Usna folk creativity: see, genre of creativity that prikladi
People's creativity is lightly asleep. It has evolved into many centuries, a powerless one. At the crossbar English movi"Folklore" - tse " people of no importance, Wisdom. "So that the folk creativity is asleep - everything that the population is developing over the past century of history.
Features of Russian folklore
As well as respectfully read the creation of Russian folklore, you can take note of how richly imagined it is: both to the imagination of the people, to the history of the country, and to smiles, and to earnest thoughts about the life of the people. Hearing the songs and the Kazakh ancestors, people contemplated the impossibility of the difficult food of their family, huge and labor, they thought, as if they were fighting for happiness, polish their life, and who were guilty of the people, who were to blame.
read folklore
The examples of folklore include kazki, bilini, psni, prisliv'ya, riddles, calendar pripivi, majesty, orders - everything that was repeated passed from generation to generation. Vikonavtsi often brought their own into the text that was added to them, they changed the details, images, virazi, inconceivably good quality and output.
Usna folk creativity in a great sense of its own in a poetic (resigned) form, some of the wonders allowed to memorize and pass from voice to mouth and create a long table.
пісні
Pisnya is a special verbal and musical genre. Vona is a small one behind a lot of lyric-rozpovidny abo lyric tvir, as it was built specially for sleeping. See їх offensive: lyrical, dancing, ritual, historical. Vislovlyuyuyutsya in the folk songs of the same people, but at the same time with the helpless people. They knew the image of a love experience, a suspicious and family life, thinking about a hard lot. In folk songs, they often vikoristovuyutsya titles like parallels, if transferred to nature by the mood of the given lyrical hero.
Historical pictures assigned to children we will see the specialtiesі podіy: the conquest of Siberia by the Urmak, the village war by the wire of Omelyan Pugachov, the battle at Poltava with the Swedes and іn. Announcement in the historical folk songs about the deyakі podії to unite with the emotsionny sounding of the cich creatures.
bilini
The term "bilina" vviv І. P. Sakharov in the 19th century. Vona is a dream to the folk creativity of the viglyadi of the psyche, heroic, epic character. Vinikla bilina in the 9th century, the won became a turn of historical information to the people of our land. The heroes are the main heroes of the folklore. The stench vtіlyuyut itself the national ideal of manhood, strength, patriotism. Put on the rich, who were portrayed by our folk art: Dobrinya Mikitich, Ilya Muromets, Mikula Selyaninovich, Alosha Popovich, as well as the merchant Sadko, Veleten Svyatogor, Vasil Buslaev and іnshi. Life is the basis, at the same time it is filled with a fantastic deyakim vimisl, to become the plot of the tsikh creatures. They have heroes one by one to complement the hordes of enemies, to fight against the monstrosities, to complement the great majesty of the country. Duzhe tsіkavo tse usna folk creativity.
kazki
Bilini is required to be drawn from Kazakhs. Do the same folk creativity based on invented podії. Cossacks can be charming (in those who take on the fate of fantastic power), and people can also appear - soldiers, villagers, kings, warriors, princesses and princes - in an ever-changing environment. From those creators, folklore appears to be an optimistic plot: in new good, you will triumph over evil, and if you will remain, you will either be arrogant or be surprised.
legends
Prodovzhuєmo describe the genre of traditional folk art. The legend, on the vidminu from the Kazka, is a folk dream. The basis of yogo is a name-based idea, a fantastic image, a miracle, which can be heard by hearing, or we will notify you as reliable. Є legends about the prowess of peoples, lands, seas, about the countrymen and the exploits of the heroes, or the heroes.
riddles
Usna folk creativity is presented without any riddles. Smell є to the allegorical images of the deyako object, let us catch up on the metaphorical closeness to them. The riddles behind the whole lot are not great, there is a singular rhythmic structure, it is not very easy to see it. Stink in order to develop the power, the power. Riddles of misnomer behind the zmist and subject. It may be a little bit of options about the same thing, a creature, an object, a skin on its side, characterizing it.
Send those orders
The genre of usnoy folk creativity also includes orders and prizes. Prisliv'ya - rhythmically organized, short, figurative hangs, aphoristic folk hangs. Vaughn call me a two-part structure, like rim, rhythm, aliteration and asonance.
Order є figurative hanging, yake otsinjuє deyakiy manifestation of life. Vaughn, on the vidminu from prisliv'ya - not intent on the proposition, but deprived of a part of the lingering, so that folk creativity can enter into sleep.
Prisliv'ya, orders and riddles are included in the so called little genre of folklore. Well tse take? Krym perakhovanih vische species, before them are seen and in the sleep of folk creativity. You can see the following genres of additional genres: koliskov pisn, pestushki, pots, primes, іgrovі attachments, chants, viroki, riddles. Reproduce trochies on the skin of them.
koliskov_ pisn_
Small genres of usny folk creativity include koliskovy paintings. People call it bikes. The name is similar to the word "bait" ("bayat") - "speak". give the floor maє nastya is old-fashioned meaning: "talk, whisper". Koliskov's pictures have not been named in a vague way: finding them out of them may lead to direct communication. Struggling with sleep, for example, the villagers said: "Slumber, come see me."
Little Pigs and Little Pets
Russian folk creativity is also represented by Pestushko and quiet. At the center there is an image of a young child. The name "Pestushko" resembles the word "plykati", tobto "go for kimos, grow, nurse, carry on your hands, vihovuvati". The stench is a short viroki, like in the first month of life it is not enough to comment on it.
It’s uncomfortable for Pestushko to move into quiet little ones, like suprazhuyuyut the little boy with his fingers, hands and handles. The folk creativity is even more interesting. Put on the nursery rhymes: "Magpie", "Okay". They have no lesson already є "lesson", povchannya. For example, in "Sorots", the white-sided was all over the place with porridge, except for one ice-cream, I want the smallest one (the last one).
attachments
In the first place of life of children, the nannies and mothers slept with them the little ones, even more folding wiggle, not tied together. All of them can be denoted by the same term "attachment". You can smell small kazki by the snake stench. For example, about a pivnik - a golden comb, a litatie on the Kulikovo field for oats - about a Ryabi chicken, yaka "peas vіyala" and "millet sіyali".
