The musical creativity of Edward Grig.
Edward Grig was born in Bergen in 1843, in a possible homeland.
Grіg's ancestors moved to Norway in 1770, and all the older people in the family were in charge of the British consular affairs. Did and father of the composer, as well as mothers bully by leading musicians; Grіg himself was first put for an instrument in 4 rock. In 12 rocky Maybut, "the genius of the Norwegian romance" having written his first Tvir, and after the completion of the work at the school of nadіysh in the Leipzysk Conservatory, was founded by Mendelssohn himself. There he was born from 1858 to 1862 rik.
R. Schumann і І lived near Leipzig for some time. Bach, Grіg, having learned from the creativity of such genial composers, such as Schubert, Chopin, Beethoven, Wagner, and all the same, most of all the witnesses of R. Schumann. In his early works, he can see the composer.
Ear of creative way
In 1863, Grіg turned into a native place, ale developed success and talent in small Bergen quickly, and went to life and practice in Copenhagen.
Itself there Grig pochav started to think about the revival of the national Scandinavian culture. In 1864, he fell asleep mentally with the same thinkers, the partnership of "Euterpa", the main method of the members of which was the knowledge of Norwegians with the creators of Scandinavian composers.
At the end of the hour, the musician was actively praising and releasing the helpless musical creations, including on the plot of the Kazoks of G. H. Andersen, An. Munch and іnshikh.
Friendship
Grig bove of friendship (from 1867 to rock) on his two-year-old sister on the mother of Nina Hagerup, who herself was like a spy, she was a classic and even melodic soprano.
Robot in Oslo
In 1866, through a family of problems (the native did not take any young people; such a family union did not get involved in traditional Norway) Grig at once with the name of a trip to Oslo (the same Christ). At that hour, the composer was richly and plodno pratsyuvav, flipping his beautiful masterpieces.
In 1868, Ferenc List wrote for the young author's violin. The stench of yom was superbly honored by writing about wine and writing on the sheet to Grig. The Leaf of the Leaf drew heavily on the composer, it seemed to fall into the right direction and it was necessary to prodzhuvati musical experimentation.
In 1871 rotsi vin fell asleep in Oslo Philharmonic suspension, like іsnu to tsikh pіr. At the Hall of Tovarstvo you can feel the music of List, Schubert, Chopin, Mozart, Wagner, Beethoven, Schumann. Bagato creatures Norwegian gazes felt for the first time itself there.
smog vizannnya
In 1874, the composer got rid of the old scholarship from the land of Oslo, and in 1876, the composer got the new scholarship.
During the decisive musical seasons, Grig zmig let them go to the capital's life and turn to Bergen.
Remaining rocky life
In 1883, tuberculosis was diagnosed for children, and Syria and the cold climate of Bergen were diagnosed. At the same time, a squad went from the composer (both of them were quickened by the death of the meningit of one daughter). Hrіg for an hour is alive alone, ale, let us know how to make peace with the squad and move life to the Trollhaugen villa, I am prompted for this project.
In 1898 he organized a Norwegian music festival in Bergen, which is held until the end of the day.
The composer died in 1907 in his native Bergen from tuberculosis. The death of a bully was unsuccessful, according to all Norway there was a mourning of nakedness. Griga was funneled on a birch tree, not far from this village, in the bosom of his beloved Norwegian nature.
Інші options biographies
- Judging by the short biography of Edward Grig, he is also the Academician of the Swiss Royal Academy, and the Academician of the French Academy of Educational Artists, and Honorary Professor of the University of Cambridge.
- Grig even loving ribolovl and often visiting nature, sharing with friends. The number of his friends, lovers of ribbons, boutiques and celebrities, is directed by Franz Bayer.
New function! Average assessment, yaku otritsya schoolchildren for the whole biography. Show rating
Edward Hagerup Grig- Norwegian composer of the period of romanticism, musical performance, pianist, conductor.
born 15 worm 1843 rocu in the Norwegian city of Bergen. Tse dad is a merchant, and mother of non-falsification is a pianist. Edward's children were pinched on love to music. Mati taught Edward Grі for pianіno even from chotiroh rockіv. Twelve rocky vines have stored their music.
For the joy of Ole Bull, father Grіg has already read to the Conservatory of Leipzig. From 1858 to 1862, Edward Grig appeared in the initial mortgage... The first concert of Grіg gave in 1862 rotsі in Karlshamnі.
Having spent a short time in Bergen, Grig went straight to Copenhagen. In 1864, the family of Grig became one of the founders of the Euterpa partnership, as a sign of enlightenment to the population of the land. Gryg having risen in price throughout Europe, giving concerts of a family with a squad - spyvachka Nina Hagerup.
Pokey Grig is alive in Copenhagen, having written to the end of the rich tsikavikh creations. Among them are the "Autumn" overture, piano and violin sonatas. In 1866 he moved to Christiania, Oslo. There he played with a concert. Concert mav majestic success. U 1869-70 rr. Edward Visited Rome.
Himself in Rome, Grіg got to know Ferenc List, for whom he wrote one of the most recent creatures - "Sigurda the Christ-bearer".
Grig progressed in the 70s. From the government of Norway, we have taken away the pre-existing pension. Vin wrote a symphonic p'us "Peer Gynt" in 1875 rotsi. Same tsei tvir brought the composer all-glorious glory.
In 1893, Edward Grіg's rotsi was recruited as an honorable doctor of music at the Cambridge University. Grig was entrusted by the same great composer Yak Saint-Saens, Tchaikovsky and іnshі. Grig Drukuvav Velmi Tsikavi Narisi about Mozart, Schumann, Verdi. Edward had a friendship with Tchaikovsky. In his creations, Grig went to the Norwegian folk music. Grig more than once bringing the freshness of his rosum in the elder. The sheets of 1900 have a rocky irony with a drive of their own. In 1989 rotsi Grig fell asleep at the Norwegian festival folk music in Bergen. Until now, the festival has been held and is still being held.
For the end of his life, Edward received the honorable doctor of music at Oxford University. Tse buv 1906 rіk. The composer died at home in Bergen 4 spring 1908.
Also, you can get acquainted with the tsikavi facts about Edward Grіg, then add his biography.
Child music school № 2
Abstract on the topic:
"Life and creativity of E. Grig"
visonal: student 8th grade
Litvinenko Marina
Tyumen, 2003r.
1. Introduction.
2. Life and creative way:
2.1. Dignity and rocky navchannya;
2.2. Life in Copenhagen;
2.3. Musical education and creativity of Grіg in the rock of life in Christ;
2.4. Єvropeyske viznannya Grіga. Broad concert performance of the composer;
2.5. Create the other half of the 70s and 80s;
2.6. The last period of creativity.
3.Characteristic of creativity:
3.1. Zagalny characteristic;
3.2. Lyric p'usi;
3.3. Piano concert;
3.4. Romance and Pisnі;
3.5. "Peer Gynt".
1. Introduction.
Edvard Grіg's creativity was molded into the rock of the suspense and culture of Norway. The land, stretching out the table, passed in the order of Dania (XIV-XVIII centuries) and Sweden (XIX century), Norway was a scout in its development, both economically and culturally. From the middle of the 19th century, the period of economic life, the period of development of national self-awareness and development of the national and cultural forces of the country was being repaired. To develop national literature, painting, music. Literature of Norway, presented in front of the creativity of G. Ibsen, is experiencing in the other half of the capital "such a way that one cannot boast of the whole period of the country, Crimea of Russia". Norwegian literature is developing in the minds of the renewal of the rights of Norwegian language, which was not previously recognized as literary, nor in the quality of official sovereign movement. At the same time, the foundations of the theatrical and concert life of the land are laid. In 1850, the National Norwegian Theater was founded in Bergen for the sake of Ole Bull's violin. The robot of theaters in Norway will be enchanted by the most famous playwrights Ibsen and Björnson. Until the middle of the 19th century, there was also an ear of systematic concert life in the capital of Norway, Christiania.
In the musical life of Norway, there are a lot of manifestations, which are indicative of the zagalny pidyomi of the national musical culture... In Europe, Bulo is widely known for the mystery of the miraculous crypt by Ole Bull. Fruits of Bulle's creativity, which "perch ... fostering the significance of Norwegian folk music for national music" (Grig), bully is even more significant for Norway. Repairing from the middle of the 19th century, the revival, the revival of the rich folk music of Norway, has become the right place for the collection of musicians. There are a number of national composers, the creativity of which is meant to bring professional music to the level of folk music. Tse X. Hjerulf (1815-1868) - the creator of the Norwegian art painting, romance, R. Nurdrokom (1842-1866) - the author of the national anthem of Norway, І. Svensen (1840-1911) - vidomy at that hour in Europe with his symphonies, chamber ensembles, concerts.
