Theme. Approval of zalnoludskih values ​​\ u200b \ u200bin N.M. Karamzina "Bidna Liza". The main heroes of the story. "Bidna Liza" - "Pershe national TV

Mikola Mikhailovich Karamzin is a representative of the sentimental-romantic line of the Russian Literature XVIII stolittya. In his creative work, it is mainly because of his artistic ability to sentimentalism.

Sensibility - this is how at the beginning of the 18th century the dignity of Karamzin's stories began, and the main respect for the psychology of heroes is the main thing for them, having reached the highest degree of majesty. Yak nichto from the foremost Russian writers, vin being able to show all the vicissitudes of love, to convey the newest vidtinki pochuttiv, maisterno razkriti internal light their heroes. Bored with reading, the atmosphere of "lower passions" is filled with an emotional atmosphere, it is in the minds of people. Karamzin was called sensitive and low. In Russian literature, Karamzin is an innovator - in the field of interpretation of characters, topics and stylistic problems, in the area of ​​prose characters.

The story of Karamzin " Bidna Liza"Written in 1792, it was dedicated to the love theme, the history of two loving hearts, which took away the particular popularity of the fellows. to rob them with victims, bringing their permanent citizens and nature to the end.

Liza lived at the same time with her mother in Pidmoskov, in a small house on the birch of the Moskva Rika, not far from the Simonov Monastery. The first mother, and the deceased dad, were magical to pinch their daughters of high moral quality. We have made children of children, but in the whole life nothing is given for nothing, you need to do everything yourself. The stench and themselves took on the same principles: the father "loving the robot, plundering the earth for good and living through life", and the mother lost the memory of the man and the rich rocky prowled through the strait about a new word, "love the villagers!" Liza, vikhovana in strictness, "did the day and night - weaved linen, knitted panchohi, in the spring tore kviti, and took berries - and sold everything in Moscow".

My bachimo, the author's hot sympathies will surely supervise the heroes, at the fight and in the head conflict. A simple villager with a self-taught character (with all her love and love to her mother, Liza did not say so about her mother with Erast), she fell in love with the kind, albeit presented to the Christmastide lives, Pan, as good thoughts about her inheritance. Feel the bullets are superficially gliboki, persistent, but smut, bezkorislivi. Liza is very good at thinking, well, you can't become a squad of a kohan people, aja vin "pan", ale, unaffected at the price, prodovzhuvala self-forgetful love Erasta "absolutely seeing you, I just lived and dicked in my backs ... don't think about yourself at all. "

Karamzin, having described Lizi and Erast's personalities in pastoral, idyllic tones, unassuming, but the tragic fineness of the hundred-and-fifty is the result of the furnishings that were said to the lightweight character of the protagonist, not the reason for the social Erast - "to reach the richness of a nobleman" with "kindness from nature", or "with a weak and wicked heart". "Win viv rosiyanu life, thinking only about his satisfaction." With a handful of Erast, thinking only about "pure joy" and wanting to "live with Liza like a brother and sister", altogether re-evaluating his strength. Then, as a matter of fact, re-envision "nabridnuti" with each other, wanting to be able to see them. For Liza and the loss of Erasta Bula is equal to the loss of Life. Being without Erast is not for her senses, for her life will be suicidal.

Drama is not only for Liza, but for Erast. Ajay condemn yourself on moral agony to the end of your life - no less punishment, we will not be condemned by others. About the emotional drama of Erast, it seems like the words of the author himself: "Erast was unhappy until the end of his life. Having learned about the share of Lizinoya, I won’t think about it, and I read it to myself." His hero Karamzin is not impressed by the typical: "People shy away with a lot of evil - without summons - there are few hardships; Oman's heart, lack of scruples, lack of blame for disgusting righteousness ..."