In primovtsi, as a rule, a picture of a deyaky yaskravoi podії is given, for in this picture a deyakoi strіmka deiu is depicted, showing the active nature of a baby. Їm a luring plot, ale ditina is not a trivial uvagu, so the stench is obmezhutsya deprived of one episode.
Viroki, calls
Prodovzhumo to see the folk creativity fall asleep. See yo be complemented by calls and viroks. Children on the streets even start early in the morning at the one-legged evangelical cries, which represent the beast of birds, the board, the merriment, the sun. Dіtvora with nagoda viguku spіvuche in chorus of words. Krim zaklichyk, in the rural homeland, be-yak a child who knows viroki. Oh most of the time you get one. Viroki is a beast for mischief, small bugs, ravlik. Tse can be inherited by the lovely bird voices. The verbal cries of the viral and the sentient callings are brought into the power of the water, the sky, the earth (sometimes beneficial, sometimes teeth). Їх thunderbolt began to play and life of grown-up rural children. Viroki and calls are combined into a special message under the name "calendar childish folklore". The term of the cim is received by the ringing sounds between them and sometimes fate, saint, weather, all the way and the way of life of the village.
Іgrovі viroki and prisіvi
The genre of creative work of popular folk art includes games of virok and adaptability. Smell є not less ancient, less calls and viroki. They either tie the parts of the deyakoi gris, or fix them. The stench can vikonuvati is also the role of pictures, to begin to inherit, as it is when the minds are broken.
Vrazhayut gris are similar to the serious village occupations: stubble, meadows, planting lion. The revision of the cich right in the suvor end of life for the addition of bagatoraz repetition gave the opportunity to pinch early rock child povagu to the ears in a clear order, read the rules of behavior accepted in the suspension. Name іgor - "Vedmіd in the forest", "Vovk and geese", "Korshun", "Vovk і vіvtsі" - to talk about the links with the lives and beating the Silska population.
visnovok
People's bilins, kazkas, perekazahs, songs live no less than barvy images, not less in the works of classical authors. Original and wonderfully accurate rhythms, chimeras, beautiful rhythms - they merge in the texts of parts, nursery rhymes, gimmicks, riddles. And we can know how poetic we are in lyrical songs! All the tse mіg set up deprive the people - great meister the words.
Uvaga, only SOGODNI!
Epochs, people, їх cultures are unrepeatable. The skin of them has its own character, its own unique rice.
The emergence of ancient civilizations in the hour is not allowed in the accuracy of the creation of the old viglyad. If we see the similar life of our ancestors, they will help us with folk culture, folk traditions, so that we can rotate in material and spiritual memorials.
“... Ancient civilizations are NOT fading away, the light from them is still going to us. Їх dosyagnennya is a part of modern culture.
Mi zvertaєmosya before them is not only a source of aesthetically pleasing masterpieces of literature and art. Lessons from the past poklikan_ to serve the gentry goals of happiness - through the frosty and mutual defense of the people and assimilated to themselves by the declining wealth of the past, accumulated by the previous generations ".
(L.N.Bogolyubov)
5.1 Value of folk art
Folk creativity - folk art, folklore, artistic creativity to the people; It was established by the people and in the folk masses of poetry, music, theater, dance, architecture, figurative and decorative and applied art.
In collective artistic creativity, the people revive their work with a spirit of strength, a supportive and casual way of life, knowledge of life and nature, culture and corruption.
The folk creativity, which took shape in the course of suspicious labor practice, in the eyes of the people, ideals and praise to the people, their poetical imagination, a rich light of thoughts, feelings, experiences, the world about justice and happiness. Has taken in itself a rich admission to the people, the people's creativity is perceived by the glimpse of artistic mastery of action, truthfulness of images, by the power of creative communication.
Naybagatshі images, those, motives, forms of folk creativity are found in the foldable unity of individual (hocha, as a rule, anonymous) creativity and collective artistic svidomostі.
The people are capitals of the vidbirah, udoskonalu and zbagachuє znaydenі okremami majstras rіshennya. Collectiveness of folk creativity, a warehouse and a permanent basis and non-peaceable tradition, appears in the course of the whole process of the formation of creatures of any type. The whole process, which includes the empowerment, the consolidation of the tradition, the further elaboration, the refinement of the tradition and the hour of renewal, appears superficially long after the hour.
For all genres folk art it is characteristic that the creators create them at once by the viconauts, and the viconannya, in her own heart, can be the roots of the options, so that the tradition can be changed.
It is also an important contact of the viconavts with the reception of the mystery by people, as they themselves can be seen as participants in the creative process.
It is also a matter of fact, and you still have an intangibility, a high artistic unity of the other genres. Poetry, music, dance, theater were angry at folk ritual activities, decorative art; in folk life, architecture, construction, design, ceramics, vishivka were used to create an insignificant value; folk poetry is tightly tied to music and its own rhythm, musicality and character is tied to the poetry, labor movements, dances. Create and tips of folk culture will be passed from generation to generation.
5.2 Folk art (folklore)
Folklore is a dream of folk creativity, which includes:
· kazki,
· send those orders,
· koliskov_ pisn_,
· riddles,
· quiet and ін.
word "Folklore"
in literal translation from English meaning People's wisdom.
Folklore - the tsetoruvanna by the people and in the folk masses In every way, he imagines his work activity, a suspenseful and chunky way of life, knowledge of life, nature, cult and transformation.
Folklore has a glance, ideals and praise to the people, their imagination is poetic, a rich light of thoughts, feelings, experiences, protest against exploitation and oppression, the world about justice and happiness. Tse fall asleep, verbally artistic creativity, like the process of shaping the human movement.
M. Gorky saying: "... An ear of mystical word is found in folklore. "
In the early stages of development of the folklore suspension, there is a clear connection with the other types of human activity, which represent the rudiments of their knowledge and religious-mythological manifestations.
