Classical composers for children. Child of music and significance in the works of composers

M.P. Mussorgsky is one of the most beautiful and self-made composers of the 19th century. Yoogo aesthetic look was set in front of the incessant democratic and popular-vizolnyh ideas of the 60s - the hour of high spiritual life and social conflicts. The composer has met his own mystery at the truthful image of the life of the people, in the psychological validity of the images, in love and love for the dear people, who surrounded his music from the Bagatma with the creators of a wonderful painting and literature.

Its main creative principle is “life, it’s not meant; it is true that yak bi wasn’t a solon ”- vіn lastly vіlіuvav in іznіh creations. The main genres for Musorgsky are the head of the opera and the chamber vocal music... For the inclusion of the very young human types and the most dramatic situations, the composer constantly shouted in new ways of musical diversity. Boldly experimenting, he went to the synthesis of the Russian rural sense and the characteristic declamation, which took in the lively innovative rosy movement, and the new innovative harmony, the richness of the composition, the richness of the composite Biography Dignity and youth. Modest Petrovich Musorgsky was born on the 9th birch of 1839 in the village of Karєv in the Pskov province in the batka's dress. In the Malovnichiy garden passed the first ten years of life. The beauty and poetry of nature, the simple and unbearable Silsky beaten by the old-time Russian motherland, the village pratsy, the folk names and the holy, the songs and legends have left a glimpse in the soul of the Maybut composer. Years later, I’m zgaduvav, so I’m going to be intimately familiar with the Russian cossacks, and moreover, I’m aware of the spirit of the people’s life.

Mother gave the Pochatka School of Piano Gri 1, and on the right it went so successfully, even in the Seven-World Celebration in Gravure, List did not do much, and in nine rockies, when the audience was published, they played a great concert by Fild. For the traditional family Mussorgsky Modest and his eldest] brother Filaret was given a Viy'skova kar'ara, and in 1849, Father's father made his way to St. Petersburg. A collection of Modest has come to the Petropavlivs'k school, yak bula will see his thought-out humanitarian program. Here, except for usy, vin vivchav nimetska mov and Latin, as well as seriously engaging in literature. Anton Gerke, a teacher of the renowned John Field, was a teacher of music, and a teacher of the famous John Field; Then I’m going to be admitted to the School of Guards Warrant Officers, de proving chotiri rocky. The school has panuvav the spirit of Vijskovo! Mushtri і not especially carried over to knowledge and pratsі. Among scholars, Musorgsky is seen as a serious interest in science, in literature and history, in a musical hist. Yogo master of playing and empirical performance on the piano, as well as spins of aries from fashionable Italian operas, got the respect and love of his comrades. After the end of the school, Musorgsky was protected by an officer in the Life Guards Preobrazhensky Regiment; in front of him a blisky Vijska kar'ara was seen. However, the way of life in the regiment is little more than seeing everything from the great: the same marching, vchennya and varte service were scrambled with endless parties, carts, dances.

In the life of Mussorgsky, it’s not bad for him to have an important podіya: he was asked for an evening in A.S.Dargomizhsky’s office. The gentleman himself, the atmosphere of the musical fence, how the works of Glinky and Dargomizhsky sounded there, celebrated an unforgettable hostility to the young musician. Vin became often a buvati at Dargomizhsky, as if he fell in love with a gifted young man. Inspired by new things for new Russian music Musorgsky write his first romance "Children, little child?" (To the words of N. Grekov) in the character of the Russian drawn-out song. In 1857, at the Dargomyzhsky booth, I became aware of my Maybut musical friends and comrades-in-arms - Kyu and Balakiruvim. If I want Balakirєva, it’s just twenty rockies, but it’s already known as a musician - a composer, a concert pianist. Balakirєv mav with a veritable relish, critical sentiments and immediately recognized Musorgsky's unabated talent. Having become engaged in composing with him, Beethoven, Schubert, Schumann, Berlioz, List and Liszt in their applications explain the special features of the form, orchestration, texture. Mussorgsky started to work on music before the tragedy of the ancient playwright Sophocles "Tsar Edip", writing a romance, seeing the need to put together and thoroughly write. A passionate craving for creativity and the unhappiness of getting your help vіyskovoy service to produce Mussorgsky before the release about the exhibition, yak and vidbulasya 1858 rock. Creative poses. Vyishovshi at the exhibition, Mussorgsky seriously discussed about attaching his own share, a lot to engage in self-knowledge, vivchay Russian and European literature, as well as create Glinka, Mozart, Beethoven and the composer. How to identify both the most important problems - philosophical and religious, as well as nutritional psychology and science of natural science, geology. Great joy brought the composer the success of the victory

Scherzo for orchestra in B-flat major in RMO along with A. Rubinstein's keruvans. The first creative successes coped with serious material difficulties. On the ear of the 1860s, Musorgsky is often alive in the village, taking care of the right of the tortured death of the daddy's death. Itself in tsі rocky wines, sawnly vzvlyayuchis in vazhku, gіrke life of the villagers, remembering in them the peculiarities of character, natural mind and talent. We have a new spirit of faith in the wisdom of the people, their strength and kindness, the will to fight against evil and injustice. Tsi with caution, understanding of rural images, aloud in the twisting creations composer. The heavily material encampment of the family zmusilo Musorgsky was taken from his part of the decline to the reproach of his brother and to join the service of an official in the Head of Engineering Management. In 1863, a new novel by Chernishevsky "What robiti?" V.V. Stasov, in his biographical drawing about Musorgsky at that hour, said: “... from the inheritance of this theory of social life through the novel "Who Robiti?" The skin comrades have their own room around the edges ... and there and then there was one big room, everybody converged in the evenings, if they were out of their way to take, read, hear, read, talk, talk, just hear, hear, , scho the edge on the piano or a song of romance and urivki from operas. Such small comradely "spіvzhittya" bulo todі in St. Petersburg, and maybe in Russia. There were six of all comrades in the whole mouthful ... All the people wanted to be even more intelligent and educated, they were interested in loving science and artistic rights without regard for those who had a lot of time for services in the Senate at all; Some of them did not want to be idle intellectually, and marveled at the contempt of those life of sybarism, empty and unrepentant, as the great Russian youth had led so far until that hour. "

In addition, in 1863, Musorgsky's splendid romances were created - "Song of the Elder" (words by I. V. Goethe), "Tsar Saul" (words by J. Byron), "We were proudly" (words by V. Kurochkin) and started the robot over the hero -romantic opera "Salammbo" after the novel by the French writer Flaubert. The plot, taking from the life of ancient Carthage, having won him with his dramatic podіy and the ability to set up the great folk stage. The robot over "Salammbo" was tripped by almost three rockets, but the opera was so left unfinished. In the center of rock, the composer is selling chamber vocal creations. The pictures “Kalistrat” and “Koliskova Eremushki” (words by N. Nekrasov), “Sleep, sleep, peasant syn"(Words by A. Ostrovsky)," Serdenko Savishna "," Siritka "," Beshketnik "(all three - words by M. Musorgsky). The composer writes satirical songs “Seminarist”, “Kozel”, “Klasik” on the same text. At "Klasika", and later in "Raiku" Mussorgsky, vikoristovuchi priyomi musical parody, vismiyu opposing and vorogiv new Russian music school... The orchestral picture "Nich on the Fox Mountain" became one of the most beautiful creators of the period. In 1868 Mussorgsky wrote the first stage of the opera "Friendship" for Gogol's comedy in one month. Along with the flow of "Kam'yanogo visitor" Dargomizhsky vіn virіshiv to open a recitative opera based on the invariability of the prose text. The originality of the idea and the daringness of the experiment in the stem of the "musical prose" was made by "Friendship" with a creative laboratory, in which the joke of the "musical truth" and the basis of the "musical truth" was introduced. Behind the author's hanging, after listening to the "Friendship" tvir, he planted it in his "cell of admission". The story of the end of the first stage has ended, having enlivened the composer with new facets of mysticism. Creative design. Vosni 1868 Mussorgsky started playing over the opera "Boris Godunov" - the pinnacle of creativity of the 60s. Until the end of 1869, the rock yogo boulo was finished1 and was presented at the Maryinsky Theater for a show of food about the production. The repertoire committee "Boris Godunov" was rejected. “The novelty and the uniqueness of music, - having zgaduv Rimsky-Korsakov in“ The list of my musical life ”, - put an important committee in the back of the coffin;

