Create in the innermost light of the people. Internal light create
Internal light create
Internal light create a verbal mystery (literary and folklore) with a visual artistic talent. Some of the elements of the imagined action are one to one in the whole inner light of the singing system, artistic unity.
Vivchayuchi vіdvizhennya svіtu action in svіtі artistic creation, Literary knowledge is surrounded by a great team, who will be respected, but the images in the creation are not taken by the reality of action. Literary cognition to get help from historians, so that the accuracy of the image of historical ponies, psychology and psychiatry, so that the correctness of the image of mental life diyovykh osіb... With the development of long-standing Russian literature, small history, there is little animal life before the help of geographers, zoologists, astronomers, etc. And all tse, zychayno, tselkom correct, ale, sorry, inadequate. Expect to evolve the inner light of the artistic creation as a whole, intertwined with the jokes of "prototypes": prototypes of that particular individual, character, landscape, "prototypes", prototypes and prototypes of the types themselves. All in "rozdrib", all in parts! The light of the artistic creation of the post by the design, and the goal of splitting up to the point of action, and the relief of integrity.
At the same time, the literary knowledge, which means the development of "vitality" or "irregularity" in the image of the artist, is not true, but, in this case, the crushers are not really robust, and the artist is not so flat.
True, it has already become a cliche to draw on the visibility of an action fact and an artistic fact. So declare to be aware of the vivchenna "Viyni and the world" or Russian bilins and historical songs... The insight into the light of action and the light of the artistic creation will be grasped by the ample hospitality. Ale on the right side is not in the fact that it is "rosumiti", ale and viznachity tse "schos" yak ob'ekt vivchennya.
In truth, the need is not only to state the fact of the evidence itself, ala and vivchati, in which it is clear, because of the stench of amusement and how to organize, the inner light to the creation. We are not guilty of simply establishing the idea of \ u200b \ u200bmzh action and light of the artistic creation and only in the specificity of the artistic creation. The specifics of the artistic creation of the surrounding authors, or literary direct, can sometimes be formed as once and in the vortex, so that in the fact that there are a lot of ideas in the surrounding parts internal light if it is not enough, but imitation and exact replication of the action is not enough
In the history of source studies, the number of vivchennya of the historical dzherel was interconnected with the nourishment: is it true or not? Written by A. Shakhmatov from the history of the literature, the same vivchennya dzherela was recognized as a deficiency. A. Shakhmatov Vivchav Historically Dzherelo is like a complete monument from the point of view of that, as a monument of transformation of reality: the purpose of the Dzherel, the glance and political look of the author. The bosses of the whole have become able to victorious as a historical evidence to create, transforming the image of action. The transformation itself has become important evidence from the history of ideology and suspense. Historical concepts of the literature, as bi stinks did not reflect the action (and the concept, which does not reflect the action, in the literature is not), look for the pictures for the history, to testify about the history The concept of the writing has itself become a historical record. A. Shakhmatov, having destroyed all the dzherela in these chi іnshіy worlds, are important and tsіkavimi for a bitter historian, and zhoden dzherelo mi not have the right to show. It is important to see it, about which hour of the hearing, you can give your testimony: about the hour of the day, if it’s folding, or about that hour, about which wine you write.
An analogous rank is found on the right і in literature. Leather artwork (just like art!) Imagine light of action in its creative perspectives. The first and foreshortening of all-purpose vivchennyu in connection with the specificity of the artistic creation and the first for everything in the whole of the artist. Vivchayuchi vіdrazhennya action in the artistic creation, we are not guilty of being interconnected with food: "vіrno chi nevіrno" - and only vіrnіstu, accurate, correct. The inner light of the artistic creation has its own power in interconnection of laws, power of power and power of sense, which is a system.
Significantly, and even more importantly, the inner light of the artistic creation is not by itself and not for itself. Win is not autonomous. It is possible to lay down from reality, "visualize" the light of action, altogether reimagining the light, as it allows an artistic twir, a simple and straightforward character. The re-creation of action is tied to the idea of the creation, to those employees, as an artist to set before him. The light of the artistic creation is the result of both a vigorous image, and an active re-creation of action. In his own creation, the writer opens up a singing space, in which there is a story. The whole space can be great, cover a number of lands, or navigate the paths beyond the boundaries of the earthly planet (in fantastic novels and lie down to the romantic level), but it can also sound like tight between the same rooms. The expanse that the author creates in his creation, may be capable of his own "geographic" authorities, but real (like in the literature or the historical romance) or clearly, like in the Kazakhs. The scribe has to create in his own creation for an hour, in any way against the creation. Tvir can hunt for a century or only for a year. An hour in the creation can be very quick or by and large, often or uninterruptedly, intensively reminiscent of the podiyam or flowing line and becoming "empty", rather "populating" podiyam.
