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Characteristic artistic details of Lizi and Erasta. Analysis of the story "Bidna Liza" Karamzina N.M

Liza is not the only book to speak, but I think. Protest, the psychology of Lizi, the first time the girl was shocked, the presentation of the lecture was opened in the natural aftermath. First, she rushed into the bets, Liza pam'yatak about the mother, she wondered about the old one, she could, she wasted a penny, but at the same time the thought about her was not even able to put Liza into a small croc. As a result, the character of the hero - ideals, ale the inner tsilisny.

The character of Erasta is based on the character of Lizi. Erast of splendor in a greater sense of the vykhal yogo social middle, lower Liza. Tse "to finish the bagacy of a nobleman", an officer, like in the life of life, thinking only about his satisfaction, whispering him in svitskie amusements, or often not knowing, nudguvav and skarzhivat his share. Overpowered by "an unabated mind and a kind heart", being "kind from nature, a little weak and wicked", Erast is a new type of hero in Russian literature. The new type of Russian aristocrat rozcharovanogo Russian aristocrat.

Erast it is unreasonable to bury in Liza, do not think about those who are not out of the house. However, the hero will not showcase viprobuvannya love.

Before Karamzin, the plot automatically started the type of hero. In "Bednoi Liza" the image of Erast is much more foldable than that of the literary type, to which a hero should be.

Erast is not a "surrendered conjurer", he is guilty of his oath, and he is guilty of his deception. hero - more to converge with him in the "point" of sensitiveness. The author himself played the role of "announcing" that plot, as if by saying to him Erast: "... I got to know him for a moment before his death. Vin himself opened me up. History and inoculation me to Lizin's grave ... ".

Erast started in the Russian literature for the low heroes, with head rice such as weakness and obscenity to life, and for those in literary knowledge, the name of "loving people" has been fixed.

Plot, composition

Behind the hanging of Karamzin himself, the story "Bidna Liza" - "Kazka is no longer wise." The plot of the story is simple. The history of the cohannia of the common village girl Liza and the wealthy young nobleman Erast. Hromadske life and svitski pleased with you. Win gradually nudguvav and "skarzhivshis for his share." Erast "reading the novels of the idyll" and about that happy hour, if people, not obsessed with intellect and the rules of civilization, lived carefree in the bosom of nature. Thinking only about your satisfaction, wine “whispering yogo in fun”. When I appear in your life, everything changes. Zakhozhutsya Erast in the pure "daughter of nature" - the villager Liza. Tense, naivna, radishly dovirliva to people, Liza seems to be a beautiful shepherd. Having read the novels, in which “all people walked carelessly along the promenades, swam in clean jerels, swam like turtledoves, saw them with trojans and myrtles,” win virishiv, “know Lizi those, who have been in your heart” for a long time. Liza, hocha and "the daughter of a rich peasant", the villager is all deprived, as she herself is tempted to take her own life. sensitivity - self-esteem sentimentalism -: shtovhaє heroes in both one to one, yes їm mit Happiness. The picture of a purely first-time zakokhanosti is painted in an even more scandalous way. “Now I think, - like Liza Erast, - that without you life is not life, but confusion and nudga. Without your eyes, a dark light is a month; without your voice, a boring nightingale sleeping ... " "All the glorious amusements of the great light seemed to them not at all worthy of those contented ones, who were the passionate friendship of an innocent soul that lived in his heart." Ale if Liza is seen to you, the young people have started the holonuti in their opinion before her. Daremno Liza is able to turn around without happiness. Erast is going to go to the vicious trip, play in the picture all his stat and, vreshti-resht, make friends with the widow's bagacy. And Liza was fooled in great hopes and feelings to throw herself at the rates of Simonov Monastery.

artistic freedom

Ale the smut in the story is not the plot, but rather, as it is the fault of the bully to awaken the reader. The main heroes of the story are told by a number of announcers, who are told about the share of the common divine. The image of a sentimental notification after becoming a message in Russian literature, the first few messages being heard “behind the scenes” and being neutral in terms of the way they were described before. Alerts to know about the history of a single Liza without a second from Erast, and it is not easy to come to the "Lizin's grave" himself. Announcements of "Bidnoi Lizi" mentally received from one of the heroes. Also, the name of the occasion is prompted by the announcement of the vlast name of the hero with the institute, which characterizes the sensitive notification to her.

The author of the messages is a single mediator between the reader and the lives of the heroes, with the word. The notification is carried out from the first individual, the author's presence is constantly about himself by the periodic beasts of his before the reader: "now the reader is guilty of the nobility ...", "the reader can easily detect his own ...". The formulas of the beast, foster the identity of the emotional contact between the author, the heroes and the reader, genres Russian travel. Karamzin, transferring the formulas into the informal prose, attained to the fact that the prose had become more penetratingly lyrical and began to sound so emotionally, like a poetry. For the story of "Bidnoi Lizi" it is characteristic of short or flared lyrical steps, with a skin dramatic turn of the plot, the author's voice is felt: "my heart can be doused with blood ..."

In their natural identity, the three central image of the story - the author of the messages, the one Liza and Erast - with the unprecedented for the Russian literature, again implemented the St.

Karamzin is the first to write smoothly. In his prose, the words have merged with such a correct, rhythmic rank, that the reader has lost the hostility of rhetorical music. Smoothness in prose is the same as the meter of Rome in poetry.

