To write about usna folk creativity. Folk creativity. Sap'yanoviy - shattered from the thin and the meat of the sheep's shkiri, specially wrought and smashed into the yaskraviy color

A special kind of mistress - asleep folk creativity.

A special kind of mistress - asleep folk creativity.

Sleep - means the transfer of word of mouth, tobto without writing down the text. The particular folklore is collectively the authorship, which is what they call the creativity of the people.

A short hangout to take revenge on the people's wisdom. Prisliv'ya zzvychay store in two parts. In the presence of the presence, there are signs of poetic movi: rhythm, rome.

Figurative hanging. Name the part of the message. We will not end the judgments at the end of the day.

Slyly to describe the subject or a manifestation. The name resembles the word gadati - dumati, mirkuvati. The mystery has an artistic image, which helps to know the correct view.

Childish pisenki - beasts to sleep, merriment, planks to all the animals of nature, to creatures and ptahs.

Cheerful folk warriors for children, in which there is no sense, lack of vision, lack of sense.

Lichilochka is a small vershik, for the help of whom I start to drive in the country.

Merry folk for little kids.

Usny rasspov_d about vigadans, nebuvali podії.

People's Cossacks were shown by special alerts - Cossacks.

• The main character is down to an unprecedented viprobuvannya.

• Wonders are seen.

• Miraculous pomichniki (Syriy Vovk, Sivka-Burka,)

• Charming objects with unwitting authorities (water is "alive", self-assembled tablecloth, kilim-litak, choboty-quick-walkers)

• Dark strength, terrible monstrosity (Koschey-Immortal, Baba Yaga, Likho odnooke, Serpent Gorinich).

• Taєmniche nastrіy.

Heroes - creatures

• Heroes - creatures

• Charivne umova

• Strong carnivore weak

• Merry mood

• Heroes are simple people (soldier, man, warrior, squad).

• Diya to see the everyday life situation (in the house): in the booth, on the rally, on the day, on services.

• Enjoy different situations.

• Vismіyuyutsya rotten rice character.

• Zakhoplyuyutsya rozum, the wine of the head heroes.

• Fun mood.

Perevir yourself

• Perevir yourself

1. The words "Lived-bouli ..." in kaztsi:

• кінцівка
• Osnovny zm_st
• inception

2.What kind of Kazakhs are the main heroes of the zychayny people?

• in charivnykh
• by-business
• about tvarin

3.Ivan Tsarevich and Syriy Vovk Tse Kazka

• about tvarin
• charivna
• pobutova

Calendar-ritual songs tied with traditional rituals, village pracea and pores of fate.

The stench of the super-juvenile oranka and tidying up the last sheaf in the field, youth festivities and celebrations or Troitsky rituals, christening and wedding.

Winter (front-line) songs - carols. Kolyaduvannya - svyatkovy go around the budinks in front of the other Christmas carols, in which the gentlemen were famous for the booth and the fancy of happiness, riches, I vomit.

Pisnya is a wide and generous passion for oil.

In the songs of Maslyan, they glorify, call to turn, call them hot human names: Avdotyushka, Izotievna, Kilina Savvishna.

The springlings were calling for spring, warmth and dispersed from the winter. The stench was nagaduvali, so it’s time for Polish robots to come, birds to fly and “bring spring”.

They didn’t sleep, but clicked on pagorbi, dakhi.

Lіtnі pіsnі vikonuvalis for an hour lіtnіh festivities, on svyatkovyy (in Semik and Triytsu).

In Semytskaya - Trinity paintings, birches are introduced in the central place - the head tree of words, a symbol of warmth and life.

The main prints are tied with the cob, in the course and at the end of the stubble. They glorified the harvest of the harvest, dyakuvali women went to the field and harvest the harvest.

Harvesting children spied on the tip, when turning from the field, before the hour of the robot.

Pisnі - said about the rich - zhisnikіv of his father, folk heroes, Warehouses in the 9-13th century Old Russia... They showed Kazok-Guslyars, they went from place to place. Bilini vikonuvalis urochisto, povіlno, spіvuche.

The main heroes of the bilin are rich. The main rice of bilin's heroes is love to the native land. The heroes of the bilin are known for their nerve power, gentry, courage, virtuous valor, wisdom.

• Repeat (far, far, long ago, bitisya-ratіt)

• Hyperbole - overdrive (... "poklav їkh to a thousand" ...)

• Epitheti - barvy viznachennya (glorious rich man, violent head, slosi combustibles, monstrously filthy, good kin).

• Zmenshuvalno - colorful Sufiks (golivonka, dumonki, Aleshenka, Vasya Buslaevich, Dobrinyushka)

• Degrading Sufiks (Gloomy, Іgnatіshche, Tsar Batuіshche, Ugarіshche)

• Metaphor, porvnyannya (... "the old age has arrived, since the fields are clear" ...)

Sagaidak - a case for arrows.

• Sagaidak - a case for arrows.

• Kolchuga is an old-fashioned Vyskovy cloudyard at a shirts made of steel rings.

• The club is an old-fashioned zbroya, the important club is with a tantrum.

