About folklore. What is folklore in literature? Genri folklore. Folklore - the whole harmony of the inner light
The term "folklore" People's wisdom») For the first time in the English teachings of W.J. Toms in 1846. A collection of terms hunted all the spiritual (verity, dance, music, woodworking), and inodi and material (zhitlo, odyag) culture of the people. V modern science There is no one in the interpretation of the concept of "folklore". In order to get used to the primary meaning: warehouse folk pobutu, tightly intertwined with other elements. On the cob 20 tbsp. term vikoristovuyutsya and in a larger university, more specific meaning: the verbal folk creativity.
Zvvychay focus on the achievements of the king's hero. Myths are traditional, as a rule, ancient histories, where the supernatural ists, ancestors of heroes, as a rule, serve as a fundamental type in the eyes of people. In bagatokh myths, the main heroes are the gods, either napivogi, and the history can be meaningful for the background.
Folklore is one of the greatest prides of the land in Slovakia. Kozhen region, where the spirit of spirituality has its own powerful character and folklore - costumes, music, painting, architecture, performance, tradition, dance and dialect. Folklore festivals are held in decorative festivals in Slovakia to present the folklore traditions of the regions.
Folklore (English Folklore) - folk creativity, most often you fall asleep; the artist is collective, the creative person is the people, who depicts their life, look, ideals; stemming by the people and by the people in the folk masses of the poetry (rekazi, pisnі, parts, anecdotes, kazki, epos), Folk music(Pisni, instrumental naspi and p'usi), theater (drama, satirical p'usi, lyalok theater), dance, architecture, imaginative and decorative Applied mystery.
The cultural capital of Europe
Most of the festivals are more regional in nature, but they are not among the three most popular festivals. In general, during the festivals there is a lot of readiness, and the leather festival has its own type of atmosphere and magic. Before the hour of the most popular festivals, all the food production, but rather, and to navigate the whole region, live with the festival, and the folklore with skin crocus. Berlin, Glasgow, Weimar, Krakiv, Liverpool, Vilnius, Essen. The inhabitants of the Belgian Stavelot in the Ardennes, less than twenty kilometers from Malmedy, sixty kilometers from Lezha, if they presented a shining butt.
Folklore is collectively based on the traditions of the creativity of groups and individuals, as it is based on the ideas and support of the suspension, which is adequate to the changes in cultural and social self-sufficiency.
On the thought of B.M. Putilova, there are five main options for the meaning of the understanding of "folklore":
1. folklore yak sukupnist, cultural forms of traditional culture, tobto synonyms of understanding "traditional culture";
Not long ago, the abbot of the Benedictine abbey protested - having barbed his chentsy to blame on the one who loved svyatkuvati, and for those who had a long-standing tradition: in the middle, "interrupting" at Great Lent, before Laetar, the quarters of Shvid.
Abat zovsim prorahuvsya. I didn’t respect the solidarity, but I was indulged in both by the inhabitants and the Chents. Residents, bought a party, against the abat, for the Chents. "We show it to you," - thought the stench and inadvertently got in. They were full of rich black mantles, no more good chents were known, and the abate was worn out and unremarkable. Do not be recognized, the inhabitants pretended to be denounced behind the masks with a big nose in the whole mummy.
2. folklore is a complex of manifestations of traditional spiritual culture, which is realized in words, ideas, expressions, sounds, rukhs. Krim vlasne artistic creativity hunt and those that can be called mentality, traditional corruption, folk philosophical life;
3. folklore as a manifestation of artistic creativity to the people;
Just name it a few butts, carnival parades, “bow-metannya”, fireworks, the process of the Holy Blood, “the battle of St. George with the Dragon”, the festival of shrimp for the displaced, “blessing of the sea”, and a parade in honor of the Flemish artists. Yak bi there was no bulo, take a nagadu to you: "Oktoberfest".
Folklore - the whole harmony of the inner light
They lead everywhere, for the sake of folklore, through dance halls, markets and theaters, in the catalog of the committee in Brussels, as well as, like a price, 58 folklore museums. Tse is even more cinnamon for the Earth's people everywhere, as if it were “opanovu” as a French one, as well as not Walloon or Flemish. At the Museum de la Vei Wallonia, Lezha recently brought me an additional help, a shvidkopliny guest, a German scientist, who couldn’t see the sheets of pairs and peas, as the word “Ro” was used, so for.