Grig is the first classic of Norwegian music, composer, who put the musical culture of Norway in a row with the leading national schools of Europe. The zm_st of Grіga's creativity is closely tied to the lives of the Norwegian people, to the different sides of yo pobutu, to the images native nature... Grig "well and sincerely having seen all the light about life with his creators, beaten, think, the joys and sorrows of Norway."
Yaskrava self-confidence to the style of Grіga shrink from the freedom of sounding of folk Norwegian music. "I have drawn a wealth of belongings from the people's tastes of my father's land, and from the belongings of the Norwegian spirit, I have mastered the Norwegian mystery."
2. Life and creative way.
2.1.Childhood and Rocky New Years.
Edward Grig was born on the 15th day of 1843 in Bergen, the great seaside town of Norway. Father Griga, a Scotsman for the campaign, having taken over the British consul's office. Mati Griga, a Norwegian, was a good pianist, she played in Bergen not so often with concerts. At home, Grig panuvalo is hotter with music. Tse took an awakened boy's interest in music. Mati Griga Bula yogo pershoyu vchitelkoyu. Їy vin of goiters with cob rolls of a piano gri. From the mother of Grig, having calmed his love before Mozart: Mozart's creativity made the bulo for Grig a jerel of joy and a high-pitched glimpse of glimpse and beauty. Nareshti, mothers wriggled that will into Grig until the very beginning, as if she was dying from the immediate nature. Before the childish rock, the persistence of the music is written. The composer rozpovіdaє, scho even in his childhood took the beauty spіvzvuch, harmony. In the twelve years of his life, Grig wrote his first tweet-variations on a good theme for the piano. In the life of Grіg, the role of the wondrous Skripal is majestic, the "Norwegian Paganіni" - Ole Bull. It’s important to say that it’s the share of Grіga the musician, that Bull will not be happy to give the boys a conservative education.
In 1858, when the school ended, Grig ide in Leipzig. To fix the period of Grig's naval at the Leipzig Conservatory. In the 50s of the Tsia Persha in Nimechchina, the conservatory has lost the atmosphere to the creative mind, and here it is for the life of the father of F. Mendelssohn. Thinking about the fate of navchannya in Leipzig, Grіg rozpovіdaє about the negative aspects of the conservative victories - about the manifestation of routine, lack of systematic occupation. At the same time, moving to Leipzig has become an important stage in the formulation of Grig the musician. Win a visit here at the home of the pianist I. Mosheles, vikhovuvav at the study of musical classics and especially Beethoven. About the inshe of his teacher - pianist E. Ventsel - Grig zgadu, yak about a talented musician and one Schuman. Grіg study with a seeming todi theorist M. Hauptman, a highly educated musician and a sophisticated teacher: “...
Nareshti, in the formulation of Grіg, the musical culture of Leipzig played a great role - the place where Bach, Mendelssohn, Schumann lived. Concert life here was intense. "I could hear in Leipzig a lot of good, especially chamber and orchestral music," - Zgadu Grig. Leipzig opened up a magnificent light of music in front of him. Tse buv period of yaskravikh and strong, big musical enemies, kind and popular vivchennya of musical classics. In 1862 rotsi Grig graduated from the conservatory. For the guides of the professors, in the rocky navchannya vin having shown himself, like "in superficially significant musical talent, especially in the field of composition, as well as an unabable "pianist, because of the power of the thoughtful and different manner of vikonannya".
2.2 Life in Copenhagen
European musicians' illumination, Grig turn to Bergen with hot bazhannyam pratsyuvati in Batkivshchyna. However, Grіg’s transfer to the native place was not rejuvenated for the rest of the time. The talent of the young musician was not at once found in the minds of the poorly developed musical culture of Bergen. In 1863, Copenhagen became the center of musical life for modern Scandinavia.
Rocky, spent here, was made by many podiums, important for the creative life of Grіg. Persh for everything, Grig is close to being in Scandinavian literature, mystery. We will be able to meet prominent її representatives, for example, the famous poet and Kazkar Hans Kristian Andersen. Tse draw the composer into the mainstream of the national culture close to him. Grіg writes a song on the texts of the Dane Andersen, the Norwegian romantic poet Andreas Munk.
In Copenhagen, Grіg knows the wonderful interpreter of his creations, the matchmaker Nina Hagerup, who became a zgodu squad. Edward і Nini Grіg's creative spіvdruzhnist trivially stretched out his social life. The subtlety, the artistry, the match between the vikonuvala of Grieg's songs and romances, will be the highest criterion of his artistic involvement, as the composer has chosen to respect, and will use his vocal miniatures.
Bazhannya voskonaluvati composer maisternist called Grіg to the famous Danish composer Nils Gade. High-level instrumentation and versatile musician (organist, teacher, director of concert support), Gadi became the head of the Scandinavian school of composers. Grіg koristuvavsya for the joy of Gade. Skhvalennya, with Yakim Gade, played Grіga's leather noviy tvir, became a support for the young composer. However, Gade did not adapt those creative jokes of Grіg, which led to the end of the national musical style. In spilkuvanny z Gade, for Grig Liche, he is more or less aspiring, like a Norwegian national composer. Great significance for Grіg is small in tі rocky yogo ustrіch with the young Norwegian composer Rіkard Nurdrok. Hot patriot, intelligent and energetic lyudin, Nurdrok is early enough to clearly understand his works as a fighter for Norwegian national music. At the spilkuvanna with Nurdrok, the natural look of Grіg took shape and took shape. Vin wrote about it like this: "My eyes have definitely gone crazy! I rapped out the whole depth of land, the whole width and the mountain of quiet distant prospects, about how I didn’t know that before; here I am deprived of the magnitude of the Norwegian folk creativity and the power of my tattooing" ...
The pragmatism of young composers before the development of national music was not only in the context of folk music, but also in the propaganda of Norwegian music. In 1864, together with the Danish musicians Grig and Nurdrok, they organized the musical partnership "Uterpi", which was guilty of publishing a publication with the creators of Scandinavian composers. There was a whole cob of this great musical and community, educational performance, like a red thread to pass through all the life of Grіg.
At the Rock of Life in Copenhagen (1863-1866) Grig wrote a lot of music: "Poetic Pictures" and "Humoresques", a sonata for piano and first violin sonata, songs. With the new skin creation, the image of Grіga as a Norwegian composer becomes clearer.
In the thin, lyrical "Poetic Pictures" (1863), it is even more scary to break through with the bends of national rice. Rhythmic figure, which lies in the basis of the third p'usi, often plays in Norwegian folk music; won has become characteristic of Grіg's bagatio melodies. Vitoncheni and simple, cut the melodies in the pictures of "pictures" to tell the tale of folk songs. Among the juicy genre sketches of "humoresok" (1865), the lunaut is more lunaty with the rhythms of folk dances, with the harsh harmony of the day; zustrіchaєtsya lіdіyska ladova zabarvlennya, characteristic of folk music. However, in "Gumoreski" one can see the influx of Chopin (yogo mazurkas) - the composer, who is Grіg, for vasnim ziznannyam, "obzhnyuvav".
At one o'clock the piano and violin sonatis appeared from "Gumoreski". Dramaticism and partisanship, the power of the piano sonatas, are created by three evocative images of Schumann's romance. The origin of svitliy lyricism, homogeneity, yaskravi farbi violin sonatas evolve in a typical for Grіg figurative mode.
