Poetry of painting objects. Malyuvannya by-key objects

With a certain inducement of the construction of large objects in the robot, it is not necessary to fix the singular consistency in the robot. Determination of the child on the logical stage of the decision of the assigned manager, discipline of respect for students and systematization of the robot. Poetapne the little one gives the students the opportunity to quilt the robot's course. Lastly, master one stage after one, come to the natural and one young way of painting from nature. All the process will change us in need for the process of the initial baby on the border, logically, one of the first steps will be taken.

In order for the robot to wake up successfully, it is necessary to carry out the following steps:

I. Analysis of the form of the items of the production.
II. Composition of images on the square of the arkusha paper. II (.Constructive analysis of the form and promisingly promising baby on the area.
IV. Revealing the volume of objects in the light.
V. Povna tonal adjustment of the form.
VI.Connection of the robot's pods over the little one.

I. Analysis of the form of the items of the production

First, the robot must look at a small group of objects (still life), it is necessary to respectfully analyze, look at the objects from their sides, vibrate at the best view from the point of view of the compositional variety of the setting. Slide to brutal respect for their enlightenment. Naybіlsh vividly illuminated objects with a definite upper illumination. Vyhodyachi їkh tsiyogo, vibravshi for themselves a singing point of view, then think, as more beautifully rozmіstiti objects on arkushі. When you vibrate a year, sit against the light.

II. Composition of images on the square of the arkusha paperu

In a little one for compositing, there is a lot of space in proportion to the image of a mass of objects according to the size of a paper, de masa є tsilim, and the area of ​​a leaf is a little bit of growth. In the first place, some of the images of objects on the archway of the paper are randomly spaced, and there is plenty of room for the robots to lay their luck on the little one. First, for everything, it is necessary to bachiti objects in a whole, and not okremo, thoughts yak bi unite the whole group of objects in a single whole.

On the little one, it is pointedly shown how to distribute a group of objects on the square of a paper, but it is not necessary to appear most often as a bi stacked in a tricycle or a chotiricutnik, in terms of the nature of the group. Here, it is even more important to adjust the group of objects from the paper to the right hand (upward, downward, right-handed, diagonally), as well as in the fall because of illumination and growth of the old ones. Тінові діляки also enter the hall of the compilation on the arkushі. Schob uniknuti psuvannya leaf when displacing the image for the cob slid over the eskiz. Eskiz can be made vikonniy on klaptik paperu or bezposredno in the fields of a given format of arkusha paperu. At the same time, it is even more important that the frame is framed on a scale exactly to match the size of the sides of the main archway of the paper. In general, the composition may not be found. The size of the framework for composing is not going to be great, to reach 5-7 cm in between.

In such a rank, having enlightened a group of objects with an inter-dressing frame at the viglyad of a trikutnik or a chotirikutnik, it was then transformed, as the stench was rooted in the format. As soon as the stench of revenge in whether it is from the sides, then it’s next time. Having renewed the frame of a group of objects to the cordon, it is necessary to change all the middle of them in exchange for the creation of certain objects, from the point of view of their full-scale production. At the same time, it is necessary to strictly follow the proportional values ​​of objects in terms of one to one, as well as the nature of the form (vuzka, wide, round, etc.). If you want to start before you get the urge for the additional clarification of the sizes, the nature of the forms and the reciprocal growth of the relationship one to one.

III. Constructive analysis of the form of objects and promising povudova malyunka on the area

If you name a group of objects, you need to change it. You can only go to the analysis and induce the forms of objects. For a cob slid down to the line of the horizon, and then, respectfully grasping the nature of the objects' form, proceed to induce them. Virroblyayuchi induce objects, then seriously put up to їх proportional differences, like one to one, so і skin object okremo. Tim himself is meaningfully lazy to get the baby up. The order of the proportions and the character of the form of objects with a large-constructive motivation for the image followed by the regularities of the perspective.

Zamaluvati objects and pobutu vikoristovuchi material - simple olivets, size of malunks - A4, album arkush. Zabdannya is the practice of quick oversights for the competent and correct transmission of the shape of objects, tone and quality of the surface, illumination, proportions.

Control type: Demonstration of malunks.

> Malyuvannya stiltsya

Paint the style with an olive on the A4 paper.