Karamzin to introduce into the tradition the Silsky literary landscape.

meaning to the creator

Karamzin poklav the ear to the majestic cycle of literature about "little people", leading the way to the classics of Russian literature. I will read "Bagata Liza" on the basis of the day to see the theme of "little people" in Russian literature, I want the social aspect of Lizy and Erast to be muffled. Zvychano, prіrva mіzh a nobleman and a common villager, she is very large, Ale Liza is the most similar to a peasant woman, shvidshe for a mile a little girl, vikhovan on sentimental novels. The theme of "Bednoi Lizi" appears in the works of A.S. Pushkina. If he wrote "Panyanka-Selyanka", then he called out to "Bidnu Liza" in a different way, transforming "SUMNU BOOVALSHINA" into a "novel" with a happy little man. In the “Stanziynoe poglyadachi” Dunya was spoiled and driven by the hussar, and his father, without grief, to get drunk and into the world. At the "Pikoviy Ladi", the life of Karamzin Liza can be seen far away, the share, who checked to Liza, didn’t lay her hands on herself. Liza is alive and in the novel "Voskresinnya" by L.M. Tolstoy. Spokushena Nekhlyudovim Katyusha Maslova virishu rush to travel. I want to get out of life, ale life її povna brudu and humiliation. The image of the heroine of Karamzin has progressed in the works of their writers.

Itself in tsіi poistozhu the insights in the light of the evolution of the psychologism of the Russian artistic prose. Here Karamzin, looking at the gallery of "occupied people", is worth a round of one hard-working tradition - the image of intelligent nerves, which help to preserve the distance between himself and the power. The blessings of the blessed line get the people in the position. Serve the stench honestly for the father, they have not spent an hour to get out of the way, and then come in. Before that, if the people were hungry, then the people were hungry because of the way, they wereted the stench, as it became with Erast. In new in the povіstі there is no good, krym love.

No.; 4In Russian literature, there are many creatures, in which there is a landscape. The writers paused to include a plot element in their creation for practical purposes. So, for example, in the life of "Bidna Liza" Karamzin picturesque pictures of nature, at first glance, can be vzvazhnymi epizodes, which are only a beautiful background for the main show. Ale landscapes are one of the most important factors in the development of emotional experiences of heroes. In addition, the stench serves to transfer the author's assignment to the next day.

On the tip of the road, the author describes Moscow and the "thriving bulk of buddies", and immediately after a start, I see a picture: "Below ... along the next peaks, the flowing little river, grappling with the light oars of the sidelines ... oak guy, bilya how many herds graze ... "Karamzin stands up for the position of the beautiful and natural, which is unacceptable to the place, which is attracted to" nature ". In such a rank, here is a description of nature to serve for the rotation of the author's position.

Most of the landscapes are directed to those that convey the mental state and experience head hero... Same won, Liza, in connection with all natural and beautiful, the heroine is as close to nature as possible: “Even before the sleepy one Liza got up, went to the bank of the Moskva Rika, sat down on the grass and was soon astonished by the fog ..., the light of the day awakened all creation ... "

The heroine is summed up, to that, in the soul of the soul, it is new, it seems unprecedented, it is beautiful and natural, like a landscape right now. Already through a sprinkle of chilin, if you see the explanation from Liza and Erastom, the experience of the child is rocked in the new nature, the stench is so beautiful and clean. And when Liza sees herself as a sinner, she’s wicked, there are also changes in nature, like in Liza’s soul. Here the picture of nature is not just Lizy's mental state, but the tragic finale of the history.

One of the main landscape functions in the novel "Hero of Our Hour" is more and more importantly the specialty of the protagonist, Pechorin. Yogo character is seen in the proper descriptions of nature ("Fatalist", "Taman", "Princess Meri").

Pechorin is a building-of-the-spot seemingly ruh, burrowing of high grass, overwhelmed by “foggy naris of objects”, revealing the subtlety of the soul and glybin. To you, lonely people, nature, in the importance of khvilini, will help you to preserve your soul. “I’m hungry for food,” writes Pechorin, writing an emotionally stressed friend from Vroy.

Nature in romance is constantly opposed to the people of people with different preferences, moreover, the praigne Pechorina is angry with the harmonious light of nature to appear as a marnim. Landscapes that lie in the pen of the protagonist, create a ruch - such an inventory will flesh out the inner energy of the hero, his post-wander, spragu dei, visualize the dynamism of his spiritual stance.

In such a rank, landscapes in an artistic creation help to penetrate deeply into the souls of heroes and their experiences, more beautifully than the mind of the author.

2) The story of N. M. Karamzin, published in the "Moscow Journal" in 1792, was super popular and popularized in Russian literature. The main meta creator of the world is the image of the rich spiritual life of the Russian peasant and the toothy power of pennies. Symbolically naming the creature, how to take revenge, from one side, referring to the social and economic aspect of resolving the problem (Liza is a common villager), from the other side - to the moral and philosophical (the hero of the story, people’s reflection) ... The polysemy named the specificity of the conflict in the work of Karamzin. The love confrontation between a man and a woman (the history of the old men and the tragic bends of the Lizy) is provable. Social conflict (the love of a nobleman and a villager), tied with the backbones and economic conditions (the rozorennya Erasta and the need to be friends with money), for Karamzin to appear less significant, go to another plane.

Accepted vvazati, scho " Bidna Liza"- a classic zrazok Russian sentimentalism. Sentimental in life is shown in the poeticization of awe, minuscule and superfine, the artist's respect to the intimate light of a private people, in a special, vitally imaginative, creative monasteries, in the "criminal" plot of the story, and the tragic film and the soul; to selyanskoї dіvchinі Buda spriyati yogo moral vіdrodzhennyu, against real dіysnіst ruynuє's World yogo іlyuzії "Bіdna Lіza." - sentimental predromanticheskoy lovingly povіst For sentimentalіzmu Bulo characteristic vikoristannya teleologіchnogo syuzhetіv Zvernennya pismennika to plot іz zazdalegіd vіdomim kіntsem, Poperedjennia cheat atelє on the cob.. stories about the death of the heroine, with the view of the message because of the acceleration of the plot notification - everything is focused on the concentration of reading respect on the open screen internal light heroes, on the basis of natural beauty and harmony with style, on the specificity of the root of the artistic image, a portrait, detail, gesture played a great role. The plot of ambivalence, the call is not very reminiscent, manifested itself in the "detective" basis of the story, the author of which is the cause of the heroine's suicide, and in the unwitting solution of the problem of the "love tricycle", if the villager's love before Erast will be overwhelmed by the Liza "popovnyuє a number of images of" sick women "in the Russian literature.