The food about the art hour in literature is dedicated to completing a lot of robots, if the author often thinks of the art hour, create the author's hour, looking at the author's problem at the hour, and I can’t keep the good things hanging on the writing about the hour, but I don’t think z tim artistic hour, Yake the writer himself to create in his own creation.
The creators can have their own psychological light, not the psychology of the surroundings, but the out-of-the-box laws of psychology, so that all of the most important features are ordered, so that they create a "psychological plot," in the same way. These laws can be ascertained from the laws of psychology, which are sensible in action, and they are well known for the exact reasoning in psychologists' or psychiatrists. So, the heroes of the Kazka may have their own psychology: people and animals, as well as fantastic things. It’s a luring special type of reaction to new ideas, especially arguments and special actions in the case of antagonism arguments. One psychology is in power to the heroes of Goncharov, іnsha - to the heroes of Proust, the other to Kafka, and he is special - to the heroes of the literature or the lives of the saints. The psychology of the historical characters of Karamzin and the romantic heroes of Lermontov is also special. All psychologic witnesses are guilty of being able to survive.
The first step is to mean about the social device for the light of artistic creations, and the whole social device artistic light create a trace of the author's glances from social food and not to the idea of living with the development of juxtapositions from the world of action. peace social news in the artistic creation there is also a vimag of vivchennya in its integrity and independence.
It is also possible to embody the light of history in literary works: in the literature, in the tragedy of classicism, in the historical novels of realism, etc. І in the whole sphere there will be not only accurate and inaccurate production real history, Ale and its own laws, behind which historical podii are seen, its own system of causality, or "unreasonably" podiy, - in a word, its own internal light of history. The creation of the artist's glances at the history, as it is seen in the painting of the artist's glances for an hour. You can see the historical look of Tolstoy, like the stench swirls in the historical steps of your novel "Viyna and the World", or you can vivchati, as opposed to the approaches in "Viyiny and Sveti". Tse dvі rіznі zavdannya, I want and zaєmozalezhnі. Because, I think, it’s more important to stay behind, and if you want to serve as a deprived person (far from being first-ranked) for another. Yakbi Lev Tolstoy is a historian, and not a romanticist, perhaps, for his meanings, two times were remembered in memory. Tsikava, before the speech, one regularity, as it appears at the vivchennі vіdminnostі between the glances of the writings at the history and artistic images. Yak is a historian (in his worlds on historical) The scribe even often adheres to the regularity of the historical process, but in his artistic practice he sees the role of the role in the share of the historical and simply different aspects of his creation.
The moral side of the artistic creation is also even more important і man, as and everything else in the whole world, without a priori "construct" meaning. So, for example, the light of middle-aged creatures knows absolutely good, and even evil in a new one is unmistakable. To this, there can be no more sacred things than just a bit of a bitch, and a little bit of a rotten vchinka. Yakby win tse zroiv, todi to win and not to be holy from the middle point of view, only to pretend to be hypocritical, to the hour of being vicious and inn. Ta in. But be it a villain in the midst of middle-aged creatures, they can change quickly and become holy. There is a kind of asymmetry and the "one straightening" of the moral light of the artist's creations of the middle. We need to start the freedom of the story, inspire the plots (zokrema, the life of the saints), recite the reading of the middle creations and the inn. (Psychology of reading interest - reading "ochіkuvannya" continuation).
The moral light of the artists' creations is going through the whole hour with the development of the literature. Try to truth the evil, to know the reason in a new way, to discern evil as a protest of social and religious character for a romantic creature directly (Byron, Njegosh, Lermontov and I.). In classicism, evil and good are like standing above light and creating a unique historical background. Have realism moral problems to penetrate with oneself, to act in thousands of aspects, the middle of which is unhealthy, to develop realism in the world, to develop social aspects.
The educational materials to inspire the inner light of the artistic creation are taken from the action of the artist, who knows what is going on, before his announcements about those who are going to see the light.
The light of the artistic creation depicts the action at once, bit by bit and straight: bit by bit - through the artist's backyard, through the artist's manifestation, and directly, without foremost in quiet vistas, since the artist is unaware that he doesn’t think of the artist’s meaning, to transfer your era.