2.3. Musical education and creativity of Grig in the rock of life in Christ (1866-1874).
In 1866 in the capital of Norway Christiania Grig organized a concert, which sounded like a song about the reaching of Norwegian composers. Here there are boules of viconani piano and violin sonatas by Griga, written by Nurdrok and Hierulf (to the text by Bjornson and іnshikh). As a result of the whole concert, Grіg was asked for the post of conductor of the Christian Philharmonic Society. There is a great deal of rock in life in the Christian Bully from the period of the workload of the robot and the great creative achievements of Grig. Grіg's leadership was in the nature of musical education. At the concerts, first in Norway, symphonies of Haydn and Mozart, Beethoven and Schumann, Schubert's works, orators of Mendelssohn and Schumann, urivi from Wagner's operas sounded. Great respect for Grіg came to the Victory of the works of Scandinavian composers. Iak the propagandist of the new Norwegian music Grig went to the presi (statty about Svensen, Hjerulfe). In the fight for the musical culture of Norway, Grig knows allies in the person of Svensen, Hjerulf. In 1871, at once with Svensen, Grig organized a partnership of musicians-viconavts, in response to the activity of the concert life of the world, to evoke the creativity of Norwegian musicians. Significant for Grіg bulo yogo zblizhennya with the leading representatives of the Norwegian poetry, artistic prose. Vono included the composer in the hall for national culture. The creativity of Grіga tsikh rokіv has reached the age of maturity. He wrote a piano concerto (1868) and a friend sonata for violin and piano (1867), the first to write "Lyric p'us", which became a favorite kind of piano music for new people. Bagato Pisen Bulo was written by Grig in tі rocky, in the middle of them miracles іsnі on the texts of Andersen, Bjornson, Ibsen.
Hardy in Norway, Grig is without a mediocre glimpse into the light of the folk art, which has become the dzherel of his master's creativity. In 1869, the composer first learned about the classic music of Norwegian musical folklore, folded into the name of the composer and folklorist L.M. Lindemann (1812-1887). The best result of this is Grіg's cycle "Norwegian folk songs and dances for piano". The number of images, performances here is even wider: the likes of folk dances - Halling and Sprіngdance, innovative hotties and lyrical, works and rural paintings. Academician B.V. Asaf 'єv gave a long-term name to the tsі obrobki "zamalovki pіsen". It’s effective: the dance melodies of the nemov convey the picture of the dance, and in the remnants of the song melodies I see vinyatkov respect to the poetry zmist. The cycle of ideas is like a series of awkward piano pieces, accessible to a wide range of music lovers. At the same time, for Grіg Vin, it appeared as a creative laboratory: staking with folk painting, the composer knew those methods of musical leaves, which were rooted in folk art itself. In all two rockies I see a violin sonata from the first. Ale yak big zrіlo, samobutno, nationally yaskravo sounded Grіga's music! Another sonata is perceived as richness and versatility, freedom of development. Uninvolved with its impromptu freedom to enter and dance behind him Head topic Nemov introduces Springdance with a general entrance, as it was adopted by the folk sketchers.
Natural empowerment, energetic dance and myky lyrical image (those of the first part), abandoned and clean song (another part), fire, strong tank (final) - such an image of creation.
Another sonata and a piano concert were taken away from List's high score, which became one of the first propagandists of the concert. At the leaves to Grigu List, writing about another sonatas: "Wonder about the strong, glib, wine-loving, wonderful composer's gift, who only wants to be his own, by the natural way For the composer, having laid his own path in the musical mystery, for the first time presenting the music of Norway at the European arena, pidtrimka List Bula with a powerful support.
On the ear of the 70s, Grig was busy with a thought about opera, the power of theatrical genres was dominated by the power, the breadth of artistic influx, the prospect of the development of folk-heroic musical dramas. Zadumi Grіga didn’t deny the status of the leading rank to the fact that in Norway there is a tradition of opera culture. Until then, libreto, obіtsyanі Grіgu, do not bully write. Nareshty, a monumental operatic genre, is unlikely to have evoked Grig's gift, lyrical and chamber in terms of transfer. As soon as you try the opera, the music was deprived of music until the third scenes of Bjornson's unfinished libreto "Ulaf Trygvason" (1873, following the legend about King Ulaf, inculcated in the X century Christianity among the inhabitants of Norway). Pragnennya before the theatrical mystery knew the same vyhіd. Grіg writes music up to Bjornson's dramatic monologue "Bergliot" (1871), which informs about the hero of the folk saga, how the villagers come to fight with the king, as well as music up to the dramas of the same author "Sigurd Yursalfar" (plot of the same author "Sigurd Yursalfar).
In 1874 rotsі Grіg, having trimmed a sheet of Ibsen's suggestions to write music before the drama staging "Peer Gynt". Spіvpratsya with the brilliant writer of Norway presented great interest for the composer. For vysnim viznannyam, Grіg buv "a fanatical chanuval of many poetry creatures, especially" Pera Gynta. "
2.4.European version of Grig. Broad concert performance of the composer . The production of "Pera Gynt" in the 24 cruel Christianity of 1876 great success... Muzyka Grіga soon and even right away from the music of Ibsen won the composer the greatest popularity in Europe. fix new period in the life of the composer. Winning the systematic robot of the conductor in Christ, s time, he tried to focus on creative robotics. The very same Grig will move to the place of the capital of the beautiful nature of Norway: I start from Lofthus, on the birch tree one of the fjords, and then - the famous Trollhaugen ("pagorb troliv", the name, dane mistsya by Grig himself), in the mountains, not far from the native Bergen. From 1885 until the very death of Grig Trollhaugen, he became the main place of the composer's life. Grig passionately loving the Norwegian nature. For a new life in the middle of nature, with great skeletons, quiet fiords, there was not only a lot of goodness and satisfaction, but a dzherel strength, a living creative nature. In the mountains there is a "fixation and a new life of energy", in the mountains "new ideas", from the Gir Grig turn "yak nykrashcha lyudina". In the sheets of Grіg, once at a time, there are clues about the rise in the mountains, and the miracles that freshness, the novelty of the insights, from which Grіg is the beginning of the journey of nature. as it is not a maw of zhodnogo uyavlennya ... The majestic lance of the snowy mountains with fantastic forms hung right from the sea, with the dawn in the mountains, it was a fourth year old, the whole landscape was filled with blood. Tse bulo unrepeatable! ". Shilyannya in front of the greatness and beauty of nature, a subtle perception of nature, has become known in the creativity of Grig. good luck")," Pera Gynta "(" Ranok "), a lot of sides of" lyric p'єs "(" Nocturne "," Bird "), a piano concert, violin sonatas.
Not only nature, but the closeness to the life of the people caught Griga in their "silly self", the possibility of a little bit of music and people say from the villagers, to help the Norwegian people. Repairing since 1878, Grig Vistupa is not only in Norway, but in rіznih landsЄvropi yak viconavets vlasnykh creations. The European glory of Grіga zrostaє. Concert trips take on a systematic character, the stench will bring the composer great satisfaction. Grig concerts in the cities of Nimechchin, France, England, Holland, Switzerland. Win vistupa yak conductor і pianist, as ensembleist, accompanist Nіnі Grіg. The most modest lyudin, Grіg in his sheets means "gigantic splashes and neat wikliks", "colossal furor", "gigantic success" of concerts and so D. Grіg did not take up the concert performance until the end of the day; in 1907, he wrote (in death): "The requested diriguvati will be snarled for the last time!"
Hryga's numerous trips led to the establishment of calls with musicians from the countries of the world. In 1888 a rotsi in Leipzig saw the creation of Grіga s P.I. Tchaikovsky. Composers, native for divovizhnii sincerity and simplicity of their music, Grig and Tchaikovsky, were almost as much sympathy as each other. In his own "autobiographical inventory of the rise in price for the cordon in 1888," Tchaikovsky has a living "portrait" of Grіga and rіdkіsne in penetration and glibinia due to the nature of his creativity. The idea about the introduction of Russia has taken over Grig. However, having renounced the request in that time, since Russia had passed in the country of Japan, Grig did not respect for himself the possibility of accepting it: ... I dal: "Cover it up, it’s so guilty that it’s been so guilty. First, for all the demands, I’m a man. All the help is virosta only from a man." Vysoka principles, honesty and honesty were taken into account by Grіg and everything. I was seen from concerts with France, I didn’t need to play in the country, in which bulo it was provoked "to the right of Dreyfus". Democrat for re-contention, Grіg more than once saw the propositions and substitutions, but they went from the crowned persons. All the activity of Grіg in Norway is the butt of a pure and uncorrected service to his people.
The self in Trollhaugen, from one side, and the intensive concert performance, from the other, did not mean the kind of musical and educational performance in my Batkivshchyna. In 1880-1882 the rockets of the Grig Keru were a musical partnership in Bergen. "Orchestral forces ... bool zhakhlivi ... Ale, I wanted to be bi, they judged what I achieved in Schubert's symphony C-dur and one of Handel's orators. I am brilliant in chorus ...". Such was the standard of professional musical culture in Norway and those results, to which Grig's diligence led. In 1898 rotsі Grіg organizovuє in Bergen was the first musical festival. Buv requests Amsterdam Symphony Orchestra, like a vicon to create Norwegian composers. The festival has played a great role in the life of Norway. "Now people in Bergen, like in Christ, seem to be: we are guilty of the mother, a beautiful orchestra! This is a great triumph for me," wrote Grig.