The macrostructure of the scene is three-part: the entry into and out of the images of the panoramas of Moscow, Danilov and Simonov monasteries; the main, part, how to tell about the history of the cohannia Lizi; visnovok, de Opovidach povidomlyaє about tragic share The first heroes of the creation. The system of images of N.M. Karamzina can be represented in the view of antithetical betting of monocentric kil, who have been cast around the images of Liza and Erast by other characters (widow, friends Erasta, valet, mother Liza, shepherd boy, Anyuta). Pose with the help of a system to interrupt the image of the notification, from the name of which there is a conversation, and the image of Nature, spivchuvє "bednoy Lizi", as it is worried about the share. A similar system of images allowed Karamzin to make a mistake for their structure of tvir, both on an active basis (as a result of a specific message) and a sub-active (as a notification) notification.

N. M. Karamzin, having appeared at the scene "Bidna Liza" as a master of psychological analysis. In the sense of conveying the process of inception and development of love through the word, іntonation, gesture, mіmіku, vchynok showing the psychological folding of the images of Liza and Erast. Karamzin, zealous to the traditional poetics of "speaking the name", the sense of inconsistency of the invisible and internal in the images of the heroes of the story. Liza overturns Erasta ("loving") in the talent of loving and living with love; "Лагідна", "quiet" (in the translation from the walnut) Liza zdіysnyuvchinki, who can use the fun and strength of the will, how to go against the enormous laws of morality, religious and moral norms of behavior. The guiding principle of the openness of the artistic image in the story of Karamzin is the image of the emotional life of the people, the root of the psychological portrait. A direct characteristic, which gives the head heroes a message, and indirectly, how to take revenge in the words of other series of characters, bully by an important way of opening images. The image of a people in a child, moral or immoral, spontaneous, presumably augmented by writers in living, psychologically reliable heroes. Tsiy meti also served as a method of verbal portraits, vicarious artistic details, and the most important characterization of characters.

Ambiguous Functions of Nature in Creation. The pantheistic philosophy, mastered by the Karamzin, destroyed Nature with one of the main heroes of the world, spivrevati Lizi in happiness and sorrow. In addition, Nature appears in the writer's creation and as a mice dei (river bank, guy, rates), and as a rural, colorful and colorful background to the creation. Karamzin vikoristovuvav in two main ways of imaging space in the world: the way of panoramic views (aka urban landscapes) and the focus of focus, if from a picture of a natural light the author organically go to the image of a hero; sounding spostering space and concentrating respect for ludin: view of Moscow - Simonov Monastir - oak nuts and meadow near monastic walls - abandoned khatina - Liza. At the same time, the image of nature will come to the end with a report about the people who live "in the volumes of Naturi". The right to be spilkuvannya in the light of Nature may not appear in all heroes, but only Liza and Opovidach. Primitively, Erast is a distant view of the mind of nature, the image of natural, native sounds is depicted behind him: in the form of his character, motivation in the dominance of the social is the beginning. A selection of heroes on the "natural" and "civilized", characteristic of the sentimentalist creations, to the hospitality of the confrontation in Karamzin's story, to the tragic finale of the theater.

In "Bidnoi Lizi" N. M. Karamzin gave one of the first in the Russian literature in the sentimental style, which is based on the rosy-by-word movement of the well-known part of the nobility. Allowing for the vitality and simplicity of the style, the specific look of the "sweet-sounding" and "not savoring" the words and the virazs, the rhythmic organization of prose, bringing them closer to the prominence.

5) 1. The image of notification of the first meaning in the life of M. M. Karamzin "Bidna Liza"

VG Bulinsky, having respected, from Karamzin, including from "Bidnoi Lizi" (1792), honored "a new era of Russian literature". "Winning in Russia since the beginning of writing a story, as a suspension ... in which people were moving, the life of the heart and addictions was imagined."

K. is a sentimentalist writer. Vіn vvazav, shho feeling, the soul of the people are guilty of becoming the subject of an artistic image. And yet there are more changes in the fact that the basis of human progress is "goodness", "lower" human heart. Such a position was seen by the writer from the burning food of suspicious life. At the same time, she came to the wake of rationalism and classicism, and took the development of psychologism in literature. Great value K. has given a lively variety of prosaic information. Vіn orієntuvavsya on the approximation of the literary style with the rosy language of the sanctified nobility. As a writer, he first began to speak in my own words, "feeling", having pressed on the prose of nature. All the signs of a sentimental message were clearly seen in the smartest and most popular story of K. “Bidna Liza”.

Sentimentalism - from FR. "Pochuttya" - a leak in the European mystery of the 18th century - the ear of the 19th century. in., scho the reaction to the rationalist mystery to classicalism was won. S. stverdzhu self-esteem of specialness, the idea of \ u200b \ u200bwith the feeling of opposing classicalism, de state cob, a huge connection were brought into a cult and were promoted to a special development.

Signs of creatures in sentimentalism:

Especially respect for the inner, psychic world of people, for nature;

Idealization of action, nature;

The cult of the Chuttєvih experience;

Poshuk of positive authorities in their spiritual, inner light;

Ignoring social food;

The image of the characters of ordinary people, close to nature, simple intercourse, heroes, grasping to self-admiration and sensitivity;

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Genre of riznomanittya (novel at sheets, novel-spovid, podoroz, poema, elegya, sent)

The hero of the most frequent is the enchantment, who has lost faith in the reality of the harmony of light and happiness, as a strait of girky slyosi and lamenting for the share.

It’s not a person, who’s not a leader, not a great power, not a man, because of the power of great justice and passionate addiction, but of mere death.

The head of the artist - viclikati spіvchuttya to tsy common people, spіvchuttya, povagu.

