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Analysis Bidna Lizu Karamzin Short Zmist. Karamzin bidna lizu analiz tvoru, plan for transfer

Liza (bidna Liza) - Golovna heroine povisti, yaka broke another coup in suspicious property XVIII Art. Karamzin, first in the history of Russian prose, turned to a heroine, overpowered with overgrown rice. Yogo words "and the villagers love vmyut" became krilaty.
Bidna selyanska divchina L. is too early to become an orphan. Vona lives in the same old Moscow power with a mother - "sensitive, kind, old", as L. assumes his head talent - in the name of love. Just take care of yourself і mater, L., “don’t be shy about your youth”, take on a robot. Hanging out to walk in the place of selling apartments. There, in Moscow, L. was a young nobleman Erast. Exhaustion from the vitriolic life of the life, Erast zakhuєtsya in a bezposerednya, innocent motherfucker "brother's love." So give yourself to you. However, it is not a barbaric platonic love to pass into chutta. L., “having seen absolutely that, I lived and lived only”. Aleksandr L. started to help her to return to Erasta Zminu. I will explain my coolness by my natural zaklopotanistyu: you need a virus to win. However, in the army it is not the style to fight against the enemy, but to play in the picture. To fix it right, Erast to make friends with the widow's lithuanian baggage. Having learned about the tse, L. drowned himself in the rate.

Sensibility - so in the end of the 18th century. They have begun the dignity of Karamzin's stories, may well be on the lookout for a feeling of spirits, appear in the "viginas of the heart" "of the best feelings", as well as the state of mind to be watched by those in power. Sensitivity and centrality to the character of L. Vona doviryaє to the ruha of his heart, live with "lower passions". In the kintsev rakhunka, it is the stickiness and the hotness and the making of L. to bend, but morally wrong. Last day, Karamzin carried out a dumka about those who are for the mentally rich, sensitive people. kind vchinki naturally, knowing the need for normative morality.

The motive of the deception of a pure and immaculate divine, in that one who sees in the bagatokh of Karamzin's works, is socially sounding in "Bidnoi Lizi". Karamzin was one of the first to introduce into the Russian literature against the place and village. In the light of folklore and mythological traditions of the hero, they often build an active day only in the open space and absolutely powerless beyond its borders. In the past year, with a great tradition in the life of Karamzin, a silska ludin - a man of nature - appears unselfish, eating in the open space, de facto laws, seeing from the laws of nature. It is not for nothing that Mother L. say їy (we ourselves prophesy everything, bit by bit, to eat well): “I have a heart in the wrong place, if you go to the place; I always put a candle in front of the image, and I pray to the Lord God, that it will take you away from all the hardships and misfortunes. "

Not with a glimpse of the first crochet on the way to the catastrophe, the weakness of L.: It was for the first time that "came in sight of itself", having taken in, for the joy of Erast, his love from the mother, who had rang all her tame before. For the most part, according to the ever-loved mother L., to repeat the same fouls of Erast's children. Win will try to "see it" from L. i, proganyuchi, yes, one hundred rubles. Along with L. to destroy the same, sending the mother at once with a loud sound about her death, the "ten imperials", which gave him Erast. Naturally, not a penny was needed by the mother of L., like the heroine herself: “Lizin’s mother thought about the terrible death of her daughter, and the shelter from the zhahu oholol - her eyes were crying now.” The tragic bag of love of the villager and the officer confirms the mother’s rightness, anticipating L. on the very cob of the story: “You still don’t know how evil people can form a single child”. bogey rule To turn around in a specific situation, on the place of a non-specific "bed-dweller" L. itself becomes, and the universal plot is transferred to the Russian soil, inflating with a special national flavor.

At the same time, the plot of "Bidnoi Lizi" is as close and compressed as possible. You can take a line of development in the embryonic camp, three specks and dashes for an hour to obscure the text, become it “equivalent”, “significant minus”. There is a conciseness to be seen on the same characters. The image of L. nominations with a dotted line, the skin of rice її character - is a topic for development, but not yet itself. The price doesn’t make L. blowing and Erasta became the center of the plot of the story, around the organization of all the characters. For the placement of characters in the world, and those who notify the history of the life of L. without a second from Erast and himself it is not easy to come to the Sumuvati "Lizina grave". The author's іth hero's reference in one informal space before Karamzin was not known in Russian literature. Announcements "Bidnoi Lizi" mentally received from one of the heroes. Also, the name of the page is prompted by the newsletter vlasnogo imeni the heroine with the instinct, which characterizes the sensitive message to her, which at the same time I repeat constantly, not the owner of the change of direction ("Ah, why am I not writing a novel, but I’ll sum up the boom?"). There is a kind of "self-sufficiency" of the hero, his "independence" from the author, which is rich in the specifics of the image in the text, more precisely - the way out of the text, which is going to go behind two main strains. In "Bednoi Lizi", the topographically concrete expanse of Moscow is linked with the clever expanse of literary tradition. At the point of repetition, the image of L. "Bidna Liza" is spoken like a message about the reference pages. L. to lay down to the characters with the "registration", "... all the more often I have brought me to the walls of the Ci ... the new monastery is a spogad about the deplorable share of Liza, the common Lizy" - this is how the author started his announcement. Behind a gap in the middle of the word be-Muscovite guessing the name of Simon's Monastery. (Simonov Monastery, the first time that dates back to the XIV century. renaming into Lizin and becoming a month of the permanent pilgrimage of Muscovites. It is a paradox that the visibility of rubbing against the Christian morality and innocence of L. and “forgiveness” is applied to the sin of suicide. At the testimony of the Simonov monasteries, they jealously guarded the memory of L., there was a persh for everything with a grave sacrifice. Along the way, L. Bula is "canonized" by sentimental culture. With such a rank, the heroine of Karamzin is not only on the crossover to the vimislu and the bully, but to the crossover of two religions: the Christian and sentimental relevance.