First, proceed to the little one, write a few test marks, start wondering, as a practical method of opening the construction boxes. With a handful of knights, put a hand in front of you with an olivist and stand an olivist horizontally on the lines of your eyes, so as to bring the line to the horizon. Mark the line of the horizon as a point on the porch.

Then paint on the line horizon two placed one on the bottom of the box, so there are the same proportions, as well as style. Encourage for the sides of the boxes in the line of perspective, to go to the point of descent on the line of the horizon. Paint all the middle boxes in the style, vicorist and outlines of the boxes in the direction of the guiding lines. Tse will help you to correctly remove the seat, back and seat style.

1 Will be a box

A step-by-step lesson in painting by olivtsy - croc 1

Dearly vivchіt style and see the proportions for the additional olivtsіv in the vinyagnіy rutsі. Take an old man and paint two in perspective and stand one on the other box. It’s even more so, that the point will immediately appear behind the borders of your sheet of paper. You can click the right-hand side of the paper to help you continue the line.

2. Fix the style

A step-by-step lesson in painting by olivts - krok 2

Wrap up the style, seat and back in such a rank, and the stench just "fit" into the boxes. Not much of our style is beveled, and the back is curved, so the contour lines of the style will inevitably be in the middle of the drawers, or there is a slight walk behind them. Draw the contours of the three curved rungs on the back of the stile.

The development of the line of perspective Douzhe brown mothers go by hand for an hour, a robot that looks like a tiny diagram, in which the line of perspective is shown. If you will open the construction boxes, you will be awkward to see if you are going to go to the old man.

3. I will clarify the main contours

A step-by-step lesson in painting by olivts - krok 3

Okreslit the contours of the style with a larger bold line. Follow the team, so that all the details of the style have been changed according to the design lines. To support the contours of the slightly sloping style, the curvature of the seat and the razor behind it.

Pratsyuєmo over toneEvaluate the result of your robot, make the necessary correctives. You can start writing before shading. There is a style of communication and pleasure. In the process of robots, do not forget to step-by-step erase unnecessary design lines.

4.Shade the back of the style

A step-by-step lesson in painting by olivts - croc 4

Change the color to 2B and fix the additional tone. The style of the sanctification of the right land, so the whole right of this side is in tini. For diagonal strokes, apply a thin line on the vertical strip of the back of the style and on the end part of the seat.

5. Prodovumo add a dark tone

A step-by-step lesson in painting by olivts - krok 5

Shade the darkened edge of the style. Check out the unused design lines, and your little one will show through on the way. Take the Olivets 2B and on the side of the lead, add some finishing touches to the side of the lead.

5. Displaying the image

A step-by-step lesson in painting by olivts - krok 6

Cover the side of the style with a smooth fabric. The upper crossbar of the back of the stiletto is attached to them. Look at the image and apply it for additional shading. Show the volume of the seat behind the additional high school road and intensive stroking from the right side. Give the bottle an intense dark tone on the back of the style. Shcheblini styltsya slid shaded with curved lines.

7. Completion of the robot over the light

A step-by-step lesson in painting by olivts - krok 7

Once again, walk through the whole little thing, clarify and dull the tone. Finish the robot with a tint on the crossbeams of the back of the stile. Do not forget to play with not fancy ones, you can see the lights. Possibility to clarify the light on the style. To be found in the second surface is very intense, and the beast to the light is in the middle tone.

Now we know that there are no constructions of lines, and the little ones will be overlooked. True, with a bazhanna, it is possible to advance the robot to clarify the tone and add the tone. There is no need to give style to more style in space and to allow mintly "tying" him to the surface of the podlog.

8. Small tіni on pіdlozі

A step-by-step lesson in painting by olivts - krok 8

A style of bright enlightenment, but the price means that on the butt of the blame it is clearly visible to see it. Color the prices behind the addition of diagonal lines: short in style, and then step by step expand.

A step-by-step lesson in painting by olivts - krok 9

It is possible to polish the little ones, it can be more varied in the size of the little ones. Loose the tone on the darkened sides of the back, crossbeams and lower stiles. Do not forget for an hour, robots, put your hand to the paperwork, do not smudge the olives. Create gumkies for additional help.

A Realistic cut. There is a lot of style of thinking behind the help of constructive lines and in view of the laws of perspective, that the images of the subject are realistically.

