The story of "Bidna Liza" M. Karamzin and the art of freedom. Tvir on the theme of Artistic features of the story of H. M. Karamzin "Bidna Liza

The writing-book of the heroes of the first type in the village middle-class, middle-class, which has not been transformed into civilization, has saved the patriarchal pidvaliny. Famous story of Karamzin " Bidna Liza"(One thousand seven hundred and ninety-one), she twisted the fellows in her humanistic idea:" I love the villagers together. "

The main hero of the story is the villager Liza, who is included in the writer's statement about “natural people”: she’s “beautiful in soul and soul”, kind, generous, good and good enough to love. The life of Lizi is tied with nature, not the life of the capital's bags. Karamzin would like to know that the reader has become familiar with the reality of his heroine.

Some people will try to finish exactly the same hour of the day: the outskirts of Moscow, close to the Simonov Monastery, "rocky over thirty before the cim." The author pidkreslyuє, “I’m writing not a novel, but I’ll sum up a booby” ​​(1, 619). Bagato's fellow writers did not hesitate in the authenticity of the descriptions of the podiatry and went on pilgrimage to the "lizin rate".

Erast is a hero of "civilizations" who is the prototype of Liza. Liza is good-natured, Erast is vicious. If the image of Liza is unambiguous, then the image of Erast is more foldable. Not a villain, ale lyudin "with a non-abysmal rose and a kind heart, good from nature, a little weak and wicked."

Vin vyavlyatsya zdatny zhorstokiy vchinok, ale, zroivshi yogo, repent with a stretch of yogo life. The author of the story is that Lizi is known from Erast himself. With such a rank, the whole story is transformed into yak bi in the name of Erast. At the same time, in the course of the development, the presence of the author is constantly emerging. Inodi winn you can see with unprecedented assessments of what to see.

Razpovidayuchi about those, like Erast zalishak Liza, the author of the adde "see myself": "My heart can bleed into qiu chilin. I forget people in Erasta - ready to curse yogo - Ale mova will not collapse - I am amazed at the sky, and I’m crying in my face ”(1, 619).

Opovidach - tse "sensitive" lyudin is highlighted: win love to wander "in the meadows and gays", enjoying the usual species; a discussion about the history of the life of the monastery; win shkoduh about the share of Lizi, alent intelligence and probation to Oman Erast.

The lyrical steps, the analysis of the psychology of the heroes - all of the borrowing is more than a little bit more in the world, now the story is more simple and simple. However, in the very interpretation of the plot, Karamzin introduces a philosophical and ethical problematics, which is of more importance for the new one. The social conflict of the world (Win Pan, Won Selyanka) is an instant conflict between reality and reality.

Erast shchiro mriє about idyllic kokhannya, about forgetting the staunches. Liza, who realizes that Erast "cannot be a cholovik", is truly astonished at Liza's speech. The real worlds reveal the entire primacy of the world of Erast, and the linking of the world from the work to the sum total.

Two details - ideal and real - opposed one to one in the testimony of Karamzin. At the jokes of harmony, the writer turns to the viddalence of the message: the hour's distance as it is poklikana to know the tragic rubbing against the vygadkoy and reality.

History of Russian literature: in 4 volumes / Edited by N.I. Prutskova і іnshikh - L., 1980-1983 rr.

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In the life of Karamzin, the lives of heroes are depicted through the prism of sentimental ideals. The images are embellished. Father Pomer Lizi is an intelligent family man who loves his robot, having plundered the earth and will be able to finish it, everyone loved him. Mati Lizi, "sensitive, kind granny", is weak from incessant tears in her cholovikov, more and villagers see in my mind. It’s scary to love your daughter and to have fun with nature.

Same im'ya Liza to the ear of the 80s. XVIII Art. Mayzhe did not start in the Russian literature, but, as it did, it was in its own inshomovy version. Vibrating for his heroine tse im'ya, Karamzin ishov to break up to the suvorogo canon, formed in literature and sound for a long time, like Liza, who is to blame for the occasion. The whole behavioral stereotype was introduced in the European literature of the XVII-XVIII centuries. Tim, scho the image of Lizi, Lizette (Lizette) bindings, the first for everything, with a comedy. Liza at the French comedy? tse bezvychay servant-pokoivka (maid), povirnitsa her young lady. Vona is young, ugly, easy to finish, and everything that is tied with a love intrigue. Awareness, innocence, modesty is the least powerful comedy role. Unbreakable ochikuvannya reader, knowing the mask of the heroine, Karamzin by himself ruined the foundations of the culture itself to classicalism, slacking the sound between the meanings and which means, between the meanings and the simple noses. With all the cleverness of the image of Liza, I am tied with character itself, and not with the role of heroine. The restoration of fallowness between the "internal" character and the "call" became the hundredth conquest of Karamzin on the way to the "psychologism" of Russian prose.