4. folklore is the sphere of verbal art, that is, the sphere of traditional folk creativity;
5. Folklore as a manifestation and fact of verbal spiritual culture in the United States.
Naybilsh vuz'kim, ale and the best stikim from tsikh viznalyaetsya that, as tying it in the main with genres of traditional folk creativity, tobto with verbal, verbal viraz. The sphere of folklore has been promoted for the most part, as a great contribution was made in the development of science about literature - direct site, "Prodovzhuvacha" usnoї folk art, genetically tied to him.
Christmas folklore is reborn in sparkling anger, for example, film critics, for example, call folklore films with an intellectual mini-horizon and provincial demonstration. In our contemporary Belgium, contempt is not right. Tombstone with wheat, Wever Wever.
Kashgar Ice-Cyclist Kerry, Suzanne Joynson. Albuquerque, Blessing Me Ultim, Rudolfo Anaya. American Cyan, Oksana Marafioti. Anthropologist on Mars: Sem paradoxically Kazok, Oliv Saks. Black Elk, John Neuhardt, Black Elk.
The genie in the nightingale otsi: five kazkov's histories. Cherokee Dragon, Robert Conley. Ditina in Urusalim, Felisit Eshbi. Chingiz Aitmatov, "A Day of Trivas is More Than One Hundred Rock". Living life, Meri Ketrin Bateson. Kulbaba Wine і іnshі, Ray Bradberі. Death comes before the archbishop, Vili Kater.
Understanding "folklore" also means all spheres of folk art, including those, to which you don’t get stuck (folk architecture, folk arts and crafts, etc.) і the genre of professional art can see its turns in folk art, folk art.
Go to America, Ann Tyler. The inclinations of the child. Mrii underfoot, Little Country, Charles de Lint. kazka; Hotel on the edge of the world; Greedy Devourer. Esperanza Rіzing, Pam Munoz Ryan. Farewell to Mathiera, Valentin Rasputin. Gaiman, Neil i Terri Pratchett.
Deyaki vidi kazok. Grapes to Nite, John Steinbeck. Nice People, Elizabeth Marshall Thomas. Primarna seria balad, Deborah grabuvati. Lyudin's hot water, Deborah Moggach. Yak of greenery in my part, Richard Llewellyn. Yak dvchata Garcia lost their accent, Julia Alvarez.
Tse those, yak vi vibrate crab: a sleeping portrait of a creeping shore crab, Kelli Felty. Snigovy child. Jorge Amadou, especially "Namet of Miracles", "Budinok - Sailor", "Shepherds of the Night". Jose Mariya Argedas, Yavar Fista and Glyboki Richki. Ladies' pomichnik, zovnishniy svit, Tova Mirvis.
Found a vision of the verbal mystery of the discovery in the process of the formation of human movement in the era of the Upper Paleolithic. Verbal creativity in the old days bulo tisno tied with labor activity people and visualized relіgііynі, mіfіchnі, historical statements And also the rudiments of scientific knowledge. Ritual acts, for the help of some primordial people, pushed into the forces of nature, to a share, they were suprauvated with the words: incantations were immobilized, immoralized, to the forces of nature, they were besieged with frightening or threatening threats. The mystery of the word is closely linked with the other types of primordial mystery - music, dances, decorative mystery. In science, it is called the "primordial syncretism"
Remaining cowboys in the evening: Gaucho Patagonia, Nick Reading. Love for the hour of cholera, Gabriel Garcia Marquez. Major Pettigrew's last stand, Helen Simonson. Help me about the Catholic dynasty, Meri McCarthy. Miriam's kitchen: memoirs, Elizabeth Erlich. Mona is inhabited by the land, he is an Irishman, Guiche Jen.
My life with France, Julia Ditin, Paul Prudhomme. Some of our days, Barbara Mayerhoff. Otruyna Bibliya, Barbara Kingsolver. Popular music from Vittuli, Mikael Nієmi. Propria Levi, mavi key. Turn to Smіhu, Eleanor Smіt Bowen. Horse riding in Bily Konya, Teresa Jordania.
In the world, as people have accumulated more and more meaningful lives of information, which must be conveyed to the next generation, the role of verbal information has been increased. The vision of verbal creativity in an independent form of art is the most important croc in the prehistory of folklore. Folklore has become a verbal mystery, organically dominated by the people. Rizne the recognition of creations gave rise to genres, with different themes, images, style. V found period among the majority of peoples, childbirth, labor and rituals, mythological changes, snakes were carried away. The worldly approach, which proclaimed the ruble between mythology and vasne folklore, became the appearance of the Kazakhs, the plot of which was learned as a vigad.