B Clearly meaningful. Lights, branches with intense strokes, tones in a variety of ways trusts with more light and light gray intermediate tones.

You can see these images for additional shading, which can be seen in addition to help you create style in space. The stench mitsno "tie" the object to the surface of the pedlog.

Control type: Demonstration baby.

Ministry of Education and Science Krasnodar Territory state budgetary professional lighting installation

Krasnodar Territory

"Krasnodar ARCHITECTURAL - BUDIVELNY TECHNIKUM"

For the Victory of Practical Robots "Sketches, zamalovki eskizi by-party items, Still Life "discipline "Bases of Malinka" , behind fah 270301 "Architecture". for 1st year students

Krasnodar, 2017

review

on the methodical recommendation of the practical robotics "Sketches, scribbling of small objects, still life", according toprimary discipline "Bases of Malinka" , developed for students of middle special chief pledges behind fah 270301 "Architecture". Rozrobnik Kuklina L.B. viclades of artistic and graphic disciplines of the exhibition "Architecture" of the Krasnodar Architectural and Budgetary Technique. methodicalrecommendation for practical robotics "Sketches, rubbish of small objects, still life" in basic discipline"Bases of Malinka" , for students I course, designated for the implementation of powers beforeminimum level of preparation of graduates forspecialties270301 "Architecture"average professional education.

methodical recommendation viznachaє zalny obsyagknowledge and intelligence, from the earlier, and how tosecured by students.

zm_stdisciplinestock ups 2 razdіlіv,

Vfirstrazdilі"Geometric Structures"studentsvikonuyutpracticalzavdannyaoninduce flat and large frontal and cube structures; vivchayut the basics with a cautious perspective and rules constructively encourage items of production.

Another student hasvikonuyutpracticaltechnical masterygo to a larger report form for additional light gradations.

The course Malunka on the development of graphic culture and youthful graphic techniques and materials, so necessary in the profession of an architect.

Vfor exampleskinthosebe carried outglancerobitstudentsperrahunokhour, introducedonvivchennyamaterial.

methodical recommendationviconanaonto the leftmethodicalрівнііmaybebootierecommendedfornavchannyastudentsKrasnodar Architectural and Budgetary Technicum.

Reviewer ___________________ P.V. Kazachinsky

Candidate of Architecture,

Professor of FSTU VPO "Pivdenny

Institute for Management "

Sketches, embellishments of all kinds of odd objects,still life

Light of speeches, subjects - a giant field for

creativity. Aje speeches are also memorials of your own

epochs. Still life is a wonderful opportunity for a calm, trivial vivchennya to the spirit of an object i

yogo finished engagement, for vikhovannya feeling for the subject, the mindfulness of its role in the life of the suspension and the surrounding people is extremely important.

Through speeches, the cola associatsiy, yak cola

on the water - more and more, more and more!

A. Vasil'ev

The main directors of the new maybut architects, є - know their "backyard" material, to represent the possibilities of a different graphic technique, with the establishment of artistic images, in order to allow them to use the tips of a graphic image.

For students, during the process of robotics over the master still life, the short lines are right - the study of objects, groups of objects with trivial zapdanny. Practical robots over trivial full-scale staging have the necessary development of creative understanding, whole spirituality, imaginative misdirection and concentration of respect.

More important than a place in the methodology of vikladannya still life, borrowing culture

mastering graphic and pictorial tips and developing specific material, its artistic and imaginative symbolism, semantics ...

All the versatility of materials and technology, how to be victorious with robots over a still life, attracting a maybutny designer with hospitality bachiti in an extravagant way. It is a form of organizing the creative process of development of knowledge at work in the field of fakhovyh disciplines (painting and painting);

Combinators, changes and re-implementation, so, in their own right, without preserving the variability of rukho-dynamic dynamics, aiming at moving to the field of artistic aim, which encourages the inner activity of the student.

Still life (Fr. Nature morte - nature is dead) - in the imaginative mystery - the image of inanimate objects, on the basis of portrait, genre, historical and landscape themes.

Still life is one of the genres of imaginative painting, assignments to the creation of objects, fruits, vegetables, kits, etc. The head of the artist, like an imaging still life, is to convey the coloristic beauty of modern people objects, their mind and material day, and also the visibility of their being placed before the images of objects. The still life image is especially naval practice for the modernization of the mainstream, as in the new one is an artist-cob who understands the laws of perspective, harmony, and the technicality of the main character of the form.