The innovation of Karamzin Polyaga is in the fact that he did not underestimate the significance of the hanging social and ethical problem of a successful development. V.V. Sipovsky making a big deal of respect for the furniture. "Bidna Liza", - writing in "Narisy from the history of the Russian novel" Werther ". Such a "new word" has boomed in the life of the hero's suicide. Russian publication, which sounded in the old novels until the next day, was lost at the viglyad, but it’s gone, that the garlic will grow up, and the vice is punished, forged into the whole life of life. ”

The creativity of N.M. Karamzin played a significant role in the history of Russian literature. "The pure, glory of Karamzin is to be found in Russia, and the writer with true talent is bound for the teachings of Lyudin, to fight against many opponents, without thinking of him the tribute of the great and good boy," wrote A.S. Pushkin. And behind the words of Bulinsky, Karamzin, "opening up in Russia the illumination literary mov", Having heard the Russian publication before reading Russian books. addictions in the midst of an extravagant freak out ", povisti, in some" like in the mirror, the life of the heart is vividly perceived ... like it was imagining for the people of that hour. "

Tvir on the theme "Poetry to the heroine of the story of Bidna Liza"

as follows:

My position before the main heroine given to the creation is located between the spirits and the minds of the fact that the tragic disconnection of the bull is inevitable. All the dummies that were in Russia at the time of the appearance of "Bidnoi Lizi" at the presi (1792), Golovna heroineє not the style of the victim of obscenities, but of the blame. For a reason, because Liza has destroyed the harmony of the old ones between herself and the mother. Vona took the truth about her stosunka with Erast, and at the very moment the moral fall of the hero was recovered. Well, if you feel like losing Liza in the eyes of a cohanned person who is the ideal of purity and purity, then here the heroine is herself. Pose with all sorts of ideas, the mother explained to her daughter, as it is necessary to be led, having lost one of the young people. Liza zhehtuvala by the ignorant knowledge, and the result appeared naturally by the zealous. Nemaє senseu shift the fault for those who trap on Erast. Yakim bi vіtryanim wіn not buv, i wіkі wіth thаt wіll hаνе bееn thаt іn past іn thе past, life with Liza backed yak yak іk life of brother with sister. Dіvchina didn’t do the trick. Nareshti, on my thought, is the main and main pardon of Lizi Polyagu in that, having broken the sin and assimilated it, she didn’t want to try to repent. So one of the lawlessness pulled the low of the people down with it and called to the terrible for the Orthodox people the end. On the basis of all the well-spoken my put to the head heroine of the story of M. M. Karamzin "Bidna Liza" can be formulated as follows: I am singing Liza and the unhappy-persuasive and last-ditch love, alright when there is no Dіvchina acted harshly and hisistically in relation to her mother, having forgotten about her at the moment of suicide, and, having lost her mind herself, drove in one of her close people with a child. Whenever I go out, I’ll wait for a while, but the TV “Bidna Liza” is the height of sentimentalism, but at all I don’t put the hero in the spotlight for the enjoyment.

Similar food

• Ilya would like to change the area of ​​the room. ale at nyogo є only tears santimetr-lion ?? but, how to repair from the marks 27 and end 150 cm. before the house was installed in three cm and more than 28 cm and the width of two centimeters and up to 52 cm, what was the area of ​​the room?

meta: to bring the triumph of spiritual values ​​(love, self-sacrifice, turbot about neighbors, kayattya) over material ones.

zavdannya: 1) through the image of the head heroine of showing the ideal of the spiritually developed specialness;

2) through the image of Erast, bring the scholars to the intelligence of the incapacity of the happy life, based on his (good life only for himself) and material depletion.

Go to lesson.

1. Word of the reader.

Greet, lads! At the last lesson, you were talking about those who Karamzin made a magnificent infusion on the development of Russian literature (especially significant additions in the development of Russian prose). It was also mi zyasuvali that Mikola Mikhailovich became the first and greatest writer of the new tode - in the 18th century - current - sentimentalism. We have seen the main figures of this current, middle traces of meaning: the image of life common people(Selyan, remіsnikіv) with їхніmi sentiments, worries, turbots and battles. Vissarion Grigorovich Belinsky (you know, who is this?) - famous literary critic the end of the 18th ear of the 19th century is the axis of writing to the drive: "Karamzin was the first to write in Russia as soon as he wrote about it, as a result of the suspension ... sometimes, in which people were moving, they were imagining the life of the heart and addictions in the midst of a savage."