In the process of development of the suspension, the development of the vision and the formation of the usnoy verbal creativity. Deyakі genre і vidi folklore lived through life. Oh, the freedom to be quilted only on the display of indirect evidence: on the texts of the new hour, but they saved the archaic rice for the change and the
Only from the 18th century and more from the reference texts of the folk poetry. Even more sparing recordings have been saved in the 17th century. Food about walking around the creation of folk travel is much more foldable, less literary. It’s not only the author’s biography, but the creator of that text, but the social middle class, in which the Kazka, the bilina, the song, the hour and the minute of the fold is placed. About the author's ideological ideas can only be judged by the saving of the text, moreover, it is not written down very well because of that.
The very knowledge of folklore creations was acquired by children before the artistic decline of their national culture.
Tvir of folk poetic creativity pouring into reality, wiklikak sincere vidguk, awakening with a sense of honor to come. The situation is described in uyavi child for the help of the artistic word.
We are alive in the tsikaviy and folding hour, if we start to wonder at a rich start, it’s richly re-emerging and re-envisioned - in the first place, it’s carried over to our past, like, to appear, it’s known even more surface.
What a turbuvalo, what a joy and a turbuvalo of Russian people, what stench they did, how they did it, how they did it, talked about it, talked it over and talked it over, passed it on to their children and onuk? Updates on food prices for the year - means renewal of the call for an hour, turn the consumption of values.
Wrap up to the rounds to help the folklore, even the life of the people, the human life, the spiritual light of the Russian people, through the sieve, the spiritual light of the Russian people, the thoughts, feeling, experiencing.
For a long time they said that for the absolute happiness of people, a glorious Fatherland is necessary. It’s impossible not to wait a while: melodiously, the very journey is the revival of the forgotten national values.
Happiness, dignity is a whole hour, if it is possible to do justice, it is wider than the familiarity in the rounds of the national culture. Chi is not ostentatious "suvenirna", but a purely brutal dictum and unconventional approach to the process of viciousness.
Culture and dosvіd (especially people) are transmitted from mouth to mouth and from generation to generation.
Is it possible to see people's creativity in today's "grown-up" life, which is important on the stage and in museums, from the life of a child, for the new one, to actively use the happy information, do not use it. It’s awesome.
Folklore, as a historically specific form of folk culture, does not become invisible, but grows together with the people, absorbing in itself all the value that has been seen before, and when new social changes appear. Tom folklore depends on self-confidence and happiness.
The particularity of the folklore of the first and foremost is the regional belonging and the historical concreteness. In the course of history, the genre's deyaky became aware of the sutta wines, they knew, they were new.
Uninvolved on the Yaskrava national book of folklore creations native peoples Russia, rich in motives, images and themes are similar in them.
Childish folklore is a special part of folk culture, as I play a role in the life of the skin people. Do it childish folklore may be more important in the development and development of the specialness of the skin knowledge by appearing on the people, mastered the cultural riches of the next generation. The stench is necessary for a child to rotate in the artistic form of his own special bachelor svitu, bred by vikov psychic features. Tsi specialties, the interaction of a child with navkolishnim light, with one-year-olds and grown-up people change into the world of development of a child from a nation to adolescence. So Bagata, a free area of folk creativity, tied with the light of childhood.
important to re-evaluate the meaning of folklore among the vikhovanna preschool children.
Folk creativity of the viconu vikhovno-sanctuary function; the development of memory: in the creations of the traditional folk creativity, there is a lot of repetition, which additionally helps more beautifully to memorize, and then to create the wickedness.
Folklore infused into the health improvement of the child's body in the whole, For example, the little ones "Soroka-crow", "Kui, smite, hammer, pidkov Chebotok", deliver joy and help children self-help massage of the hands and steps, as well as pour on the biologically active points, the hands of the feet on the hands.
A number of nursery rhymes can be vikoristovuvati for the development of flexible motor skills of the hands and fingers (for example, "Finger-boy").
Create folk art, especially small forms, pour on the development of children:
· zbagachuyuchi vocabulary,
· developing articulating apparatus,
· give zrazki for folding of descriptions and information.
Deyakі from them it is possible to insinuate; at the same time when you transmit the wines only with rugs, as long as the children are not left with active language (for example, "Dvі teterі", "Kitska").
zavdyaki rhythm, musicality, emotional and musicality, And also the creativity of the musical curiosities of the deyaky pots were transformed into іgri in a word, іgrovі right, Yaki add pratsyuvati over uzgodzhennyi rukh zі word.
People's songs, round dance, іgri with spіvom also widely vikoristyutsya, some of them allow children to be included in self-music, movable and playfulness.
5.3 Koliskov_sіsnі
bagato pisen created by the people:
· Pestushko and quiet,
· koliskovі,
· chants,
· attachments,
· nonblits.
Beastly up to coliscus pisenok We know how kozen from us: from time immemorial to the booth, de popuvalasya ditina, pidvіshuvali koliska for stele - koliska for dumb. Mati, rozgіreno rozgyuyuchi її, for an hour wake up to a robot, nominate koliskovy your child:
Bayu-bayu, bayushok,
Near the town of pivnik.
Petya speaks in a voice,
Vani spati not yes,
And you, Ivanko, sleep,
A dream come true before you.
Tobi spati is not a walk,
Just curl up your eyes.
Sensibility, a special rhythm to teach children to smooth phrases and propositions. Significantly increase and vocabulary stock. The creatures of usnyi folk creativity have a wealth of words-signs of objects, figurative depictions, vikoristovuyutsya bezlich synonyms, antonyms, etc.
A handful of children are copied, like the grown-ups of the vison, the chi іnshі ruhi and іntonatsії, with which the song is played.
Piznishe z'yavlyayutsya words, texts pisen. Wonderfully velvety richly words pisen to go to the active vocabulary of children and to sound the same before the hour of the day, growing up with peers.
An important role in the development of the development of the child is the development of the phonemic reception, which is used for the development of the child. On a thought to the people, stink "Companion of the dynasty».
Koliskov, the order of the other genres of folk art, can revenge in themselves the power to allow children to polish preschool education.
