still life. Another ball of strokes from objects that are darker than the light-gray background. Shtrihuvannya vikonutsya at the same level of onslaught, directly the same. Olivets NV. On this stage of robots, the scientists are given recommendations, as not to obstruct the little ones with graphite: it is necessary to minimize the surface of the sheet with a hand, and with the support of the little ones. small arkush under the edge of the valley. Yuli stroke on small dilyankas format is more beautiful, the whole part of the robot will be displayed neatly, straight lines and strokes will be the same.
photo # 5
Ploshchina rozrobna tonal vidnosin in still life. The third ball is hatching on the darkest objects and dark drapes. Straight strokes can be changed to a number of degrees, steps of the onslaught of the same, V.
photo # 6
Robot with falling shadows. .Yulya thought of this line-up - she knew the point of dermal growth, shaded flat, shaded in still life in tone; The idea of carrying out robots with falling shadows into a tiny window and an illusion of space.
photo №7
Robot over the transfer of the swag. Having started the basic tonalities of the color, they start to form the objects in tone until the later. Let's fix it to the robot from the darkest object. In the process of robots over the little still life, in order to achieve the purity, it is necessary to continuously remove the objects between themselves, before adjusting the tonalities between the objects and the background. On this stage, the victorious knowledge about the laws of light gradations. Yulia analyzed and, with thin lines, made a cordon of light transitions on objects that evoke their form. We meant that the light was not only from the side, but from the top, that all the horizontally spread areas were lighter than the vertical areas.
photo # 8
Robot over the transfer of the material and the material of objects: matt ceramics, wood, birch bark wicker. In the process of the robotics process, it is necessary to evolve not only the amount of money, but also the difference of textures. For example, it is not possible to image the surface of the glechik and the lich, the vicorist is one and the same technical method. For the first one, the stroke is due to being more clear and fusion, in the other - more strong, textured. Another class, viperjayuchi tonal still life, mi vikonuєmo creative to the right on a little for the transfer of textures of small surfaces. To that, Yulia did not fall apart and was able to pick up on different features of the graphic material.
photo # 9
Publications and details.
The aftermath of painting a still life “is based on the principles of the academic school: from the private to the private and the knowledge to the outdoor. At the final stage, if the little ones are in the main end, the whole part of it is gross. When the little ones are made out of their nature, it is necessary to strive for integrity and variability, and other row details and long-range plans. Items on the first plan are designed for retailers. When the details are determined, fragmentation may appear in the images, that at the stage of completion of the robot, and the little ones on the wall in the class on the same eyes and, moving by 2 meters, reversing the image - in the sense of a lack of meaning. For an hour, the tonal robots have jammed the tricks in the posts themselves; not vistachaє the contrast of a bird with the head of the bowl; it is necessary to go through the strokes of the still life part again, from the distance to the light. The robot is carried out as soon as the shortages are corrected, the little ones are converted from a distant place.
V new programs control over a small piece of growth according to the build-up steps of folding; from the rock in the ric and vimogi until the visitor of the little girl. That is, pedagogically correct, if we respect the little ones, we will end in that way, as in the new version the main change of the establishment and the visibility of the little one will be shown to the vimogs of the given class.
Now, the meta lesson has been completed: Yulia, on the practical basis, implanted the endowment of the robot over a tonal still life from nature in a graph, the robot can be completed. Otrimanі at the lessons of knowledge, vіnіnnya, navichki will be awakening tseglinks for the newcomer to the artistic presentation and to show the possibilities of a young artist.
literature:
1. Igumen Georgiy (Shestun) Orthodox pedagogy. Ontological and historical-theoretical foundations of the pedagogy of Orthodox civilization (version 4) Pro-Press, Moscow. 2010
2. Spiritually and morally vikhovannya schoolchildren in the system of pre-education education. Provision about All-Russian competition copyright lighting programs from the history of that culture for the early education of children and young people. / Vneshkolnik, 1999, No. 3 Evladova EB, associate professor, head. laboratory of additional education of the IVS of the Ministry of Defense of the Russian Federation.
3. Zinkivsky. Problems of vikhovannya in the light of Christian anthropology. M., 1993, p. 29
Can be seen and received different types composition in the form of deposition in the opposite way and conceived on the butts.