Just think about it, with some students you can calmly and well spontaneously spontaneously spy the nature, it’s the first time to be busy assigning only sketches. At a full speed, I will step on the skin for an hour, I will fix it from twenty five, to five chilines, it’s learned to step-by-step accustomed to it, it’s better to carry out caution, analysis, analysis.

Farther away is the knowledge of the new state - to secure and bring the building of the scientists to the point of view and immediately analyze it to such an extent that, with any kind of healthy spirits, I could see it without any particular stress. You can organize two years of employment with short-string malunks, which will fold from three to the right.

All the stinks are directed to the development of the mind, they are in the nature of the form, and the first glimpses of the viconious little ones are from “myself” (without nature). On the basis of a stock of obvious manifestations.persha to the right ... Scribble sketches from chotiroh small byte objects, the form of which to become the same geometric figurines, If the items are guilty of the mother, the details are displayed one of one. For example: a cylinder, a cone or a cone of a contraction, a shock or a part of a coul, a prism. Objects roztashuvati on the table, hanging with a strong frontal upper side light, but not poking around alone.

friend on the right ... Zrobiti on one arc from "myself" (without nature) three different small objects, like bi for the shape nagaduv in one simple geometrical tilo (cool, prism, cone)

Third to the right. Zrobiti on one arc from "myself" (without nature) three different small objects, such as bi for the form nagaduvv two simple geometric shapes (cube and cylindr, prism and pyramid and in.) On all the right to see 20 chilines.

Fourth to the right. Coating of one byproduct object, awkward in shape, with a few characteristic details, for example:

A teapot with an ornament of kvit_v, clay glechik i іn.

The zavdannya zamalovka polyag in that, when you save "the integrity of the image", correctly (the accuracy of the proportions between the main parts of the whole) transfer the form and show the best characteristic details.

In the next and third semester, there will be more folding for the form of the object, like for example: a lot of subject still lifes, gipsy ceremonies, interior performances. One of the hundreds of creative still life є the truthfulness of the painting, the vastness, the steps of the visual objects. By using objects in the foreground, I can (like bi vipadkovo) block part of the objects in another plane. So roztashuvannya lay down the transfer of space to the artist.

Still life zzvychay put trochas below the level of the eyes of the little one, but the horizontal area of ​​the boole is visible in perspective speed. When transmitting spacious plans in the staging of a still life, one can fight the laws of a linear and occasionally - colored perspective. With the head, vyavlennya space in still life є light, tone and color.

If you want to see a small mark of handwriting and zamalovka so, you can, wondering at the crumbling of the baby, you can read more about the shape of nature and about ї characteristic features... Take a look at the point of view, think over the layout and layout of the sketches, markings (for two initial years.) With a stretch of the first year, through the skin 10 quills, you can turn the objects in a stretch for one year, turn the objects for another year, step by step quickly for an hour on the leather sketch, then bring to the minimum 2-3 quills.

On an offensive busy day, draw out the first year of the viconati with a series of drawings of one object, for example: a stool. Yak material it is recommended to use a graphic image "2m-3m" for larger preparatory students, it is possible to propose some materials (wugilla, watercolor, sauce). To take all the work is to step-by-step lead the scientists to the method of cautioning and depicting images in scribbles from the vivid and not the pose of living nature and the so-called combined method (from the cob, from nature, then - from memory). Basically, the primary sign of the cichs of the proprietors, those who are self-sufficient to occupy the sciences is the development of spacious manifestations behind the addition of oversimplification of larger objects from the stagnation in practice, the rules of a certain perspective (linear).

Still life is the most loving genre in the mystery of bagatokh artists. Still life to paint in the open air, in the interior, simple and folding performances, Traditions and gosstro, modernly arranged, pick up items from the old people.

Robots vіdomykh artistsіv the majesty and thoughtfulness of the layout are commensurate with the empirical prominence, the variability and the logic of the plot is clear - due to the lack of support and dynamism of tonal and numerical solutions.

At the still-life paintings, artists should not show the light of speeches, the beauty of their forms, farbs, proportions, and represent their position to the number of speeches.

At the same time, in still lifes one can see the day of people - their interest, cultural rivn and life itself.