Before the month of Liza, there were posters and a sumuvati of the same kind of girls who were not happy, like L. herself. Behind the witnesses, the tree bark, which grows near the headquarters, was mercilessly cut by the knives of "pilgrims". Writing, virizans on trees, boules and grave ("Liza dni died at the tsikhs' jets; "Zaginla in cich streams Erastova is named. / Drown, dear, in the rate to finish the missta"). Itself іm'ya lisaveta is a long-time Hebrew walk (with a later Greek-Latin adaptation) and is transformed like "worshiping God". "Holy" context іm'ya Liza / lizaveta to read from biblіynykh texts. The name of the retinue of the high priest Aaron (Vih., 6, 23), as well as the retinue of the priest Zakhariya and mother of John the Baptist (Luke, 1, 5). The gallery of literary heroes has a special place for a loan Eloiza, Abelard's friend. Her writing is associated with a love theme: the history of the "noble lady" Julia d "Entage, the humble teacher Saint-Pré, J.J. Rousseau called" Julia, abo New Eloiza ... " There is a famous bust of an innocent and new "Little Lizy" robot by the French sculptor Houdon (1775) in Hermitages, which could also be inserted into the image of Karamzin.

Ім'я "Liza" to the ear of the 80s pp. XVIII Art. Mayzhe did not start in the Russian literature, but, as it did, it was in its own inshomovy version. Vibrating for his heroine tse im'ya, Karamzin ishov to break up to the suvorogo canon, formed in literature and sound for a long time, like Liza, who is to blame for the occasion. The whole behavioral stereotype was introduced in the European literature of the XVII-XVIII centuries. Tim, scho the image of Lizi, Lizette (Lizette) bouv the dressing of the first for all the comedy. Liza french comedy beckon to the servant-girl (maid), to help her young lady. Vona is young, ugly, easy to finish, and everything that is tied to love intrigue, to the “science of affectionate addiction”, is all about it. Awareness, innocence, modesty is the least powerful comedy role.

Unbreakable ochikuvannya reader, knowing the mask of the heroine, Karamzin by himself ruined the foundations of the culture itself to classicalism, slacking the sound between the meanings and which means, between the meanings and the simple noses. With all the cleverness of the image, L. її іm'ya is tied with character itself, and not with the role of heroine. The restoration of fallowness between the "internal" character and the "call" became the hundredth conquest of Karamzin on the way to the "psychologism" of Russian prose.

Liza (bidna Liza) is the main heroine of the world, as she broke another coup in the suspension of the XVIII century. Karamzin, first in the history of Russian prose, turned to a heroine, overpowered by the crumpled rice. Yogo words "and the villagers love vmyut" became krilaty.
Bidna selyanska divchina L. is too early to become an orphan. Vona lives in the same old Moscow power with a mother - "sensitive, kind, old", as L. assumes his head talent - in the name of love. Just take care of yourself і mater, L., “don’t be shy about your youth”, take on a robot. Hanging out to walk in the place of selling apartments. There, in Moscow, L. was a young nobleman Erast. Exhaustion from the vitriolic life of the life, Erast zakhuєtsya in a bezposerednya, innocent motherfucker "brother's love." So give yourself to you. However, it is not a barbaric platonic love to pass into chutta. L., “having seen absolutely that, I lived and lived only”. Aleksandr L. started to help her to return to Erasta Zminu. I will explain my coolness by my natural zaklopotanistyu: you need a virus to win. However, in the army it is not the style to fight against the enemy, but to play in the picture. To fix it right, Erast to make friends with the widow's lithuanian baggage. Having learned about the tse, L. drowned himself in the rate.

Sensibility - so in the end of the 18th century. They have begun the dignity of Karamzin's stories, may well be on the lookout for a feeling of spirits, appear in the "viginas of the heart" "of the best feelings", as well as the state of mind to be watched by those in power. The sensitiveness and centrality of the rice to the character of L. Vona doviryaє to the ruha of his heart, live with "lower passions". In the kintsev rakhunku, it is the stickiness and hotness, and to make L. to bend, but not morally right. Last day, Karamzin made a thought about those who are naturally kind to the mentally rich, sensitive people, knowing the need for normative morality.

Not with a glimpse of the first crochet on the way to the catastrophe, the weakness of L.: It’s for the first time “open to itself”, having taken in, for the joy of Erast, his love from the mother, who previously rang in all her tamnits. For the most part, according to the ever-loving mother L., to repeat the same fouls of Erast's vchynoks. Win will try to "see it" from L. i, proganyuchi, yes, one hundred rubles. Along with L. to destroy the same, sending the mother at once with a loud sound about her death, the "ten imperials", which gave him Erast. Naturally, not a penny was needed by mother L., like the heroine herself: “Liza’s mother thought about the terrible death of her daughter, and the shelter from the zhahu oholol - her eyes were crying now.” The tragic bag of love of the villager and the officer confirms the mother’s rightness, anticipating L. on the very cob of the story: “You still don’t know how evil people can form a single child”. The general rule is to wrap itself in a specific situation, on the place of a non-special "bidnoi divchini" L. itself becomes, and the universal plot is transferred to the Russian soil, swelling with a special national flavor.