The still life is called "The story of the backwaters in the lichtari".
At the beginning of the still life of the objects, there is only a scorching lichtar, which is like bringing a snowy water reserve to the shore. Then, in Photoshop, the Bula has been given the texture of the old book lining, with an emphasis on the half.
The idea is small and even more important when choosing a composition to a still life. The subject was guilty of being a minimum, but not at all from the head object, but the point of view was turned so that the landscape in the background could be read from the perspective of the coast. The imposition of textures to rob the mark is more dramatic. The composition is diagonal, line for sitting and forming objects and line of the coast. The main accent of the composition is the fire, which is on the re-flashing of the lines of the golden flare. The main mass of the composition is changed to the left edge, as often as you go out into the fire, you go along the coastline to the upper right kut, whispering there oppositely along the diagonal, the beat of the beach. Thus, a ship on the horizon, as a ship for a better sense of self-reliance in robots, is a ship on the horizon.
The still life is called "Symphony in red and gold tones." The name and style of presentation of the robot to the creativity of Wistler, the artist, who is engaged in the nutrition of the collegiate harmonies as the key elements of the artistic conception. Vin often called his robots "symphonies". The composition is inspired in the oval, the shape of the objects is rounded, the shape of the oval can be continued at the end of the year. The contours of objects for pom'yaksheni, podrazmiti, openings effect dimka, svitinnya, practical sleep. The objects themselves are like symbols of knowledge: by breaking pomegranates - the structure of knowledge, books and suvіy - yo results, and the year (symbol of the hour) - a need for mind. The robot is motivated by the same tones and color variations (by dark tones).
"Story by old seaman" or "The story of an old seaman." The history of the whole still life is simple to finish: objects selected according to the association of new lands, Modification in the style of old photography, private rosefarbovan. Ale the still life itself was delivered in such a rank, and the object in its mass looked like a portrait (as a basis, the robots of the artist's watch Vidrodzhennya D. Archimboldo were taken). It is evidently the statement to avenge the subordinate association with the distant rise in price: objects from “distant lands” and alerts - “I’m going to be a man.”
"Ochikuvannya". The photograph was destroyed in the Museum of Retro Cars in Moscow. Composition with tonal silhouette rhythm is also important. The sensation of a robot is in that which a skin object has its own hour. The composition of the vibuduvan is so that when you go to the station, you can check your cherries in front of the scoreboard (years) ...
"Autumn". still life on main topic everywhere even more versatile, rich and beautiful. yaksho zgadati malovnichi still life M. dі Caravaggio, then the stench enters into all the familiarity of "autumn", the triumph of Bacchus. This is the basis of the composition of the still life of the priyomy, as Vikoristovuvav an Italian artist. The objects are presented in a contour, decorative manner, a vibuduvan composition based on the figure of a "trikutnik". The classic look of a robot is so textured.
"Chamomile" or "Country still life". The composition is so self-impelled in the tricycle, albeit the main emphasis of the fragmentation on the visually - light, warm, soft. The unity of tonal and colonic vidnoses (according to luminous tones) will prevent the robot seeing the lack of turbulence, unpretentious, simple beauty.
"Currant". Freeze line composition should be better suited for cushioning the beauty of lines at currant brushes, smoothness of transitions. The rhythm of rounded forms of the folds of vidchuttya rosipanih namistin.
"Everything is okay." Tonova, frieze, laid in a tricycle composition. They took dried up kits, "ziv'yali" apples, sawed down a tarilka - as a symbol of the elders. Lines of nahil quotes create the presence of "dialogue" between objects, motions, mutual assistance and education. Accents of distribution on green-green vidtinkam.
"Frosty Autumn". Garni cold blue-violet vidtinku, like presence in objects, creating an atmosphere of nobility, feeling light frost, neyu. The original frozen apples are frozen on the skl.
"Everything is forgotten." Frieze contour line composition. Dried quits, "fading" apples, sawed down a tarilka - symbols of the elder. On view of the still life "Everything passed", the dialogue is dumb, so the word "forget" sounds in the name. Accents of distribution on zhovto-bіlim vіdtіnkam.