2.5. Production of the other half of the 70-80s.
The song of the "Pera Gynt" stem, I respect Gryg, has developed among the musical genres of piano, chamber, instrumental, orchestral music. The creations of the other half of the 70s and 80s have a lot of new things. Shirsh old genres of hunting for Grig's creativity, versatile themes and stylistic priyomy.
In 1875, the balada was played for piano, the greatest of Grіg's solo piano works. A miraculous master of variable development, Grig is even more rarely used in the form of variance. The theme for Baladi, written in the form of variacy, was the folk song. The mournful ideas and the world of progress create the same mood of the funeral melody. Tsey tvir, with the images of anxious and mournful, male and volovy, sleep like a story about the life drama of a people. Okremі svіtlі vіdbliski deprive you of the drama of the rozpovіdі. Balada - one of the most gloomy, mournful works of Grіga - Bula was written in an important rik for the composer (rіk death yogo batkіv). In the end of the 70s, Grig was flooded with ideas of great instrumental forms. Bully conceived a piano trio, a piano quintet, a piano concert. However, the end of the string quartet in g-moll (1878). A quartet of writings on the theme of one of Grig's ibsen's song, in which there is about the beauty and power of art. Yak a leittema, won’t share a part of the creation and winn’t light with a hymn. In 1881, the famous "Norvezki Tantsi" for piano in the hands of one hand. In the works of the predecessors of Grig-Schubert, Mendelssohn, the original four-handed create boules in the form of a musical genre, accessible to a wide range of amateurs, for musical pobut. I will think about simplicity and the style of tsikh p'єs. In the "Norwegian dances" Grіga remembers the main tendencies. The number and the way of the parts of the syuty-lyricism, the fiction in the two middle parts, the drama in the first and the smart tank in the finals, the dynamism of the development of the first part, the contrasting themes of the contrasts, all the themes of the contrasts type of symphonic music. The orchestral editorial board itself has not become very popular. In 1884 rotsi Grig wrote the plot for the piano "In Holberg's Hours". Built in the last few days as a musical monument to the writer-educator of the 18th century Ludwig Holberg, a showcase in the style of music of the 18th century. Parts of the syuity (prelude, sarabanda, gavotte, aria, rigodon), accepting the textured wiklade, ornamentation, the form of the skin part, the harmonious mode - all the tse, as a subtle stylization, I create the character of the era. With the help of a thin touch, Grig Ice introduced his harmonious Farbi or Intonational turnover, the power of Norwegian music, which gives a special charm to the atmosphere. In the 80s of rock, Grigom Bouly, the chamber and instrumental works of the great form: sonata for cello and piano (1883), the third sonata for violin and piano (1887). Pislya great interrupt the composer knows to turn to "lyrical p'esami". In the 80s, boules were written by a friend (1883), and the third and fourth (1886) were written "Lyricheskih p'us". Bagato having written Grіg in Tsі Roki Pіsen. Like the words about Norway, nature and people are alive, the stench sounded. Griga's scholarship to chamber lyric genres was known in the tsі rocky new, free manifestation. Vinikayut two cycles of piano transcriptions of the powerful songs. Grig gives a new life to his loves of musical and poetical images, such as "Song of Solveig", "Persha Zustrich", "Heart of a Poet", "Princess" and "Princess" and others.
2.6. The last period of creativity. In the 1890s, rock and on the ear of the 900 rock in respect to Grіg most bulo was occupied with piano music and songs. From 1891 to 1901 Rik Grig wrote a series of zositiv "Lyric p'us". A few of Grіga's vocal cycles can be traced back to the full range of rock. In 1894, rotsi vin wrote in one of the leaves: "I ... got it so lyrically, that I could write from my breasts, like nicholas, and, I think, stench - if I did it,". Quite a few words can be brought to life on the texts of the Norwegian poet Wilhelm Krag. Painting of a beautiful, radiant nature and an increase in life ("The sea is in the yaskravikh promenades"), the poise of youth and spiritual purity ("Margarita"), the beauty of motherhood ("Mother's Dream") is the axis of the cycle, which is so often your creativity. The author of the numerical obroboks of folk songs, the composer, start so tightly the ties with folk music, Grіg in kіntsі svogo creative way I know and with a new interest to turn to folk songs. "I have gotten a lot of litas in the mountains without yet published, unpublished folk, like nastilka miracles, but for me it was a spirited viclast for the piano." So Vinnik in 1896 was a cycle of "Norwegian folk melodies" - nineteen subtle genre sketches, poetic pictures of nature and lyrical fists. the great last orchestral tvir Griga, "Symphonic Dances" (1898), written in people, Chastkovo has already been shaped by the composer before. For the character of the victorious folk dances, the integrity of the intriguing composition "Symphonic Dances", the cycle of "Norwegian Dances" is being continued. In 1903, there was a new cycle of folk dances for piano. On the occasion of their colishnіh vіlny poetic obroboks Grіg in the whole cycle pragne to preserve the quiet singularities of the sound, as dances can be obtained from the viconnes of folk violinists. Pragnennya to ethnographic accuracy virazilsya and in the fact that, around the dance of Grig, before the viclade of folk legends, with which they ring out. V the rest of the rock Life of Grig has published an early and lyrical autobiographical story "My first success" and the program article "Mozart and its significance for fun". They have a strong influence on the creativity of the composer's credo: pragmatism to freedom, to the design of his style, his own music in music ("... noises, no noise, in the hope of seeing, if the artist seeks a piece of new things, I mean in vіrnіst vіrnіst vіdalіals of the classical painting, realistic and artistically thorough. Unprepared for a grave illness, Grіg prodovzhuvv the creativity until the end of life. In 1907, the composer made a great concert tour around the cities of Norway, Dania, Nimechchina.
April 4, 1907 Grig died in Bergen.
3.Characteristic of CREATIVITY
3.1. Zagalna characteristic
Grіg's creativity is wide and rich. Grig wrote creating popular genres. Piano Concerto and Balada, Three Sonatas for Violin and Piano and Sonata for Cello and Piano, Quartet post-life Grіga to great form. At the same time, the composer’s interest in the composer’s invincible boon to the instrumental miniature is lost: the cycle "Poetic Pictures", "Leaves from the Album", "Lyric P'usi". At the same world, like a piano, composer, she steadily turned into a chamber vocal miniature - a romance, a song. Not being the main one in Grіg, the area of symphonic creativity is defined by such masterpieces as the "Peer Gynt", "Holberg's Hours". One of the characteristic types of Grig's creativity is the obrob of folk songs and dances: in the viglyadi of awkward pianoforte songs, in a suite cycle for piano in a choice of hands and for an orchestra.
Riznomanitne for genres, creativity Grіg riznomanitne for the theme. Pictures of folk life, native nature, images of folk fiction, people with the efforts of his life, such a world of music by Grig. Create Grіga, without writing about wines, inspired by lyricism, living by the composer’s loving instincts to those of our own creativity. "Hearing Griga, I instinctively understandably, how the music was written by Lyudin, who collapses with an unacceptable pull for the help of the sound of power, the influx of seeming and moods of a very poetic nature."
Grіg is heavy to the specificity of musical images. That is why the programmaticity is of great importance in yogo music, it is based on the involvement of the poetic images of nature, folk fiction, folk pobut.
Musical mova Grіga yaskravo srіdniy. The individuality of the composer's style most likely begins with a strong sound from Norwegian folk music. Grig is widely cited genre features, Іntonic mode, rhythmic formulas of folk songs and dance melodies. They have a lyrical-dramatic plan, with distant types of genre-by-beat images, sensitive characteristic rhythms of Halling and Springerdance.
The type of melodic ruch often plays out the characteristic folk and instrumental naspi. So, as a prototype of the introduction to another violin sonata єimprovizatsiya folk violin. Such textured priyomi, like a vitriman organ point in the bass, quintuy bass, sound like folk instrumental music. The miracle of the main character of the varied and varied development of the melody, in the power of Grig, is rooted in folk traditions bagatorazovy repetition of melody with zminami її. "I have recorded the folk music of my land." Behind these words is more potent to put Grіg up to the folk mystery and the understanding of his initial role for the authoritative creativity.