The light of the artistic creation is made up of action in the form of a "quick", intelligent option. The artist, knowing his light, can’t, intelligently, see the action from this power of action by the degree of folding. In the light literary creation a lot of things in real light... Tse svit in its own way, encircling. Literature preserves only the deeds of reality and is cleverly quick and expands, to rob them more brightly or more plaques, stylistically organisate, but when the power is in power, as the law has already been told by the law, it’s
Literature "replay" effect. Tse "pereravannya" is seen in conjunction with these "style-forming" tendencies, which characterize the creativity of that particular author, that one literary directly or "the style of the era". And the style-forming tendencies to discourage the light of the artistic creation in the form of simple business and wealth, not the light of action, unimportant for the whole of this abbreviation.
Lermontov M. Yu.
Collection of creations on the topic: The image of the inner world of a people in one of the creations of the Russian literature of the 19th century
All Russian rice Literature XIX the capital is fair to get involved especially respect to human specialties... You can say head hero"Golden Capital" - a man in all his developmental manifestations. Classical writers created styles of dissimilar one-on-one images, so mimovoly wondered how to take from them in order to develop a topic. I am mindful in that sense that it is necessary to show, yak, for the help of others artistic contributions and received the writer of the image of the inner world of the people. I will be built with a classic eye for the development of the original priyomy and ways of establishing a high artistic image of specialness є the novel by Mikhail Yuriyovich Lermontov "Hero of Our Hour".
To the whole novel in the writer's creativity we will sing "Mtsiri", "Demon", "Song about the merchant Kalashnikov", written in the manner of romanticism, artistic method, Aimed at the image of feelings, emotions, addictions, psychology of people, so that internal motives in particular. For the manifestation of literary knowledge, the romantic writer nourished his hero for the same kind of addiction, which means that he turned his love over his love, so that it was hyperbolic, to snarl the valley of the wine hero for the children such a Mtsiri, who knew "one, ale half-minded addiction", waving in the closed atmosphere of a monastic monaster, like a duck from a new hour of menace, like a change of a leopard to the quietly hated stin, I do not regret to be separated from life. For the novel about a young accomplice, conceived by the writer, the romantic method is guilty of sacrificing the realist, already tested in the novel by Alexander Pushkin "Evgeniy Ongin".
The versatility was due to the fact that Lermontov conceived a psychological novel, the first in the history of Russian and one of the earliest in the history of light literature. True to his principle of adding "from half and light to the people of the word", to achieve maximum drama of the message, the writer knows the original ways of imaging the psychology of Grigoriy Oleksandrovich Pechorin, the protagonist of the novel. Immediately I mean, that all of the priyomy and the ways of direct communication to the composition of the composition of the elements, such as vikoristoyutsya at the beginning of the literary.
One of important welcome the plot and the storyline have become loose, so that the chronological endings of the stories, about how they appear in the novel, have been destroyed. Chronological parts of "Hero of Our Hour" are guilty of roztashovuvatya such rank: "Taman", "Princess Meri", "Fatalist", peredmov to "Journal of Pechorin", "Bela" and "Maxim Maksimovich". The chronology has been destroyed, it will be explained by the fact that the author has taken the method of step-by-step approach to his hero.
A handful of information about Pechorina rozpovida Maksim Maksimovich, a simple prudish officer, who is no less literate and clearly doesn’t get involved in the psychology of people, calling the young officer, who was dumb in the fort, “wondrous”. With the deyakim podiv, win pererakhovuє cі wondrous speeches: "Adzhe, for example, in the board, in the cold of a whole day on a cold day; everybody gets tired, but it’s nothing to get tired of. On the knock on the knock, I’ll be offended and wicked; and when I went to the wild boar one on one. ". I will give one more tsikavinka Pechorin, z'yasovuyutsya in the course of the staff captain: then zakhavshis in Bela until they are, then zbayduzhiv until she is. Obviously, it’s wonderful speeches to intrigue the reader, like a rosum, which is known or learned from an extraordinary specialty, but still don’t know the reasons for the name “divas”.
Then Pechorina was described by the officer in charge of Maksim Maksimovich, the officer was educated and subtly picked up in people, who became the witness of two comrades in service. Maybutnyy vidavtsev "Journal of Pechorina" the author of another element of the composition - a portrait of the hero. Remarkably, it’s not an apologetic, but a psychological portrait. In the name of Pechorin, rice is meant, how one can visualize his inner light, settling his soul: "The yogh move was not bald and line, I mean, I am not thinking about it with my hands - the devil is about the character." Not less vivid and such a detail: "If the wind sank on the lava, then the straight camp was bending, like there was not a single brush in the back; psychological portrait to end with an assessment of the sposter: ". In my eyes, I am guilty of saying a little bit of words. For the first time, the stench didn’t laugh, if it’s smithy! Not a sign - either evil vdachi, or gibberish confusion." Yak bachimo, the residual vibration will be absorbed by the chitachev. If I’ll describe it, it’s clear that in front of us is very superintelligible nature, that we will lively stress our inner lives.