"Yagidnyy tea". Dynamical diagonal composition, line, inspired by the rhythm of the red, black and white colors. Collected by the association with yagidno-kvitkovy chaєm - warm, with a foldable red-brown vidtinkom. A slight emphasis in the design is given to the retro style.
"Ozhina". Retro style. Noble dark raspberry vidtinki vіdtіnki vіdtіnki vіdkіvі malvy pіdkreslenі for rakhunok contrast with the chewing color of the cups
.
Symphony. Diagonal composition, line. Quotes and leaves are arranged in an order similar to the recording of notes. Apartments at the vase symbolize the development of the show in the music (forte, piano). Draping on aphids є pidtrimkoyu for lines of the foreground.
The robot is motivated by the same tone and number of signals. Linear composition in closeness. The still life has the idea of having two origins - 1. Crispness, lack of strength, lightness, shortness, lack of stability (floxy), 2. Hardness, strength, persistence, static (heat of stone) and volume contours of kvitiv and line rosefarbuvati stone.
"Morska mushlya". Composition of vibuduvan based on figure "colo". Kvіti are represented by symbols (alegorias) of sea stars, and a vase - turtles. The texture is added, the robot has a golden effect and shimmers on the sun.
"Shepherdess". Here is the same vase in the role of cats. Raztashuvannya objects (sheets, leaves and vase) area, decorative, contour. Robot wikipedia association with French painting in the Rococo hours.
"Evening Tini". In this still life, to induce the composition, the important role of grating is not only the objects themselves (the austria and the apple), but they fall from them, as they play (for the blast of their clear read about forms) in the role of self
"For her ..." The tone solution of the composition. Still life of vikonaniy in the style of old leaves. Quites (great bili pivonia) at a vase, strings of white pearls, rings and earrings with pearls - all are set to the "life" of a still life. Serpanok and іnshі textures have been added to give robots additional lightness and lightness.
"Natyurzhiv". Still life is literally transformed like “dead nature”. A little over the past, the moment appeared in the mystery genre, the situation began to change. There was a new name for the genre itself in photography - "Still life" - "quiet life", more and more experiments. The idea of the robotics process was “the people of the new still life”. Coining in still life - the center of composition - the main warehouse for still life. The line-tone composition was created in a tricycle. The light tone in still life, the contrasting contour of the hair of the cocked wool, the yogo pose are symbols of the people. Fruits are so small in size to add atmosphere.
"Aystree". A classic still life, the form of a vase is covered with dark aphids. The composition is diagonal, a bunch of two aistrs (buzkova and bila) on the right side, opening the story about those, like 2 quotes flickered from the foreign masters, to have mercy on themselves in the mirrors. And the mirror itself, in the presence of the dark ashes, created the robots of the theatrical setting.
Buecher. Classic composition, Inspired by the vibuduvana in the figurine "trikutnik", the vibuduvana in the figurine "trikutnik" is also very important (there are the meanings of the point: the head of the mother, the vermeur's robot, the contrast of the book to the dark artifact) The candles stand in parallel and where from them we give a dynamic view of the composition.
Still life classic with the butterfly. The two-part composition, prompted by the common group of objects and visnovoks, and the composition of the figuri - an adaptable group (in this still life - a tricycle, rejecting a group of leaves) is to be found all over the head, Composition "contour", "line". The number of changes in the left lower and right upper kutiv (snowstorm and drapery in the background) є so by itself (at once from the green line from the nose of the glechik) and dynamic exit to the left upper kut.
Mamut. Classical "tonal composition, vibuduvana in figur" rectangular tricycle". Still life objects are stored in two different sizes, one to one group: 1 group - two glechiks, 2 group - two elephants.
Keramika. "Tone" composition, vibuduvana in an oval. Dynamical trips in the new line of maple leaves, two classes and handles of the board. The approximation of the color scale is not only about single objects, but about the individuality for the improvement of the role of texturality.
Still life classic. "Konturna", "line" composition, inspired by the interaction of two groups of objects, geometric shapes: 1 group - incentives on accents on green-green tones "semi-oval" - golovna, 2 group - "trikutnik", incentives on close colores - dodatkova. The composition is to take revenge on the dynamic entry into the upper leaves and the upper right kuti: a leaf of quips, a cat's pen, a svitka's top, a glechik's pen.