Mussorgsky took his score and thought about it and took the time to give it to the rungs and extras. " The revision of the opera was finished in 1872, and a friend of the editorial office had 9 paintings; Two Polish stages appeared and the opera was completed with a scene before Kromami, ale bula viluchena stage at Vasyl the Blessed, in addition, a new version of the stage was set up in the Tsar's Mansion. All the innovations of Musorgskiy started to catch up with his comrades. At the end of an hour, the composer and Rimsky-Korsakov had the composer’s stench with the stench: “Our life with Modest,” - after Rimsky-Korsakov had zgaduvav, “I’m driving, with the single butt of a two-piece composer’s life. Yak mi could one not seize one? And the yak axis. For three years until 12, Musorgsky was playing on the piano, and I’ve either rewritten or orchestrated it, orchestrated it, I’m already fully thought out. For 12 years I have been serving in the ministry, and I was playing the piano. In the evenings, on the right, I saw for each other ... Musorgsky folded and orchestrated the Polish act of "Boris Godunov" and a folk picture by Kromami. I orchestrated and finished "The Pskovite Woman". The welcome of friends, middle boules and prominent opera artists - D. Leonova, Y. Platonova, F. Komissarzhevsky, G. Kondratyev, helped the composer to survive the important blow of the second view of the theater committee, while looking forward to staging "Boris Godunov" on the stage A collection of only three scenes, and on 27 September 1874 - all operas. Prem'ura passed through great success, Behind the words of V. V. Stasov, "there is a great triumph for Musorgsky." The stories of the publication were contrasted with the interest of criticism: the music of the Musorgskoy Bulka was so innovative that the announcements about the opera were ruined so strongly, and they were seen by the non-visiting musical writers, but the reviewers were the author's paths in non-government, prior to the same grіkhakh ". For the robotization of "Boris Godunov" (1868-1872), the composer became close and just befriended V.V. Stasov, often found at his Petersburg apartment and flown to the dachas. I saw my love for the young brother of Stasov - Dmitry Vasilovich and his children, who were told to "Musoryan" who were buried and burned.

Warmly and lowerly before them, to the poetic light of their sentiments, to the message and joys of Musorgsky vislov in the vocal cycle "Dityacha". Friendship with V.V. Stasov meant even more richly for a newer: the composer saw the need for a welcome and heartfelt attitude, as Musorgsky didn’t have his own family, but his comrade composer moved away one way from one. He saw that he became an independent artist and a great way from them. V.V. Stasov became Mussorgsky's friend and the closest friend in the beginning of the upcoming opera - "Khovanshchina", over which it was done from 1872 until the end of life. The composer was once again tied to the share of the Russian people in the turning point of the Russian history. Rebellions of the Chinatown of the 17th Century, the State Fight against the Old Boyar Rus and the New Young Russia of Peter I, the Rebellion of the Shooters and the Rukh of Rozkolniks gave Musorgsky the ability to stage a new folk musical drama. The author attributed "Khovanshchina" to VV Stasov. The last period of life and creativity. The successful premiere of "Boris Godunov" gave Mussorgsky some news. 1874 rіk becoming overly intense in creative communication. Duzhe shvidko (all for three days) is a composer who has a piano warehouse for TV - syuity "Pictures from a show". It was also assigned to Stasov, the winner was announced as a hot message of Musorgsky to the death of his friend, artist and architect V.A. The syuita is stored in ten p'єs, the prototype of which became Hartmann's creative works: yogo watercolors ("Catacombi"), little ones ("Hatinka on chicken nizhki"), architectural projects ("Bogatyrsky gates"), eskіzi іnomgrashok (" costumes before a ballet performance ("Ballet of Nevillulennykh chickens"), nareshty, picturesque portraits ("Two Jews - Bagatii and Bedniy") and zamalovka genres ("Tuileries Garden"). Ale p'esi in syuity became not just musical illustrations, but the great fantasies of the composer's creative thought. All p'esi tied between themselves to the last turns cob with those create - "Strolls", as it became a free self-portrait of the author himself, scho go from one exhibit to the last one. The "Pictures from the show" knew their own external connection to all the facets of Musorgsky's glorious panism - from the effective virtual imagery and timbre barvism to the visual soundwriting psychological characteristics(Already in the XX century the French composer Moris Ravel, inspired by beauty and richness in different ways"Pictures", breaking the blinking orchestration of the story).

In 1874, the composer's rock was the idea of ​​a comic opera "Sorochinsky Fair" after Gogol's verse; In the beginning of the rock, the composer had put together the stage for her hour by hour, but the opera was left unfinished. Another, altogether vocal "picture from vistavka" dramatic balade "Zabutiy" - Musorgsky wrote the same picture of V. Vereshchagin to the text of A. Golenishchev-Kutuzov for the enemies. The composer and sings became friends. As a result of this creative work, there were also vocal cycles "Without a song" and "Song and dance! death ”, which represented the important mental camp of Musorgsky. Well, the cycle "Without a Son", having become the lyrical spirit of the composer, will slip through with a great tightness and self-reliance! then "Pisni and Dancing Deaths" became one of the most beautiful creatures. V the rest of the rock Life was trivial to see Mussorgsky from comrades-kuchkists. Winning importantly experiencing the cold friendship with them, depriving Borodin of the new warm and hearty little girls. The health and material of the composer's encampment was lost. A concert trip around Russia became a conscience in my life, since it was in 1879 in the capacity of an assistant from Dmitry Leonova.

The tour brought him a lot of hostility and artistic success. At the concerts, he played as a solo pianist, and performed his own piano performances and transcripts of fragments from operas. Aleh after turning to St. Petersburg, the life of the hardships flooded the Musorgskoye znova. Healthy yogo prodovzhuvalo pogirshuvatisya; in the fierce 1881 rocky with them trap blow. The old friends of Musorgsky were placed in the Mykolaivsky Vіyskovy hospital, de through a month, 16 Bereznya 1881, vіn died.

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Prokof'єv Sergiy Sergiyovich, Radiansky composer, pianist and conductor, People's Artist of the Russian Federation (1947). Having been born in the family of an agronomist. I started playing music for 5 years before my mother's mother, from 1902 to 1903 - R.M. Glinra, who came to Sontsovka. Until the moment he was nominated for the Petersburg Conservatory (1904), he was the author of 4 operas, symphonies, 2 sonatas and piano pieces. In 1909 he graduated from the conservatory in the class of composition (studied with A.K. Lyadov, N.A. Rimsky-Korsakov and Y. Vitol), in 1914 - conducting (with N.N. ). Conservative rock gave birth to a creative friendship between Prokof and the composer N. Ya. Myaskovsky, which was trivial until the end of life.