• Pikhvi - a case for a sword or a dagger.

• Sholem is a Vyskovy cloud-chunk, scho grabbing his head.

• Zbruya - belonging

for harness.

• The shield is a rounded metal plate, yak beaten in battle from arrows.

• Stolny Misto - Capital Misto

• Straight road - straight road

• The road got stuck - the road is littered with dry trees (decks)

• Azure - blakytny, beautiful

• Velichati - nazivati ​​or glorify

• At individuals - okremo

• Ospivati ​​- glorify in pisnі

• Sap'yanoviy - shattered from the thin and the meat of the sheep's shkiri, specially wrought and smashed into the yaskraviy color

Povnotextovy pochuk:

Unimportant to the glib influx of Chinese and Western culture, V'utnam and earlier secured their unique multiplicity of identity. Similarly, literature in the world's leading lands, literature in V'utnam is composed of two parts: folklore and letters of literature. People's Literature - Usna Literature; Tim hour of writing literature includes ієroglіfi kandzі, "chunom" and "chu kup-PSU".

The V'utnamska folk literature is numerically and versatile. To preserve the expensive national traditions, to discuss the lives of the people, to hear the news of the Ukrainian generation, from generation to generation, from the generation to generation, from the generation to generation, from the generation to generation, from the generation to generation, from the generation to generation, the informal usna of folk literature was handed over. People's literature often praise the talents and manhood of people from the supreme nature, praise the kindness, generosity, and help one to one, wicked love between men and women, old friends, praise the love of people, nature and family.

De shukati:

everywhere
only in the name
only in text

vivoditi:

to describe
words in text
title only

Головна> Abstract> Literature and russian mova

Abstract - 8 sides.

Entry

Usna folk creativity and folklore

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List of Literature

Entry

There is a majestic number of robots assigned to the forms of manifestation of folklore evidence of folklore texts. Doslidzhuyutsya modern, stylistic, ethnographic features of folklore texts; їх compositional structure, including images and motives; grasp the genesis of the deeds folklore genresі folklore works; look at food about the day-to-day power and signs of folklore, which are manifested in folklore texts; Analyze the moral aspect of folklore creativity and, apparently, the meaning of folklore among the young generation, as well as rich in folklore. In a great flow of literature about folklore, the enemy is rich and versatile, and it’s repaired. folk wisdomі a mystery of memory і finishes with a special form of suspicious visualization and in a way of visualization and understanding of action. Crazy, the development of the definition of folklore, due to the folding of this phenomenon of culture, its continuous development, as a result, the heterogeneous forms will manifest itself on the same historical suspension stage of development.

The relevance of furrowing to folklore as a way of harmonizing each other's people from action can also be explained by these tendencies, which may be a point in the development of a delicious suspension. Naybіlsh out of them, how to put a threat to the spiritual and physical vision of people є, from one side, the development of technogenic civilization from the domination of technocratic goals and the principle of scientific and technological development of people, from one side from the side, an increase in the ecological crisis on the planet.

Usna folk creativity and folklore

Epos. Epos yak genre (abo a group of genres), that is. Heroic information about the past, how to reveal the whole picture of the people's life and present in harmony with one and the same epic light and heroes-rich. The heroic epiphany is presented in books, as well as in usnіy forms, and moreover, there are a lot of book memorials in the form of folklore revolutions; The very specialties of the genre were tied to the folklore level. The heroic epic is often called the people's epos. However, the reference is not exactly called, fragments of books form their own stylistic and ideological specifics, but, madly, refer to the folk epic of baladi, historical romance, and so on. You can get used to the heroic epic of deprived of the hundred guardians.

The heroic epic of the deishov before us is like the viglyadi of the great epics, the bookwomen (Ilyada, Odyssey, Mahabharata, Ramayana, Beovulf), for the sleepers (Dzhangar, Alpamish, Manas, etc. in the eyes of short "epic songs" (Russian bilini, Pivdennoslovian youthful songs, versh Eddy Starshii), some of them are grouped in cycles, and later - proverbial words .

Kazka is one of the main genres of usny folk-poetical creativity, epichny, even the prose of the artistic tvir of the charming, adventurous chi by-key character with the setting on vigad. Kazkoy is the name of the development of the kind of prose, the sound of the understanding of the genre peculiarities. Від ін. Seeing an artistic epic, the Kazakh is seen as a team, a Kazkar is given, and the listeners are thinking of everything as a poetic vimisel, a grudge of imagination. Tse, however, does not allow the sound of the sound of the action, the initial idea, the character of the plot, motives, images. The Bagatokh Kazkakh knew the image of the primordial suspenseful information and presentation, totemism, animism and in. For the Cossacks, which were bred during feudalism, they are characteristic of such images, like a tsar, prince, lizar, king. In the era of capitalism, the interest of Kazakhs grows to those pennies, trade; in the kazkah the contrast of richness and vivacity is depicted, the motives of class antagonism sound more and more strongly. In a given hour, one Kazka prodovzhuyut their life in the lower, when they go out from the people’s pobut, or they’ll get over the children’s baths, the third prodovzhuyut tsikaviti matured hearing. The Kazkah people have a lot of spirits, which can be explained by some cultural and historical minds of their life. At the same time, the Kazakh people may have national peculiarities, they represent the way of life of that chi іnshiy people, who are right and wrong, think about nature. Kazkars bring their own individual rice to the viconuvani by them, so there are a lot of kazoks in bagatokh options.