Salmon Ribolovlya in Umeni, Paul Tordan. Sjomy Sin, Holy, Orson Scott Kart. Shepherds of the Night, Jorge Amado. Rozpovid - "Literary Budinok" and Romani, Ralph Ellison. I dance quietly, Judith Ortis. Pisnya Larka, Villa Boat. Krishtaleva Pechera, Porozhny Pagorbi; Stop Enchantments.
Land of Heroes: Kalevala Pass. Tender at the Kistka, Ruth Reichl. Anarchist Bastard: Grown in Italy, Joanna Clapps Herman. Spalyuvannya Bridzhit Klirі, Angela Burke. The day is more than a hundred rockies, Chingiz Aitmatov. A graveyard in our children, John Green. Shovkovy plant of Harmony, Tash Au.
Vіyna Mіlagro Bіnfіld, John Nіkols. Mole People: Life in Tunnels in New York, Jennifer Toth. The spirit snatches you and falls for you, Enn Fadiman. Most pleased, Robert Morgan. Oh, eyes marveled at God, Zora Neil Hurston. Tse my words, Nancy Turner.
In the ancient and mid-century suspension, a heroic epic was formed. Also, legends and pictures have also come to the fore, showing the religion of religion (for example, Russian spiritual revolutions). From now on, the historical pictures have appeared, how to depict the real historical stories of those heroes, such as the stench that has been left in the people's memory. Out of changes in the social life of the suspensions in Russian folklore, the winners and new genres: soldier, yamshitskie, burlatskі pisnі. Development of promiscuity and misconceptions to the life of romance, anecdotes, working, school and student folklore.
People of the sea. Hit the remix, Harper Lee. Troll: History of Love, Johanna Sinisalo. Unsworth, Barrі Pіsnі Tsarіv. Far. Prince Annie; A song about Riannon; Children Llira; Ostrіv cannіkh. Middle of the children. Evil and іnshi, Gregor Maguire. Ragnarok: Kinets of Gods. Levsky honey: myth of Samson. Lyudina is good Isus and Christ the non-idol. Dream Angus: Celtic God Mrija. The Folklore and Literary Section of the American Folklore Suspension is dedicated to folklore and literature. Mi prosuvaєmo one one in the whole region scientific robots and the fate of the new members is welcome.
A stretch of thousands of folklore among all peoples in a single form of poetic creativity. Ale і s the appearance of writing, holding out a bagatokh to the table, right up to the period of the aggravated feudalism, sleep poetical creativity It was not only the middle of the working people that was widened widely, but the middle of the ranks of the suspension: the nobility, the clergy. Viniknuvshi in the song social center, Tvir could become a nationwide banny.
For zahochennya vivchennya folklore and theory of literature Section Folklore and Literature sponsored a newspaper panel and forums at the annual gatherings of the American Folklore Society. At the end of the section and the hour of the panel and discussion sessions, we will discuss the development of folklore and literature and further down the link between the two regions. Our facilities give the opportunity to discuss our work as folklorists and literary studies.
In the background, there is a lot of intertextual, foldable space of the region, but it is often served as culturally neutral: American Middle Zahid. We can imagine ways of reading texts from a folkloristic point of view, as they tell us for between identification, and efficiently, along the text. Our robot is grasping the cim of the regional crossings of America, coming close to the її literature from the bezlіchі cross-country routes: folklore, journalism, traditional traditions, secular practices, ethnography, and the mass and information.
One of the most important specific rice of the national sleepy creativityє teamwork. The skin tvir of usnyi folk art is not only thoughtful and almost singing groups, but collectively it will grow and expand. However, the collective nature of the creative process in folklore does not mean that other roles have not been played around the specialties. The talanovites of the Mistri did not only thoroughly adapt the existing texts to new minds, albeit sometimes they added pictures, parts, kazki, which, apparently before the laws of conventional folk art, were expanded as the author. With the suspilny podil of pratsi were recognized the curious professions, tied to the branches and vicinities of the poets, and musical works(Long-standing rapeseed, Russian Guslyars, Ukrainian kobzars, Kyrgyz akinis, Azerbaijani ashugs, French chanson and inn.). Collectiveness is not just a simple co-authorship, but a special trivial process of perfecting pictures, kazoks, legends, sending and orders. A great deal of collectiveness is manifested in the post-process of the process of picking up and developing the creation of the folk story: the people who created the bagatel were more vibrant and more beautiful, similar to them with their thoughts and natural looks. Collectively, the ear in folklore protists as individual. Folklore is not attracted by the organic understanding of the collective and individual, at the same time the collective does not show the individual goodness of the authors and viconavts.