Teekane. “The tone composition is inspired by the contrasts of light and dark tones. The main compositional center of education is behind the contrasting points, and the additional center is based on tim, scho zblizhuє. The rhythm in the composition is set in the background, the stench is balancing.
Mandarin. Statement 1. Diagonal composition, which is a group of objects, pre-arranged in geometric figure"Elips". The composition is contour, prompted by the closeness of the day.
Mandarin. Statement of the 2. two-part composition (trikutnik and elips), contour, prompted on the approaching number of days. Dynamical outputs: 1 - healthy lines of bridle arkusha and glechik glechik on the top of the cut; 2 - healthy lines of mandarin skins on the left and right lower cut.
Autor: Yuliya Dorofova
The stage of the baby is visible to a still life with several objects and draperies.
One of the most important qualities, such as good development, tiny still life, is the purpose of conveying the fabulous tonal situation.
As a matter of fact, it is quite easy for us to pick up the dark blue in the dark (darker, but light) all the way around the rags. It is necessary to develop in the place of abstraction from the details (do not take the beast on them) and baciti I'll go the situation in the tone.
Tsomu strongly dopomagaє defocused glance.
It’s easy to marvel at the nature of the rosfokusuwati, we just don’t see other details.
Then we see the beauty of the backyard tonal masi - masi svitlikh and dark beaches.
Otzhe, a good way to marvel at nature even further help the backache of the head tonal vidnosini. In order to shake nature in this way, you need to direct your gaze far, far away - your eyes focus on the distance and nature is unclear.
Tsikavo: in the fencing schools of the Far Descent, there is a term "I look at the distant mountains". In this way, it is recommended to be astonished at the enemy for an hour alone, in order to bachiti the whole situation at once. There is a similar way of recommending the access to the water - marvel at the distant places, all at once will be able to see everything in front of us. We can state that in such regions, which are at first glance at first glance, I have a pity - one and the same - I’ll look at the cunningness to the details, as not the situation as a whole. And if, in the face of a kerm, at the price of a pardon maybe life, then in a new baby - a shot, rossing on the little ones and getting lost, inadequately (de darker, and de - lighter) transmitted tonalities of the visual.
Before the cob, robots can be easily composited. To beast to respect is to be timid in toni, aja ready robot we will be in toni. On the other hand, to find the ideal composition itself, as long as it’s just in the lines, it can appear not far away and neurologically important until the end of the great robotics.
Bazhano, why our robot over the composition of the maybutny baby didn’t just grind the one that was bachimo and outlined with a frame. Bazhano, too, the robot didn’t get bogged down only by the buzz of the ryvnovagi (it didn’t cross any livy, not the right edge). Tse bulo b zavdannyam minimum, ale kindly, not enough.
The robot learned more about the composition of the transmission of the rhythmic solution, be it a compositional move, the "music" of the dance and the line within our list.
Simply, it seems, ob'єkti, scho podralyayut in the sheet together, "rozmovlyayut" one by one, with the help of his own roztashuvannya, for the help of the rhythms, set them one by one, with lines, straight lines that form your dancing, all the time line that straight, and see us to lay down, start the process of interaction and creep in your robot, or do not wrinkle.
On the basis of eskizu rozmіchaєmo composition on arkushі. At the same time, one is wary of the "splitting" of the composition - since it is unimportant that one marvels at the speed and in the bag, the composition is carried by the composition even approximately, consuming the knowledge of thinness, does not seem to be about rivnovaga. At the same time, it is often seen that the camera is close to the object, if all the objects on the leaves appear larger, and the space is free to navpaki, smaller.
The artist at the moment often doesn’t understand, but it’s well known on the eskizi (in the small size, it’s easier to appreciate) the composition, it’s too tense, but the abiyak is thrown on the great arc, I’m often ...
Tom, at first, it is more reasonable to respectfully tolerate the composition from the rest of the world. Then, if the artist has a lot of admonition, it’s easier for you to hunt down the whole sheet with your respect and transfer it from the point of view not mechanically, but try to transfer it and increase it. price of quality, Pledges in eskizi.
When transferring the composition from the bottom of the hand, transfer the points, "reference" points on the whole sheet (the most visible edge of objects, draperies, table, etc.). Naykrashche, namіchati їkh on the eye, and then rewire yourself with vimirs. You can find a selection of 1-2 rosetting points closer to the center, then more from the center and periphery. You can say that by taking the tsi dots all at once, the rulers of the situation - the original composition is already under control.