2. Talk about food.

- For the ear, let us be significant, what kind of individual is there? (From the first individual - from the name of the author. Guess, at the last level they meant that sentimental writers often wrote about the first individual ...

- What should I have to fix?

(I will describe the landscape, how to see from the place, on which to hang the vezhi of Simonov's monastery: "smooth, dense green, small bows, and behind them, according to the good news, the flow of the light of the river ... live and radin.)

(Let's talk about Simonov's monasteries with graves and cells. tragic share Lizi is the head hero.)

- How can I bachimo be a heroine in my father’s house? Who could navchit її father from mother?

(Fathers, themselves being a master of the art, as they lead a spokyna and a "hard" life, have grafted the daughter to the beginning. I sold them in Moscow ".)

- How did Karamzin try his heroine with the epithets? Yake yogo put before her?

(The first episode, which shows the introduction to the head heroine, appears already in the title of the story - "bidna", so that the one who is guilty of sleep, sorry.

"Beautiful", "lov'yazna", nizna "," serviceable "," boyazka ", valuable", "rubbish 'sympathetic", "sweet beauty" with a "pure, radiant soul." It can be seen from the pererakhovannyh vishche epitetіv, that the author clearly sympathizes with Lizia, moreover, he wants to show us spiritual beauty.)

- How does the reader know about Erast to the stage with Liza? Quote.

(Im'ya Erast was adopted as the Greek word "eros" - "love" and means "love."

- What about the life and interests of the heroes, can we accept it?

(“Tsey young cholovik, tsey Erast buv to finish the rich nobleman, with a non-abysmal rose and a kind heart, good from nature, a little weak and vicious. : nudguvav and skarzhivya for his share. Beauty Lizi, at the first time, the enmity broke in yo heart. , like turtledoves, were treated with trojans and myrtles and the happy uncomfortableness of all their days of supervising.

Such a rank, an ideal of one's life, is a life in the bosom of nature, a life that is not necessary for ni about scampering (it is not necessary to take a lamatic head, as if you need a penny, you want to blow away your life)

- Like the words of the hero: "Nature calls me in its volume?"

(And next, win doday "... to his pure joy." bosom of nature.)

Yak Karamzin will show you development as young people? So, after all, why did the bulo slip off a little bit for Liza and for the sake of erecting Erast's "sweet amusements"?

(Liza is shy and with all my heart, like tse you wake up, if you think about the first one, she fell in love with Erast. service in the other place ... Vona would go after him, yakbi didn’t ask for a moment: “at my mother!”.

“Bachachi, like Liza yogo to love, having done yourself so nicely. All the fun great light They seemed to them to be uncomfortable with those contented ones, as the passionate friendship of an innocent soul lived in his heart. After thinking about the zealous htivosti, I’ve glimpsed it before. ”)

- If and why is Erast's protege before Liza changed?

(At the moment, if Liza threw herself in full force before Erast, “I saw a thrill in myself” ... At that moment, the hero was “whispering and not knowing." soul. ”

- In what words do you sound the assessment of the hero's vchinka? Zasudzhuk chi Karamzin Erasta?

("My heart can bleed in qiu khvili. I forget people in Erasta - ready to curse yogo - Ale mova will not collapse - I marvel at the sky, and I can’t boil over my face.")

(Vin їy spіvchuv, which is not too early and calling to the reader.)

- What is the meaning of the final phrase?

(“Now, maybe you’re sure, the stench has already been reconciled.” Erastus, rightly vazhayu blame himself, repenting. I now, perebayuyu there ... removing and forgiveness Liza.)

- Naskіlki spriyє rozumіnnu emocynogo camp heroes landscape? Show on the butts.

3. Uzagalnennya.

- So what's the theme of the story?

(The theme of the triumph of the inner, spiritual perfection, the ideal of life for people who love.)

4. Cuisine of the country displaying assessments.

5. Home zavdannya... Pidgotuvati additional reasons:

1) “Life and creativity of A.S. Griboєdov ";

2) "A.S. Gribodov is a diplomat. "

Become familiar with the statute, vmishchen_y in the handler.