The formation of Prokof as a composer proceeded in a super-articulate, sophisticated situation, marked by intense jokes of new topics and varied tasks in all areas of the art. Surprised by new leaks, often seen on their own, Prokof at once pushed to independence and independence. Create, written in the decade before the revolution, will love all genres. great misce Zaymaє piano music: 2 concerts for piano and orchestra (1912: 1913 2nd edition 1923), 4 sonatis, cycles ("Sarcasmi", "shvidkoplinnі"), tokata i іn. p'єsi. In addition, in the city of Prokof, we have 2 operas (Maddalena, 1913, and Gravets after F. M. Dostoevsky, 1915-16, 2nd edition 1927), the ballet Kazka pro blaznya, a kind of blazniv joking "(1915-20)," Classic "(persha) symphony (1916-17), 1st concert for violin and orchestra (1921), choirs and chamber vocal works. Already in the early period, some of the characteristics of the creative guise of Prokof's emerge - an active emphasis on life, optimism, energy and will. A wide range of themes and images: subtle lyricism of romances into wordsA. A. Akhmatova(1916) і loaded with the expression "Gravtsya"; the smallness and poetry of the kazka "Gidke kachenya" for voice and piano (1914) and the spontaneous power of the orchestral "Skifskoy syuity" (1914-15); Gostry grotesque "Sarcasm" and buffoonery of the ballet "Kazka pro blaznya ...". Since 1908, Prokof started a regular and great concert performance as a pianist and conductor - the victorious creatures of the Lord. In the spring of 1918 Prokof went straight through Japan to the USA. Moving beyond the cordon to replace the transferred number of months trivially 15 rocky. The composer should spend his first four rock songs on trips around America and Europe (the head rank of France) in conjunction with the staging of his stage works and has greatly expanded in concert performance. In 1922 he lived in Nimechchin, and in 1923 - in Paris. The foreign period of Prokof's creativity is by definition an active interest in theatrical genres. Winning the set of the opera: comic "Love to three oranges" by K. Gozzi (1919), the idea of ​​\ u200b \ u200bwhich will win until you go beyond the cordon, and the expressive drama "The Fire of the Angel" by V. Ya. Bryusov (1919-27). Creative cooperation with S. P. Dyagilevim, who staged in 1921 "Kazka about Blaznya ..." In 1930 he wrote the ballet "On the Dnipro" for the "Grand-Opera" theater. In the field of instrumental music, the most significant robots during the boule period: 5th sonata for piano, 3rd and 4th symphonies (1924, 1928, 1930-47),3rd, 4th and 5th Concerto for Piano and Orchestra (1917-21, 1931, 1932). In the rest of the rock, moving beyond the cordon of creative activity, Prokof's activity began to decline - giving signs of triviality to the Batkivshchyna. “My wukhs are guilty of sounding Russian mova, I am guilty of talking to people of my flesh and blood, and the stench was turned by those who are married to me: their own words, my own words” (“Sergiy Prokof'ev”. Statutes, 1965, Mother p. 377). In 1927, 1929, the composer went on tour in the USSR and in 1932 took the decision to turn to Batkivshchyna.

Wine grows to the lavas of active weekends of the Radian musical culture. Throughout the decilkokh rock (from 1933) I am engaged in composition at the School of Food Mystery at the Moscow Conservatory. Prokof's creativity has come to the period of development. Vono zbagachuєtsya new significant themes and ideas of high humanistic sounding. visnomachie achievements The ballet Romeo and Juliet became the ballet Romeo and Juliet (1935-36), in which the composer created the image of a truly Shakespearean glibini and realistic power. The opera "Semyon Kotko" after the story "I am Sin of the Working People" by V. P. Kataev (1930), boldly and richly in what way, successfully allowed the importance of mastering the present at the opera house. Significant place in the pre-war rock took the robot Prokof'ev for the drama theater and cinema in collaboration with the greatest Radiansk directors - V.E. One of Prokof's stage creations was music before the film "Oleksandr Nevsky" by Eisenstein, which served as the basis for one cantati. The beast to the people's historical and patriotic ones revealed and changed the national basis of Prokof's creativity, it was clearly revealed in the offensive works - the cantata "Zdravitsya" (1939) on the folk text, in the music until 1945; I. Stockings ballet, post. 1975, Great Theater) U 30-i pp. Prokof, write for children: collection of piano books "Child of Music" (1935), symphonic Kazka"Petya i Vovk"for the reading and the orchestra (1936), how to know children in the early, lively imaginative form with the timbres of young instruments, children’s songs. Kinets 30 - ear of the 40s, pp. by the new evil creative activity composer. Win repairs to the robot one hour over a number of creations: sonata for violin and piano, three sonatas for piano (6-a, 7-a, 8-a), lyrico-comic opera "Zaruchini in the Monastery" by R. B Sheridan "Duenya", ballet "Popelyushka" (State Prize of the USSR, 1946). The completion of a great deal of them was seen by the Great vіtchiznyа vіynoyu 1941-45. The opera "Wijna and the World" after the novel by L.M. Tolstoy (1941-52) - One of the central creations in the works of Prokof and the greatest achievement of the Radiansky operatic art became the most important robot of all the rockies. The topic of vіyni vіdbilasya i inін. Works of that hour: in the 7th sonata for piano (1939-42; State Prize of the USSR, 1943), the 5th and 6th symphony (1944, 1945-47). The rest of Prokof's opera "A Story about Spraying Lyudin" based on BN Polovy (1947-48) is tied to the same theme.

In war rock, Prokof's creativity has grown rice of special clarity, classic stringency, wise simplicity. More and more people will be repaired in a new light, lyrical or fantastic images (Sonata 9 for piano, 1947; Sonata for cello and piano, 1949). Yak and earlier, the composer received the light of childhood, youth: the vocal-symphonic plot “Winter Bagattya” (1949) and the oratorio “On the World War” on the text of S. Ya. Marshak (1950) - for insulting the State Prize of the USSR, 1951; the ballet "Tell me about Kam'yanu Quotka" based on Prokof's Prokof's Bazhov (1948-50); Symphony No. 7 (1951-52)

State Prize of the USSR in 1946 for the 5th symphony, the 8th sonata for piano and music to the 1st series of the film "Ivan the Terrible" and in 1947 for the 1st sonata for violin and piano.

Prokof'ev led the way in the history of radio and light music culture as an innovative composer, who developed a very self-contained style, his own system of varied attitudes. Creativity Prokof'ev in superficially perplexed activity and activity. Yogi works with an ear of corn. The lyric Prokof'ev is vividly individualized - natural, glib, and at the same hour of the internal stream, crystal clear. In the process of development of Prokof's creativity, all the clearer were the connections with the traditions of Russian music (M. P. Musorgsky, A. P. Borodin, N. A. Rimsky-Korsakov). The power to the composer of the State Penitentiary was thwarted by one of the most prominent figures of the musical portrait, but at the same time the characteristic of the psychological truth was called. Tse zoomed the head role of scenic genres in the works of Prokof'ev. Pragnuchi to scenic realism, a little bit of statics and n. Opera and ballet cleverness, Prokof's meaningfully mastered the role of pantomime in ballet, in the opera he was seen as a verse libreto, replacing him everywhere with a vivid prosaic text. Prokof'ev has literally expanded the sphere of vocal variation in the opera for a wide variety of declamation, based on the dull reinterpretation of modern anthologies. For Prokof's operas, the genre is characteristic of the richness and richness of the drama. Thus, "Viyna and the World" is one in its own picture of the lyrical and psychological dramas and the heroic epic of the people. It’s a great place in Prokof’s creative little space to take up the piano, in which the peculiarity of Prokof’s poetry is loosely flawed: the constructive clarity of the form and texture, the variability of the sound, the instrumental springy interpretation of the piano timbre, the rhythmic interpretation of the piano tone. Symphonic (symphonies, overtures, syuity) and vocal-symphonic (orators, cantati) create in the same way, in a whole, imagined the uniqueness characteristic of Prokof. Most of them are pretentious objectivity, indicative of tone, drama, based not on intricate images, but on imposed contrasting images.

Prokof's creativity opened the whole era in svitoviy musical culture 20th century The self-confidence of the musical aim, the freshness and the quality of the melody, harmony, rhythm, instrumentation of the composer brought new ideas to the music and gave a strong inflow into the creativity of the Bagatians of Radian and foreign composers. In 1955-67, there were 20 volumes of selection of the composer's musical works.

Decorated with the Order of the Red Prapor of Labor.

composers for children

Child muzyka

Music, designated for hearing or for children. Beautiful images are characterized by specificity, we live poetically. zmystyu, imagery, simplicity and readiness of form. Instrumental D. m. Power is programmatic, elements of imaginativeness, sound quality, dancing, marching, simplicity of muses. invoices, reliance on folklore. In the basis of muses. manuf. for children, bunk beds are often used. kazki, pictures of nature, images of food. Run out decomp. vidi D. m. - pisni, hori, instrument. p'єsi, orc. production, musical and scenic. create. Virob., Appropriate for the visibility of children, for the visibility of the visitor's possibilities. At the wok. manuf. taken to respect the range of the voice, especially the sound and diction, the chorus. preparation, in the instrument. p'єsakh - technical steps. difficult. Colo muses. production, accessible to children, wider than the oblast vlasne D. m. manuf. M. I. Glinki, P.I. Tchaikovsky, N. A. Rimsky-Korsakov, V. A. Mozart, L. Beethoven, F. Chopin and ін. Klasikiv, man. owls. composers.