In general, the group pragmatically proposes an argument on the importance of the importance of interdisciplinary approach to the introduction of folklore and literature. Alina Dana Weber: Nimetski Romani "Wild Sunset" as a folklore and literary vigady. Qia sumish rozhu folklore literature, head characteristic what is paradoxical is the brutality of the formula to the informational realism: nimetski author to stand on the basis of folklore, literature and mass information.
Jess Lamar Reese Holler: Silske Gospodarstvo for an advance payment: regionalism, ethnography and the voice of a foreign farmer in the magazines "Progressive Era". Tsya stattya to deal with the collapsible decline of the regionalist list in the Silk-state magazines of the Middle Call. Ts popular magazines have supplied farmers with novelties, delights and new science; ale the stench can also be done ahead of the heels of the doviri and the expertise behind the supplementary, ethnographic leaves of the first individual and the ethnography about the life of the farmers in the middle of the sunset.
The collective of folk creativity organically tied the sleepy form of folklore. Folklore appeared earlier, less writing and a collection of words only in our sleep transmission. sleepy shape The idea of folk poetry before the appearance of options for one and the same folklore creation - there is only one specific rice to folklore - variance.
Shelli Ingrem. І Ribka destroyed his pants: regional artist literature and culture of folklore and literature, from Hemlin Garland to Jonathan Frantzen. Writing the assignment of "Amendments" by Jonathan Frantzen in the class of folklore and the literary pochatkovy vidguk to the class of buv twice: the book was not "popular", and the whole thing was not fiction, it was unimportant to the setting. In a number of documents, one can see such a view, before the role of "beautiful fiction" in the culture of folklore and literature, the impulse of the shukati folklore in the texts of the "young"
Folklore create from artistic literature features of artistic form. Before the tsikh singularities are recognized, the persh for everything, the tradition of poetry, virobled by the people stretching out the table. Traditions of folk symbolism, post-instincts, metaphors give folk creativity a specific flavor.
Come to the section of the group of interests of the American folklore suspension. pay for section extras. Folklore is a whole tradition of mystery, literature, knowledge and practice, which are expanded in the main, with the help of the auxiliary, spilkuvannya and behavioral butt. The skin group with a very strong identity, as the central part of the identity, folk traditions- something that people traditionally vvazhayut, timid, know, timid and speak. Yak show tsi butt, in a large number of vypadkiv there is no important subtlety of tsikh categories, be it in haunted life for in robotic folklorists.
Folklore is derived from written literature and features of typification. Literature is characterized by the establishment of typical characters in typical situations. Typical character, taking into account the main rice of his social rationality and his era, is manifested through the individual character of the hero, through the individual and unique view. The images of usny folk creativity do not seem to be such an individualization.
So also Folklore? Values і tlumachennya words of folklor, Viznachennya term
1) Folklore- (from English folklore - folk creativity) - English. folklore; new. Folklore. 1. Traditions of revision, sounds, legends, songs, dances, mystery to the people, which are transmitted from generation to generation. 2. Piznishe - everything that can be brought up to folk creativity, should bear a national character.