Principally, it’s just a matter of throwing it all over the whole sheet, so we can do it all at once to see the transfer of the composition into the whole.
At the display of such small points, sketches of all objects.
Principled, nothing can be drawn, but only nakidaamo, scaled across the whole sheet.
Then, occasionally, with the help of a little bit, they transferred the composition to some extent. If necessary, ruhaєmo, bearable, familiarly porous.
Such an order of robots is the best for transferring the composition from the skis.
Buvagh, the artist is starting to transfer the composition from the artwork "from the shmatka" - a small collection of one tiny object, at the same time passing to the new one, etc. Leave the whole sheet without being memorized. Such a pidhid is very reasonable, so I will practically increase the work of the artist as a composition artist as a whole - this kind of quality, like yakraz and additional assistance in developing the Danish stage of robots. It’s not the style of the little boy himself, the little ones that’s like, that’s evolving, that’s just right over the factory. I, obviously, with such a method of robotics composition, it is impossible to transfer neurally.
Visnovok: fix it instantly on the whole sheet!
Having crossed over, so the composition on the archwaves us, we will begin to clarify the most basic proportions and the nature of the form of objects and draperies. Then the elements are introduced.
At the same time, it’s also working on all the robots, not hovering over the same time.
Eskіz bazhano trimati hand, periodically looking at the robot completely and powering itself up - why should a fabulous composition befitting a robot as a whole?
In the world, as with the proportions, the nature of the form and the motivation of the main objects, they have grown up, it is corny to introduce lightness in all the robots.
Alle the introduction of light, it is necessary not to forget the residual details of the little ones around the elements.
Tobto, tse etap - not just a robot in tone, if you can forget about a clarified little one, but a more precise little one overnight from the opening of the sheet in the light light.
Why such a pidhіd zruchniy - that, in the life of me bachimo nature is not in style in the lines, but in the beaches - nature does not add up to a set of lines, mi bacimo in tones. Apparently, if I’m going to be a robot in lines, don’t marvel at all of our Zusillas, grab the little ones for sure, I’m not able to manually pick up - a picture that will fold over the beaches of my thoughts is translated into the line of thinking and how to take
Opening up in tones, we can change them with beaches, and as a rule, at the same stage, you can probably see pardons about how they didn’t take it. It’s easy to do it with ease - it’s easy to wipe off, to edit with an eraser. Tom doesn’t darken too much when you take some little pieces, paint the whole still life in light tones, keep it out I'll put in a pictureі clarify the outline of the surrounding elements.
Opening in a light tone the whole sheet, mi and at nature "amazed" as a bi in a light tone - you can see at all stages of all tonal performance in nature (darker / light) equally visually appealing.
In general, it is also with a defocused look - even concrete details only add a bit of a backward tonal situation.
On the basis of something different, the giblets are picking up the tonality of all the robots, steadily changing, darker and lighter.
І On the robot itself, you can also occasionally wonder about it.
Beruchit the background tonal situation from life, bazhano the foreground robiti trochi is more contrasting, and the far plan of the navpaki is trochi lighter, m'yakshe. With this rank, I will add perspective to our robot.
The perspective gives us the ability to transfer space more. V real life We are bachimo two ochim two three views of the picture, which are to be seen at the svidomosty, giving us the filed about the general and spaciousness. The price is called "binocular zir". But our sheet is flat and we have no way of wondering at the objects in the sheet with one eye three of the evil, and the three of them are right-handed. To that, we are brought into our little ones, those who, in the zychayy life, we can bachiti on the great binocular zir once again and not once. aje in haunted life my objects, which are far from us, are really bachimo more myako, mensh is sharp, as long as our vision is interconnected, as well as for rakhunok tovshchini povitrya.
The prospect is also manifested in the details - basic details in the distant plan, we are not allowed to be too sharp, but the stench didn’t move forward and didn’t make space for us. The details on the foreground are robustly tricky, and the stench and smelt came nearer.
In general, it’s more beautiful to detail the details, it’s more beautiful to tweak the tonal lines and finish the robot more than once.
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Oleg Toropigin