3.2. Lyric p'usi.
"Lyric P'usi" is a part of Grig's piano work. "Lyrical p'usi" Griguyuyut that type of chamber piano music, such as performances "Musical moments" and "expromt" by Schubert, "Songs without words" by Mendelssohn. The serenity of artistic thinking, lyricism, twisting in a different mood, mentality to a small scale, simplicity and accessibility of artistic conception and technical skills are the axis of the romantic piano ministry, which is the power of the authorities.
"Lyric p'usi" can be called the composer's "musical composer". Syudi Grig "inscribed" his own feuds, feelings, thoughts. Behind the "Lyric P'esami" it is clear that it is a lot of thoughts and a sense of Grig coming to Batkivshchyna. The theme of Batkivshchyna is to be heard in the tract "Ridny Pisni", in the spoky and great p'esi "In Batkivshchyna", in the genre-lyrical scenes "On the Batkivshchyna", in the number of folk-dancing, ideas The theme of Batkivshchyna is trivial in Griga's miraculous "musical landscapes", in the free motives of folk-fantastical p'us ("Move of the Dwarfs", "Kobold").
Alive, bezposrednі zamalovki "from nature" ("Bird", "Metelik"), seeing the artistic enemies ("The Watchman's Song", written for the enemies of Shakespeare's "Macbeth"), musical hanging "portrait" ("Gade lіvіch"), "Arietta", "Waltz-ekspromt", "Spogadi") are such a number of cycles. Life of hostility, love of lyricism, we live in honor of the author, - the axis of change and emotional tone of the cycle, as explained by the sixth name: "Lyric p'usi".
The peculiarities of the style of "lyrical passages" are so self-descriptive, as they are. Even more p'esami power, borderline laconicism, scanty precise strokes of the ministry; But in deyakie p'єs you can know the pragmatism to the picturesque, wide, contrasting composition ("Move of the Dwarfs", "Gangar", "Nocturne"). In some of the tunes, the subtlety of the chamber style ("Dance of the Elfs") is sensitive, they are vibrant with yaskravym farbs, and they are vivid with vivid concertosity ("A fun day in Trollhaugen").
"Lyrical p'esi" is recognized as a great genre diversity. There is music and nocturne, koliskov and waltz, song and arіetta. Much more often Grig goes to the genres of Norwegian folk music (Springdance, Halling, Gangar).
The art of the cycle "Lyricheskie p'єs" is based on the principle of programmability. The skin is perceived as a heading, which means a poetic image, and in the skin, the enemy is simplicity and subtlety, and how to get involved in the music is "poetically enthusiastic". Already in the first stage of "Lyrical P'us", an artistic principle was introduced to the cycle: the versatility of the change and the lyrical tone of music, I respect the Batkivshchyna and the links of music with folk twists, the laconic simplicity and simplicity of music
The cycle is filled with a light lyrical "arietta". Borderly simple, childishly pure and naïve melody, deprived of a trocha "grasped" by sensitive romantically anthony, creating an image of youthful serenity, spiritual calmness. Vibrant "three specks" in the tip of the head (a song to shave off, "to be cut" on the cob, to be built, as if the thought rushed into the middle of the sphere), as a very psychological detail, I am alive when I see it. The melody іntonatsії, the texture of the "arіetta" evoke the character of the vocal p'єsi.
Let's make it easy to see "Waltz". On a typical Waltz figurine, a super-conductor is presented with a vitonchen and tended melody with hospitable rhythmic contours. "Primhlivi" change accents, triloes on the strong beat of the beat, as they create the rhythmic figure of Springdance, bring in the waltz a peculiar flavor of Norwegian music. I would like to adapt to the typical for Norwegian folk music tunes (melodic minor):
"Norwegian dance", lively and engaging, creating a whole dance stage. At the change of melodic-rhythmic figures, re-establishment and dynamic contrasts, the dummies can be seen dancing figurines, ізні groups dancing. A striking "bizhuchi" melody, with clear metric repetitions and sharp alternating accents, and the Trilny "kruglyannya" character of Sprіngdance. Especially vividness is given by a colorful "instrumentation" - a vitriman of a quint in bass and an impertinently "crooked" for a melody in quart and quinta voice in the mountain:
"Leaf from the album" is the serenity of the lyrical feeling of vitality, the "gallantry" of the album style. At the simple melodies of the tsієї p'єsi chuti іntonatsії folk song. Ale is light, the ornamentation is addicted to the visual style of the simple melody. The upcoming cycle "Lyric P'us" bring new images and new artist... "Koliskova" from another zoshita "Lyricheskikh p'us" sounds like a dramatic scene. Rivna, spokyna melody is formed from the options of simple maturation, the dumb people virosla from the worldly ruch, stolen. With new skin events, please see the calmness, light:
The theme of the middle part is contrasting, stressful, dynamic, very active, energetic and energetic with elements of recitation, to add a touch of drama. Writing her, in the reprise, the main theme is to sound like an anxious Viguki. The structure is saved, the ale von has grown to the character of a lively lingering, in which there is a sensitive sprain of human movement. Nіzhnі "zakolisuyuchі" іntonatsії at the top of the monologue were reimagined in the mournful pathetic Viguki. In "Koliskovoy" Grіg zumіv convey to the whole din of feeling for an additional development of borderline simplicity, laconic melody.
At the third zoshiti "Lyricheskie p'us" there are light, poetic images of nature: "Metelik", "Bird", "Sheds".
"Birdie" -application of Grіg's richest gift, not with strokes, add precise and thin little ones. The melody of p'usi zitkan from short "singing" trills and "dancing" to the rhythm. The texture is marginally stingy, a gap; rewrite the sound of the upper register. The frowning tone of the middle part deprives you of more clarity of the cob image. "Purkhayut" figures code and create an impression of lightness, spaciousness.
At the p'yatіy zoshiti "Lyricheskikh p'єs" there are new stylistic rice. Grіg comes from minіatury, from chamber sounds. The scale of development, the contrast of the images, the juices of the timbres of the Farbi allow us to talk about the orchestrality. To transfer the composer nibi to the piano characteristic features orchestral writing: the timbre of the versatility, the restoration of contrasts, the relativity of the texture.
"Gangar" ("Selyanskiy march") is an extension of the type of dance-go (gang-krok) in Norway. Tse old-fashioned guy dance of a spoky and grandiose, urochistic character, frayed ruch . The picture of it was created by Grig so that the listener, to build up, to talk about and to see the dancing, to make a free plastic of the ruch.
"Gangar" will be used for the development and alternative repetitions of the same ones. Tim tsіkavіshe means figuratively the richness of the tsієї p'єsi. Bezperervne, nevaplivye rozgortannya melody inspired by the nature of the great smooth dance. Іntonatsіy sopilkovy nagravan, intertwined with the melody, dvgy vitrimanny bass (a detail of folk instrumental style), jorstkі harmony (lancers of great seventh chords), sound rude for an hour, "awkwardly" (like all cold-hearted ensembles! pastoral, silsky flavor. On the other hand, there are new images: short signals and phrases of a lyrical character. Tsikavo, when there is a kind of change by those її the metro-rhythmic structure becomes invisible. With the new version of the melody in the reprise, there are new images. The light sounding in the high register, the subtlety is clear because of the spoky-spokylyadalny character. Smoothly і stepwise, oozing skinny sound of tonality, picking up "purity" in C major, melody descending. The thickening of the re-establishment book and the stronger the sound to produce light, the prospect of the theme to the suvorogo, gloomy sounding. To be built, there will be no end to the melody. A new version is introduced with a sharp tonal zsuv (C-dur-As-dur): the theme sounds grand, urochisto, carbovano.
"Hoda of the Dwarfs" is one of the most beautiful images of Grіg's musical fiction. The contrasting composition of p'usi has one against one chimerism of the Kazak light, the underground kingdom of trolls and the charming beauty, the clarity of nature. P'єsa is written in a tripartite form. Extreme parts of the world are very dynamic: in the fast-paced Rus, there is a fantastical blink of "walk". Music to the edge of the skip: motor rhythm and on її tlі primly і quick verse of metric accents, syncope; clutches in the tonic harmony of chromaticism and rocking, the great seventhordi sound hard; The melody and the whistling "whistling" melody of the figurines "beat"; dynamic contrasts (pp- ff) between two propositions of the period and wide years of growth and decay of sonority. The image of the middle part is perceived to be deprived of hearing because of the fact that a fantastic vision ( la, the new melody is mute). Light sounded by those simple for the structure, associated with the sound of folk melodies. A clean, clear harmony її found in simplicity and severity of a harmonious disposition (cherguvannya major tonics і її parallels).