2) Folklore- (English Folklore - folk. Wisdom, folk knowledge) - term, which means meaningful. appearances bunks. culture. Proponated by archaeologist William John Thoms in 1846, F. Termin, having conceived the eulogy, obsyagh hunt all kinds of nar. the culture is expanding, then sounding; every day unambiguity in living and in modern science. Official term "F." accepting English. Folklore society in 1879 in two meanings - wide and vuzky; in the first place - for the meaning of all the unwritten history of the people, especially the unwritten history of primitive epochs; for the other - to be placed before the ancient sounds, sounds, rituals and ceremonies passed through the ages, having been reinterpreted in the sabobon and traditions of the lower classes of the civilized society. The expansionary tendency led to the term hooking up all the manifestations of the material and spiritual culture to the people, at the same time they introduced an intercourse to the understanding (often - to the area of spiritual culture), right up to the last hour of smoldering yak people. literature, nar. poezії, sleepy-poetical nar. creativity and so on Єvropi, Lat. America is the culprit. viznennya ts'go term (from the most widespread to the bordering between), protesting about F. yak about "reliktiv", "remnants of the primordial culture in the spiritual culture of civilized" pro-v. Nek-Ri vchenі vzhivayut yogo in the universal meaning of nar. knowledge of nar. tradition and so on. The order of development of sociology is directly defined by the term "F" the whole complex of cultural manifestations "folk classes" (A. Varanyak, A. Marinu, a lot of folklore in Latin-American lands). In sociology, the overwhelming old age is defined by the term F. all the verbal-musical, musical-choreographic, game and dramatic. species of nar. creativity. Tim himself is not poetical to the people. creativity is rendered less than one, if you want and sutta, warehouse part F. Order z tsim sposterіgaєtsya tendencies to broaden the understanding of F. in all vidinar. artist creativity (applied art. "creative folklore"). The term "F." species of nar. culture, sociology go with the concept of F. as socially educated and historically develop the form of creative. dіyalnostі nar. mass, scho characterized by a specific system. sign: collective creativity. the process is the unity of special and mass creativity, oral transmission, tradition, polyelement, multifunctionality. F. yak culture nar. the masses do not ottozhnyuєtsya with the mass culture and in the meaning of the world protist їy yak form creative. dіyalnosti. Lit.: Kagarov Є.G. What is folklore? // Artistic folklore. T. 4, 5. M., 1929; Zhirmunskiy V.M. The problem of folklore // S.F. Oldenburg: fifty years of scientific and community activity. L., 1934; Gusєv V.Є. Folklore (history of the term and its current meaning) // Rad. ethnography 1966. No. 2; Fadєєva I.Є. The structure of folklore (before food about two spheres of folk art / Actual problems of contemporary folklore. L., 1980. V.G. Gusev.
folklore
(From English folklore - folk creativity) - English. folklore; new. Folklore. 1. Traditions of revision, sounds, legends, songs, dances, mystery to the people, which are transmitted from generation to generation. 2. Piznishe - everything that can be brought up to folk creativity, should bear a national character.
(English Folklore - folk. Wisdom, folk knowledge) - term, which means meaningful. appearances bunks. culture. Proponated by archaeologist William John Thoms in 1846, F. Termin, having conceived the eulogy, obsyagh hunt all kinds of nar. the culture is expanding, then sounding; every day unambiguity in living and in modern science. Official term "F." accepting English. Folklore society in 1879 in two meanings - wide and vuzky; in the first place - for the meaning of all the unwritten history of the people, especially the unwritten history of primitive epochs; for the other - to be placed before the ancient sounds, sounds, rituals and ceremonies passed through the ages, having been reinterpreted in the sabobon and traditions of the lower classes of the civilized society. The expansionary tendency led to the term hooking up all the manifestations of the material and spiritual culture to the people, at the same time they introduced an intercourse to the understanding (often - to the area of spiritual culture), right up to the last hour of smoldering yak people. literature, nar. poezії, sleepy-poetical nar. creativity and so on Єvropi, Lat. America is the culprit. viznennya ts'go term (from the most widespread to the bordering between), protesting about F. yak about "reliktiv", "remnants of the primordial culture in the spiritual culture of civilized" pro-v. Nek-Ri vchenі vzhivayut yogo in the universal meaning of nar. knowledge of nar. tradition and so on. The order of development of sociology is directly defined by the term "F" the whole complex of cultural manifestations "folk classes" (A. Varanyak, A. Marinu, a lot of folklore in Latin-American lands). In sociology, the overwhelming old age is defined by the term F. all the verbal-musical, musical-choreographic, game and dramatic. species of nar. creativity. Tim himself is not poetical to the people. creativity to be recognized as less than one, want and sutta, warehouse part F. The order of the tsim is encouraged by the tendency to expand the understanding of F. to all types of narratives. artist creativity (applied art. "creative folklore"). The term "F." species of nar. culture, sociology go with the concept of F. as socially educated and historically develop the form of creative. dіyalnostі nar. mass, scho is characterized by a specific system. sign: collective creativity. the process is the unity of special and mass creativity, oral transmission, tradition, polyelement, multifunctionality. F. yak culture nar. the masses do not ottozhnyuєtsya with the mass culture and in the meaning of the world protist їy yak form creative. dіyalnosti. Lit.: Kagarov Є. G. Scho is also folklore? // Artistic folklore. T. 4, 5. M., 1929; Zhirmunskiy V.M. The problem of folklore // S.F. Oldenburg: fifty years of scientific and community activity. L., 1934; Gusєv V.Є. Folklore (history of the term and its current meaning) // Rad. ethnography 1966. No. 2; Fadєєva I.Є. The structure of folklore (before food about two spheres of folk art / Actual problems of contemporary folklore. L., 1980. V.G. Gusev.