Пісні, attachments, dances, skewers, tales and ін. They often served as the basis for prof. D. m.Sche in Dr. Grecii Bula vidoma Nar. a child's song, a sprout bully widened koliskovy pictures. Historical dzherela vkazuyut on those who dec. children`s pissen bulo folded walnuts. spivak and composer Pindar (522-442 BC). In DR. Sparty, Fivakh, Afinakh children from the early century started playing on Avlos, I played in the choirs.

ON WEDNESDAY. The capital in Europe, D. m. Bula is tied to the creativity of shpilmans (wandering folk musicians). The old-fashioned nimetskі childish pictures "The birds all fought before us", "Ty, the fox, the gander pulled together", "The bird flew in", "Petrushka is a divine grass" were saved. Ladova basis Europ. children's song - major and minor, star - pentatonic (nim. child song "Lichtarik, lichtarik"). Ch. specialties of muses. movi: harmonious. the nature of the melody, the fourth off-beat, the uniformity of the form (verse). Mountains. high school children (der Kurrenden) in the middle of the century. Nimechchin were popularized by their free-spirits. collectives (die Kurrende) - wandering choirs of spіvakіv-scholars, who played on the streets for a small wine town. Rus. old-fashioned children of the child, who were taught among the people, overruled in the zb. bunk bed pisen 18th century V.F. Trutovsky, І. Pracha. Nek-riє z tsikh pisen went to our hour ("Bunny, tee, bunny", "Skok-pidskoki", "Bunny to walk in the garden" etc.). Svorennu is a pedagogical. muses. years for children gave respect to classical composers 18 - almost. 19 Art.: І. S. Bach, W. A. ​​Mozart, L. Beethoven. A special place for the loan is Haydn's Child Symphony (1794). The 1st floor. 19th century, with the strength of the religiously conservative ear of vikhovannі children, D. m. Pridbala yaskravno vyrazhennu cult straightness.

The 2nd floor. 19th century the number of prof. manuf. D.M .: Zb. M.A. p'єsi for pohatkіvtsіv pіanіstіv. Brush from tsikh p'єs mіtsno went into the practice of navchannya gі on the piano., For example. " Childish album "Tchaikovsky(Op. 39, 1878) - free php. syuita, de in small, small for the obsyag p'esakh nar. character in front of the children lastly put the development of art. Vizutnist melodic., Harmonic. accessible to young visitors. Read more for employees andthe ways їkh allow sb-ki fp. p'єs for children A. S. Arensky, S. M. Maikapar, V. І. Rebikova.

In the book. 19th century boules were written by the first operas for children: "Kit, goat and ram" and "Muzykanti" by Bryanskiy (1888, based on the text of the stories of I. A. Krilov); "Goat-Dereza" (1888), "Pan Kotskiy" (1891) and "Winter and Spring, or Snigov Krasunya" (1892) by Lysenko. Moose. mova tsikh of operas of simplicity, penetration of Russian anthologies. і ukr. pisen. See the children of the opera by Ts. A. Kuy - "The Bunny Rich" (1906), " Chervona Cap "(1911)," Kit at Chobots"(1912)," Ivan the Durnik "(1913); A.T. Grechaninova - "Yolochkin's Dream" (1911), "Teremok" (1921), "Kit, Piven and Fox" (1924); B. V. Asaf 'єva - "Popelyushka" (1906), "The Snow Queen" (1907, instrumented in 1910); B. I. Rebikova - "Yalinka" (1900), "Kazka about the Princess and the King-Toad" (1908).The light of childhood and youth is seen in the children's songs of Tchaikovsky("16 pisen for children" on vershi by A. N. Pleshchev and in. Poetiv, op. 54, 1883), Kyuy ("Thirteen musical pictures" for spіvu, op. 15), Arensky ("Children pisnі", op. 59), Rebikova ("Childish svit", "Shkilnі pisnі"), Grechaninova ("Ai, do -du ", op. 31, 1903;" Chicken-grouse ", op. 85, 1919) і ін.

Sered manuf. Western Europe. D. m.: "Children in the Scene" (1838), "Album for Young People" by R. Schumann (1848)- cycle php. miniatures, located. following the principle of being simple to folding; "Children of the People's Songs" by Brahms (1887), J. Bize's story "Igri for Children" (1871) -12 p'єs for piano. in 4 hands (five p'єs of the cycle, orchestrated by the author, put together the same story for a symphony orchestra). Vіdomі cycles of production. for piano.: "Baby kitty"Debussy (1906-08)," Matinka Guska "by Ravel (1908) (suite for piano. 4 hands;orchestrated in 1912). Writing for children B. Bartok ("Little Slovak", 1905, - a cycle of 5 melodies for voice and piano.; In 1908-09 4 lessons. Repertoire for piano. "Children"); in yogo p'єsah, in the main pl. character, vikoristani melodies of Slovak and Ugric songs, behind the zmisty tse of genres fp. pictures that continue the traditions of D. M. Schuman and Tchaikovsky. In 1926-37 Bartok wrote a series of 153 p'єs (6 zoshitiv) for piano. "Microcosmos". P'єsi, roztashovany in the order of step-by-step acceleration, to introduce the little pianist into the world of modern music. Pictures for children were written by: X. Eisler ("Lots of pictures for children on the words of B. Brecht", op. 53; "Children of the songs" on the words of Brecht, op. 105), Z. Ugrian folk music).

D. m. Bagato to deal with the comp. B. Britten. The collection of schoolchildren "At the fondness of a pislya obidu" (op. 7, 1934) was opened. Pisnі from the tsієї zbіrki popular in the middle of English. schoolchildren. For іsp. for children in the harp's superconductor of writing the cycle "Rituals of Children" (op. 28, 1942, in the text from the Old English Poezia). Beautiful s pisen - "Frosty winter", "Oh, my mili" (Koliskova), the canon "Tsey nemovlya". The popularity of "The Wayfarer" by Britten's orchestra (op. 34, 1946, for young people) is a kind of production. symphonic. orchestra. K. Orff having opened the great cycle of virob. "Music for Children";in 1950-54 cycle of bouv endings of the joint. s G.Ketman і іtriming the name. "Schulwerk"("Schulwerk. Musik für Kinder") - music, instrument. p'єsi і rhythmomelodіch. right for kids ml. viku. Upgrade to "Shulverku" - zbirka"Music for youth" ("Jugendmusik") - practical. Basis of collective music. Vikhovannya (texts taken from SB. F. M. Boehme" Nimetska child song and child gra "- Fr. M. Bцhme," Deutsches Kinderlied und Kinderspiel ").

The great expansion of the opera for children "Mi budeєmo misto" Hindemita (1930). Have a child muses. vistavi " Little sojotrus, let's put on Britten's opera (op. 45, 1949) 12 roles: 6 children (children from 8 to 14 years) and styles for older ones. The hall will be drawn into the show: small eyes rehearse and play specials. "Song for the Public". Warehouse for the orchestra - strings. quartet, drums and piano. in 4 hands. Also popular is Britten's childish opera "Noyev's Ark" (op. 59, 1958), shot behind the old world. The majestic child orchestra (70 viconavts) for prof. music was written in all 9 parts. A part of the parties is rooted for children who only fix grati. An indispensable warehouse of victors (in the orchestra - organ, piano., Beats, strings, flute, French horn and hand-made bells; on the stage - the choir, soloists and 50 childish voices speak, as they play around the replicas).