"Nocturne" is an astonishing lyrical landscape. Vidblisks of nature vypisanі here, build, with malovnicheskoy clarity, ale zhodna "malovnycha" detail is not vypadaє from the zagalny, gliboko lyrical tone of the "picture". "Nocturne" spellings in dynamical tricycle form. The lyrical melody becomes the basis of the first part. Adjusted to the height of the "open" melodic phrases, the tension of chromaticism in harmony, which is led from the clear hardships and styles of tone, the lack of tone and barvy tonal turns - all the tones of the hit to form romance, the romance. A little bit of a cob of melody is forgotten: it’s virosta from a short nagravannya of the people’s warehouse, we’ve seen it wide. Simple і intelligence, vicious imagery (landscape) associations, win not be included in the further development of melody, as bi become alive, "active" enemies. So it’s natural, prodigious lyrical image, there are malovnichi images: trill ptahiv, light podih vitertsya. From the main colorist Grіg zumіv nadati barvist, timbre value of the skin. Pochatkovy naspіv wiklikє in uyavі timbre іzhka, lyrical pouring of melody-warm sounding of smichkovy instruments, light overflowing trills-dzvіnky and clear sound of a flute. So in the piano, the sweetness of the orchestrality is introduced. In "Nocturne" it is possible to simulate the laconicism of the Grigovian style. There is a great and varied meaning of the smallest musical details: restoration of contrasts, a change in size from a smooth, fluid before light and rugged, contrasting with the strained development of harmony on the cob, statics in the "trill" theme and barvy harmonies in the middle (Piu mosso, non-chords in the thirds and three-tone spines), the sound of the music contrast. Important in "Nocturne" and proportions in the related parts: the middle part, light, fortunate, meaningfully squeezed in the extreme parts. At the reprise, the bottling of lyricism is stronger, more yaskravish. The culmination is short and strong by those who sound like a poignant, overwhelmed feeling. Tsіkaviy kіnets "Nocturne": the intensive development of melody is shifted into the sphere of barvy spіvsuch (sequencing to the lancet of chromatic low seventh chords). The "trill" motive is not matched by the word, if the rumor of the check appears on the cob. Already the additions of harmonious barvyness, with a summary repetition - "vidlunnya" (in pivton lower), it sounds like a distant vidgomin:
A fun day in Trollhaugen. One of the most beautiful, triumphant creations of Grіga. to start as a genre prototype: the fall of the march, a simple walk to lie in the base of the p'usi. It’s invented, proudly to sound the pride of the evil, the rhythmic pictures of melodic images!
P'єsa spovnena energії, ruku, yaskravyu dynamіki - from muffled tones, avaricious prosoroy invoice cob to dzvіnky ff, bravurnikh passages, wide range of sounding. P'єsa is written in a folding tripartite form. Let us cleanse the Christmastide images of the extreme parts against the lower lyricism of the middle. Її melody, like a breeze blowing (the melody is played in an octave), will be based on sensitive romance songs.
Its contrasts є і in the extreme divisions of the form, also three-private. The middle of the wiklikak is in a danceable scene with protrusions of an energetic husband's ruch and light graceful "pas". Majesty the growth of the power of sounding, the activity of the roach to be brought up to the yaskravoy, dzinkoy reprise, to the culmination of those who are Nemov, carried by strong, straining chords in front of them.
For Grig, the lyric composer, the pianist composer, "Lyric p'usi" became a natural form of lingering. The very theme of Grig's creativity has emerged in these cycles in such cycles; To that "Lyric P'usi" was concentrated in the particular style of Grіg's music.
3.3. Photo concert
Grіga's piano concert is one of the most significant creative genres in the European music of the other half of the 19th century. The lyrical interpretation of the concert is close to the music of Grig to the same genre as represented by Chopin's piano concertos and especially by Schumann. The closeness to Schumann's concert to appear in romantic freedom, in a sense of love, in subtle lyric and psychological nuances of music, in a series of compositional prizes. However, the national Norwegian flavor and characteristic for the composer, the imaginative mood, the creativity was zoomed in the freedom of the Grigov concert.
Three parts of the concert lead to the traditional drama cycle: a dramatic "high school" in the first part, a lyrical image in the other, a folk-genre picture in the third.
The romantic porv of the senses, the light of the lyric, the hardening of the cob - the axis of the figurative mode and the line of development of the images in first part.
A friend's part the concert is small, but psychologically rich in Adagio. A dynamic three-part form of yogo viplyaє with the development of the main way - from zooseredzhenoi, with notes of dramatic lyricism to an overpowering appearance of a bright, strong feeling.
In the final, written in the form of a rondo-sonati, panyuet two images. At the first theme - cheerful energy Halling-knew their completion of the folk-genre episodi, as "living background", see the dramatic line of the first part.
3.4 Romance and Song
Romance and painting is one of the main genres of Grіg's work. The connotation in a word, lyricism, you can be close to the folk art, the wide availability of works of the music genre - all the reasons were given by Grig's own sutta.
Grіg created romance and poetry in the face of all his creative life. The first cycle of romances appeared in the beginning of the end of the conservatory, and the end of the song was not too bad before it ended in the creative direction of the composer.
The overwhelming vocal lyricism and the miraculous development of the work of Grig Bully by the significant world connected with the development of the Scandinavian poetry that awakened the composer. The verses of Norwegian and Danish poets form the basis of Greater's great romances and songs. Among the poetic texts of Griga's pisen - vershi Ibsen, Bjornson, Andersen.
At the songs of Grіg, it rises great svit poetic images, hostility and feelings of people. Pictures of nature, painted brightly and malovnicho, are present at the majestic big pictures, most often as the background of the lyrical image ("At the Lis", "Khatinka", "The sea in the yaskravikh exchanges syє"). The theme of Batkivshchyna is to be heard in lyrical hymns ("Before Norway"), in the images of people and nature (cycle of songs "Zi skel and fiordiv"). Riznomanitnoy postaє in the songs of Grіg the life of the people: with the purity of youth ("Margarita"), the joy of the kohannya ("I love you"), the beauty of pratsi ("Ingeborg"), with these fellow citizens, as they are learning "Koliskuyu" people ( mother "), with a thought about death (" The Last Spring "). But about how they would not "sleep" the pictures of Grіga, the stench is sure to bear the insight and beauty of life. Gryga's young creativity to promote his life development of traditions chamber vocal genre. Grіg has a rich song, based on the whole wide melody, which conveys the zagalny character, the zagalny mood of the poetic text ("With a good rank", "Hatinka"). The order with such songs and romances, in which subtle musical recitation means nuances of feelings ("Swan", "In rozlutsi"). There are two principles in mind of Grіga. Do not violate the integrity of the melody and the visibility of the artistic image, Griguy differently about the ideals, in the distance with the familiar strokes of the instrumental part, the subtle harmony, and the way of making children in the minds of the congress
In the early period of Grig's creativity, it often took place before the journey of the great Danish poet and Kazkar Andersen. The composer of the yogo verse knows the sound of a powerful system in a poetic way: happiness to love, to see the endless beauty of the new world, nature. The songs based on Andersen's texts have a type of vocal miniature characteristic of Grіg; The melody is beautiful, the verse form, the transfer of poetic images is ugly. All tse allow zarahuvati do this, like "In lis", "Hatinka", up to the genre of painting (and not a romance). Kilkoma with clear and precise musical touches Grіg bring alive, "visible" details to the image. The national character of the melody and harmonious farbs gives the special beauty of Griga's song.
"At the Lis" is a wonderful nocturne, a song about kohannya, about the charming beauty of nature. The strength of the roach, the lightness and the insight of the sounding begin to create a poetic image of the song. In the melody, broadly, it is natural to develop, it is natural to have a lot of partiality, skill and myaki lyrical ideas. The subtle changes of dynamism, the varied changes of harmony (change), the lack of melody of the melodies, sometimes alive and light, sometimes sensitive, sometimes bright and radiant, companion, melodiously advancing for the melody, is With a light musical touch in the instrumental introduction, in the interlude and in the linking, there is the imitation of the voices of the fox, the song of the birds.