Koliskovy Pisni to recruit the vocabulary of children for the idea of revealing a wide range of views about new sights, about quiet subjects that are close to the attention of buyers to add to their zovnishnim viglyadom, For example, "zaychenya".
Grammatical versatility of koliskovykh spriya grammatical budovi movi.
Let the kids get up to speed one-root words, it is possible to vikoristovuvati tsi pictures, so as in them good known images of children, for example, the image of a cat, are presented. Why is it not easy kit, but "kitten", "cat", "cat", "kitty".
Until then positive emotions, Tied with those chi іnshim sub'ktam with koliski known rank, to curb the price of mastering the successful and mіtsnim.
Koliskova's song, as a form of folk poetry, is to take revenge in its great possibilities in the form of a special singular organization of the child's movement.
· general rate,
· the manifestation of repeated phonemes, sound generation, onomatopoeia.
Koliskov's pictures allow you to memorize words and form words, words, master the lexical side of Movi.
Unimportant on a small obsyag, koliskov's song to be in sob is unprecedented outrageous and sanctuary opportunities.
5.4 Childish folklore.
Tricks, calls, tricks
Childish folklore gives the teacher the opportunity to develop the child to the national journey at the early stages. Heads of tsomu, back to the knowledge of Kazakhs, bilinas and other great genres of Russian folklore on the material of childish folklore the little ones have an inner readiness to form before they take off our turns - the Russian folk culture.
Why should we lay down to childish folklore?
· Potishki, attachments - Gris is overgrown with a child (with fingers, pens, thin).
· nicknames - beastly to the manifestations of nature (to the sun, wind, plank, snow, fun, trees).
· lichilki - short verses, services for a fair distribution of roles in games.
Addressed to children nursery rhymes, chants, tricks, hooks to sound, like a caressing talk, easy-to-read turbot, nizhnist, vira in a safe maybutnє. Same tse і befits children in small forms of folklore.
Skіlki in the cich, giving b uncomplicated vіrshika nіzhnostі, tact, rationality. The stench of satisfaction was early in the child's need for artistic words.
Whether it’s a nursery rhyme, an adornment or a call - to hang around the era, beaten, the flavor of the national culture.
Folklore for children is not a vignette because of the rule of thumb - it’s even more fun, an hour, the main genre of folk art. The hot form can be praised and scolded children.
Calls and little words to embellish and add to the child's memory, expand the vocabulary stock, develop uyavu. Also, if you want to pick up the simplest tricks and calls, the child is guilty of making a quick assessment of the situation, as a matter of fact until the call (for which the very natures themselves need to be woken up),
lychilochka- a whole folklore genre, which helps the lads to lead the garbage, і, persh for all the vibrati of the leader.
It is a creative genre, it sings nibi joins the game of singing with children, altogether not only by the zyme and the signs of its own verse, but by the sound. In this rank, the lichilka dopomagaє pratsyuvati over sound pronunciation.
The peculiarities of the cich of folklore creations-miniatures are a lot of people, borderline exact morality, live humor, imagery of mov.
Create folklore tsikavi to the children of a child, the stench is brightly forgotten to be a child.
5.5 Kazka
The folk art has a Kazka, ymovirno, the greatest wonder.
Reading the Kazakhs, mi, do not even need to, referring to Vladi Vimislu. For the Kazakhs, it’s obvious to say forgiven’s name, it’s implausible, but at the same time, the idea is not a singular idea, you start materializing in hyperbolic images: good and evil to fight post-life.
The Kazka cries to fight against evil, against the enemies, calling out to stand up for good, justice. At them - the firmness of the moral law of life, the borderline clear turns of moral principles, norms, aesthetic ideals.
The Cossack is supplemented by virtue of goodness, as it is not rewarded by itself, but by the way of podolannya difficult and struggling with evil.
In satirical kaztsi people are vismiyu disagreement, bazhanya is easy to reject living blessings, greed and people wadi. I know how to test success, wines, and friendship.
Going, kazka - true and vygadka one hour.
"A Kazka is nonsense, she's a little bastard: a good fellow - a lesson."
Kazka has a specific modern style, which is characteristic: sense, repeat the new words.
Mova kazok duge garni:
· sound and poetic,
· revenge a lot of metaphors, figurative expressions,
· in luchnyh and general attendants and orders.
All the specialties of playing tricks on the casino indispensably free developmentі vikhovannya children of the risky vіku.
Increase the price of the svit kazka develops uyavu, the imagination of children, sponding themselves to writing.
If we are talking about the promotion and navigation about the development of the children, then we will be happy with them. people create, Yaki with a few folds forі in progress usnogo vikonannya, tobto "Beginning."
The development of the kazki is directly linked to the development of the development of children. A strong refusal of the Cossack does not imply good knowledge of typical Cossack phrases, persistent flaws, notions, attributable to the type: "Once upon a time, bully ...", "Khiba is not enough, but that hour has passed: soon the Cossack will move, it will not be so soon to be afraid ..." etc.
Create all the tricks to create a color scheme, to create a stylistic sense of style among children, to adjust their hearing in a singing emotive way.
People's Cossacks go on the steps of the group:
· about tvarin,
· charivnі,
· bybutovі,
· adventurous novelistic,
· annoying.
In front of them only kazki about food and dullness can be bought without a sum of propagation for children.
The Kazka is guilty of bringing up a child, but a small one for an ossuary, a tsikava for a zmyst, dynamical and yaskrava.
mystery
“The riddle is the key to the verbal image,
the grain of the journey, a metaphor ".
M.A. Ribnikova
Mystery is a genre of folk art, Yaky, yak when listening to those orders, can also be applied to small folklore forms.
The riddle is one of the smallest forms of usny folk creativity, in which in the borderline, the imaginative form is given the most yaskravi, characteristic signs objects abo appearances.
Riddling of riddles is developing before the analysis, the form is clearer of the self-deprecating image, mindfully, when you clearly see the most characteristic, the various signs of the subject, or the phenomenon, in the form of
The value of the riddles of the field in їkh imagery, artistry and poetry.