Sov. the composers zagatili D. m., expanded the genres of versatility and variety. Крім wok. і fp. miniatures, opera, ballet, cantati, great symphonic music are offered for children. production, concerts. Great expansion of the owl genre. childish songs, to-paradise to be seen by composers in conjunction with poets (S. Ya. Marshak, S. V. Mikhalkov, A. L. Barto, O. I. Visotska, V. I. Lebedev-Kumach and I.). Mn. owls. composers have appropriated their creativity to D. m. Widely seen, for example, fp. p'єsi for children S. M. Maikapara "Spillikins"(Op. 28, 1926) i zb." Pershi kroki "(op. 29, 1928) for piano. In 4 hands. Tsi productions: The vitality and insight of the texture, the novelty and originality of the music. "Five Pisen Doschkilnyat" (1928), "Fifty Pisen for Children" (1927); I wrote about 60 pionersky songs, a series of operas-miniatures on the plot of folk stories, Kazoks by K. I. Chukovsky and S. Ya. Marshak.M.R. Rauchverger mostly beaten up to children preschool education... We reduce the production. composer's power of success of muses. іntonatsіy, the variety of melodic. turnover, gistrot of harmony. Popular cycle of songs "Sonechko" on the verses of A. L. Barto (1928), songs "Chervoni poppies", "Winter holy","Appassionata" , "Mi - cheerful lads" , Vocal cycle "Kviti" and in. Great contribution to D. m. Contributed by a computer. A. N. Alexandrov, R. G. Boyko,І. O. Dunaevsky , A. Ya. Lepin , Z. A. Levina , M. A. Mirzoev, S. Rustamov,M. L. Starokadomskiy , A. D. Filipenko. Bagato of popular children's songs were shot by T.A. Popatenko, V.P. Gerchik, E.N. Tilicheeva. One of the genres loving the child auditorium is a hot song (" About Petya " Kabalevsky, "Call of Navpaki" Filipenko, "Cotton and Ice" by Rustamov, "Vedmezhiy Tooth", "Misto Lima" Boyko, "Photographer to the Zoo" Zharkovsky and In.). In the music of D. B. Kabalevsky, beastly before children, the composer gains more knowledge of the composer's thoughts, thoughts, ideas such. young generation. Yak of a childish composer-pisnyar, Kabalevsky characterizes melodic. wealth, availability of language., misstatement. simplicity, closeness to іntonatsіy bit. muses. folklore (the first child of the child - "Visim song for the child choir and piano", op. 17, 1935).Kabalevsky - one of the founders of the genre of childish lyricism. пісні ("Pisnya bilya bagattya","Our land" , "Shkilny rocky" ). Vin writing 3 zoshiti pedagogical. php. p'єs, roztashovanyh in the order of growing folding ("Thirty children p'єs", op. 27, 1937-38). Yogo manuf. vіdrіznyayut thematic. richness, closeness of mass forms of music - songs, dances, marches. Vidatnimi Miststv. dignity volodyut production. for childrenS. S. Prokof'ev ... The classics of the priyomy are found in them due to the novelty and freshness of the muses. move, innovative treatment of genres. F p. P'єsiProkof'єva "Child Music" (Partly orchestrated by the author and explained in the theme "Summer Day") by the simplicity of the muses. material, the insight of the texture. One short piece D. m. - simfonich. kazkaProkof'єva "Petya and Vovk" (1936, to a Vlast text) The imagery is based on the characteristics of the main. heroes (Petya, Kachka, Ptashka, Didus, Vovk, Mislivtsi), how to know the young listeners with the orchestra. timbres. The popular little picenka-scene "Brekhukha" on the verse of Barto (1939), the plot "Winter bagattya" - for the readers, the chorus of lads and the symphonic one. orchestra (1949). 2nd piano was written for young viconavts. a concert by D. D. Shostakovich, a triad of young concerts by Kabalevsky (for piano, violin, cello with orchestra.), 3rd piano. concert by A.M. Balanchivadze, fp. concertYu. A. Levitina ... Features of all cikh production. - support on pisennі elements, engaging in music styles. rice child and youth muses. pobut - marches, drum rolls, sounding button accordion, guitar, recognition of symphony and availability of muses. movi, vіrtuosti and chambers.

In the 50-60's the genre of childish cantati was formed, which bends with laconic muses. With the help of promising and interesting things children and young. Such: "Pisnya ranku, spring and svitu" (1958), "About old earth" (1966) G. I. Gladkova (1968), "Gena Crocodile" comp. M.P. Ziva (1969). In the midst of the smashing images of the child Estro. the music is eccentric. pisenki with a plot: "Seven Merry Pissen" by Kabalevsky, "For Moscow Crocodile Elephant" by Penkov, "Temryavi Be Afraid of Petya" Sirotkіna і ін. Vakonuyutsya stench, as a rule, grown up spіvaks in front of a child auditorіyu. The development of a child's opera and ballet of the unity. in svіtі child muses. theater, main. in Moscow in 1965 and N. I. Kerovaniy. Sats. The popularity of the children of the opera"Vovk and the seven gozen"Kovalya (1939), "Masha and the Vedmid" (1940), "Teremok" (1941), "Klishonogiy and the Fox" (1943), "Tsarivna-Nesmeyana" (1947), "Morozko" (1950) Krasseva, "Three Tovstuni" Rubina (1956), "Tulku and Alabash" by Mamedova (1959), "Little Pisenka in Lisy"(1955), "Skarb Blakitniy Gori" by Tsintsadze (1956), "Buratino" (1955) and "Golden Key" (1962)Weinberg Zeidman's Golden Key (1957); opera-ballet "Snegova Queen"Rauchwerger (1965) ta in.

U 60-i pp. written by children of the opera: "Barankin, be a human being" Tupikova (1965), "Zavalyayka Station"Boyko (1968).

Promotion of muses. Creativity for children is closely related to the growth of childish Vicon culture, the system of muses. education and vikhovannya children (div. Musical illumination, Musical vikhovannya). In the SRCP there is a wide range of child muses. school, including school-seven and school-ten (over 2000 children music school). Vinikli new forms of childish Vicon culture (a child of self-activity at Budinki pioneers, choir. Studia and in.). Virob. for children to visit on radio and television, at the end. eestradі, in children's theaters, in prof. chorus. uch. mortgages (State Choir School in Moscow, Dityach Choir School at Leningrad Academic Choir Capella). At the CK SRSR, the practical section of the D.M.

Food, tied with D. m., Visvitlyuyutsya at conferences of the International Association for Musical Vikhovannya (ICME) at UNESCO. The ICME conference (Moscow, 1970) showed the significant interest of the musical community up to the owls. D. m.

literature : Asaf'ev B., Russian music about children and for children, "CM", 1948, No 6; Shatska V., Muzyka v shkolі, M., 1950; Ratskaya Ts.S., Mikhailo farbuvati, M., 1962; Andriyevska N.K., childish opera by M.V.Lisenko, Kiev, 1962; Rzyankina T.A., Composers - for children, L., 1962; Goldenshtein M.L., Narisi from the History of Pioneer Writings, L., 1963; Tompakov OM, Book about Russian music for children, M., 1966; Ochakivska O., Music video for foreign school, L., 1967 (bibl.); Blok V., Muzyka Prokof'ev for children, M., 1969; Sosnovska O. I., Radianski composers - children, M., 1970; Böhme R., Deutsches Kinderlied und Kinderspiel, Lpz., 1897, 1956; Braun H., Untersuchungen zur Tipologie der zeitgenössischen Schur- und Jugendoper, Regensburg, 1963; Gregor V., Ceskb a Slovenskb hudebne dramatickb tvorba pro deti, Ostrava, 1966.

Yu. B. Aliev.

The child of music in the creativity of the composers of the bagatokh is especially important at times. Vona imagined that she was tied in the most beautiful hour in the life of the skin people - as a child.

The child of music will let the young generation go everywhere, fixing them from the first mountains, ending with every trip in transport. However, those who are going to hear in that case, if they themselves can vibrate, lie rich in what they see as fathers, we will not take advantage of the natural culture, fixing from the preschool age - to put the emphasis on psychology and teachers. In addition, it was already brought by the presenters long ago that classic music Pleasantly infused into the creativity and the goodness of the child.