Ale the smut in the story is not the plot, but rather, as it is the fault of the bully to awaken the reader. The main heroes are told to him by a number of announcers, for example, with a sum and a message about the share of the common divine. The image of a sentimental notification after becoming a message in Russian literature, the first few messages being heard “behind the scenes” and being neutral in terms of the way they were described before. Alerts to know about the history of a single Liza without a second from Erast, and it is not easy to come to the "Lizin's grave" himself. Announcements "Bidnoi Lizi" mentally received from one of the heroes. Also, the name of the page is prompted by the newsletter vlasnogo imeni heroine with an instinct, which characterizes the responsive message to her.

The author of the messages is a single mediator between the reader and the lives of the heroes, with the word. The information is carried out from the first individual, the author's presence is constantly about himself by the periodic beasts of the reader: "now the reader is guilty of the nobility ...", "the reader can easily detect his own ...". The formulas of the beast, foster the identity of the emotional contact between the author, the heroes and the reader, genres Russian travel. Karamzin, transferring the formulas into the informal prose, attained to the fact that the prose had become more penetratingly lyrical and began to sound so emotionally, like a poetry. For the story "Bidnoi Lizi" is characterized by short or flared lyrical steps, with a skin dramatic turn of the plot, the author's voice is felt: "my heart can be doused with blood ..."

In its aesthetic identity, the three central image of the story - the author of the messages, the one Liza and Erast - with the unprecedented for the Russian literature, again implemented the sentimental concept of honesty, specialty, valuable extra-word moral, moral.

Karamzin is the first to write smoothly. In his prose, the words have merged with such a correct, rhythmic rank, that the reader has lost the hostility of rhetorical music. Smoothness in prose is the same as the meter of Rome in poetry.

Karamzin viv in the tradition of the Silsky literary landscape.