At the same time, the plot of "Bidnoi Lizi" is as close and compressed as possible. You can take a line of development in the embryonic camp, three specks and dashes for an hour to obscure the text, become it “equivalent”, “significant minus”. There is a conciseness to be seen on the same characters. The image of L. nominations with a dotted line, the skin of rice її character - is a topic for development, but not yet itself. The price doesn’t make L. blowing and Erasta became the center of the plot of the story, around the organization of all the characters. For the placement of characters in the world, and those who notify the history of the life of L. without a second from Erast and himself it is not easy to come to the Sumuvati "Lizina grave". The author's іth hero's reference in one informal space before Karamzin was not known in Russian literature. Announcements "Bidnoi Lizi" mentally received from one of the heroes. Also, the name of the story is prompted by the announcement of the powerful name of the hero with the instinct, which characterizes the sensitive message given to her, which, when I constantly repeat, is not a master of romance, I’m going to write “Ah! There is a kind of "self-sufficiency" of the hero, his "independence" from the author, which is rich in the specifics of the image in the text, more precisely - the way out of the text, which is going to go behind two main strains. In "Bednoi Lizi", the topographically concrete expanse of Moscow is linked with the clever expanse of literary tradition. At the point of repetition, the image of L. "Bidna Liza" is spoken like a message about the reference pages. L. to lay down to the characters with the "registration", "... all the more often I have brought me to the walls of the Ci ... the new monastery is a spogad about the deplorable share of Liza, the common Lizy" - this is how the author started his announcement. Behind a gap in the middle of the word be-Muscovite guessing the name of Simon's Monastery. (Simonov Monastery, the first time that dates back to the XIV century. renaming into Lizin and becoming a month of the permanent pilgrimage of Muscovites. It is a paradox that the visibility of rubbing against the Christian morality and innocence of L. and “forgiveness” is applied to the sin of suicide. At the testimony of the Simonov monasteries, they jealously guarded the memory of L., there was a persh for everything with a grave sacrifice. Along the way, L. Bula is "canonized" by sentimental culture. With such a rank, the heroine of Karamzin is not only on the crossover to the vimislu and the bully, but to the crossover of two religions: the Christian and sentimental relevance.

Before the month of Liza, there were posters and a sumuvati of the same kind of girls who were not happy, like L. herself. Behind the witnesses, the tree bark, which grows near the headquarters, was mercilessly cut by the knives of "pilgrims". Writing, virizans on trees, boules and grave ("Liza dni died at the tsikhs' jets; "Zaginla in the cich streams Erastova is named. / Drown, dear, in the rate to finish the misce"). Itself іm'ya lisaveta is a long-time Hebrew walk (with a further Greek-Latin adaptation) and is transformed like "worshiping God." "Holy" context іm'ya Liza / lizaveta to read from biblіynykh texts. The name of the retinue of the high priest Aaron (Vih., 6, 23), as well as the retinue of the priest Zakhariya and mother of John the Baptist (Luke, 1, 5). The gallery of literary heroes has a special place where Eloiza, Abelard's friend, has a special place. Her writing is associated with a love theme: the history of the "noble lady" Julia d "Entage, her humble teacher Saint-Pré, J.J. Rousseau called" Julia, abo New Eloyza ... " In Hermitages there is a famous bust of an innocent and new "Little Lizy" robot by the French sculptor Houdon (1775), which could also be embedded in the image of Karamzin.

Ім'я "Liza" to the ear of the 80s pp. XVIII Art. mayzhe did not occur in Russian literature, but as it happened, it was met, then in its own kind, it was met, then in its own kind, it was in its own kind. Vibrating for his heroine tse im'ya, Karamzin ishov to break up to the suvorogo canon, formed in literature and sound for a long time, like Liza, who is to blame for the occasion. The whole behavioral stereotype was introduced in the European literature of the XVII-XVIII centuries. Tim, the image of Lizi, Lizette (Lizette) bouv the dressing of the first for all the comedy. Liza french comedy beckon to the servant-girl (maid), beckon to her young lady. Vona is young, ugly, easy to finish, and everything that is tied to love intrigue, to the “science of affectionate addiction”, is all about it. Awareness, innocence, modesty is the least powerful comedy role.