Educate creatures for sentimentalism:

The composition is perfect;

Naybilshe K. cicavit the inner life of the bitchy people, who are sick to the "strongest child of addictions." Notification is carried out from the name of the author, such as Erast reports about the podії.

Features of the informative manner of K.:

The ability to look through the prism of author's emoticons;

Especially intimacy, sincerity;

There is a great number of poetical figures and paths;

Unity and simplicity of the storyline (the last of the stories);

The clarity of the composition;

Laconism, clarity, simplicity movi

The topic of the story is on the cob (4 paragraph)

End the reconciliation with the chord. Here the day of the sentimental glance of Karamzin begins.

"Beautiful" sentimentalism of Karamzin in his splendid appearances ... based on the viraz of living human sentiments and at the sight of a wide range of his fellows "appeared in Europe," the third time of writing "allowed

Liza is a bedna village dvchina, the main heroine of the world, who made another coup in the suspension of the 18th century.

K. for the first time in the history of Russian prose, turned to heroine, overpowered by the crumpled rice. Yogo words "and the villagers love vmyut" became krilaty. The main talent of Liza, who won’t make up her mind from her mother, is in the name of love. Sensibility is the main dignity of K.'s view - the price of being able to spy, to see "the most sensible", as well as the state of mind to be watched over by the powerful emotions. The very stick and hotness and make Liza to bend, but morally won’t be justified. Dumka K.: for a mentally rich, sensitive people, good vchinki are natural. The motive of the brutality of the pure and immaculate motherland is to be found in the country with a social sounding. K. was one of the first to introduce into the Russian literature the prototype of the place and the village. Silsky ludin - a ludin of nature - to appear bezakless, to play in the place, deyut his laws. Liza’s weakness, not vigorously sweeping on the way to the catastrophe, grows weak, for the joy of Erast, his love from the mother, who had rang all her minds before. The tragic bag of the villager's and the officer's love confirms the mother's rightness, advancing Liza on the cob: "You still don't know how evil people can form a single child"

The author's description of the first hero in one informal space before K. did not know Russian literature. Announcements of the mentally received from all the heroes. Also, the name of the occasion is prompted by the second name of the heroine with the institute, which characterizes the responsive notification to her, which is constantly repeated, but not the owner of the move. K. do not disclose the right causes of evil. In deprived of the narrative on the laws of civilized suspension, like the motives of Erast, from the people of the unrepentant, albeit deprived of the wicked, the minds of the zaradi great friendship on the bagatie of the nobility. K. shkodu i Erasta, comrade K. Win, on the perekonannya of the writer, a victim of unreasonable human accusations. The corruption of the writer to the moral day of the conflict has made him respect for the inner light, the psychology of the heroes, which was important from the point of view of the forged development of Russian prose.

The image of Liza is not an amusement of ideals, acts of seeing the authorities are more established by the nobility, not by the villagers. K. opened the mental camp of L., through the tin, the mimic, the antonomy, and the alley of the win, to penetrate into the hauntedness of the heroine's way through the middle image. Basically, the food, which the author thinks to know, is in the offensive: the fortune of the current ideas of goodness and justice. Win a sum about people in general, because of the difficult problems of the moral reasoning of the skin for their children. K. zrobiv try to explain to the beholder of the people yogo in the light of nature, or in the hands of the "dole".

1. First crocs in psychological prose.
2. artistic features povist.
3. New priyomi, vikoristovuvani Karamzinim.

N.M. Karamzin, the founder of sentimental-realistic literature, became the mayor of the root of the miraculous stories, and talk about the share of his fellows. Itself in the whole genre like it is not possible to open up again and again his talent of the sentimental writer.

Povisti Karamzin: "Frol Silin", "Bidna Liza", "Natalya, boyarska daughter"," Julia "," The Face of Our Hour "," Sensual and Cold "," Martha Posadnitsa ", - one view of one behind their artistic peculiarities and structure is seen, as there are no less vivid images of psychological prose. Most of the time, due to its great ruhomies of emotionalism and visibility, they are considered the main characters of the Karamzian stories of the boule of the representative of the beautiful stati. At the same time, the author pragnuv to characterize the people who belong to all the different camps, such as the distinguished heroes: noblewoman Natalya, "peyzanka" Liza, svitska lady Yulia, posadnitsa Martha, boyar Lyuboslavskiy. The scribe does not just tell about the life of these people, but reckon up their inner lights, show their excitement and shortcomings. It is possible, for the very same heroes are even more realistic and how extravagant people stink and love, curse noble ones and do not wait for a girl. It is possible to say that Karamzin went deeply into the soul of his heroines, and that means, set the rich and truthful images of women.

The story of the writer "Bidna Liza" has become very popular. To get involved, the creativity of the writer M.M. Muravyov, who was one of the first who learned the extra-class value human specialties: “I was impressed by the thought, but on the same day a simple peasant had instilled in me a povaga, if I marveled at the contempt of a noble, unworthy breed. I felt all the power of a special gidnost. There is one thing to behold people and to bear every camp. " Like the heroes of the prose of Muravyov, Liza, behind the literary studies, live in the front, "blya birch guy, in the middle of a green beam", so you allow this to be close to nature.

The main heroine of "Bednoi Lizi", a young woman, was born in a rural homeland, and was born in the face of strict moral ideals. The deceased father її "loving the robot, plundering the earth and living the good life". The fathers of the family overcame their daughters with the rule "they didn’t take anything for nothing." Mati Lizi, having lost her cholovik early, lost her true memory of all the rocky, "I love the villagers!"

With his hand, the sympathy of Mikoly Mikhailovich is remembered to his heroine. I can, I’m not ready to open it. social center her characters, that Lizu and mother can be brought both to the townspeople, and to the representative of an old noble family. I don’t order those women who are bullies. However, it’s not turned on, the scribblers didn’t work, but Liza “worked day and night - weaved canvases, knitted panchohs, in the spring tore up kviti, and took a bottle of berries - and sold everything in Moscow”. Selyansky beggar and the poignant virtue of the main heroines can also appear by the author in a deliberately pastoral manner: “... ...