Yaskravі, concrete, barvy artistic images of riddles add to the child in a new way to look at navkolishn_y light, Developing a poetic look at the action, the building of the analysis, and, of course, it is logical to mislead.
Zavdyaki for such a poetic ambition metaphor, metonymy, detachment, hyperbole, For the simplest subjects, charms can be reimagined: kakan kukurudzi grows old, carrots - with a scythe.
Metaphors and porcelains in riddles are derived from metaphors and poros in other literary and folklore genres, but here the stench is given in the form of cultural games.
Also, the very artistic specifics of the riddle є tієyu іtііnkoyu, like іdnіmaє to lyudin at gatherings, which leads to the development of a poetic image, the development of artistic imagination and creativity.
Riddles behind their wizard represent the history of the formation and development of folk cultures. In general and in the field, there is a special value. The stench to mold the first statement about the unity of light and its regularity.
On the basis of appearances and orders, the stench is straightforward to the knowledge of the same, for the similarity of different objects and manifestations.
Riddles take in the development of the memory of a child, her imaginative and logical misinterpretation, rosy reactions. The riddle of grasping the child with some signs of small objects, knows both the spirit in them and the very form they have in mind of the classifikuvati objects, which seem to have no signs. In other words, behind the help of riddles, the foundations of a theoretical creative mission are formed.
V wicked robots For children, you can vikoristovuvati and іnshі small forms of folklore, as may be specific developing and basic functions:
· skewers,
o phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic phonetic statements;
o lichilki (element of gris);
o zazivalki (type of pisenok)
6. Description of vlasny pedagogical advice according to
Familiarization of children with the sleepy folk creativity and the occasional vikorstannya of yak in regime moments, so in the play of dedication, the development of the child's sleep, yo fantasies and yavu, pouring into the spiritual development of the singers, in the morality.
Childish folklore gives us the power to live in the early stages of the life of the child, doluchati yogo to the national journey.
Folklore Behind the Help of Malikh Forms it is possible to virishuvati practically all the mastery of the method of development of movi, That is why, along with the main principles and ways of developing children, they give a rich material of verbal creativity to the people.
Z koliskovy songs I fix the knowledge of children in an early visit, so I allow the little ones zapam'yatovuvati words i form sliv, word-finding, master the lexical and grammatical sides of the movement.
Potishki, lichilki, chantsє best material for development of sound culture moving. Evolving, feeling the rhythm of і rimi, mi gotuєmo child up to a fake dream of poetry change and formєmo in new іntonatsіynu variability.
Riddles to learn the vocabulary of children for rakhunok bogatoznosti of words, additionally help to add secondary meanings of words, to form a statement about їkh figurative meaning. The stench will help children to learn the sound and grammatical way of the Russian language, smelling it in the new form and analysis. Riddling of riddles Developing the building of preschool education to analysis, study.
For the sake of renewal of all re-insurance of children, I have added a card index of Igor on the basis of childish folklore.
Russian folk, іgri khorovodіv They didn’t just screw up my respect, as a majestic potential for the physical development of a child, ale and as a genre of folk art. To take revenge in the games of folklore material with an emotional positive ovolodinnya native moyu... children s great satisfaction, Bazhannyam and interest to play in ruffled іgri.
I have seen that in the process of learning about children crummyі finger games not only do the mova form, but develop different motor skills of the hands and fingers, so that the child's hand is ready to the leaf, yes, the power of impromptu, get the word out of the way... And the most important thing is the development of the development of children to be in the straight line of the formation of the thin ruffs of the hands and fingers.
On the basis of folklore laid a complex of hardening gymnastics eating a day's sleep for children of a young preschool age, which is a day for the improvement and preservation of the health of children, for the sake of being interested in taking physical rights.
One of the effective forms of robots for children on the basis of their development, I use a variety of connections and rozvagi. As a matter of fact, I started the cycle of rozvag artistic and aesthetic cycle.
prepared consultations from the given topics for fathers and teachers, how to visualize the actual nutritional development of the child's development in the preschool educational institution and family.
Designed for wall theaters:"Masha and the Vedmid", "Teremok", "Geese-Swans", "Kolobok" і theaters on flannelgraph:“Three Vedmedi”, “Geese-Swans”, “Zaichikova Hatinka”, “Ripka”, “Chicken Ryaba”.
put down card index on Russian national games:"Ogurechik-gherkin", "Zhayvoronok", "Morska figura", "Kachka and drake", "At the weddy near the forest", "Mistok", "In the gorobtsya", "Geese-geese", "Bjoli and і lastivka", " movchanka "," Golden Gate "," Birds "," Kuri-kurchenyatochki "," Cool Mountain "," Zmіyka "," Korovai "," fly-not fly "," Swing і Vovk "..
Spilno with daddies in the zibrana group child library of Russian folk cossacks.
Diagnostics for the distribution of the programs "Dignity" the beginning of the rock showed the effectiveness of my prodzhuvanoi robotics in the knowledge of children from the sleepy folk art.
Promote the growth of a few children with average food by 20%, and 78% of the children in the group promote the development of the standards in accordance with the standards.
According to the distribution "Development of vocabulary" positive dynamics for the middle of 2007-2008 in the beginning of the rock sold 9.4%, in the distribution "Development of the ringing movement" - by 9.5% in part due to the ear of the new rock. It is a good idea to share "Gramatic correctness of the move" in the middle of the initial rock of the day low rivnem.
I am singing, that folklore effectively develops the dream of a child, infusing it spiritually, aesthetically and emotionally.
In such a rank, the ditini was awarded to folk culture start from early childhood. Folklore in a unique way for transmission folk wisdom and vikhovanny children on the cob stage of development. Child creativity primed on nasledvannya, yake serve as an important factor in the development of children, yogo movi. Step by step, the inner readiness of the little ones is formed to the full extent of the creation of the Russian folk literature, To expand and expand the vocabulary stock, build up to the volume of native language.
With my other robots, I will actively vikoristovuvati all kinds and forms of childish folklore, Russian folk games, reading and dissemination of kazoks.