Yak an independent genre in mystery still life appeared at the turn of the XVI - XVII centuries. in Holland and Flanders, and with a quiet feast of being victorious as artists for the transmission of an unprecedented sound of art from the lives and the beating of people. For an hour the artists who have glorified themselves in the genre of still life, P. Klas, V. Hedi, A. Beyeren and V. Kalf, Snyders and I.

The main folding still life is such a pidbir of objects, with a kind of backbone, and the theme of its twist is very clear.

Іsnuє kіlka vidіv natyurmortіv:

- plot-thematic;

- chief;

- creative and creative;

- creative.

Still life razr_znyayut:

- for color (warm, cold);

- behind the color (closeness, contrast);

- by illumination (direct illumination, bichne illumination, against light);

- behind the mint roztashuvannya (still life in the interior, in the landscape);

-for an hour vikonannya (short-line - "nalipok" and dovgostrokovy - large-scale performances);

- by staging primary tasks(Realistic, decorative, etc.).

V navalny still life, like in the plot-thematic, it is necessary

The narrowness of objects for size, tone, color and texture, design of the constructive features of objects, the definition of proportions and changes in the laws of plasticity of different forms.

Naval still life to wear so I will nameacademic abo, staged ... Primary still life is seen as a creative, suvorian staging: to give scholars the basics of educational literacy, spirit of activism wonderful health and go to the independent creative robot.

- items of different colors, not intensive colors;

- small objects can be active behind the color (follow himaccording to the number of characteristics);

- objects and draperies guilty of the mother rotate tonal difference;

- distribution of performances with direct light illumination (it is easy to read great colors of everyday life, may be decorative).

Before the trick of the rules, it is possible to allow the most accurate visualization of the main messages in the process of practical robots over the primal still life, to aim at the correct level of tonal indications, as to the correct transmission of tone, speech.

A. Barshch. Coating of sea shell. Kar. Primary still life. watercolor

Navchalny still life for sketches. Kar. Small. Foreskiz, Watercolor

Decorative still life. Carcass, feather, decorative still life. Gouache. penzlik.

Decorative still life. Gouache. Student robot.

Practical robot over the master's still life, to repair the vibration of the point of caution,vikonannya of the forerunners(Foreskіz) on small for the size of the sheet size of the іznoї form - square, twisted in the height, marked along the horizontal,

The little one is upright. Student robot. Kar.

Baby in a square Student robot. Kar.

Little one to knit along the width Student robot. Kar.

They have a joke of the composition, the main colors and tonal differences.

Vikoristannya vidoshukach (in the arkushi paper the viral rectum, which is similar to the format of the main arkush) allows you to read morecomposition full-scale performance.

It is also necessary to vrahuvati - in the compositional design of a baby still life, it is more important to take a picture, to analyze the form of objects, to measure the size of the image of a group of objects as a whole in terms of the size of the image of a group of objects in a reverse format. Seredovische, which otchuvany objects (background, subject area), is more significant in the composition of still life.

About the importance of the foreground sound-related sketches, they are mentioned in their books by many vikladachiv, and, zokrem, L.P. Єrmolaєva pidkreslyu, which is “vibir ornamental-rhythmic basis, or the mode of painting in the technique of tempera painting is carried out on the middle steps of a small size (Foreskiz) and polyagus in the jokes of a beautiful compositional solution from the point of view, the sign of the staid, zorovaya rіvnovagi of all elements of the ornamental-rhythmic harmony of the pictorial art. "

Yu.K. Bedzhanov pіdkreslyu, scho the mark is not meant to be drawn - “the bane of the mind is perfectly true to nature, it knows how to convey the original images of the main objects. Seemingly, the povnotsinniy malovnichny way of the image is based on the proportional transfer of the contrast of the images between the main collegiate beaches of nature. Without a whole niyak, the retreat of the details, reflections, mosaics of color images cannot be brought to a repeatable small-sized image. "

V. Orshnikov to rob the design, so “the basis of the compositional design is laid down in the very educational robot, so that it is comprehensible to stand in front of the young artist of nature, the mind of the head and the other row is the same as the ear of the compositional design”.