Vzaimovidnosini Lizi and the nobleman Erasta are also reminiscent of sentimental, idyllic moods. Moreover, the tragic finale of dictating not by the social nervousness of the kokhanikh, but unpleasantly by the surroundings, which made the protagonist's lightweight feel. At the same time, the most clear manifestation of the idea of \ u200b \ u200bthe story of Karamzin from the works of Radishchev, which, navpaki, is of great importance for the social rationale of his heroes. Bringing the shutter one to one Lizi and Erasta carried a sentimental and romantic mood on his own. The main heroes are called from the real life. Moreover, if it is possible to try and invoke the powerfully rich Yunaki, like “reading the novel”, then, for the logic of speech, I’m a stranger from the village’s village, as it sounded from the early childhood of the real life... Protesting young people often take to themselves as characters from the shepherd's idyll. Navit Liza in her worlds I hately imagine і of her own not tying, kim stench є in the haunted life: “Yakbi that, who now borrows my thoughts, who was born forgiven a peasant, a shepherd, - and yakbi me win now a flock! I leaned in with a laugh and said in a courteous way: hello, dear shepherd boy! Kudi zhenesh ty her flock? And here the grass is growing green for your flock, and here there is a red thread, from which you can weave wines for your droplets. "

With a lot of mova, more and more bells and whistles of the heroes of the head, more and more adore the sentimental and romantic mood of the creature. Such words, like “soul”, “dear friend”, “love”, “chervoni kiti”, can be used to adjust the reader in a more romantic way. Let me see you respect Karamzin, eat us in front of the inner camp of Erast and Lizi. The author, as a master artist, subtly shows all the views of love. The image of the head heroine, yak pragne to nabutty sprazhny kokhannya, to finish the criticism in one line. Karamzin is not pragmatic here, as it is violated for the establishment of the rule: Liza is sensitive and kind, and її "padinnya" does not go beyond ethical norms... However, for this genre, a tragic connection to the creation is absolutely not characteristic. In the future, in Russian sentimental prose, everything will end not with the fun and appearances of loving hearts, but with the death of one of the heroes. Liza ended her life by suicide. In the protest of Mykoly Mikhailovich's beliefs, he grows into his own humanistic straightforwardness, and moreover, the aim is to expand not only on the girl, but on the other. When describing the method of Erast, the author made a decision to go out of the way of the classical norms, beastly up to the laws of nature. Young lyudin, volodyuchi noble character, suing himself. We think we are guilty for the death of a child and felt moral torment until the end of our life.

The hero himself informs the author about his spiritual drama: “Erast, until the end of his life, is unhappy. Having learned about the share of Lizinoya, I didn’t think it was enough, she read it to herself. I got to know him for a moment before his death. Winning my own history and grafting me to Lizin's grave ... ”. Erast's character is more vigorous and believable. Karamzin wants to use his own creative work once again to bring it to the fore, that it is not sensible to be ridiculous that they do evil only for love to the very evil and hate goodness only for that which is good: “People shy away from a lot of evil - without hesitation, there is little frustration; Oman's heart, lack of discipline, not enough to enlighten with wine the disgusting right ... Thoroughly villainous person, how to love evil in order that there is evil, and to hate good in order that it’s good, є why isn’t a miracle clueless, at least nature, the isstota is unimportant to the laws of nature. " On the butt of Erast, the author will show how rotten vchinki are in power and to gentry people. Folding and rich-faceted human nature, on Karamzin's thought, cannot be accommodated within the strict framework of classicism. Vinikla needs a joke in Russian literature of new directions artistic variety.

Tvir of the writer "Bidna Liza" was well received by the literary community. Bagato in what a tse bulo is tied with vicarians by the author of new forms of artistic variation. On a dummy V. V. Sipovskiy, Karamzin, perhaps І. V. Goethe, revealing to the Russian reader that "new word", which everyone had already checked for a long time. The writer has continued his literary activity in the field of sentimental-psychological rectification.

One more yogi povist - "Natalya, boyarska daughter", came out of the blue. As a historical tvir, there is no less information about less than the main heroes, not about the real history of the story. Karamzin's innovation is manifested in the subtle image of the inner light of his characters, moreover, feeling the main heroes are transferred to development, in dynamism. Natal, by his very nature, is little more than Liza’s double-minded person, she is overwhelmed by such very attributes, as well as all the heroes of the sentimental stories of the 18th century.

The sentimental story "Bidna Liza", written by N.M. Karamzin in 1792, is repaired with the words: it is more than possible not to wander around, without a plan, without a mark - light for the eyes - through the meadows and groves, along the humps and valleys. " In addition, the development of Moscow will play an important role in the development of creativity.

There are numerical fields, gai, which are no longer in the center of modern Moscow, but at the same time the author speaks with them and about the gold-headed Danilov Monastery, the village of Kolomenskoye, the famous Sparrow Hills, on those awaiting the new hour.

Landscapes traditionally play an important role in sentimentalism. Descriptions of nature give rise to a low, wide-ranging character of Liza, to serve as a background for the development of love among heroes, a collection of the pure, platonic character of this friendship: ", And then we are involved in the development of the pod_y, close to the zhakhlousy picture:" The hassle of the evening mav bazhannya - the zhodnoi zirochka didn’t hang on the sky - there wasn’t a chance to sanctify the mercy. ”

Liza and Erast were unimportant at the wineries with some pretty characters. Liza, never loved her mother, when the dad died, she looked after the old mother, and that “bachelor’s daughter’s lack of energy, often clung all those who are out there to rob for the mother. " Erasta, the author characterizes how people are good, a little less weak, whispering rosters and svitsky nasolod.