Головна → Essay → for the student → Vikoristannya of malikh folklore forms for the development of young people
Vikoristannya malikh folklore forms for the development of moving children
lecture
Folk music (musical folklore) - vocal, instrumental, vocal-instrumental and musical-dancing creativity of the people, there is no part of the folk artistic creativity- FOLKLORE.
TRADITIONAL FOLKLORE- musical - poetic mystery, like being repaired and transmitted by the skin and ethnical middle from generation to generation by sleepy way. The people have taken from their memory and musical - and game tricks what they see for their needs and moods.
tradition Folk music, Mainly Silski populations It is a trivial hour to secure independence and in the whole prototype of professional music. The music of the traditional tradition developed more rapidly than letters, but at an accelerating pace.
The head of the difficult in the vivchenna folk music is tied, the first for everything, with the trivial period of the additional development of the musical culture, with the help of which the most fundamental rice of folk music was formulated. Music traditions - golovna warehouse part folklore traditions of the skin people.
The folklore tradition is characterized by:
- collectiveness - individuality;
- vikonavstvo - creativity;
- viconation - vidvorennya;
- the system of genres is the specificity of the surrounding genres.
During the development of folk music, it is difficult to find out the difficult ones from the stasis to her of such musical categories, such as form, harmony, rhythm, etc., Yaki often does not stand up to the traditional understandings for them. Besides, folk music is not іsnu at a clean viglyad , Pose with a ringing sound(Labor, ceremonial), social zupinka, etc. Folk creativity is not only a product of art, but socially active one.
Folding food about the genres of folk music to that in folklore the great role of gra territorial sign: Folk music is surrounded by spaciousness and an hour, but only in specific dialects. In addition, to understand the tradition of vikonannya by the children of one text on the different melodies, as well as on the same melody for the different functions of the texts. The genres formed in capitals in fallowness, in front of them, in the form of the versatile socially-byte functions of folk music, linked to the economic-geographical and social-psychological peculiarities of the formation of the suspension. Folk music is not a style of rocking, but a scandalous demand.
Main types of folk music:
2. Pisenna impromptu.
3. Song without words (for example: Chuvaska, Evreiska)
4. Epic narration (Russian bilina)
5.dance fittings (parts)
6.Instrumental nasi and naspi (signals, dances)
7. Dance melodies.
The greatest development was rejected by folk music in lyrical genres, for a change we will forgive short naps of labor, ritual, dance and epic songs, or the instrumental rewards came for an hour to fold music for the form vocal(For example: Russian long song) і instrumental.
To those who find folklore genres, to be introduced:
Pisennі "inserts in kazkah" and інshih prose reports;
- "pisennі epіzodі" at the great epіchnykh perekazy;
Trudy psnі (describe pratsyu, abo suprovid labor activity);
Vesіlnі (among the skin peoples, weighed traditions of іznі; often supernatural rituals, not without the participation of the named and named);
Koliskovy melodies (they didn’t just help them to kill the child, but they didn’t help them to magically protect them from evil forces);
Voice (musical cry: funeral and funeral);
Pobutovі;
Soldiers, sailors;
historical;
revolution;
Calendar - earthworks. In folklore, especially in the world, it borrows a cycle of calendar days, the most typical for the remote, ancient and remote central regions; wines are made up of small cycles, strictly confined to the fate and saints of the Yazychnitsky calendar (they are often "superimposed" on the dates of Christian saints). For cich pisen is characterized by a rigid regulation of short fret and rhythmic formulas, style.
- Parts. The broadest genres of the 19th century are: parts- the genre of Russian verbal and musical folk creativity, a short pic of a shy vikonannya. The chastushka especially reveals the soul of the Russian people, reveals the hearts of human characters, experiences, addictions. Gama pochuttіv, twisting in parts, to stand out from an easy smile to a hairpin; not adding to the whole genre of the singing part of the wastelands, hung with "salty" words. ... Being a singing witness on any occasion and beaten to a singing individual or to rumors, a part of it is perceived as straightforwardness, realism, expressiveness.
- Miska lyric song (romance) - musical and poetical tvir for voice with instrumental superconductor. The name "romance" is to bear and act as instrumental and sound character. Romance is a tse of vocal tvir, writing on a small versh of a lyrical zmistu, overly loving. The vocal part of the romance is much clearer and more melodic, the outline and the sound of the sound. In romance, respect is more involved in the transfer of the zalous mood to the text, lower in the detailed illustration of its details. Interest, the leading rank, to lie in the melody, and not in the accompaniment.
Musical epic - virshovana epichna poeziya, scho be of a flexible character:
- spiritual issues
- buffoons
- baladi
- pisn_ dances... I am super juggled with my back, so I play on musical instruments. A collection of them entered the warehouse of labor, ritual and Christmas-time pisennyh cycles.
- lyrical pictures- the most dynamic and most sophisticated genre in the system of traditional folklore; not surrounded by themes, but tied with a month and an hour of vikonannya. The qia form of the song of folklore was formed in the 16-17 century. in Moscow Rusi.
all people musical culture can be distributed to monophonic i m leg voice .
І so Folk music(Folklore) - an artist is collectively creative to the people, who depicts their life, look, ideals. It was created by the people and in the folk masses of music - music, instrumental naspivi and p'usi. Folk art in zagal and folk music of zokrem, which originated in distant ancient times, is the historical basis of all light art culture, Dzherelo of national artistic traditions, viraznik of national self-awareness.
Russian folk music. The turns of Russian folk music go down to the folklore of the Slov'yan tribes, who lived in the territory of Kiev Rus, the first Russian state, formed in 10 centuries. Russian folk music was not one-sided, like bully one-sided tribes, scho put Kyivska Rus; In addition to the Slovyansky, the won included Ugro-Finnish, Turkic and іnshі prototypes. Until now, a feast in Russian folklore is seen in the regional, often ethnic (pre-national) tradition. So, its own peculiarities are folklore mystery of the ancient, ancient, ancient, central regions, a settlement in the basins of the great rivers - Oka, Volga, Don. Bagato vidіv іsnuyut and now the fall may be linguistic root, one in one in conjunction with the inflow of Christian rituals.