Karamzin, Mikola Mikhailovich - famous Russian writer, journalist and historian. The first breast was born in 1766 in the Simbir province; Viris in the village of Batka, the Simbirsky pomishchik. The first spiritual hedgehog of the 8th-9th boy, the old-fashioned Romani, was promoted to a new nature of sensitivity. Already that, similar to the hero of one of his stories, "I love sumuwati, I don’t know about it", and "every two years, two gratis, and there will be locks for the next day." At the 14th stage of Karamzin, there will be deliveries to and from Moscow at the boarding school of the Moscow professor Shaden; in the same university, in which it is possible to see the message "if not science, then Russian literacy". SHADEN vіn zobov'yazaniy buv practical knowledge of nіmetskoy and french translations. After finishing to borrow from Shaden, Karamzin for an hour was busy with the choice of activity. At 1783 r vin try to enter on to the service , Kudi recordings will be small, but also will go to the exhibition and in 1784 will enjoy the great successes in the suspension of the Simbirsk town. In the end, Karamzin will turn to Moscow and behind the middle of a fellow countryman, I. P. Turgenova, come closer to Novikov's gurt. Here, after the words of Dmitriyev, "the sanctification of Karamzin, not only the author's, but the moral". Gurt infusion trivalo 4 rocky (1785 - 88). Serious robots over himself, as in Masonry, and in such a way the closest friend of Karamzin, Petrov, did not seem to mind in Karamzin. From May 1789 to early 1790, he went to Nimechchin, Switzerland, France and England, and was found in great places like Berlin, Leipzig, Geneva, Paris, London. Turning to Moscow, Karamzin became vidavati "Moskovskiy Zhurnal" (div. Nizche), de z'avilis "Leaves of the Russian mandrіvnik". "Moskovskiy Zhurnal" appeared in 1792, perhaps not without a link to the arrangements in Novikov's fortress and to the masses of masons. If Karamzin wants to, they fix the "Moscow Journal", formally turning on the statty "theological and mystic" from this program, and send a message to Aresht Novikov (and before the residual virok), I overcame the fears, zipati, and all of your people are sure of the thoughts of life roztashovuvati; ... docs give everyone freedom and light is not dark in the minds, and you can see the power of the people on all your right: until you will be holy now ... I will sleep overwhelm ") and the ice was not wasted on the way to the maturity, but the masons were sent out for the cordon. A large part of 1793 - 1795 rocky in Karamzin spent at the village and prepared here two villages called "Aglaya", seen in 1793 and 1794 rocky. In 1795 r Karamzin was surrounded by the folds of "sumish" in "Moscow Vidomosty". "Having lost the love, he walks away with black hmaras", he set off into the world and to complete the roscian life. In 1796 he saw a collection of verses of Russian poets, called "Aonydi". A friend's book "Aonidi" appeared through the pik; Then Karamzin conceived to be seen in the genus of the anthology of the Earth literature ("The Pantheon of the Earth literature"). Until the end of 1798, Karamzin ice provided the "Pantheon" through censorship, yak fenced off the Drukuvati of Demosthenes, Cicero, Sallust, etc. To navigate a simple scuffle of the old people of Karamzin's creations made it difficult for the censorship. Thirty Karamzin vibrates in front of the readers for the palate of the sentiments of the "young, unreported Russian mandarin man" and write to one of his friends: "every hour, and the scenes change. If Paphos' bows on bows waste some freshness for us, we cease to let zephyr and polyagus in the office for philosophical worlds ... . Metaphysics, protest, was so far away from the rosy warehouse of Karamzin, like mysticism. From the message to Aglaya and Chloe, he went to philosophy, and to the historical ones to take. To the Bulletin of Evropi "(1802 - 03) win in the role of a publicist. It is important to have a publicity character and be stored by Karamzin in the first month of Emperor Oleksandr I's reign." Win otrymu, for the help of Comrade of the Minister of Public Education M. M. Muravyov, the title of History of Russia (October 31, 1803). In 1804, having pinned the vision of "Visnyk Evropi", Karamzin got bogged down in the folding of history. In 1816 he saw 8 volumes of "History of the Russian State" (in 1818 - 19 rocks saw a different vision), in 1821 - 9 volumes, in 1824 - 10 and 11. In 1826, Karamzin died, not having risen to add the twelfth volume, what a book of visions of D.M. Bludov on the paperwork, which has lost the writing of the deceased. Until the first 8 volumes of Karamzin are seen, Karamzin is alive near Moscow, the sounds of the first 8 volumes of news of Russia") І in Nizhniy, for an hour busy Moscow with the French. Remaining 10 years of life Karamzin provin at Petersburg and coming closer to tsar's family, I want the Emperor Oleksandr I, who did not like criticism of his play, was put before Karamzin streamed at the hour of submission of "Notes", in yakiy istoriographer appeared plus royaliste que le roi. At Tsarskoy Sely, de Karamzin, having spent years at the bazhannya imperatritsa (Mary Fedorivnyi and Oleksiyivnyi) provincial systems of finance, about the dreadful settlements of the past, about the wondrous vibor of the people who were most important, about the ministry of education or obscurity, about the need to change the way that is not fighting against Russia, about the і powers ". From the rest of the food of the sovereign, he was told, like the one who told Speranskiy," to give the root laws of Russia, " without fruit for an amiable vitality. "The death of Emperor Oleksandr shocked the health of Karamzin; at the palace for a rampage with the Empress Mary Feodorivna, from the guesses about the deceased sovereign, go to the world about the enlightenment of the maybut prince. At the first month of 1826, Karamzin survived the burning of legends and respected, for the joy of the people, for the pleasure of the people, for the sake of France and Italy, for which the Emperor Mykola gave him a penny cost and order in his order. Ale Karamzin buv is already too weak for a rise in price і 22 May 1826 r died.