In our hour, create music for children is even more relevant and more important, more important and more professional and more important. Smells add to the development of imagination, imaginative misery, the development of specialness, the choice of profession and in.

Music for a child, intended for hearing and vikonannya children. Beautiful images are characterized by concreteness, we live by a poetic snake, imagery, simplicity and clear form.

Basically musical works often for children folk Kazakhs, Pictures of nature, image of the creature's light.

Create to be written according to all the possibilities. V vocal creations To improve the range of the voice, especially the sound, sound and diction of the singing children, choir training, in the instrumental stages - the steps of technical difficulties. There are a number of musical works available to children and visiting children in the auditorium. Children are dancing in folk art (dancing, dancing, dressing).

self-contained razdil musical creativity create on the plot of a child's life, insured for being awarded by professional artists and not specially designated for a child's audience. The ballet of P.I. Tchaikovsky "Luskunchik", the names of B. V. Asafiev "the genial symphony of childhood", the cycle of romances "The Child" by M. P. Mussorgsky, in which the composer penetrated with a hostile force into the light of child psychology, "Children on the stage" for piano, orchestral syuita "Do not let the children bawl" by J. Bize. Uncertainly tied with poetic childish images of Koliskov's song, folk music So, in the songwriting, instrumental and operatic creativity of composers.

The child of music has a wide expansion in the creativity of the Radiansk composers. mid great creatures for children - symphonic Kazka "Petya i Vovk" by S. Prokof'ev. A lot of works of Radiansk composers were written on the subject of Kazoks: the opera "Masha and the Vedmid" and "Morozko" by M.I. Kraseva, "Kazka about Ribak and Ribka" by L. A. Polovinkin and I. Ballets: "Aistenok" by D. L. Klebanov, "Doctor Aibolit" І. V. Morozov (after K. I. Chukovsky) і ін. Bagato Pisen and Instrumental Creations was written by Radian composers for child radio, before playing child drama theaters, for child films. In 1965, the Moscow Children's Musical Theater is one of the only ones in the world. Great for the robot veda International Suspension of Musical Vikhovannya.

2. 2 Vichiznyans and foreign composers - author of children's music

Bagato s composers wrote music for the child. Among the most famous are the composers of foreign countries, as well as those of the greatest:

1. I. S. Bach

2.R.Schuman

3. I. Brahms

4. P. I. Tchaikovsky

5. A. K. Lyadov

6.A. Before Debussy

7. B. Bartok

8.S.S. Prokof'ev

9.D.D. Shostakovich

10.B.Britten

11.V. Sviridov

12. Є. Krilatov

Bach Johann Sebastian (1685-1750) - German composer, organist, harpsichordist. Philosophical Glybin to the Wisdom and the High Ethical Sense of Bach's creations put his creativity in a row of masterpieces of the light culture. Uzagalniv achievement of the musical mystery of the transition from the period from baroque to classicism. Non-inversion polyphonic master. "Good tempering klavir" (1722-1744), Mesa sі-minor (bl. 1747-1749), "Passion for John" (1724), "Passion for Matthew" (one thousand seven hundred and twenty seven or 1729), St. 200 spiritual and svitsky cantatas, instrumental concerts, numerical creation for organ.

The child of the music also poked і of Bach. This is a clear picture. Have powdered perucias, desires for children to sit at the harpsichord of Lyudin. Win write, children hear with interest. The most famous composer I. S. Bach. The guard with them is Anna Magdalena - mother, spivachka. For her, Bach opens up awkward p'usi, as we can escape to two "Notes of Zoshiti Hanni Magdaleni Bach". For the sake of zositiv to vchit the grati of the children of Bach, and then the stench to see the music to all the children of the world. Also I. S. Bach wrote music to his children. I four siniv navit became composers:

Wilhelm Frideman (1710-1784), "Gallic" Bach, composer and organist, improviser.

Karl Filpp Emanuel (1714-1788), "Berlinsky" or "Gamburzky" Bach, composer and harpsichord; His creativity, homeland to the literary movement "Storm and Onslaught", infused the composers of the classical school of Vienna.

Johann Kristian (1735-1782), "Milanese" or "London" Bach, composer and harpsichordist, representative of the gallant style, infiltrating the work of the young Wolfgang Amadeus Mozart.

Johann Kristof Friedrich (1732-1795), "Bückeburg" Bach, composer, harpsichordist, bandmaster.

Schumann Robert (1810-1856) - German composer and music critic. Viraznik aesthetics of Nimetskiy romanticism. Creator of programmed piano cycles ("Blizzards", 1831; "Carnival", 1835; "Fantastic p'usi" 1837; "Kreisleriana", 1838), lyric-dramatic vocal cycles ("Lyubov Poet", "Colossus Pisen", "Love and the life of a woman ”, all 1840); made a contribution to the development of romantic piano sonatas and variations ("Symphonic Studies", 2nd edition 1852). Opera "Genoveva" (1848), oratorio "Paradise and Peri" (1843), 4 symphonies, a concert for piano and orchestra (1845), chamber music and choirs, music before dramatic singing "Manfred" by J. Byron (1849).

I have assigned a part of my creativity to children by R. Schumann. Yogo p'єsi "Smilivy naiznik", "Merry Peasant", "March of Soldiers" were included in the "Album for Young People". Skin p'єsa - finished miniature picture. Bagato's son Schumann is even more light at the Viconanna. “Children of the Scene” - create more foldable, and the stink of light of childish amusements, joyful prikroshiv, painting pictures of the middle class.

Brahms Johannes (1833-1897) - Nimetsian composer. Since 1862 he is alive at Vidna. Having played yak pianist and conductor. Brahms' symphony is based on organic traditions of classical traditions and romantic imagery. 4 symphonies, overtures, concerts for instruments with an orchestra, "Nimetsky requiem" (1868), chamber and instrumental ensembles, create for a piano ("Ugorsky dances", 4 zoshiti, 1869-1880).

Writing to the child the music І. Brahms. In new bulo rich chorіv, vocal ensembles, as well as childish pisen.

P. I. Tchaikovsky (1840-1893) - Russian composer. Brother M.I. Tchaikovsky. Subtle psychologist, meister-symphonist, musical playwright.

Tchaikovsky rozkriv in the music internal light people (from lyrical sincerity to great tragedy), having opened a selection of performances of operas, ballets, symphonies, chamber works.

The child's theme goes through a simple line through the creativity of Tchaikovsky. About the price of finding a simple transition of creations, which can be cleverly smashed into two groups.

Persha is a childish pedagogical repertoire (Childish album, 12 p'єs difficult, "Chorus of komakh and kvitiv").

Friend - create, as you can be addressed to a child's child; in them, as a rule, vikoristani kazkovy images and plots (Children`s Pisnі, ballets "Luskunchik", "Splyacha Krasunya").

To the animals before the images of the past long ago є, by the day, and Tchaikovsky's “Children of Pisni”, to the melancholy, languid sentiments.

Tchaikovsky became the first Russian composer, who created an album of piano music for children. It was easy for you to grow up, so it’s okay to love children. In a stretch, he is still alive at the great friendship of the homeland of his sister, Oleksandri Illivny Davidova, in the Ukraine, in the village of Kam'yanka. There Petro Illich started to feel like a homely calm.

About his sympathies to children, and from a leaf to von Meck - Shanuvalnitsy and one composer: "My nephews and my grandmothers are so kind and dear children, but for me it is great happiness to be among them."

While writing “The Child's Album”, the composer didn’t just talk about music in the homeland of the Davidovs. Win zdіysnyuvav his old idea - “to take in the world of forces until the release of the childish musical literature, as it’s not yet rich. "Childish Album" written in 1878 for rock. In a collection of 24 small pianos - piano miniatures - all the life of a child. Bagato p'єs zbirki can be cleverly combined in a small story. So, for example, a number of assignments to the history of lyalok, іnshі paint pictures of Russian life, and another few nоsok inform about other people's lands.