Nareshty, Pechorin open up before the reader in introspection. It seems to you more proper: it is necessary to judge about yourself, your life, your own grapes hard and truthfully. It’s great to get a sense of intelligence, for which every good thing can bring to those people one and the same life and unhappiness. Grigoriy Oleksandrovich put his own merciless diagnosis: "I am humble - I have been called into guile; I have become secretive. I have seen a lot; I didn’t fondle me anymore; ; having learned the good light and the springs of the suspension, I became right in my life. , and not having helped. ". It is possible to grow a visnovok, so Pechorin zvinuvachu in his zipsovanosti svitske suspension, or pulling on the fatality, the sound of everything that has become with him. But it’s not like that, about how to bring history to Vulich, is described in "Fatalist", which is a part of the novel that was needed for the understanding of Pechorin's character. Chi is not a kind of bulo written to Vulich to die in a whole day, but he himself, timidly doganu p'yana Kozakov, provoking him to drive. That Pechorin himself, having voiced his discomfiture in the barn, did not become a shareholder, but asked his comrades to give the respect of the madman and deprive him of that by escaping to the barn. Znamenny vchinok: as I didn’t try to light vitravity in Pechorina, I would like to injure my soul, Grigoriy Oleksandrovich Zberig is a heroic croc, and it means that I live, I want to hurt my soul.
The most effective way of depicting the inner world of a people, in my opinion, is such an element of composition, as a group of images. Here, Lermontov's innovation was manifested in the fact that one protagonist protested against all other other characters, for the fault of Werner, with which Pechorin stood. It’s like me to be built, it’s a scribe by the writer in order to show it, like in Pechorin one and the same, like the character is manifested in its prototypes.
History of smugglers ("Taman") show, yak good luck addictiveness changes at Pechorin's mindfulness, involved in a foreign life, but little did not ruin the most tricky and zruynuval "peaceful colossal smugglers."
In those days with Maksim Maksimovich, Pechorin stands as a human, invincible to the callous minds of life, we are kind and an excellent comrade and immediately become intelligent and a cold aristocrat, superbly rocked with him, but at once we survived the bend with him.
The history of Grushnitsky arrived in Pechory, simplicity and naturalness of behavior, and at the same time, intelligence up to intrigue, as a result of which he was killed, he was a wicked, mannered, ale, in what is not guilty of Lyudin.
Bela, Princess Meri and Vera is overconfident to say about those who Pechorin has love - all at once and important addiction, and intrigue, and less, more, more, more slightly.
Behind the help of the descriptions I have received and methods, M. Yu. Lermontov opened up a blood-blooded artistic image, opened up the caches of the human soul in front of us and gave us a basic lesson of how we can eat with people who live for hours of out-of-the-box baiduzhost and callousness. An important lesson for our vik! For artistic qualities, with writing majesty, I will allow myself to stage the novel "Hero of Our Hour" in the novels of Fyodor Mikhailovich Dostoevsky "Malice and Punishment", "Idіot", "Brothers Karamazovi" the novel by Mikhail Yuriyovich Lermontov.
Internal light Internal (sub'єktivny) light of the psychic reality, organized by the wisdom of the human psyche, the need-emotional information of the substance, all of the spiritual life of the people, the dying of the spiritual. The internal (sub'єktivny) light of the psychic reality, organized by the change of the human psyche, the need-to-mootional information of the substance, all of the spiritual life of the people, the dull spiritual energy.
In the bitter words, the soul is synonymous with the inner light, I wish it wasn’t called for sure. Internal light can expand knowledge and horizons, but the soul can not develop at all. Tim is more mind and spirit is not synonymous with inner light. Internal light can be bagatim, big, harmonious, foldable or forgiven. In the bitter words, the soul is synonymous with the inner light, I wish it wasn’t called for sure. Internal light can expand knowledge and horizons for a rakhunok, or even the soul does not develop at all. Tim is more mind and spirit is not synonymous with inner light. Internal light can be bagatim, big, harmonious, foldable or forgiven. A unique view and a unique internal light of the people to be stored in the absence of warehouses: the decline rate, the peculiarities of the internal development, the type nervous systemі molded character, natural healthiness і vibrating interests, living for the sake of life, and in the flow of desires, declarations of values and perekonannyh, glibinnyh (the people themselves did not understand) attitudes, as well as a lot of things. Unіkalny viglyad i reentrant vnutrіshnіy's World Lyudin skladaєtsya of bezlіchі warehouses: spadkovostі, Especially vnutrіshnoutrobnogo rozvitku, type nervovoї sistemi i preformed nature, natural zdіbnostey i vibranih іnteresіv, zhittєvogo dosvіdu i vplivu otochuyuchih, statement tsіnnostey that perekonan, Glibin (samoyu Lyudin not usvіdomlyuvav) installations , as well as a lot of something. vіkіpedіya wіkіpedіya
The internal light of the people of the clergy of the Russian writers of the old people Guess the old Russian literature: Guess the old Russian literature: At the dawn in Putivl the voice, At the dawn in the Putivl, the voice, Iak of the early spring, early spring, the early spring ..on the wall is ridiculous ... the most popular genre of that period, the life of the saints, and even in them the rudiments of respect to the inner light of the hero, if the main meta cikh of creation is religiine povchannya.