M. A. Borozdunova, GBOU Middle school No. 339, St. Petersburg

Liza (bidna Liza) - the main heroine of the story, as she destroyed another coup in suspicious property XVIII Art. Karamzin, first in the history of Russian prose, turned to heroine, overpowered by the crumpled rice. Yogo words "and the villagers love vmyut" became krilaty. Bidna selyanska divchina L. is too early to become an orphan. Vona lives in the same old Moscow power with a mother - "sensitive, kind, old", as L. assumes his head talent - in the name of love. Just take care of yourself і mater, L., “don’t be shy about your youth”, take on a robot. Hanging out to go to the place to sell the apartments. There, in Moscow, L. was a young nobleman Erast. Exhaustion from the windswept life, Erast zakhutsya in the bezposerednya, innocent motherfucker "brother's love." So give yourself to you. However, it is not baroque platonic love to pass into chuttava. L., “having seen absolutely that, I lived and lived only”. Aleksandr L. started to help her to return to Erasta Zminu. I will explain my coolness by my natural zaklopotanistyu: you need a virus to win. However, in the army it is not the style to fight against the enemy, but to play in the picture. To fix it right, Erast to make friends with the widow's lithuanian baggage. Having learned about the tse, L. drowned himself in the rate. Sensibility - so in the end of the 18th century. They have begun the dignity of Karamzin's stories, may well be on the lookout for a feeling of spirits, appear in the "viginas of the heart" "of the best feelings", as well as the state of mind to be watched by those in power. Sensitivity and centrality to the character of L. Vona doviryaє to the ruha of his heart, live with "lower passions". In the kintsev rakhunka, it is the stickiness and hotness and making L. to bend, but morally wrong. Last day, Karamzin carried out a thought about those who are for the mentally rich, sensitive people. kind vchinki naturally, knowing the need for normative morality. The motive of the discouragement of a pure and immaculate deity, in that one who is seen in the bagatokh of Karamzin's works, is socially sounding in the "Bednoi Lizi". Karamzin is one of the first to introduce into the Russian literature against the development of a place and a village. In the modern folklore and mythological traditions of the hero, the hero often builds an active day only in the open space and is absolutely powerless beyond its borders. In the past year, with a great tradition in the life of Karamzin, a silska ludin - a man of nature - appears unselfish, indulging in the space of the world, de facto laws, seeing from the laws of nature. It is not for nothing that mother L. say їy (we ourselves prophesy everything, bit by bit, to eat well): “I don’t have a heart in my mind, if you go to the place; I always put a candle in front of the image, and I pray to the Lord God, that it will take you away from all the hardships and misfortunes. " Not with a glimpse of the first crochet on the way to the catastrophe, the weakness of L.: It’s for the first time “open to itself”, having taken in, for the joy of Erast, his love from the mother, who previously rang in all her tamnits. For the most part, according to the ever-loving mother L., to repeat the same fouls of Erast's vchynoks. Win will try to "see it" from L. i, proganyuchi, yes, one hundred rubles. Along with L. to destroy the same, sending the mother at once with a loud sound about her death, the "ten imperials", which gave him Erast. Naturally, not a penny was needed by mother L., like the heroine herself: “Liza’s mother thought about the terrible death of her daughter, and the shelter from the zhahu oholol - her eyes were crying now.”