The odds of the same number of young men and women led Erast to Liza: your friends, cleanliness and innocence, but I’ll get addicted, if all the girls stopped being blameless, Erast had tried to draw some attention to them. Bagatie of a widow, a long time ago in the new.

Creation thinks about sentimentalism: nature is like the middle of purity and purity by the author, at that time there is a lot of focus in the place. For the writer, it is also the characterization of lyrical access to the heroes, as we will forgive people, as well as to the nobleman Erast, who will be unhappy until the end of his life and will do it for himself.

All the price of the story of "Bidna Liza" is one of the bright images of Russian sentimentalism.

"Bidna Liza" (1792) by Mykoly Mikhailovich Karamzin on the way, on the other hand, on the other hand, it could not have been built with the first knowledge of her. And as soon as they, as well as to lay down, followed behind the shares of the heroes, then now there is a warning on the figures and on those as the plot of the story will be.

І for ts'go zrobno small zusilla, I will try to understand myself by the readers of the 18th century, having consumed a fresh issue of the Moskovskiy Zhurnal for 1792 rіk with the help of a young, aloof writer Karamzin Mikoli. We, the readers of the eighteenth century, sounded before the "correct" writers immediately introduce us to the "right course", explain why, give first assessments to the characters: one is good, who is not even worse, but the third is the call of ruin.

The I axis is displayed as "Bidnu Lizu":

“Perhaps, some of the tenacious in Moscow do not know so well the outskirts of this place, as I, most of the time, do not wander in the field, it is more than possible not to wander around, without a plan, without a mark - light for the eyes - in the meadows and gaiakh, along the humps and valleys. Whether I know it, I’m new to accept it, or it’s new in the old days.

But for me the most important thing is to hang on to the dark, gothic vezhi Сі ... a new monastery ... "

Wonderful. To replace the heroes, the author started with himself, with a description of his experience. Instead of immediately bringing the plot into the flywheel, I will describe in a lecture the landscape of the monastery of Simonov ... and only after reading the inventory, we - people of the 18th century - will start thinking about it on the right.

Aje landscape is only built to be so forgiven, of the same type. As a matter of fact, the "picture" is doubled, rosharovatsya, like a photographic image - to "positive" and "negative". On the "positivi" is depicted the non-ruhoma, the innocent, natural life of nature. There is no change in the capital, more from the rock in the rik. And to that, won the gift of the sensitive author of the vision of imminent calm. So it was accepted to depict nature (or, as they said, "the mystery of nature") in the new genre of idyll, dedicated to the message about the peaceful life of shepherds and the shepherd far from galaslivy places:

“... On the іnshіy side you can see the oak man, bіlya which graze the number of herds; there are young shepherds, sitting in the darkened trees, sleeping in simple minds and speeding along lіtnі days, The settings are the same for them. "

On the "negative" shows ruhoma, minliva, menacing life of history. Follow the shvidkoplinny hour wiping everywhere - and smell the smell of that sensitive author, but the life of nature is not so calm, not so invisible, like an hour to be built. Sumna of autumn comes for a happy canopy; for youth - old age, for old age - death ...

“... I often come to the center of the world and see if I see spring there; here and there I come and in the gloomy days of autumn sumuvati at the same time with nature. ... There, dropping onto the ruins of the grave stones, I hear the deafening of hours, oneless of past deaths ... All the same in my memory of the history of our Batkivshchyna - the sum of the history of quiet hours, as the fierce tatars the capitals and if Moscow is not happy, as a meek widow, from God alone, help me in all my dashing times ... "

It is not for nothing that notifications were sent to us at the cordon between Moscow and the city's front lines. Win nemov wants nagadati chitachev: in people, in human specialties, in nature, in an unnatural ear, in a new understanding of good and evil. And the smut is a bitter little fellow, at the sight of people there are large, more happy epochs, you cannot cling to the bosom of nature from the bustling history, you cannot just once go from the place to the village. Misto all is one order, and vices, like panting in the new, can early and quickly "flow" into a peaceful life. Then, for a place of learning from the life of the villagers, you will not go through to the end without a trace, it is not possible once to be aware of muras from the inflow of simple and natural morals. In other words, in the midst of the dumb light, all cordons are easy to defy; in which there is both evil and good. Good and evil.

For the people of the era of globalism, such a thought is more and more sensible and evocative. We are namagaєmosya with you to stand on the point of view of people at the turn of the XVIII-XIX century. And to that, we raised the philosophical zuhvalist of Karamzin. However, it’s not enough for someone to be built: they want to discourage our reading and reading and our own inexperienced literary zuhvalist. It is inevitable that the attack will start before the planned solution.

Mati Lizi, kind and simple-hearted peasant woman, it is harmless to follow the secular light - the light of patriarchal sentiments and an announcement about life. Vaughn is not a joke of riches, it is more overcontained: "More beautifully, they didn’t take anything for nothing." Thus, a topic was introduced into the world, which was also completely new for the Russian literature of that hour: the topic of pennies. Moreover, it’s not like this, the stench for the new is a symbol of unnatural blasphemy, which is not so attached to good hearts, but not to good people, one to one, but to vigod and villains, to deception and deceit in an hour. Quite a penny not in a village, but in a place in the same place, where the donkeys of the dear Liza roztashovan are still close to the borderline.

Introduce the topic of pennies will grate the key role in prompting the plot of the story. After Erasta, who proponuvav Lizi for a bunch of convoys, replaces 5 kopecks of a ruble, he himself is a scholar, wherever there is a soul. But a penny form, in yaku of hopes, I will add a little bit of “zipsovanism” of a non-rotten, in general, people. Yomu does not fall for a thought, but nature is almost insane with penny rosary, not penny. It’s not for nothing that the announcements immediately began to respect, having become a mimic testimony of the whole stage, as soon as they passed by and seemed to have a little bit of mischief and a wry laugh. The smell of zipsovanі kudi more, nіzh Erast. For them, a "penny" gesture can mean only one thing: I'll try to buy love.