"Hatinka" is a musical and poetical idyll, a picture of happiness, the beauty of the life of people in the bosom of nature. Genre is the basis of pisni-barcarole. Leave the ruh, the rhythmically rhythmic movement, which more beautifully evokes a poetic mood (non-turbulence, calm) and picturesque virsha (ruh and the noise of the sea khvil). It is indispensable for the barcarole to punctuate the rhythm of the suprovod, which is part of Grig and is characteristic of Norwegian folk music, which is often clean and springy.
Above the carbovy texture of the piano part of the Nemov, the melody is light and plastic. The song is written in a stanza form. The skin stanza is built over the period with two contrasting propositions. The other sees a spine, a lyrical stress of melody; the stanza ends with a clear vision of culmination; in words: "... even here you live love."
The melodies walk in thirds (with the characteristic sounds of the great septimy), quart, fifths, the breadth of the melody dichotomy, the equal barcarol rhythm create an open space, lightness:
"Persha Zustrich" is one of the poetical aspects of the Grigov song lyrics. Close to Grigu is the image of a lyrical feeling, who will feel good about it, like nature and mystery for people, - involvement in music, in general calmness, purity, pidnesenosti. One melody is wide, it is great to develop, and all the poetic text is "enveloped". Ale in the motives, phrases of the melody, the details of yogo appear. It is natural to blend into the vocal part of the motive of engraving ryzhka with a muffled minor repetition - nemov is far from the moon. Cob phrases, "widen" near the next doorways , spiral to the style of tonic harmony, to the static plagal envelopes, with the beauty of light, to create a mood of calm and look, beauty, like a dichaє virsh. Start a new song, start on wide pouring of melody, step by step to increase the "praise" of the melody, and act on the "conquest" of the melodic summit, with the straining melodic moves to visualize the brightness, the power of emotions.
"With a good wound" light hymn to nature, more joy, triumph. Yaskraviy D-dur, fast pace, cleanly rhythmic, close to dancing, energetic ruh, one for all the songs of melody line, straightened to the top and in "embellish" the melody, the dumb dzvinkoi in the twilight ("lis dzvenit, dzhmil dzizhchit"); optional repetition of a part of the melody ("the sun has risen") in the new, tonally larger edition; short melodic ills with a zupinka on a major third, all parts in the editorial office; yaskrava "fanfare" in the piano link. In the middle of Griga's song, there is a cycle on the verses of G. Ibsen. The lyric-philosophical zmist, mournful, zooseredzheni images are created unrecognizable on the darkening light of the gregovian pisen. The beauty of the ibsenivskaya pisen- "Swan" is one of the peaks of Grіg's creativity. Beauty, the power of the creative spirit and the tragedy of death - this is how the symbolism of Virsha Ibsen appears. Musical images, so the poetic text itself, is perceived as borderline laconicism. The contours of the melody of the amusement of the declamation of the verse. Alle the avaricious іntonatsії, redistribution of the vіlno-declamation phrases grow into a whole melody, only one and without interruption in its development, a string in form (the picture is written in three-part form). The world is ruh and the melody is small on the cob, the severity of the texture of the superwire and the harmony (the variety of the plagiarism of the minor Subdominant) creates a sense of greatness and tranquility. Emotional stress in the middle part can be reached with even greater concentration, "avarice" of musical interests. Harmony is found on dissonant sounds. Mіrna, spokіyna melodyna phrases reach for drama, increase the height and power of sounding, see the repetitions of the vertices, kintsevu іntonatsіyu. The beauty of the tonal gris in the reprise, we will step on to the clarification of the recreational color, we will see the triumph of light and calmness.
Bagato is clear by writing Grig in verse of the Norwegian village poet Osmund Vinier. Among them is one of the masterpieces of the composer-song "Spring". The motive of the spring awakening, the spring beauty of nature, parts of Grіg, the dressing here with an invincible lyrical rank: the hospitality of the stay in the life of the people of spring. The musical solution to the poetic image is wonderful: the whole song is lyrical. The melody is broad and smooth, and it is composed of three motives. Podibnі on іntonational and rhythmic structures, stench є variants of the cob image. Ale ni on mit didn’t see any repetitions. Navpaki: the melody lies on the great dikhanna, with a new skin phase, they approach to the hymn-like sounding.
Even more subtly, not to the zealous character of the ruch, the composer translates musical images from the malovnichy, the yaskravich-to the emotional ones ("in the distance, to the far-off expanses to drive"): the dimness, the hardness, the harmony sounding A sharp tonal contrast (G-major-Fis-major) with the clearness between the images of the poetic text. I will give out to the vibor poetic texts, I will clearly overwhelm the Scandinavian poets;
3.5. "Peer Gynt"
Music Grig before the dramas of Ibsen "Peer Gynt" stand in a number of such high-profile genres, such as "Egmont" by Beethoven, "Dream in the Summer of Nicholas" by Mendelssohn, "Prince Kholmsky" by Glinka, "Arlezianka" by Bize. Designed for theatrical performance, music before "Peru Gynt" artistic creation... The score of "Pera Gynt" includes twenty-three numbers, the middle of which, I will start up to five acts with dramas, songs (song and Koliskova Solveig, serenade of Pera Gynt), dance (at weekly Ingrid, Arabic dance, fantasy dance) ("At the Girly King's Caves") and lyric-dramatic ("Death of the Axis") orchestral episodes, melodramas.
Those playing music and dramas, as I get Grig, become free. mid musical numbers"Pera Gynt" is not something like that, like in a zagalny form, concentrating transferring the bi basic idea to the art, similar to Beethoven's overture to "Yeghmont"; for having hunted bi basic plot-figurative lines of dramas, similar to the preludes from "Arlezian" Bize; for having created a number of images, the zagalny coloring of a dramatic creation, similar to Mendelssohn's overture "A Dream in Summer Nicholas".
Some of the rooms of Grіga's music, decorate, open up the images, situations with the dramas of Ibsen: presentations, pure lyricism to the image of Solveig, the tragedy of the death of Ose, the journey of nature, the grace of fantasy. The composer nibi vyavlya the richness of the poetic facets of the great and folding, filled with social and philosophical public relations create. In the image of Peer Gynt, Ibsen wicked people, who have the beauty of the beauty and the record of the ancient,
Mriya and praznennya do not get involved in the show, in the struggle for the achievement of the living ideal.
Come up with a tse, tsyo bazhati,
Want to ... but-zrobiti? Ні, not mind.
Tsi words of Per Gynt є we key to the clearer image. The lane of the vicious idea is interpreted by Ibsen Bagatoplanov. Per-dreamer і mriynik, mayzhe sings, and by the power of his own, he will be transported to the sight of people in the sight of him. Per rose the purity, spiritual beauty of Solveig and, love, live through her, for that his conscience is covered with provinces. Pertsynik, who is not familiar with the criteria of morality and the Borg, if he doesn’t care for hisism. To the baggy folding experiences of the image of "you do not know yourself" by Peer Gynt, in drama, the modest and presenting image of Solveig is impressed by spiritual purity, love, strength to the spirit. The main heroes of Ibsen's tribute to the life of the agile and the stylistically, the planner, the realistically, the juices of the overflowing Norwegian villages, the grotesque, the viscerally satirical, stormy, fantastical symbolism, yak to help the public, concentrate the author's philosophical images. Grig still loves ibsen's tweet and the minds of the whole world. Ale "for myself", for engaging in music, vibrate if you do not have motives and images, as boules are close to you and as you have known from your creative mind.
"Peer Gynt" Grіga interpreted the broad vision of the viglyadі two orchestral suites. V pershu syuytu included "Ranok", "Death of the Axis", "Dance of Antri", "In the Cavern of the King of the Gir". Light and radio a lot. ("Ranok"), the tragedy of the end of life ("The Death of the Axis"), the vitonization of the zamalovka genre ("The Dance of Anitri"), the "riot" fantasy ("At the Cavern of the King of Gir") - such contrasting images of the scene.
In the p'єsi "Ranok", the barvy of nature painting has a subtle lyricism. P'єsa will be on a variant development of one pentatonic melody. There is music, a sprinkling of flute and oboe from the flute and oboe; There is a wide open space in front of you.