Karamzin yak is a historian. Proceeding to the folding of the Russian history without proper historical training, Karamzin is not a glorified person. From the point of view of his literary talent to the finished material: "vibrate, help me grow, rosefarbuvati" and zrobiti, with such a rank, from the Russian history "it’s more addictive, stronger, the respect for not only Russian" In front of the front, the robot over the dzherels is critical for Karamzin - only "it is a heavy tribute, how to bring merit": from the other side, and the backs from the historical structure are created for the "metaphysical", which is not suitable "for the image" "Knowledge" and "importance", "Adequacy" and "good thinking" "in history does not negate the talent of imagery of the art". Before the artistic zavdannyam іstorії I step on another plan to navіt moral, like putting his own patron of Karamzin, Muravyov; Critical history Karamzin does not cite, philosophical is learned. Already overwhelmed by the generation, under the influx of Schletzer, it violated the idea of critical history; In the midst of Karamzin's contemporaries, the critics were blatantly informed, and the onset of a generation started from the visible philosophical history. With his glances at the history of Karamzin, he lost the pose of the past trends of the Russian history and did not take part in the last development. Fear of "metaphysics" made Karamzin a sacrifice to routine gifts about the movement of the Russian history, which was found in the official radio history, which was repaired in the 16th century. For a number of donations, the development of the Russian history is located in the fallowing state as the development of the monarchical power. Monarchichna Vlada magnified Russia in the Kiev period; distributed between the princes and the princes with a political pardon, the result of which є pitoma from the period of the Russian history; the tsya political pardon of the bull was corrected by the sovereign wisdom of the Moscow princes - the zbirachiv of Rus; at the same time the correction of the boule and the inheritance - the fragmentation of Russia and the Tatar yoke. There is nothing new in the back room, the intelligence of the Russian history, Karamzin, and in the development of the details, which are in great abundance among their predecessors. In the information about the first capitals of the Russian history, Karamzin is the head rank, "Nestor" Schletzer, not entirely, however, who have earned his critical prizes. For the last hour, the history of Shcherbatova served as the head proponent for Karamzin; Shcherbatov not only added Karamzin to the dzherels of the Russian history, but quite simply squeezed into the Viklad itself. Apparently, the warehouse of "History" of Karamzin to wear the stamp of a literary manner on its own, with a lot of intellect; ale at the vibration of the material, in the new, in the cloudy facts Karamzin swear by the "history" of Shcherbatov, coming from her, not to the corny of truth, in the picturesque descriptions of the "diy" and the sentimental-sentimental The special features of the literary form of the "History of the State of Russia" delivered to the most widespread middle reading and chanuvalnik Karamzin, as a writer. a popular book, but also the text of a serious scientific significance ... Nagato is more important for science at that hour, the "Notes" are great before the text. With a lot of critical remarks, the "primitki" were used to replace the empty copies of the manuscripts that were published by Karamzin. The deyak from these manuscripts is no longer visible. The basis of his history of Karamzin is based on the materials of the Moscow archives of the Ministry (todi collegiate) of overseas references, such as Shcherbatov (especially spiritual and contractual letters of the princes and acts of diplomatic knowledge from the centuries); Ale Vin Mig will speed up with them a little more, the founders of the diligent help of the directors of the archives, MM Bantysh-Kamenskiy and AF Malinovskiy. Bagato of valuable manuscripts were given by the Synodal Skhovishche (also in the house of Shcherbatov), libraries of monasteries (Troitsky Lavra, Volokolamsk Monastery and іnshі), which became at the end of the tsikavitisya hour, and also private Especially rich in documents Karamzin rendered the appearance of Chancellor Rumyantsev, who took, through his numerical agents, historical materials in Russia and beyond the cordon, as well as A.I. Turgenova, who collected a collection of documents from the papal archives. Great heroes from usiy tsy material, before any need to come, I know by the Karamzin themselves written a list, an historiographer overruled in his "Notes"; Alright, you are surrounded by an artistic message and you will need more attention to the nutrition of the internal history, if you have overflowed the selected material in an absolutely unsuitable image. All the significant features of the "History" of Karamzin have been promoted to her party. "History" was filled with literary friends of Karamzin and a great publication of non-specialized readers; Intelligent gurts were known її by the steel behind the backward glances that tendencies; fakhivtsi-pre-glazedniks were put before her with a lack of confidence, and the enterprise itself - writing history at the current stage of science - was respected over that risikovanim. Already for the life of Karamzin, there were critical struggles of his history, and it’s not a bargain that after his death, it’s overwhelming to try out the significance of his world significance in history. Lelevel, having made an appointment at the moment of the creation of the truth, "after the previous hour - the character of the fair" and every patriotic, religious and political flood. Artsibashev showing how the world is "history" literature priyomi Karamzin; Weather in the middle of all the shortcomings of the "history", and Poloviy stagnates the reason for the shortcomings in the fact that "Karamzin is a writer not in our hour" will appear in Russia new infusion of European romanticism. In the 1830s, the rock of "History" of Karamzin was a warrant officer of the official "Russian" directly, and for the sake of the same Weather, a scientific reabilitation was carried out. The guardian of Solovyov (in the 1850s rock) is drowned out by the panegyric of Pogodin (1866).