The child's theme is not adorable from mother's love. Not a vipadkovo image of childhood - a child, quietly inactive in the colisse, over which the mother was clung to. The light of the dynasty as the ideal of good is confrontationally presented by Tchaikovsky in the light of real evil. The enemy is a great number of Koliskovy songs in Tchaikovsky's work, the composer's passion for engaging in this genre is not only in vocal, but in instrumental music.

Lyadov Anatoly Kostyantinovich (1855-1914) - Russian composer, conductor. A student of the Bilyaivsky gurtk. Meister of symphonic and piano miniature. Symphonic pictures "Baba-Yaga" (1904), "Mara" (1909) and ін. (On Kazakh plots), obroboks of Russian folk songs.

Life and creativity of A.K. Lyadov was tied with St. Petersburg, with Russian music.

The native element of A. Lyadov is Russian song, Russian Kazakh language. Naybilsh generally and absolutely the talent of the composer-miniaturist has been in barvy orchestral works for children Baba-Yaga, Mara. The Russian Cossacks, the chiefs of A. Lyadov, were lamenting their mysteries, their chimeric fantasy. The stench woke up yogo ujavu, transformed into a barvy musical image, which was passed on to children from their music.

Debussy Claude (1862-1918) - French composer, founder of musical impressionism. To its creators, the poeticness, the vitality of the melody, the vividness, the art of musical images. The basis of creativity is software instrumental music: "Prelude to" Pislya to the Afternoon of a Faun "(1894), triptych" Nocturne "(1899) for orchestra. Opera "Pelleas and Melizanda" (1902), ballets, sung for voice, female choir and orchestra "Diva Obranytsya" (1888), create piano.

The piano song "Little Kitty" was assigned to Debussy's daughter. Pragmatic creation in musical light of 1918, the child in vivid images of yomu - a suvorogh guru, lyalka, a little shepherd, a little elephant - Debussie is widely victorious, as a pooted dance and musical genre of music, such as

Bartók Bela (1881-1945) - Ugrian composer, pianist and musician-folklorist. Born in the homeland of the director of the Sylskogospodarsky school, an amateur musician and teacher.

In 1899-1903 he moved to the Budapest Musical Academy named after Lista.

Children of the whole world play the music of the Ugorsk composer Beli Bartok "ten easy p'us", "Children", "15 Ugorsk village pisen", "Rumunski rizdvyanі pisnі", "Mikrokosmos". “The freshness and the absence of the musical movement of Bartok, tied in the Persha with the folk Ugorsk mystery. Winning the first among the composers to see the Ugorsk folklore and the whole world marveling at its beauty and freedom, ”wrote the composer E. Denisov. The most significant childish cycle of Bartok є "Microcosm". They call the cycle "Little All-Wisdom", because they want to adhere to the universally straightforwardness of the collection.

Continuing the tradition, richly vichiznyach composers create yaskravu, tsikavu child music.

Prokof'ev Sergiy Sergiyovich (1891-1953) - Russian Radiansk composer, pianist and conductor, People's Artist of Russia (1947), Lenin Prize (1957, posthumously), State Prize of the USSR (1943, 1947, 1951).

Sergia Prokof'eva can be boldly called the son of Russian music of the twentieth century, his creativity is like the power of life, a flickering light, penetrating with boundless love to life, to people, to nature. To navigate in the nicest, most dramatically stressful tragedy sides of your music, de chmari thicken for an hour, there’s little time for sucking blackness, - we see that here, for the chimps, we are going to sell the dream obov'yazkovo triumphє over be indignant. The art of the 20th century is a restless art. Hvilyuvannya and troubles began in new happy birthday... Mirazno vіdchuvaєmo on a new track of Vіyskovyh drills, which brought people endlessly rich citizens and grief.

S. Prokof'ev often and eagerly went to the Cossack plots, cohanim and close children. Even in juni rocky he wrote music to the text of Andersen's famous Kazka "Gidke Kachenya", and in adulthood he played the Kazakh plots as the basis of his miraculous ballets "Popelyushka" and "Tell me about Kamyanu Quote". Among the "Kazkov" creations, the musical and poetical piano performance of "Kazki Old Babusi", and the hollow ballet "A Kazka about a blaze, a kind of blazes of the one who overshadowed the joke." And the commission with the tsimi Russian-Kazkov ballet varto is imbued with the same humor opera on the plot of the Italian Kazka by Carlo Gozzi "Love to three oranges". People love the lads in every way, the symphonic Kazka "Petya and Vovk", hearing yaku, the lads do not just find great satisfaction, but just knowingly know the main instruments of the symphony orchestra.

Shostakovich Dmitro Dmitrovich (1906-1975) - Russian composer of Radiansk, People's Artist of the USSR (1954), Doctor of Arts, Hero of Socialist Pratsi (1966), Lenin Prize (1958), State Prize of the USSR (1941, 1942) 1968), State Prize of the Russian Federation (1974), International Peace Prize (1954), Prize in the Name of Sibelius, Honorary Member of the Academy and Doctor of the University of Bagatokh Krajin Svitu.

In a number of piano pieces for children, D. Shostakovich has developed his own musical - figurative sphere. In a whole plan of tsikavi p'usi for earrings of musicians from "Childish zoshiti" op. 69 and "Dancing Lialok". Tsi children p'usi marvel at hostile nature, optimism. Simplicity and intelligence of images, ease of presentation all submissions before the inclusion of cich zbіrok in the child's repertoire. Name the p'єs "Childish Zoshiti" (1944-1945) by D. Shostakovich; For example, "Sumna Kazka" і zhittaradisna, yaskrava "Vesela Kazka"; "Vedmid" - p'usa, in which the image of a non-robbed Vedmedic is often repeated in wide intervals of testimony; mechanical, prompted by the same melody "Zapodna Lyalka"; tremulous "Waltz"; Badiori active "Marsh". All tsi p'usi include a concrete artistic image, which is even more important for the very cocks of their own in the children's musical schools of young musicians.

Britten Benjamin (1913-1976) - English composer, pianist, conductor. Vidrodiv English Musical Theater. Having taken on the national musical traditions of the 16-17 centuries. with the latest musical tricks. Opera "Peter Grimes" (1945), "Albert Herring" (1947), "Sleep in Summer Nicholas" (1960), chamber operas, including Ch. "The Turn of the Gwent" (1954); vocal-symphonic create "Balada about heroes", "Viy'skiy requiem" (1961), "Cantata of mercy" (1963) and in.

The composer B. Britten has taken up a lot of children's music. Їm opened a collection of bagatokh schoolchildren. Pisnі from the class of popular among the English schoolchildren. The cycle "Rituals of Rise of Pisni" was written for the children in the supervisor of the harps. Beautiful s pisen - "Frosty winter", "Oh, my mile". The popularity of “The Wayward” by Britten's orchestra is a wonderful tvir, so you know the listener with a funky symphony orchestra.

Sviridov Georgiy Vasilovich (1915-1998) - Russian composer, pianist, People's Artist of the USSR (1970), Hero of Socialist Pratsi (1975). Lenin Prize (1960), State Prize of the USSR (1946 1968 1980). sovereign award Russian Federation (1994).

Sviridov's "Album for Children" is covered with clarity, simplicity of musical movement, wide sentiments, and a national flavor. The composer, continuing the tradition, is going to play on Tchaikovsky's "Childish Album". 17 p'єs "Album" by Sviridov represent a low miniatures of a kind character: lyric, kazkov, dancing, marching. Among them are є p'єsi-landscapes, іgrovі scenes.

Evgen Pavlovich Krilatov (1934) - Russian composer. Having finished the Moscow Conservatory (1959). Since 1967 he has worked in cinema, the author of music up to the game and animation films ("Nadbannya republic", 1971; "Oh, Nastya," 1971; "I tse everything about nyogo", 1977).

A special place in the creativity of Krilatov is the loan of music for children. Tse - і ballet "Flower-seven-flower", і music before playing at the MTYUZ, і before radio performances, і, nareshti, pisnі.

There are more than one generation of children growing up on the miraculous songs of the composer Krilatov - such as: "Koliskova Vedmeditsi", "Fox Deer", "Lastivka", "Krilati Goydalki", "Wonderful Far Away", "Three Great Horses" and other miracles. Practically, not a great choir collective, ensemble, in the repertoire of which there was no creation of Krilaty.