The legend is a collection of the saint's life, written for reading on the day of his memory. The term wine in the middle catholic letters. In the 13-15th centuries. In Europe, there were numerous catalogs of Latin legends, including the "Legend of the Gold" ("Legenda aurea", 13th century), which was transferred to a large number of Western European translations and became the origin of plots for the epics. Piznishe legends - religious and didactic information, parables about creatures, roslins, objects of Christian cult. In a maddened, meaningful legend, they often call it, independently of the genre, create, how to become a poetical vigilance and immediately claim to be reliable .

Myth is the root of the collective outlandish fantasy, it is a corporeal representation of the action of the vigilants of sensitive-specific personifications and spiritualized essences, as they appear as the primary evidence as real. The specifics of the myths in appearance are the best in the primordial culture, de myths are the equivalent of science, an integral system, in terms of which all light can be used and described. For the most part, since the mythology includes such forms of suspicious evidence, such as mystery, literature, science, religion, political ideology and so on. Mythi is experiencing his friend's life. A special interest is represented by their transformation in literary creativity.

Bilini, epichni pictures, folded by the people in Ancient Rus, and which represented the historical action as the head rank of the 11-16th centuries. In the process of a rich development of bilini, they changed, they took in the days of the new hour, and incoli and the days of the early era. Bilinni riches of boules appeared in the regions of Zaonezhye, Pinegi, Mezeni, Pechory, and Uzbeks of the White Sea. З кінця 18 Art. Bilini screwed up the respect of writers and vchenikhs, as the most artistic monuments of folk art .

At the center of the bilin are the images of the rich, overpowering high moral qualities, self-evident from the given Batkivshchyna. In the image of the beloved rich man Illy Muromtsa, the people have created a poetry biography Selyansky Sina from his calm performance in himself and someone else's affection by force. Win to stand on the choli of the rich, make them stand on the way to the enemies (the topic was being formulated in the minds of the Mongolian people). Nastіlka and poetic images and ін. Bogatirov, who protect home land, - Dobrin Mikitovich and Aloshi Popovich. The theme of the seizure of the Batkivshchyna is naturally angry in the bilins with the theme of people's life and pratsi. So, the first feat, like a zrobiv Іlya Muromets was written for the cleaning, the process of wringing the field and clearing the fields for the ryllі. At the biline about Volga and Mikula Selyaninovich, the same world of the working people was seen about the easy orange, about the pratsyu, who will take care of life.

Prisliv'ya - short, rhythmically organized, style in the move, imaginative to the people. It is possible to achieve a meaningful implantation of the analogy principle. Suddennya "Lis rubayut - tricky to fly" is not a direct sense, but a team that can be stuck until it is. Similar situations. The subject of being gazed at is to be seen in the light of the ghostly reality, twisted around. Zvidsy and ideological and emotional character. The composition of the judgments is often based on rhythm, Rome, asonances, aliteration, and becomes syntactic.

Riddle - the genre of folk poetry among all peoples; a poetic, often allegorical description of a certain object or a manifestation. For a long time, there is little cult significance, the bully is tied with porks and rituals, to be protected by naming objects with your own names .

The riddle of a new aesthetic is more aesthetic and cognitive. Serve for drinking pleasure. Riddles are evoked by the diverse themes and richness of artistic primes, the intricate composition of the clarity, Rome, the apparent rhythm, sound writing. At the riddles, there are comic elements, such as a social zmist: "Varto pop low, on a new side" (cabbage). The riddle is widely gone in in. Genri of folklore, as well as literature.

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In the process of playing the genre verbal folklore experience the "productive" and "unproductive" period ("wiki") of their history (the winery, the expansion, the inclusion in the mass repertoire, the old, the loss), and tied, in the cultural ... The style of popping up folklore texts from the folk can be explained not only by the artistic value, but by the power of change in the way of living, the glances, the tastes of the main creators and keepers - the villagers. Texts of folklore works of ethnic genres in minli (however, in the stage of development). However, in general, the tradition of man in folklore is more powerful than in professional literary creativity.

Collectiveness of verbal N. t. Does not mean zezno-isolation: talented maestri actively poured not only on the stem, but on the broader, thoroughly or even attached texts to the needs of the collective. In the minds of the priesthood of vicarious professions of vicarious creatures (old Greek rapsody and Aedi, Russian buffoons, Ukrainian kobzars, Kazakh and Kyrgyz akinis, etc.). In the lands of the Near Descent and Middle Asia, in the Caucasus, there were transitional forms of verbal folklore. Toktogul Satilganov in Kyrgyzstan, Sayat-Nova in Virmenia).

The baggage of genres, themes, images, poets of verbal folklore has been zoomed in with the design of social and by-beat functions, , dialogue, etc.).