First two ten years of the 19th century against the backdrop of the prototypes of the literary currents of the archaists and innovators. Archaisti bully were the buffoons of the classicist genre system and cultivated the "high" genres (ode, heroic poem). Novatori were on poetical creativity Karamzin and hung on the first plan of the "middle" genre (elegyu, friendship sent, idyll, madrigal), and the basis Literary Movies, On the dummy, the blame is the "middle" style, the order of the promotion of the sanctified nobility. First two ten years of the 19th century against the backdrop of the prototypes of the literary currents of the archaists and innovators. Archaisti bully were the buffoons of the classicist genre system and cultivated the "high" genres (ode, heroic poem). The innovators were interested in the poetical creativity of Karamzin and hung on the first plan of the "middle" genre (elegy, friendship, idyll, madrigal), and the basis of literary movement, on the middle of thought, obeyed the style of " Follow the new style and new heroes. Follow the new style and new heroes.
genre social and psychological novel U 1850s pp. The dominant prose genre is the novel. One of the creators of the social and psychological novel followed Pushkin and Lermontov Bouv I.S. Turgen In the 1850s, pp. The dominant prose genre is the novel. One of the creators of the social and psychological novel followed Pushkin and Lermontov Bouv I.S. Turgen In the development of the psychological prospect, the bully "Caucasian" rozpovidі, the trilogy "Dynasty" (1852), "Otrostvo" (1854), "Youth" (1857) and "Sevastopol Report" (1855-1856) by L.N. Tolstoy (1828-1910). In cikh works of art, there was a plot as the basis of notification, the artistic dominance was the sense of the message, the message of the message. The psychology of Tolstoy was brought up with respect to those, who were haunted by the souls, to the superintelligent understanding of young, super-verbose thoughts and thoughtful thoughts (Chernishevsky called this psychologism "the dialectic of the soul"). In the development of the psychological prospect, the bully "Caucasian" rozpovidі, the trilogy "Dynasty" (1852), "Otrostvo" (1854), "Youth" (1857) and "Sevastopol Report" (1855-1856) by L.N. Tolstoy (1828-1910). In cikh works of art, there was a plot as the basis of notification, the artistic dominance was the sense of the message, the message of the message. The psychology of Tolstoy was brought up with respect to those, who were haunted by the souls, to the superintelligent understanding of young, super-verbose thoughts and thoughtful thoughts (Chernishevsky called this psychologism "the dialectic of the soul").
Accepting the image of the hero's inner light in Russian literature 1. Psychological portrait of the hero. 1. Psychological portrait of the hero. 2. Author's estimation of the hero. 2. Author's estimation of the hero. 3. Putting before the given to the hero of the heroes of the creation. 3. Putting before the given to the hero of the heroes of the creation. 4. The image of the hero as opposed to or assigned to the creation by the heroes. 4. The image of the hero as opposed to or assigned to the creation by the heroes.
5. Monologue of the hero: recordings, introspection and for the first time appearing in the novel "Anna Karenina" by L. Tolstoy because of testimony, accusations by modernists (J. Joyce "Uliss"). 5. Monologue of the hero: recordings, introspection and for the first time appearing in the novel "Anna Karenina" by L. Tolstoy because of testimony, accusations by modernists (J. Joyce "Uliss"). 6. Viprobuvannya of the hero to the strong, strong feeling 6. Viprobovannya of the hero to the strong, strong feeling
Home zavdannya Give feedback on nutrition: Give feedback on nutrition: Who has the particularity of the image of the inner life of people in the Russian literature of 19-p. 20 Art. (On the application of the read creations). Who has the particularity of the image of the inner life of the people in the Russian literature of 19-item 20 of Art. (On the application of the read creations).