Karamzin yak literator. "Petro Rossam gave tila, Katerina - soul". So, we see it as the beginning of the meeting of two creators of the new Russian civilization. The creators of the new Russian literature: Lomonosov and Karamzin are approximately in the same world. Lomonosov prepared that material, from which the literature was established; Karamzin inhaled the soul into a new life and shattered the word against the spiritual life and partly the core of the Russian suspension. Bulinsky, it seems that Karamzin has opened the Russian publication, which has not been boiled until now, having opened the reading - and so, as without reading the literature is unmistakable, then you can easily say that we can say that the literature is in a very important meaning yogo knowledge, energy, subtle relish and non-abyssal talent. Karamzin buv a poet: wine of amusement of creative imagination, relish of one-sided; Ideas, as a result of not being recognized as a glimpse and originality; to great values of their own, the greatest stubbornness of their love for literature and so called humane sciences. The preparation of Karamzin was wide, a little incorrect and a little bit of solid bases; behind the words of the Groth, vin "read more, nizh vchivya". Serious development of yogo development to obey in the flow of friendly comradeship. Gliboke relіgіyne pochuttya, uspadkovane him od materі, fіlantropіchnі pragnennya, mrіyliva gumannіst, platonіchna love to the freedom, rіvnostі i braterstva of one side i bezzavіtno-humility pіdporyadkuvannya mozhnovladtsyam - of іnshogo, patriotism i skhilyannya before єvropeyskoyu culture, Visoko povagu to osvіti in vsіh Yogo types, albeit at the same time, unpretentiousness to gallomania and reaction against skeptical-cold imprisonment to life and against deafening neviria, praznennya to vivcheniya memories of the old old-fashioned - all the same, perhaps, by Karamzin's comrades in the news, and Novikov's butt, showing Karamzin, that і the posture of sovereign service, you can bring the corny of your father vlasny life... Along with A. Petrov and the famous poet Lenz, the literary gustos of Karamzin were offered, as they represented the great croc ahead, in a casual manner, with the glances of his senior fellows. Vikhodyachi z perekonannya Russo on the napadi " natural stun"I for the rights of the heart, Karamzin, following Herder, on the way to the beginning of the journey, in front of vimage, originality and gum. Homer, Ossian, Shakespeare є in your eyes the most famous singers; so coldly called the new-classical ; Voltaire in yogo eyes - only "the celebrations of the sophist"; the simple-minded people of the people feel sympathy for him. at the same time, step by step, vibrate i literary mov Karamzina, the best with great reforms. At the forefront of the re-translation of Shakespeare's "Julia Caesar", write: "The spirit of him is wide, like an eagle, and not even the breadth of his vimiryuvati", "great spirits" (to replace the genie) and so P. Ale Petrov struggled over the "long-term "in Slovenian words, and" Child reading "by the very mark of his own zmushuvalo Karamzin wrote with my light and rosy and all-too-unique" words "and Latin-Nimetskoy designs. Todi, for it’s not bargaining to go to the cordon, Karamzin started to see his strength in poetry; Rome was not easy for him, and in the verses of his call there was no so-called benefit, but here his mind is clear and simple; I am aware of the new for the Russian literature by those and the appearance of the original and beautiful roses. Yogo "ancient gishpanskym historical song":" Count Gvarinos ", written in 1789, is a prototype of Zhukovsky's balad, yogo" Ossin "feuded for an hour with an innocent simplicity and vitality. About the "sheets" of Buslaev, as well: "the number of those who read them uncomfortably were in the ideas of the European civilization, as they were biologically ripened at once due to the doses of the young Russian The names of Switzerland and the scientific and literary character occupy a fourth part, while the Parisian leaves include science, mystery and theater, less than half. , scho in them there were a few literary suspicions - it became a bootie, the stench of writing hocha b chastkovo "in the quiet of the office". in part of the material, Karamzin efficiently typed expensive and wrote down "on klaptiki". Іnsha superlativeness іstotnіshe: in what rank is the sticky friend of freedom, the scholar of Rousseau, who is ready to go in front of Fiesco, maybe so spitefully inquiring about the Parisian podії of that hour and doesn’t want to have anything in them, who wants to rebel? Surely, the vikhovanets of friendly comradeship could not be put in sympathy until a sudden rebellion, ale, fear of protection was also grabbing here chimalu role: Apparently, as Kateryna changed her position to the French publicity and to the performance of the "General States" after 14 days. The very fact of the obrobations of periodicals in the 1790-day leaflet is evidently evidence of those who tirade in the old order in France for the show. - Karamzin diligently prytsyuvav behind the cordon (mіzh іnshim, vivchivsya in English); His love before writing changed, and it is inaccurate to turn to Batkivshchyna to be afraid of being a journalist. Yogo "Moskovskiy Zhurnal" is the first Russian literary magazine, efficiently delivering satisfaction to its readers. Here there was a lot of insight and literary criticism, and theatrical criticism, for that hour of miracles, beautifully, generally understood and in superficially delicately wickladens. Vzagal Karamzin zumiv pristosuvati our literature to the needs of the smartest, that is, Bolsh eminent Russian people, and both articles before that: until quite a while they didn’t read Russian magazines. In the "Moscow Journal" (as a note in the "Visnik of Evropi") Karamzin is not a spy in the bitter meaning of the word: his friends supervised each other of theirs, in 1791, in 1791. rotsi. "Fashionable squad" Dmitriyev, famous song "Stogne blue dove" yogo, p'usi Kheraskov, Neledinsky-Meletsky and іnshikh), but all of them were guilty of the journal himself; we could only see that, because of the cordon, he brought a portfolio, reminders of the transfers and inheritance. In the "Moscow Journal" there are two accounts of Karamzin: "Bidna Liza" and "Natalia, boyarska daughter", The service of the best yaskravim viraz yo sentimentalism. Especially great success of the young Persha: singers glorified the author, but they laid down his eligibility to the ashes of the dear Liza. before the literary school, as it was at that hour at the Entry. at the "Bidnoi Lizi" the author declares that it’s okay to love those things that make my heart feel and shed the tears of heavy sorrow. it’s unclear how the publication of the mother’s poetry, who is close to the lives, was satisfied with the unreasonable nature of the publication. . now "Bidna Liza" is to be built cold and false, ale according to the idea of the Persha Lanka of that lantsyug, yak, through Pushkin's romance: "From evening to night, be unlucky," rblennikh "Dostoevsky. The Russian literature itself is taken directly from the "Bidnoi Lizi", about what Kireevsky speaks about. The listeners brought Karamzin's laconic tone to the extreme, as if they weren’t able to respond: already in 1797 (in front of the 2nd book of "Aonydi"), it’s guilty "don’t talk to a child about crying ... this way" shouldn’t be overwhelmed. "Natalya, boyarska daughter" is important as the first to hear about the sentimental idea of our past, and in the history of development of Karamzin - as the first and fearful croc of the Maybut author of the "History of the State of Russia". "Moskovskiy Zhurnal" mav was successful, at that hour it was great (already in the first rik there were 300 "subscripts" in the new bulo; which was known to each other), although Karamzin was especially popular in 1794, since all і perekuvav in a special store: "My dribnichki" (2nd ed., 1797; 3rd - 1801). It’s clear that there’s not a number of literary amateurs who know him as the most beautiful prose writer; In Russia, at that hour, all miserable people lived so rotten, but, behind Karamzin's wickedness, "the generous frenzy against the evil of power drowned out the voice of special care" ("A note about old and new Russia"). Under Pavlov I, Karamzin is ready to leave literature and shukov to the heart of Vivchenna Italian Movies and in the readings of the old books. On the ear of the Tsar Oleksandr I Karamzin, who had become a literary and earlier, having occupied a very high position: having become not only "Oleksandr's spouse" hearing і row, і suspension. Yogo "Visnik Evropi" - is also more beautiful for its hour of literary and artistic vision, like "Moscow Journal", all at once from this and the organ of peace-and-liberal glances. Yak and earlier, prote, Karamzin should be brought up to the top, every week, one at a time; I’m not ruminating in the eyes of the readers, because of the temptations of the wine and the pseudonyms. "Visnyk Evropi" deserves its name as low articles about European rosy and political life and a lot of vibrating shifting (Karamzin vipisuvav for the editorial board of 12 shrewd foreign journals). s artistic creations Karamzin in the "Visnik of Europe" is more important than the other life-autobiography "The Face of Our Hour", in which it is noteworthy that Jean-Paul Richter's inflow is known, and the historical story of "Martha Posadnitsa" is famous. In the critical articles of the magazine Karamzin, the visitor "took the vision, the hope and the good of the ninth hour", was distributed with a short part of the current suspension. The revolution came, as if it was blocking civilization and freedom, brought him majesty with reproach: now "the sovereign, substitute for the one to suck him up to madness, to win him over to his side"; the stench "see the importance of the union" cool minds, Povazhayut a community thought і maghayutsya pribati love to the people of the people ominous evil. According to the relationship to Russia, Karamzin bazhaє to educate for all stanіv, and first for all literacy for the people ("Establishing the Silk schools indiscriminately correlates with all lyceums, being a true national institute, true statehood); vin mriє about the penetration of science in vishchy svit. For Karamzin "enlightenment is a palladium of goodness", for the reason that the wines are wise manifested in the private and suspenseful life of all the beautiful sides of human nature and the arrangement of hisistic instincts. Karamzin cries out in the form of a story for holding his ideas in suspension: in "My Spovidi" vіn vikriva svіtske vikhovannya without eyes, as giving to aristocracy, and giving unfair mercy, їy nodding. The weak side of the publicity of Karamzin should be placed on the standpoint of law; vin, yak kazhe N.I. Turgenyev, kovzak for a whole meal (in "The Leaf of a Sylskiy Resident" it is straightforward to resist giving the villagers the ability to independently lead their dignity for today's minds). Viddil criticism in the "Bulletin of Europe" may not be seen; Karamzin is now far from such a high-class thought about her, as before, I am vvazhaє and її razkіshshuyu for our, common, literary. Vzagal "Visnik Evropi" is not in the US to become a member of the "Russian Mandarin". Karamzin is far from being so, as before, to be afraid before the Sunset and to know that people and people are not kind enough to get lost in the state of affairs; winn the great significance of the national self-awareness and vidkidak thought that "all the people are not in front of the people." At the end of the hour, Shishkov began to work against Karamzin and his addiction to literature, because she understood and left the reform of Karamzin in our language, and often in the very direct of Russian literature. Karamzin in his youth, viznav as his teacher in literary warehouse Petrov, the gatekeeper of the word'yanism; in 1801 he was converted, so only from the very hour in the Russian warehouse there was a change in "the acceptance called elegance by the French." Even more (1803) I should say so about the literary warehouse: "Russian candidate for authorship, displeasure with books, I am guilty of shutting down those rumors and rumors about myself, I am absolutely aware of the word. Here we have a new bida: in small French bums, everybody. . Well, let the author get robbed? Vigaduvati, fold the virazi, vgaduvati, brighten the vibir sliv. " Shishkov rebelled against all innovations (and, moreover, put on the edge of Karamzin's unimportant and extreme inheritance), rapidly receptively to literary language, with a strong word-of-mouth element and three rosy styles. Karamzin didn’t accept the wiklik, but Makarov, Kachenovsky and Dashkov, who didn’t take Shishkov’s attention, didn’t care about the Russian academy’s attention and didn’t care for the news in addition to the love of righteousness. The super-stream can be finished when Arzamas falls asleep and Karamzin joins the academy in 1818. Behind Pushkin’s hanging, “Karamzin was sounding the move from someone else’s yoke and turning his freedom, turning him to the living dzherel of the folk word”. A whole living element of the polarity in the course of periods, in the development of the design and in the great number of new words (such as, for example, moral, natural, era, scene, harmony, disaster, maybutness, to put a sound on someone in the middle, in the middle ). Pratsuyuchi over history, Karamzin learned good sides Move memorials and zooms to introduce into the life of richly beautiful and strong virazs. When collecting material for the "History" Karamzin made a great service to vivchennya old Russian literature; behind the words of Sreznevsky, "about the bagatokh from the ancient monuments Karamzin said the first word and about one the word is not said badly and without criticism." "A word about the regiment of Igor", "Monomakh's warfare" and bezlich people literary works ancient Rus The great publications of the "History of the State of Russia" became a great publication. In 1811, Karamzin was informed from his head to the writers of the famous note "About old and new Russia in the political and community of people" (seen at once from a note about Poland, in Berlina; "), like the panegirist Karamzin is vvazayut great colossal feat, and inshi" an extreme manifestation of this fatalism ", strongly go to obscurantism. Baron Korf ("Life of Speranskogo", 1861) say that the note is not about Karamzin's viklads of individual thoughts, but "a master of compilation of the one who knows about himself." It is impossible not to mention the obvious rubbing of the bagatm with the written notes and these humane and liberal thoughts, like the words of Karamzin, for example, in the "Historical commendable words of Katherine" (1802) and the other public literature. A note that was submitted by Karamzin in 1819 to Oleksandr I "Thought of a Russian community" about Poland (supervised in 1862 in the book "Unseen Create", sometimes "Russian Archives" 1869) a sharp-edged tone of guilt will destroy the discontent of the sovereign; ale smilivist Karamzin could not but youmu was put in a serious fault, so as a absolute power... Thoughts about the results of Karamzin's activity differed greatly in the life of him (his henchmen were still in 1798 - 1800 r. і Jacobin іtruta "і clearly advocate godlessness and powerlessness); you can't smell the bootie brought up to one hour. Pushkin recognizing him as a great writer, a noble patriot, a beautiful soul, taking him into the butt of firmness in terms of being criticized, stung by attacks on his history and cold articles from the drive of his death. Gogol talked about the new one in 1846: "Karamzin is not a matter of pride. The axis about whom from our writers can be said is that the whole Vicon of the Borg is not buried in the ground, and for the sake of his talent, he truly came to five" ... Bylinsky trim yakraz protylezhnoy thought and bring, that Karamzin is less, less mig. However, the great and blessed infusion of Karamzin on the development of the Russian language and literary form is one-of-a-kind.