The axis of what Liza is prompted to take from borrowed pennies and later to sell a quit for a simple price - 5 kopecks. And if I know to come to the place in the local hopes of making a beloved don’t know, then I’m going to be passing, but I’m not selling it, and you are important for beautifully throwing people in a child, for all the time. I’m with you, as a reference for the red writing of the end of the 18th century, rosemouth, scho and kiti, in their own devil, may have changed into a symbol. Liza is a symbol of purity, purity, and tremulous love, in the yak to turn and in the yak. Ho, on the view of ancient writings, which read Erast (and at which there are reads of "Bidnoi Lizi"), Karamzin prompts marvel at life with a sum. Win bazhav bi, schob passed, pure love zdatna bula podolati stanu pryrvu, ale, hesitates, which is possible.

I will know again about the article on the point of view of the first reading of Karamzin. The stench sounded before that, through the space of the plot for the skin hero, its own line was laid. positive hero collapse in one straight line, the negative - in іnshomu, іх number, as parallel straight lines, but not to overturn. The first axis until the respect of the readers will be understood, the main heroes, which are not just amalgamated with unambiguous characteristics, but the building goes over from their "number" to someone else's and back. Liza, she didn’t need to, was borrowed from Erast. Erast - with Liza.

Win, having forgotten about everything in the world, is hungry for one thing: pure, immaculate love. Now it is trocha closer to its cob, "natural" stature, to its soul. Liza, navpaki, vidteper is ready to forget "her soul, nіzh dear ... friend!" It’s obvious, і Erast, і Liza to become overpowered, to their glances, to their little animals. Win yak and earlier, everything is translated into pennies, including the power of kindness. We buy Lizin's robot, “if you want to pay ten times more expensive, it will be recognized ... prices”. Vona is yak and earlier than a schira, sensitive, rattling. (Before the speech, the very word "zosorushliviy" was in its original meaning introduced into the Russian language by Karamzin herself.) a humble litter of toughness of Karamzin descriptions! - to see a turning point in both the shares of the heroes, and in the others. Non-overwhelming straight raptom flew over and overflowed into the small sides:

“... Nareshty five days in a row didn’t bother yo and bula in the most troubled; in the first priyishov in the summons of accusations ... "

An hour, like in the "natural" light, you can’t fool yourself, intrude into Lizina’s life. Vona in direct sense of the word start rahuvati days. Moreover, respect: the persha of the heroes of the spirit was seen in the city, on the "territory" of Erasta, kudi Liza brought the kits - a symbol of natural sensitivity. And about the maybut rozluznu vona know in the village, in his "territory", kudi "good-looking Moscow pan" Erast to bring pennies, a symbol of the unfaithful, how to transcend the laws of "nature" among the people: "Win a good one, take a lot of people. Liza did not sell any apartment to anyone, while Erast would be on the road.

It’s all a penny, it’s a penny, and it’s going to end. Liza went to Moscow for the day. Not in order to sell, but in order to make purchases. (Karamzin is an important detail.) Wonderful Erasta, like, come to see, replace the one who will do well in the army, having made the t-shirts. I wish to befriend a widow's bagacy. Tobto win gravitas for a penny, for a penny, and in a bag - having played love, changing "nature". І nizhakhlivishe, shho, apart - say goodbye! - with Kohana Liza, I know I donated a penny, Nemov got lost because of his not-so-far love: “The axis of 100 rubles - take them, - I sent the penny to the kishena. - Conduct a qiu dіvchina from the yard ".

Zrozumіlo, sentimental notifications do not want and can not be true of such innuendoes of the hero. But kudi is more important than it is. I will describe the rest of the chillin Lizi, yak, persh, put your hands on yourself, say goodbye to the old oak trees, "witness to the drowning." I dumb mimokhіd, along the way I respect: ostn, scho Liza was killing her in her life, so she sent 10 imperial mothers through her daughter Anyuta. Tobto won’t seemingly repeated Erast’s "farewell gesture", apparently because she was unaware of her counter-natural "mischievous" logic. A penny yak bi poklikanі spokutuvati її daughter provin, the stench will melt at the price of a wickedness from the mother ...

Russian literature did not know such foldable artistic and moral solutions of this era. However, Karamzin did not make a mistake. Having opened the plot of the story, Lizy without a second thought, win over on the analysis of his vlasnykh pochuttiv... I do not become familiar with the readers, so come to them not in the snake! You may not be able to tell me about your misery, about those who were on the trap, but you do not condemn anyone: “I often sit in thought, descending on the place of Lizin's ashes; in the eyes of my struma rates. "

And the rest of the phrase, as I read it, because we already knew about the death of Erast himself, as if the surplus of his days was in sorrow, to sound and it’s very pleasantly: “Now, maybe, you’re already reconciled!” Opovidach - not shit, not yogo reader! - I know that suicide is involved in the most frightening sin, that self-suicide does not go to church or in the boundaries of the church fence, but there is no way for the souls of self-sucking to paradise, and in baking it is unhappy to "be smart." On the scale of religious values, the notification does not stand out from the church. Vona zbіgaєtsya zі the scale of values of the sentimental culture, as Goethe allowed the young Werther to be true, as having done away with himself.

So, Liza (similar to Werther) did not go wrong, as she did wrong and Erast. But the smut for Karamzin in іnshomu: in that, wіn, і won, hey in the rіznіy world, listened to the voice of a vigorous heart, were sensitive, approached the "mystery of nature" (I want to come and see). And that means that food about "hell" or "paradise" is not for them. Oh souls are in heaven. Yak? De? The author does not know. So it’s not a good thing for the nobility. Smolder, wien, like be-yak lyudin, I will promote the cult of the heart, I do not require normative morality. In the need of the first - in vitality experiences, in spіvchutі, in spіvchutti.

It’s not for nothing that it’s not called “Liza and Erast” (this is how he called bi svyr be- “correct” writer of the next generation), but “Bidna Liza”. Listen, think about it: in the name the voice of the alert itself sounds vaguely, the presence of its responsiveness.