The axis, having caught on about the role of the forerunners in the painting of A. Matiss “I have to get to the natural creativity through my own robot. Get ready for creativity, slide, first for everything, develop your feeling in etudes, as you convey the similarity to the ideas conceived, here at the moment we can create elements for the picture. "

necessity foreskiz obruntovutsya, in the first place, tim, how to smell the function of sounds of compositional solution, in a different way, with a trivial image of nature, the process of sounding before staging, and a short-length one can be done before third, foreskizi allow not to pry the arkush paper with a neat composition.

Vibravshi are the most distant from ekiziv, it is possible to start without prior to mulling.

Yu.M. Kirtser member of the process of the robot over the master still life on the chotiri part.:schematization (The cob stage of the simplified image of the foreign form),typing (viyavlennya characteristic signs form objects by way of prompting constructions for additional auxiliary lines),INDIVIDUALIZATION (Discovery of rice items, including details)uzagalnennya malyunka (The order of details of the great form, the appearance of the head, virazny, zbirannya still life in a single whole).

The compositional center in still life, perhaps due to a greater scale, contrast and thematic character of warehousing objects, their tonalities and collinear contrasts. In creative thematic productions of still lifes and vikonanny, it is practically impossible to create compositions, as necessary for a greater variety of ideological wickedness.

Suitable for setting dishes and other objects, so that it is not only the versatility of shapes and sizes, but also versatility of texture, color, tone.

Recommended for staging a still life of the most varied in thematic related objects. The composition center is located behind them. If the staging of the still life will be finished, you can start before the exhibition on the creative area.

Zagalna scheme step-by-step vikonannya still life

Composition of objects. Pobudova form objects.

Primary light-tone model. Subtle tonal adjustment.

Uzagalnennya details of the form, residual modeling in tone і reduced to the whole.

Yak pidkreslyu Yu.K. Bedzhanov,malovnik process from nature transfer of a special order of carrying out the robot on the cob, in the middle and in the final stage. The whole process of going from the headroom to the detailed description of the form and end of the headroom - the visions of the head and order of the other row. In painting, three last stages are manifested in the next specific tasks:

1) “the knowledge of the main color beaches with the urahuvannya of the zalny tone and color range of illumination (the power of the spectral nature). For example, to know the color of the horizontal surface, the background of the main object, and then also of the other objects. At the same time, do not cover the entire surface with a color, but deprive it of probing for a cob on an edge of small dilyankas, so you can intervene with yourself.

3 - a stage of a robot over a still life. Grizal.

3) by synthesis - in adjusting the sharp contours of objects, muffling or enhancing the color of the surrounding objects, seeing the head, in order of another row. "

In such a rank, with robotic over still life in kolori The zagalnye tones and colourfulness of nature, which is the result of the development of illumination, are importantly taken care of.

In order to transfer the standard of bright illumination (vrance, in the afternoon, in the evening, or on a gray day), if prompted by a color tone, do not expect to see the light and bright farabi palitri. In some cases, the artist will be seen in a reduced range of light and color (gray day, darkness), in others - in light and bright farbs, for example, a sleepy day. Tim himself is the artist who showcases the tones and colors of the drawing in different tonal and color ranges (scales). The center of transmission to the illumination, the very start to start, the emotional injection.

The zavdannya poperedennogo etude polagaє in that, bury the enemy in a new backyard, viroblen by staging, seemingly in the backbone tonalities and zeal color. In the process of falsified robots, they are guilty of the memory of the basic mood, as if you want to contribute to the still life, about hanging in your new position to the image of speeches. The foreground study will help you in general, it will take you out of the mimic zabuttya of the first thought.

Folding a still life is a creative act, vimagam vіdomich navichok and rosy relish. The managers for a well-thought-out selection of objects, with a common sense of the idea, will, for a look, be taken into account in a still life, not aesthetically hostile.

It is clear that pidbir objects are not guilty but vypadkovym. Bezgluzdo bude viglyadati, for example, castrolling a hand with a book, or vyshukaniy glek s ogirk, ale little attention for a still life objects tied for a wicked, ale dear for a form, size, textures, and a picture of a rose, consuming that , rearranged їkh, marvel at them from different points of view.

The whole process is even more vidpovidalny - jokes of the most beautiful and varied in the composition of the group. In poshukovyh eskizah you can have a vidoshukach (a small frame with a opening and a suction). Having closed one eye, they marveled through the opening of the vidoshukach for staging. The edge is surrounded by space, occupied by a still life. When the vidoshuka is seen from the eyes, the expanse will be visible near the still life, when it is close to the new zbilshuvatisya. With Russia in the right and left side, the objects of the front and back planes will change according to the relation to the compositional center. Some of them will be closer to the center, and they will be out of town, and will be seen. Rivneuchi point of view, zupinyayutsya in short.