Literature: I. Create and sheets of Karamzin. More and more pictures of Karamzin are involved: "Create" (the 4th edition, 1834 - 35th and the 5th, 1848) and "Perekladi" (3rd edition, 1835). "Bidna Liza" was redressed with a lot of development. Numerical revision of vibrating mice from "Leaves of the Russian mandril". Beautiful vision of the "History of the Russian State" - 2nd, Slenina (St. Petersburg, 1818 - 29; "Klyuch" to P. Stroev, Moscow, 1836) and 5th, Einerling (from "Klyuchem" Strove, St. Petersburg , 1842 - 43) .Okremi tommy vidannya in "Cheap Library" by Suvorin (without remarks). "Leaves of Karamzin to A.F. Malinovskiy "(the view of the Association of Lovers of Russian Literature" from the editorial board of M. N. Longinov, 1860). The book by M.P. Pogodin came out: "N. M. Karamzin on yogo works, sheets and guidebooks "(Moscow, 1866). Leaves to N.I. - 1826 years ("Old and New", book I, 1897; then "Visnik Evropi", 1897, V); before A.I Turgenev, 1806 - 1826 years ("Russian Old", 1899, I - IV); Listing with the Emperor Mykoliy Pavlovich ("Russian Archive", 1906, I). Z paperyev N.M. Karamzin ("Old and New", Book II, 1898); "Note about old and new Russia" (seen by V. V. Sipovsky, St. Petersburg, 1914, the text of the "Notes" in the 3rd edition of the book by A. N. Pipin: " Hromadsky rukh under Oleksandr I "). - II. Precepts and statutes about Karamzin: K.N. Bestuzhev-Ryumin (in the" Russian biographical vocabulary "1897); V.V. Sipovsky," N.M. Karamzin, author of Lists of the Russian mandarin "(St. Petersburg, 1899); N.P. Barsukov," Life and pratsi M.P. Pogodina "; MM Bulich," Narisi from the history of Russian literature and education "(2nd view); yogo zh," Biographical naris of Karamzina "(1866); Ikonnikov," Karamzin the historian "; P. Milukov current Russian historical thoughts "(8th edition, St. Petersburg, 1913); S.F. Platonov," Mova about Karamzin "(Create, volume I);" Old "and" Novelty ", Book XIII, 1909 (from princess E.N. Meshcherskaya about the rest of the rock life of Karamzin); M.N. Mazaev, "The Cult of Love" ("Visnik Vikhovannya", 1901, Veresen); statti about Karamzin's move; V. Istomina (in "Russian Philological Bulletin", 1896, volume XXXVI) and E.F. Buddi (in the "Journal of the Ministry of People's Osvita", 1901, II). - III. Bibliography. S.A. Vengerov, "Dzherela vocabulary of Russian writers" (volume II, St. Petersburg, 1910).