In the first place, it could not be. Adzhe "Bidna Liza" does not only inform about the unhappy kokhannya village girl, but talk in detail about the experience of the author himself, which will tell the story to his readers.

1. First crocs in psychological prose.
2. Artistic features of the story.
3. New priyomi, vikoristovuvani Karamzinim.

Karamzin's stories: "Frol Silin", "Bidna Liza", "Natalya, Boyarska Daughter", "Yuliya", "The Face of Our Hour", "Sensual and Cold", "Martha Posadnitsa" і structures, є we do not have less insight into psychological prose. Most of the time, due to its great ruhomies of emotionalism and visibility, they are considered the main characters of the Karamzian stories of the boule of the representative of the beautiful stati. At the same time, the author pragnuv to characterize the people who belong to all the different camps, such as the distinguished heroes: noblewoman Natalya, "peyzanka" Liza, svitska lady Yulia, posadnitsa Martha, boyar Lyuboslavskiy. The scribe does not just tell about the life of these people, but reckon up their inner lights, show their excitement and shortcomings. It is possible, for the very same heroes are even more realistic and how extravagant people stink and love, curse noble ones and do not wait for a girl. It is possible to say that Karamzin went deeply into the soul of his heroines, and that means, set the rich and truthful images of women.

The story of the writer "Bidna Liza" has become very popular. To be impressed, the creativity of M. M. Muravyov, who is familiar to the hour, was inspired by the creativity of the writer M. I marveled at the contempt of a noble, unworthy breed. I felt all the power of a special gidnost. There is one thing to behold people and to bear every camp. " Like the heroes of the prose of Muravyov, Liza, behind the literary studies, live in the front, "blya birch guy, in the middle of a green beam", so you allow this to be close to nature.

With his hand, the sympathy of Mikoly Mikhailovich is remembered to his heroine. You can, I’m not openly aware of the social environment of my characters, that Liz and my mother can be brought to both the townspeople and the representatives of the old noble family. I don’t order those women who are bullies. However, it’s not turned on, the scribblers didn’t work, but Liza “worked day and night - weaved canvases, knitted panchohs, in the spring tore up kviti, and took a bottle of berries - and sold everything in Moscow”. Selyansky beggar and the poignant virtue of the main heroines can also appear by the author in a deliberately pastoral manner: “... ...

Vzaimovidnosini Lizi and the nobleman Erasta are also reminiscent of sentimental, idyllic moods. Moreover, the tragic finale of dictating not by the social nervousness of the kokhanikh, but unpleasantly by the surroundings, which made the protagonist's lightweight feel. At the same time, the most clear manifestation of the idea of \ u200b \ u200bthe story of Karamzin from the works of Radishchev, which, navpaki, is of great importance for the social rationale of his heroes. Bringing the shutter one to one Lizi and Erasta carried a sentimental and romantic mood on his own. The main heroes are called from the real life. Moreover, if it is possible to try and invoke a domineering Yunaki, like “reading a novel”, then, behind the logic of speech, I’m a stranger than a village girl, as it sounded from an early childhood stuck to real life. Protesting young people often take to themselves as characters from the shepherd's idyll. Navit Liza in her worlds I hately imagine і of her own not tying, kim stench є in the haunted life: “Yakbi that, who now borrows my thoughts, who was born forgiven a peasant, a shepherd, - and yakbi me win now a flock! I leaned in with a laugh and said in a courteous way: hello, dear shepherd boy! Kudi zhenesh ty her flock? And here the grass is growing green for your flock, and here there is a red thread, from which you can weave wines for your droplets. "

With a lot of mova, more and more bells and whistles of the heroes of the head, more and more adore the sentimental and romantic mood of the creature. Such words, like “soul”, “dear friend”, “love”, “chervoni kiti”, can be used to adjust the reader in a more romantic way. Let me see you respect Karamzin, eat us in front of the inner camp of Erast and Lizi. The author, as a master artist, subtly shows all the views of love. The image of the head heroine, yak pragne to nabutty sprazhny kokhannya, to finish the criticism in one line. Karamzin is not pragmatic here, as it is violated for the establishment of the rule: Liza is sensitive and kind, and її "padinnya" does not go beyond the ethical norms. However, for this genre, a tragic connection to the creation is absolutely not characteristic. In the future, in Russian sentimental prose, everything will end not with the fun and appearances of loving hearts, but with the death of one of the heroes. Liza ended her life by suicide. In the protest of Mykoly Mikhailovich's beliefs, he grows into his own humanistic straightforwardness, and moreover, the aim is to expand not only on the girl, but on the other. When describing the method of Erast, the author made a decision to go out of the way of the classical norms, beastly up to the laws of nature. Young lyudin, volodyuchi noble character, suing himself. We think we are guilty for the death of a child and felt moral torment until the end of our life.

The hero himself informs the author about his spiritual drama: “Erast, until the end of his life, is unhappy. Having learned about the share of Lizinoya, I didn’t think it was enough, she read it to herself. I got to know him for a moment before his death. Winning my own history and grafting me to Lizin's grave ... ”. Erast's character is more vigorous and believable. Karamzin wants to use his own creative work once again to bring it to the fore, that it is not sensible to be ridiculous that they do evil only for love to the very evil and hate goodness only for that which is good: “People shy away from a lot of evil - without hesitation, there is little frustration; Oman's heart, lack of discipline, not enough to enlighten with wine the disgusting right ... Thoroughly villainous person, how to love evil in order that there is evil, and to hate good in order that it’s good, є why isn’t a miracle clueless, at least nature, the isstota is unimportant to the laws of nature. " On the butt of Erast, the author will show how rotten vchinki are in power and to gentry people. Folding and rich-faceted human nature, on Karamzin's thought, cannot be accommodated within the strict framework of classicism. Vinikla needs a joke in the Russian literature of new direct artistic variations.