People's instrumental music is borrowed indiscriminately less than the place, not vocal: the church fence for the celebration of musical instruments in churches, mabut, having inserted into folklore.
In the folklore tradition, the instruments of vikorist are mainly either in beaten by the shepherds, or for the accompaniment of some kinds of dances and pisen. Most widened string instruments- beep, gusli. Nybilsh vіdomі perfume and tools: Dudka (won’t sop_v, squeaker); zhaleyka (rіzhok) - an instrument with one or two wood stoves, with a pipe from a horn; kuvikli. In the writings of the writers, there are also vіyskovі trumpets, mislivska horns, tambourines. W 19-20 centuries. Expanded in the folk pobut, such instruments as balalaika, mandolin, guitar, button accordion (accordion) were rejected.
The first picks of folk songs were seen in Russia in the other half of the 18th century: “Zbori of Russian simple songs with notes” by V.F. A. Lvova and Ivana Pracha. Due to the wide popularity, the collection of the folk songs of D. N. Kashin and I. A. Rupina. Earlier, in the middle of the 18th century, the first manuscript book was added to the collection, historical songs, Dukhovnykh virshiv.
One of the first folklore groups in Russia was the Slovianska Chapel of D.A. On the cob 20 stolitty vinikli - Orchestra of Russian folk instruments V.V. Andrєєva and Russian folk choir M. P'yatnitsky.
The genre of folk art, riznomanitnі. Folklore includes epic, lyric and drama. Among the skin people there are genres that are gallant for all light folklore (kazki, baladi, prisliv'ya, prikazki, riddles, etc.). Ale deyaki genre among the skin people may be special, the power is only given to the people of rice (so, for example, the heroic epos can, among a number of peoples, form a prosaic message with intricate inserts; among the Russian - epichnoy pisniy; ). We will see the freedom of the genre warehouse of national folklore.
Russian folklore includes importantly epic and lyrical genres; genres of drama, development among the Bagatykh peoples (for example, among the Czechs and Slovaks, Chinese, Indonesian and IN.), in Russian folklore they are presented on a random basis.
The head of the world in the Russian history is borrowing heroic and novelistic paintings ancient Rus- bilini, scho raspovidayut about the life of the Russian people in the main in the XI-XVI century. Before them come to the historical paintings, as in the process of development they are getting closer and closer to the folk lyricism. From the middle of the XVI century. up to XIX and XX Art. Historical paintings have passed the great path and even more and more changed.
Among the works of folk prose, the main scene in Russian folklore is occupied by the Kazakh genre. Russian kazka for the genre warehouse does not appear from the kazoks of the first peoples; The visibility of the polyagus in a greater or lesser extent is the presence of vases in the kazk repertoire of some types of kazka, as well as in this specificity, as it is due to the peculiarities of Russian life and bang, images of kazkoy. So, only to the beginning until the middle of the XIX century. kriposnogo law in Russia, you can explain the great number of satirical Kazoks, straightened against the bar; The Russian legends about the saints, antipopic treasures, etc., are explained by the peculiarities of the religious life of the people.
The order of the kazakhs is more mindful of the times in Russian folklore; Win also does not become invisible; The way of yogo folding and trivial - from the preservation of the old Russian literature, the refusals of Kiev and Novgorod Russia to the latest reports, it is important to see the reports.
The ritual travel, for the calendar and family, is tied to the working lives and the common names of the Russian village, including a whole group of genres: painting, voice, substitution, sending One of the cich genres is heavy to lyricism, and іnshі - to eposu.
The most lyrical poetry in Russian folklore is represented by the genre of folk art and parts. The lyrical genres, the development of formalities, all the way open the life of the Russian people to a special table.
Majesty in Russian folklore is the wealth of prizes, orders, riddles. This genre, figuratively and visually characterizes the manifestations of life, socializing to the people, imagining and instructing people, taking the heart of creativity.
Russian folklore, as you can see from what has been said, even in many different genres. The genre of folklore is categorized as historical and pozaklasov. Kozhen genre includes create, contains
who live in different classes of tendencies, so as genre vikoristov went into development social center for the propaganda and approval of the new attitudes and ideas. In the boundaries of one and the same genre, people could create and anti-people create.
The genre is not sensible and indispensable: it stinks, grows and grows in the ranks of vypadkiv vidmiruyut, to be confused by them. So, the calendar and family of ritual poeziya could win the loss of how viraz violated the verdict, as the magically victorious force of the word and dei. Zi zniknennyam viruvan dying ritual poetry. The heroic bilina about the fight against the Tatar yoke is naturally victorious in ancient Rus, and in the frivolous there is a loss of mistets. The genre of robotic folklore was born in Russia since the 18th century. in the process of forming a robust class in the course of the revolutionary struggle. In the post-reform Russia, the genre of the part is populating, which meets the needs of a quick representation in the spіvanoi poezіi of stream life. They didn’t take a bi genre of folk art, by the way, they didn’t want to go through the period of celebration, development, and because of the wrinkle of minds, they didn’t take it, zabuttya, knowledge. The price of rice for folklore and for literature. Knowing from usnyy a copy of the deyaky traditional genres is not possible, however, before talking about the creation of art. The development of the literature is a number of new genres, the interconnection of those with the traditional genres of folklore, the mystery of the artistic word. Winter in the genre warehouse of folklore and literature is a natural heritage of the process of development of collective artistic and individual creativity.
Folk art creativity - tse sukupnist artistic creations different types and genres, created by the people on the basis of their self-made traditions, as well as their own forms and methods of artistic and creative activity.
Classification and systematization of different types of folk artistic creativity can be followed by different criteria:
According to the directness (type) of creativity (musical, choreographic, theatrical, decorative and applied ...),
For the nature of the development of artistic culture (utilitarian and aesthetic),
For the important functions 4 (religious-mythological, ceremonial, ritual, artistic-aesthetic, pedagogical, communal-informational, social-psychological and psychological),
Formation and function over an hour (early folklore, late folklore or early folklore and late folklore; archaic and modern);
For the form of organizing social performance (individual or collective),
For social, state-of-the-art structure (creativity of peasants, robots; creativity of children, young ...);
According to the date before the rite (rituals and non-rituals).