1. First crocs in psychological prose. 2. artistic features povist. 3. New priyomi, vikoristovuvani Karamzinim. N.M. Karamzin, the founder of sentimental-realistic literature, became the mayor of the root of the miraculous stories, who tell about the share of his fellows. Itself in the whole genre like it is not possible to open up again and again his talent of the sentimental writer. Povisti Karamzin: "Frol Silin", "Bidna Liza", "Natalya, boyarska daughter"," Julia "," The Face of Our Hour "," Sensitive and Cold "," Martha Posadnitsa ", - one view of one behind their artistic peculiarities and structure, є these are not less vivid images of psychological prose. Most of the time, due to its great ruhomies of emotionalism and visibility, they are considered the main characters of the Karamzian stories of the boule of the representative of the beautiful stati. At the same time, the author pragnuv to characterize the people who belong to all the different camps, such as the distinguished heroes: noblewoman Natalya, "peyzanka" Liza, svitska lady Yulia, posadnitsa Martha, boyar Lyuboslavskiy. The scribe does not just tell about the life of these people, but reckon up their inner lights, show their excitement and shortcomings. It is possible, for the very same heroes are even more realistic and how extravagant people stink and love, curse noble ones and do not wait for a girl. You can say that Karamzin went into deeply touching the soul of his heroines, and that means, embody rich and truthful images of women. The story of the writer "Bidna Liza" has become very popular. To get involved, the creativity of the writer M.M. Muravyov, who was one of the first who learned the extra-class value human specialties: “I was struck by the thought, that on the same day a simple peasant had instilled in me a povaga, if I marveled at the contempt of a noble, unworthy breed. I felt all the power of a special gidnost. There is one thing to behold people and to bear every camp. " Like the heroes of the prose of Muravyov, Liza, behind the literary studies, live in the front, "bilya birch guy, in the middle of a green beam", so you allow this to be close to nature. The main heroine of "Bidnoi Lizi", a young woman, was born in a rural homeland, was born in the face of strict moral ideals. The deceased father її "loving the robot, plundering the earth and living the good life". The fathers of the family overcame their daughters with the rule "they didn’t take anything for nothing." Mati Lizi, having lost her cholovik early, lost her true memory of all the rocky, "I love the villagers!" With his hand, the sympathy of Mikoly Mikhailovich is remembered to his heroine. I can, I’m not ready to open it. social center her characters, that Lizu and mother can be brought both to the townspeople, and to the representative of the old noble family. I don’t order those women who are bullies. However, it’s not turned on, the scribblers didn’t work, but Liza “worked day and night - weaved linen, knitted panchohi, in the spring tore kviti, and took a bottle of berries - and sold everything in Moscow”. Selyansky beggar and the poignant virtue of the main heroines can also appear by the author in a deliberately pastoral manner: “... ... Vzaimovidnosini Lizi and the nobleman Erasta are also reminiscent of sentimental, idyllic moods. Moreover, the tragic finale of dictating not by the social nervousness of the kokhanikh, but unpleasantly by the surroundings, which made the protagonist's lightweight feel. At the same time, the most clear manifestation of the idea of ​​\ u200b \ u200bthe story of Karamzin from the works of Radishchev, which, navpaki, is of great importance for the social rationale of his heroes. Bringing the shutter one to one Lizi and Erasta carried a sentimental and romantic mood on his own. The main heroes are called from the real life. Moreover, if it is possible to try and invoke a domineering Yunaki, like “reading a novel,” then it’s called, for the logic of speech, I’m a stranger than a village girl, like a sound from an early childhood. real life... Protesting young people often take to themselves as characters from the shepherd's idyll. Navit Liza in her worlds I hately imagine and her enchantment is not thiem, kim stench є in the haunted life: “Yakbi that, who now borrows my thoughts, who was born we will forgive a peasant, a shepherd, - and yakbi me win now a flock! I leaned in with a laugh and said in a courteous way: hello, dear shepherd boy! Kudi zhenesh ty her flock? And here the grass is growing green for your flock, and here there is a red thread, from which you can weave wines for your droplets. " With a lot of mova, more and more bells and whistles of the heroes of the head, more and more adore the sentimental and romantic mood of the creature. Such words, like “soul”, “dear friend”, “love”, “chervoni kiti”, can be used to adjust the reader in a more romantic way. Let me see you respect Karamzin, eat us in front of the inner camp of Erast and Lizi. The author, as a master artist, subtly shows all the views of love. image head hero, Yaka pragne to nabuta sprazhny kohannya, rozkritiy to finish in one line. Karamzin is not pragmatic here, as it is violated for the establishment of the rule: Liza is sensitive and kind, and її "padinnya" does not go beyond ethical norms... However, for this genre, a tragic connection to the creation is absolutely not characteristic. In the future, in Russian sentimental prose, everything will end not with the fun and appearances of loving hearts, but with the death of one of the heroes. Liza ended her life by suicide. In the protest of Mykoly Mikhailovich's beliefs, he grows into his own humanistic straightforwardness, and moreover, the aim is to expand not only on the girl, but on the other. When describing the method of Erast, the author made a decision to go out of the way of the classical norms, beastly up to the laws of nature. Young Lyudin, volodyuchi noble character, suing himself. We think we are guilty for the death of a child and felt moral torment until the end of our life. The hero himself informs the author about his spiritual drama: “Erastus until the end of his life is unhappy. Having learned about the share of Lizinoya, I didn’t think it was enough, she read it to herself. I got to know him for a moment before his death. Winning my own history and grafting me to Lizin's grave ... ”. Erast's character is seen as more lively and believable from the classical norms. Karamzin would like to use his own creative work once again, but not because they do evil, but love to the very evil, and hate goodness only because it’s good: “People shy away from a lot of evil - without hesitation, there is not enough money; Oman's heart, lack of discipline, a shortage of blame on the disgusting right ... Thorough villains are a man who loves evil in order to be evil, and to hate good in order that it’s good, є why isn’t a miracle clueless, at least nature, the isstota is unimportant to the laws of nature. " On the butt of Erast, the author will show how rotten vchinki are in power and to gentry people. Folding and rich in human nature, the thought of Karamzin cannot be accommodated within the strict framework of classicism. Vinikla needs a joke in Russian literature of new directions artistic variety... Tvir of the writer "Bidna Liza" was well received by the literary community. Bagato in what a tse bulo is tied with vicarians by the author of new forms of artistic variation. On a dummy V. V. Sipovskiy, Karamzin, perhaps І. V. Goethe, revealing to the Russian reader that "new word", which everyone had already checked for a long time. The writer has continued his literary activity in the field of sentimental-psychological rectification. One more yogi povist - "Natalya, boyarska daughter", came out of the blue. Forget about the historical tvir, there is no less information about less than the main heroes, not about the real historical stories. Karamzin's innovation is manifested in a subtle image internal light their characters, moreover, feeling the head heroes are transferred to the development, in the dynamism. Natal, in his essence, is little more than Liza’s double-minded person, she is overwhelmed by such very attributes, as well as all the heroes of the sentimental stories of the 18th century.