"Pure" harmony farbi (trisy sound is the main type of harmony), yaskravі, unsuitable in the left one by one (E, Gis, H), yak farbi in the malovny kraєvidі. With a new cutaneous repetition, melody options appear, such as knitting similar phrases into a single melody. In the strong, wide range of sounding of the string group
Malovnich's music will be reminiscent of lyricism, feeling of joy, of life. Kilkoma with strokes of Grig in the context of expanding concretely-shaped associations: solo French horns and walk close to the sound of Misliv horns, light trills of flutes - all of them are lost, like the wounds of nature, sound
"The Death of the Axis" is a tvir of majestic dramatic power. Grіga's laconicism is available here, to be built, between. Yak bi on one dikhanna composer veda pohatkovy zooseredzhenii, Suvoriy the image to the majestic stress, dramatic culmination. First of all, to the light and sorrowful sounds. A laconic musical image, for the development of what will be a p'essa, along the world of the march, with a strict chant and mournful songwriters. When you repeat this for another period of time, you will be able to do the best for the sharpened harmony and dynamism of the bar. Repeat the period with a gradual improvement in sonority, improved "sounding" and tonal contrasts - the axis of the track, which can reach the spring, the dynamism of the first part of the two-part form.
Another part, light, like that realm of the world, in how I will drown in the Axis with my fantasy Peer Gynt, who will not ruin the backward ruin of music: here is the very structure and rhythm of melody. A little bit to go chromatic іntonatsії її, constantly praying harmony until it rises, until tonicity (in the first part of the harmony it went down to tonicity to restlessness), the out-of-the-way line of the first melody and fading out all the sweet sounds The versatility in the sound of the song is reached even by modest orchestral efforts: the won was written for the string group and the orchestra. Final syuiti - "At the Caves of the King of the Gir" - yaskrava and barvy dyamic p'usa. It’s just and it’s okay for Budova: with a bagatorazovy melody performed by those without changes, since I’m in all big number voices, with new figurations in the textures, so that the fakery and dynamism comes along, which corresponds to that image, which lies at the base of the matter: a careless dance, a build-up of rubbish, a hubbub. - the frequency of the rhythmic figures on the weak beat, the rhythm of the bass drum, as well as the harmony of the harmonious music.
The process of improving the sonority from the ear to the end is the main way of the dynamics of the tsієї p'єsi.
In "Dance Antri", with the same modesty of the orchestral feats (up to the string group and donations of the tricut musicians), the composer is encouraged to create a dazzling timbre barvist. The sound of the string group, the most popular choreographers of the agso and pizzicato, the overwhelmed to sound, "Inkrustuєtsya" with a trikutnik. The skin part of the texture is viral. Vitoncena, the plastic melody is refined with shaded and dynamic nuances, adorned with trills, grace notes; melody, vibrating according to the rhythmic little one, spiraling onto the dancing figure of the super conductor:
The other syuite "Peer Gynt" is composed of the offensive p'єs: "Skarga Ingrid", "Arabian Dance", "Pera Gynt's Turning to Batkivshchyna", "Pisnya Solveig". Such a composition, while playing a lyrical role, plays the role of a cob and arrangement, talking about their everyday meaning in a syllable cycle.
"Skarga Ingrid" is a dramatic p'usa. In grief, the lyrical song-skarg is framed by a gosly rhythmic and strained to sound theme: this is how the Ingrid dance melody sounds like it sounded on the day of the week.
The lyric poetry "Pisni Solveig" has been opposed to the drama, the anti-corruption of the lyric poetry.
The most poetic sides of the dramas are tied with the image of Solveig, a village girl; all the life of Solveig Cheka Pera in the lisoviy khatin in the mountains. The role of music in the current image, which is bordering on sparingly in the text of dramas, was transferred by Ibsen. Grig, with the magnificent artistic minds of the zooms, convey the very day to the image of Solveig - spiritual purity and strength of mind, and with a light touch, that is called rice, with which I tie my declaration about Solveig. Song Solveig, subtly lyrical, dumb twisted from the anthony and rhythms of folk music. Among the Swedish and Norwegian folk songs є songs-prototypes of Solveig's melody:
Until and when it’s the most wonderful sound to sound. Close behind the character to the lingering і we will change us to our ryzhka, in this time it is clear to "fit" into the clear landscape, which is the last, the quarter іntonatsіya is seen by the two-way moon. The song itself, simple according to the singularity of the song (the flow of the melody and the tune, the power of Norwegian music), is smooth (the parity and the same rhythm of the rhythmic figures, the equal modesty of the chords of the suprovod). With a new skinny phrase, the penetration of the melody: I squeeze more harmony springs behind the rakhunok, I go through the rakhunok sharpening the differences in the environment. The meaning, the penetration of the dermal intonation, expands to look at the evocative, good-looking, cadence turn of the melody in the chinchin (rhythmically "podvizhennya" of the prisoners of the anthony).
A light and low dancin 'sensation (in the option for a voice tse vocaliz) brings the edge to the image: the joy and light of youth, which saved Solveig in the soul.
"Peer Gynt" by Ibsen "Styles are national, as genial and glib". Gryg's words can be brought to life and up to the last music, which will share a lot of characters, realism and richness in the transmission of life images from national clarity.
List of literature.
1. "Music literature foreign lands... Type 5 ". View." Music "; Moscow, 1965r.
2. M. Druskin, "History of Foreign Music". View. "Muzyka"; Moscow, 1967r.
3.B. Astaf'ev, "Grig". View. "Muzyka"; Leningrad, 1984r.
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Edward Grig Buv Population Vltku 1843 in Norway. Yogo pradid was a merchant, and daddy were rich people. Edward's mom was grateful on the piano and spіvati, she gave concerts, on which grate you can create vidomich classics... Won from chotiroh rock_v was busy with the child's music. At 12 rockiv lad sklav pershu musical tvir.
For that, as Edward finished school, he entered the conservatory in Nimechchin. I was the first teacher at the student of the bully of development, so I was transformed into the first class. The composer heard about the music of his fellows. It’s an hour for a young cholovik to put the music together. Edward graduated from the Conservatory in 1862, all of his assessments were reviewed by the Bully, Professor Buli was pleased with his progress. Then the young cholovik gave the first concert in his career, win proyshov in Switzerland.
on offensive rik Edward went to Copenhagen with a lot of new knowledge. Vin write musical creation. The stinks revealed the character of the composer's creations.
Potim Edward falling asleep comradeship. This bulo was created so that the publication could listen to composers from Scandinavia. Pianist duzhe plodno pratsyuvav, vin being the conductor, viconavets, author. In the whole period of his creativity, the pianist wrote a lot of creativity.
The composer, with his two-year-old sister, made friends with the 1864 rock, nebarom bulo vesillya. The yogi squad got into spіvachkoyu, the couple was engaged in spіlnaya creativity.
The couple went to Oslo. The whole period can be characterized by the development of the creativity of the pianist. The composer became a vidomy in the whole world.
Not bargained, Edward had a daughter with his squad, and she was seriously ill and died. The squad was seen from the composer and was frozen in his own. The musician often traveled to Europe with concerts. Not bad before his death Edward overruled his autobiography.
Pianist died in 1907 to rock.
3, 4, 5, 6, 7 classes for children short biography
Biography of Edward Grig about the smut
Edward Grig Buv Population in Leto 1843 Rock. Music lessons in children were given to you by mother. Then I went to the Conservatory, as I went to Leipzig. The musician had an internship in Copenhagen, de vin bouv of the performances of G. H. Andersen. His creativity puffed up the composer, and he wrote a piece of works on the verses of the poet.
Pianist having blown through the national music. You can often feel folk motives in his works.
The composer went to Oslo in 1866 rotsi. There, after putting it in place, create on top of Bjorns. Pianist booves of feuds by the creators of the poet, who has written an opera.
Musicant viv active community life. Win buv is one of the founders of the musical partnership, as well as the first Norwegian musical academy. Pianist Sklav Musical Tvir, as the people called it the anthem of Norway. Craftsmen for their talent, the composer has earned public recognition.
Edward became friends with Nina Hagerup in 1867 rock. Vona was a sp_vachkoyu. Edward, with his squad, traveled around Europe with whistles.
An uncomfortable musician has gone to a native place, having written a tvir, as if he became a vision of his creation. The very pislya of a new pianist of a hundred views in the whole world.
Edward Bouv at Bagatokh Mistakh Europe in 1907, when he was going to England, it became nasty for a while, and he went to the lykarnya.
The composer Talanovitiy died in 1907 to rock. The whole country of Todi Bula complained and mourned its waste. Create a musician donin 's popularity and show in all sorts of ways. And the pianist's office became a museum, entrusting a statue to the sadboy.
3, 4, 5, 6, 7 grade is even short biography
Tsikavi facts and date from life