analysis of the creation

Tsya povist є one of the first sentimental creations in Russia Literature XVIII stolittya. The plot of the її buv is not new, as it has been played out more than once among the churches and earthly romances. Aleksandr plays an initial role in Karamzin's life.

One of the main heroes of the creation is a number of announcers, who will be sent out with a worldless sum of money. spіvchuttyam about the share of dіvchini. Introduced to the image of a sentimental notification was the innovation of Karamzin in Russian literature, as earlier notifications became a little bit neutral and neutral in terms of the way they were described. Already in the name of the creation, the name of the author's pre-ny one will come to mind. The plot of Karamzin develops innocently, the ideological and artistic center is not the spirit and the become of the heroes, but their experiences, so that the plot is psychological in nature.

Exposure to create є describe the outskirts of Moscow, the author of the hour, if there is no need to check for help in violent hard times.

Zustrich Liza, the old lady, with a young nobleman Erast.

Kulminatsiyu є vipadkova zustrich Lizi z Erastom, it’s time to ask him to be alone in peace, so that he can befriend.

Razv'yazka - bend Lizi. Vona vibiraє death, howb to virishiti all problems, not to live deceived and deceived by a kohany people. For Liza, life without Erast is not a dream.

It is even more important for a sentimentalist writer who knows how to deal with social issues. The author does not condemn Erasta for the death of Lizi. Azhe is a young nobleman so unhappy himself, like a village dvchina. The whole rhit of life is vіn vіdchuvа feel guilty in front of Liza, yogo vlasny living shlyakh do not merge.

Karamzin is one of the first in the Russian literature in the form of thin and spilling internal light I will be a representative of the lower camp, and also I will love without curiosity and selflessly. It’s from the yogo povіstі take the cob, another tradition of the Russian literature - spіvchuttya to forgive people, Spіvchuttya іkh joyfulness and experience, zahist іndealnykh and fit. In such a rank, it is possible to say that Karamzin created the basis for the creativity of the writers of the 19th century.

reorder plan

1. Description of the outskirts of Moscow.

2. Life of Liza.

3. Knowledge of Erastus.

4. Vizannya in love.

5. Vipadkova Zustrich with Erast in Moscow.

6. Bend Lizi.

7. The share of Erastus is forgiven.

On ts_y side grumbled:

plan bidna Liza
bidna lizu plan
bidna lizu analysis
plan of Bednoi Lizi
plan for tvoru bidna lizu