Variety of still life performances in jokes of the best composition.

Still life. Vugilla. Sangina.

Still life is guilty of witnessing the naturalness and the invisible presence of people. New one has one object - the head object of the image - the center of composition. The whole subject does not have a sense of navantazhennya. Reshtu objects in still life are guilty of adding the head. So, like little ones still life, they will vikonutsya in black and white version, especially meaningful illumination. It is guilty that they are contrasting rosiyanim, altogether in any kind of vipad, following the vrahovuvati tonal difference in barbed objects, how to become a still life. They are not guilty but only dark or only light objects. It is necessary to draw the tones, storing contrasting tones.

Nutrition of illumination of objects is required to be shown one hour from the folded still life; at the same time, it is impossible not to resist the drop-downs and feeds on the integrity of the compositional idea.

The background for a still life can be smooth, draped with fabrics, spacious (visible walls, landscape, etc.). Rizni fabrics - smoothly dyed (for example, coarse linens) і vіzerunkovі (with an uncaring, great little type of wide swarms, etc.), as a rule, fill a still life. Drapery in a creative still life may be without a mediocre, func- tional, or popped-off designation: dependency, servetka, towel, tablecloth, etc. It is not possible to introduce objects and draperies into the creative setting, as it is not possible to supplement it.

For the additional fabric, you can open the background, close the horizontal surface with objects, and create a still life; it is possible to introduce a knot of fabric to the warehouse of a still life at a viglyad of a pre-finished component. In the last resort, it is necessary to especially carefully think over and lay the folds, the stench, embellish, do not put the sprymati in the still life of the smut. Often, when staging still lifes, there is little respect for animals on the background, as there is little value. Flat or spacious, light or dark, spreading close and far away from objects, the background in a kind of flowing into the back of the house. If the background behind the color is close to being in the background of objects, then the stench is already ringing with him. It is also more beautiful to look like objects of different plans. Smell like to get closer to each other in one spacious plan. On a white aphid, objects of light will be destroyed, on a black one - black and dark. When you see dark and light objects in still life, take the background - the old one - syria.

In the winter of the year, there is a change in the removal of the number of common objects. As the background to the still life will be blue, then the objects in the background, visible on their own in the blue color, visually sound in the background. To make it possible to see the open space. It is not easy for a staged still life to include drapery. Raztashuvannya draperies, їkh place in the composition of mav bi pіdporodkovuvatya esthetic features, pledged in the harmony of forms, light, color, tone. If you know the composition of a still life, you can start before the endless vikonannya handwriting, zamalovok.

“Still life is one of the gostrich blessings of painting from nature. In a new plot and psychologism does not encroach on the value of the subject in space. Yaky є object, de vіn і de me, like a dreaming object, - in all, the main vimoga of a still life. First and foremost, there is a great educational joy;

K. Petrov-Vodkin

Literature is methodical.

The chief little boy. Moscow State Academic Institute IM. Surikov. "Mystery" -2003.

The little boy in the Academy of Mistresses, " Imaginative mystery", Moscow 1990

The head little boy, Russian Academy mysttv. З - Petersburg State Academic Institute of Im. І. Rupina, “Creative art. M 1995.

Stroganov School of Malunka, Moscow State Artistic and Industrial University IM. S.G. Stroganov. “Svarog i K. M. 2001.

Zhabinsky V.I. A.V. Gvintovi Malyunok / Zhabinsky V.I. Gvintovy A.V-M. "Infra" - M. 2009- 272s.

Starodub K.I. Єvdokimova N.A. Malunok that painter. From a realistic image to a cleverly stealthy Starodub K.I. Єvdokimova N.A. M. "Fenix", 2009-208s.

Navchalny drawing. - M "Mystetstvo", 2003-92s.

Leonardo da Vinci, Sudzhennya / Leonardo da Vinci, -M, EKSMO- PRES, 1999-416s

Rostovtsev M.M., Narisi from the history of methods of viciousness of malunka / M.M. Rostovtsev- M "Educational mistress", 1983 287s.