2.3 Sociological experience

Sociological education was carried out in the children's music school in Norilsk, Kayerkan district. Bulo nourished 34 people, the middle class of yakh schools 23 rocky. Among the survivors there are boules, both learned from the musical school, and also viclades.

To the food: "Yak you think, who are the composers who have been re-insured, who are the author of the child's music?" the most voted for Tchaikovsky - 20.6%, Bach - 14.7% and Krilatov and Prokof'ev - 11.8% each. In the middle category, Schumann and Debussy were consumed - 8.8% each, Shostakovich and Brahms - 6% each. The least number of voices came from Lyadov and Britten - 3% each and Sviridov - 0%.

The results of the experience will inform about those who are the most effective composers who wrote to the child's music, є P.I. Tchaikovsky, I. S. Bach, so as they have a lot of childish creations of different genres.

VISNOVOK

For the literary dzherels, composers of the early epochs have emerged, who have made up songs for children. At our time, it’s not only professional musicians who are playing, but the children (songs, instrumental music). Bagato composers wrote music for a child for different reasons: one - for the sake of powerful children, іnshі - simply through love before them.

Vichiznyany composers of the 20th century carry on the traditions of their predecessors and introduce yaskravu, tsikava and instrumental child music. Itself at the time of the epoch, having fallen into the format of the music, for that, before the won, the bullet is available only in unsecured families. Likewise, the composers, who did not forgive their music, put it together so that the children could fit in with the technical difficulties.

The robot has shown the special features of child music and rozkrito meaning in the life of the skin composer.

Oglyadova article "Children about great composers"

The light of the childishness is even great and the fulfillment of fantasy, for that the musical childish light is also great and versatile. Tse і songs, і symphonies, operas and ballets, і rich-bagato p'єs.

Putting music for children and young people, composers talk about those stories that are available for small things. And if you create to be written for the performance by the lads themselves, the composer needs more power than a child's voice, the nobility, how can the lack of knowledge of the hands of young musicians be played. I am guilty of kindly sorting out the interests of the children of the child: those who fall in love with a little preschool child, are unlikely to grab a schoolboy. V rіznih lands ah, for the past few years, a lot of great works of child music have been made.

Iogan Sebastian Bach

The great Johann Sebastian Bach himself created the music of his children and stored for them special rightі p'єsi, as well as opening "Notniy zoshit Hanni Magdalene Bach".

Joseph Haydn

Joseph Haydn - the founder of the classic symphony - also did not omit the theme for the child and wrote the symphony under the name "Child". Yak and іnshi symphonies, you wondered how to live and sound. Childishness and instrumentation should not enter the warehouse of the symphony orchestra. There are a number of set of grashkovyh instruments: zozulya, twitching, clay nightingale.

Georges Bize

French composer Georges Bize wrote 12 p'єs "Igri for children" for piano in chotiri hands. The composer combined five of them into one plot for the symphony orchestra.

Camille Saint-Saens

The first French composer - Camille Saint-Saens - wrote "Carnival of Twarin" - a fantasy for two pianos and orchestra. In a new way, with a great mastery of zooms, convey the character of the young creatures themselves: the grunt of the lion, the cuddling of the chickens, the chickens, the importance of the move and the good-natured character of the elephant, the lyrical mood of the swan.

Robert Schumann

Bagato the most composers of the last one went to music for children, but only one of them appropriated the most significant part of creativity. One of the first in the middle of them is the Buv Nimetsian composer Robert Schumann. Winning the piano "Album for the youth" - p'єsi іznoї foldnostі. For the young - such as "The March of Soldiers", "Smilivy Naiznik", "Vesely Peasant"; and for older adults - "Vidlunnya teatru", "Neznayomets" and in.

Petro Illich Tchaikovsky

Zapholeniya shumanivskoy "album for young people", Petro Ilich Tchaikovsky opened his "Child's Album" for piano, and then "Sixteen Pisen for Children." At the same time, Petro Illich did not zupinivya, but turned to other musical genres. The ballets Luskunchik, Splyacha Krasunya, as well as music up to the song The Snіguronka became the result of this beast.

ON. Rimsky Korsakov

Before the Kazak theme, de goodness is beautiful, and evil is indulgent, de punishment for vice and justice for triumph, in his creativity, beasts and N.A. Rimsky Korsakov. Butt can serve the miracles of the opera behind the motives of the Russian cossacks: "Sniguronka", "Kazka about Tsar Saltan" and "Sadko".

Moris Ravel

Light of fiction, charming kazoks especially close to the young fellows of Debussy - Moris Ravel. First of all, there are such things as “Nature history” (cycle of songs for middle voice and piano), “Matinka Guska” (piano for piano from Kazakhs by Perrot and Madame d'Onua), “Child and chari "(lyrical fantasy for chorus and orchestra).

A. K. Lyadov

The prominent Russian composer Anatoly Kostyantinovich Lyadov has put the child's songs into the texts of Russian folk adaptations.

Claude Debussy

In the XX century, I love Shuman and Tchaikovsky, composers of the Russian lands wrote for children. Frenchman Claude Debussy sklave ballet "Box with little toys" (about twists and twists of animated little kids) and an album for piano "Little kitty".

M. Musorgsky

More than one cycle of p'єs can be brought up to the childish theme - tse "Pictures from the display" by M. Musorgsky. The zavdyaki yaskravim, kazkovim, unrealistic images, the cycle has become even more popular among children. Why has it become? Just like that, Musorgsky marveled at children, like at people with his own light, and not like at kumed lyalok, and good minds. I have seen my love before them in the vocal cycle "Child". It’s not a child’s music, written for pedagogical purposes, and not for the purpose of the children themselves. Tse pisnі for grown-ups, ale written from the name of the child.

Bela Bartok

Ugorsk composer and teacher Bela Bartok introducing the basis of musical vikhovannya and new children Folk creativity... Yogo p'єsi of the piano collection "Children" step by step introduce studies in the world of modern music.

Sergiy Prokof'ev

The light of children and youth, representations in musical images, are one of the most important facets of the creative revelation of the Radiansky composer Sergiy Prokof'ev. Їm bulo is written richly creatively specially for children or about children. Prokof'ev often and eagerly committed himself to Cossack plots, cohanim and close children. Even in young rock, they sklav to the music on the text of Andersen's famous Kazka "Gidke Kachenya", and in maturity, he played the Kazakh plots as the basis of his wonderful ballets "Popelyushka" and "Tell me about the kam'yan quit". Among the "Kazka" creations of Prokof, the musical and poetical piano performance of "The Kazki of the Old Babus", and the hollow ballet "The Kazka about the Blaznya, Like a Semyon of Blazniv Who Was Joking". And the order from the Russian-Kazakh ballet varto is permeated with the same humor opera on the plot of the Italian Kazka by Carlo Gozzi "Love to three oranges". People love the lads at all, the symphonic Kazka "Petya and Vovk" Є Create for children at new and piano. There is a collection of 12 plot pieces for children, which is called so and is called “Child of Music”.

nimetsk composer and the teacher Karl Orff should create a lot of scrutiny of "Music for Children", based on popular folk songs, and riddles. To get all the children without a blame at the Orff music show, having come up with a set of instruments for collective music, I play them easily.

Don't forget to forget about some of the lucky composers who devote their creativity to children. Tse S. Banevich, B. Gubaidullina, V. Korovitsin, Maykapar, J. Metallidi, І. Parfionov, Slominskiy, Khachaturyan, B. Tchaikovskiy and many others. Stink to live and create for children at a given hour.

Ludwig van Beethoven

Inodi child music is old tvir, writing is not for children. Beethoven wrote the music before Goethe's p'usi "Fair is holy". A lad-sharpak with a hand-held animal went to the fair. Yogo image Beethoven zmalyuvaya snappy dog ​​"Babak". Ale pisenka tsya became life okremim from p'usi Goethe lives, and the children of the rіznіh lands play with great warmth and companionship.