The tragic bag of love of the villager and the officer confirms the mother’s rightness, anticipating L. on the very cob of the story: “You still don’t know how evil people can form a single child”. bogey rule to wrap itself in a specific situation, on the place of a non-special "bed-dweller," L. herself grows, and the universal plot is transferred to the Russian soil, inflating with a special national flavor. At the same time, the plot of "Bidnoi Lizi" is as close and compressed as possible. You can take a line of development in the germinal camp, three specks and dashes for an hour to obscure the text, become it "equivalent", "significant minus". There is also a conciseness to be seen on the same characters. The image of L. nominations with a dotted line, the skin of rice її character is a topic for development, but not yet itself. Tse did not make the blowing of L. and Erasta become the plot center of the story, around the organization of all the characters. For the placement of characters in the world, and those who notify the history of the life of L. without a second from Erast and himself it is not easy to come to the Sumuvati "Lizina grave". The author's іth hero's reference in one informal space before Karamzin was not known in Russian literature. Announcements of "Bidnoi Lizi" mentally received from one of the heroes. Also, the name of the page is prompted on the following day. vlasnogo imeni the heroine with the instinct, which characterizes the responsiveness of the message given to it, which at the same time constantly repeats, that it is not the master of the movement (“Ah! There is a kind of "self-sufficiency" of the hero, his "independence" from the author, which is rich in the specifics of the image in the text, more precisely - the way out of the text, which is to go behind two main strains. In "Bednoi Lizi", the topographically concrete expanse of Moscow is linked with the clever expanse of literary tradition. At the point of repetition, the image of L. "Bidna Liza" is spoken like a message about the reference pages. L. to lay down to the characters with a "registration", "... all the more often I have brought me to the walls of Sі ... the new monastery is a spogad about the deplorable lot of Liza, the common Lizy" - this is how the author started his announcement. Behind a gap in the middle of the word be-Muscovite guessing the name of Simon's Monastery. (Simonov Monastery, the first time that dates back to the XIV century. renaming into Lizin and becoming a month of the permanent pilgrimage of Muscovites. It is a paradox that there is a lack of confusion between Christian morality and innocence of L. and of “forgiveness” in the midst of suicide. At the testimony of the Simonov monasteries, they jealously guarded the memory of L., there was a persh for everything with a grave sacrifice. Along the way, L. Bula is "canonized" by sentimental culture. With such a rank, the heroine of Karamzin is not only on the crossover to the vimislu and the bully, but to the crossover of two religions: the Christian and sentimental relevance. Before the month of Liza, the posters came and the sumuvati of the girls, like the bully herself L. Behind the witnesses, the bark of the trees, which grows near the rate, the bullet is mercilessly cut with the knives of the “pilgrims”. Writing, virizans on trees, boules and grave ("Liza dni died at the tsikhs' jets; "Zaginla in cich streams Erastova is named. / Drown, dear, in the rate to finish the missta"). Itself іm'ya Alisaveta is a long-time Hebrew walk (with a later Greek - Latin adaptation) and is changed as "worshiping God". "Holy" context іm'ya Liza / lizaveta to read from biblіynykh texts. Tse іm'ya retinue of the high priest Aaron (Vih. , 6, 23), as well as the retinue of the priest Zakhariya and mother John the Baptist (Luke, 1, 5). The gallery of literary heroes has a special place where Eloiza, Abelard's friend, has a special place. Her message is associated with a love theme: the history of the "noble lady" Julia dentage, her humble teacher Saint-Prez, J.J. Rousseau called "Julia, abo Nova Eloiza ..." In Hermitages, there is a famous bust of an innocent and new "Little Lizy" robot by the French sculptor Houdon (1775), which can also be inserted into the image of Karamzin. Ім'я "Liza" to the ear of the 80s, pp. XVIII Art. mayzhe did not start in the Russian literature, but, as it did, it didn’t work in its own way. Vibrating for his heroine tse im'ya, Karamzin ishov to break up the suvorogo canon, formed in literature and sound in advance, like Liza, who is to blame for the occasion. The whole behavioral stereotype was introduced in the European literature of the XVII-XVIII centuries. Tim, scho the image of Lizi, Lizette (Lizette) bouv the dressing of the first for all the comedy. Liza french comedy beckon a servant - a lady-in-waiting (maid), a friend of her young lady. Vona is young, ugly, easy to finish, and everything that is tied with love intrigue, with the "science of tenderness", is all about it. Awareness, innocence, modesty is the least powerful comedy role. Unbreakable ochikuvannya reader, knowing the mask of the heroine, Karamzin by himself ruined the foundations of the culture itself to classicalism, slacking the sound between the meanings and which means, between the meanings and the simple noses. With all the cleverness of the image, L. ich is tied with character itself, and not with the role of heroine. The restoration of fallowness between the "internal" character and the "call" became the hundredth conquest of Karamzin on the way to the "psychologism" of Russian prose.