People's artistic creativity is carried on its own well-rounded features of national affiliation: it depicts a national character and temperament, the wealth of the nation's movement, and the specialness of its mission. Wono є his own guardian national traditions, Dosvid, aesthetic, moral, philosophical glances to the people.
In the Russian mistress, the word "genre" does not mean the kind, but the kind of understanding. The genre characterizes special vidi and methods artistic performance... You can also see it on okremi tipi, genre and form of artistic creation.
Usna folk creativity includes folklore and creativity. The peculiarities of usnyi folk creativity are those who won’t win as an unwritten form of folk culture, and in ancient times, before the appearance of friends, their creations were passed down “by word of mouth”, from generation to generation. One of the special features of usny folk art is variability. To navigate one and the same notifications, as bi vin is not magical but accurate, with skin repetition of one and the same text, it is given its own. The main types and genres of usny folk creativity, persh for everything, є create a little form - Pestushko,
4 The term “function” is interpreted by us as a synonym to understand “role”, “meaning”. The classification of the functions of folk artistic creativity can be found in the viconan for such parameters: according to the social-by-party stasis, by the territorial-community acquaintance, by the social-statute stagnation, by the professional-role status, by the hour.
tricks, riddles, tricks, drazhniks, attachments or idle talk, orders, attaching a skimmer, clean talk, attachments and empty bikes.
With the familiar genre of usny folk creativity є Kazka. For pokazhennyam vіn; tied with a mythological culture. Into his own house folk Kazakhs you can go to the kazki (tvarin, charm, pobutov, anecdotal (tse clever classification).
To the genres of folk art, the Russian (usny) epos: pisni, notifications, perekaz alert nature, Create about the stories of the lives of heroes, as they were opened by the mouth of the nobility, they were vikonuvali and remembered by ear, transmitted from generation to generation. The most ancient ”kind of usnogo eposu, which were protected in the people's memory by stretching out a bagatyokh table, boule and) called bilini. All Russian bilines can be podilit for two cycles - Kiev and Novgorod. Kyiv bilini - tse heroic pisni< подвигах богатырей, воинов, защищающих Русскую землю от несметных полчищ врагов. Новгородски былины говорят о мирной жизни, быте, торговле, приключениях купцов.
The Russian folk baladi will experience the tragic history of love and family members On the periphery of biline creativity there are bilin-skomoros, which are united with their own] epic songs, the spirit of the poetry of the soul. Another genre is spiritual ideals, as you are inviting to begin, as epic or lyrical create a religious character, or folk create on religiynі those.
folk architecture also є a special kind of folk art creativity. ETS persh for everything, wood architecture, tightly tied with the natural manifestations of the people of architecture and life. There are few types of types typical for this region of Russia. Russian life; There is little particularity of the plan, the decor of the same semantics in the region. A special tsh Russian architecture is a mansion architecture. Special plans and attributions of mali are good and important. Among them, there is an important functionally navantazhennya mali ganks, tumbled blue, svitlitsya, svitlitsya and ін. Especially the architectural structure of the Mali Kam'yani chamber. Their own law * of architecture was vikoristovyvalis during the development of the fort. Naybilsh vishukanymi is aesthetically pleasing! Old boules of temples are built, in the middle of the seen chapels, churches and near-standing dzvynitsi.
Before folklore theater to present the skomorokhiv vistavi, the Lyalkovy theater of Petrushka balagani, the paradise, the nativity scene and the folk drama. The remaining genre is a special feature in the history of the culture of the world. Naybіlsh extended and sent to us texts є dramas! "Choven", "Tsar Maximilian", have filled a great space for impromptu and satire. The 1st folk theater will also accept the literary acts - "Hodinnya na - Oslyata", "Action! Quietkonosi" and in.
Folk danceє the basis of the choreographic culture of suspension. Dance development n< рисункам, танцевальной лексике и по композиции. Наиболее распространенным жанрами народной танца являлся хоровод (имевший свои особенности в каждом регионе). В свою очередь старинны! русские хороводы подразделялись на круговой, змейка, хоровод-шествие и др. Очен] распространенными танцами также были кадриль, пляска (самые известные из них "Барыня" "Комаринская", "Полянка", "Рязаночка", "Мотанечка", "Рассыпуха").
In addition, the wider widening of the tank is a free way to sprint and vitality.
A special manifestation in folk art є folk art is more decorative and applied art. Prior to the main types of yogo vіnosyatsya: art obrobki; wood (carving and cutting), artwork for metal processing (littya, kuvannya, embossing, karbuvannya cutting, engraving, chorninnya, emalyarne artwork), artwork for the coffin and horn; , Russian artistic varnishes.
A special kind of folk art bouv folk costume. Also, there are i new regions. Naybilsh vidomimy boules pivnichno-russian sarafani complex and pivdenno russiyskiy - little by little. All the elements of the costume were vividly decorated with vichy and aplication. Especially the artist's value was represented by the headwear, the middle of which the girls were growing i women. Naybilsh yaskravimi in aesthetically derived boules kokoshniki and magpies.
The development of forms and genres of folk artistic creativity is closely related to the history of that people. The Russian people had a trivial hour of boule in the active lifestyle of painting, tied with specific podias in the life of a people, a community, organizing a pobut, etc. Such events, works, round dances, calendar ceremonies.
In folk creativity, there are genres and forms of the greatest development, they are embedded in traditions and schools. According to the previously known form and genre, they can take up the "modest" position, which is amalgamated by the peculiarities of the social-economic and by-side way of life of the nation, as well as historically were likened to the singing forms of creativity, by the regions of the 5th.
Folk creativity is even more versatile. The development of the development of forms of folk art on the basis of folklore.
Іsnu traditional and modern folklore; rural and local folklore.
Traditional folklore is a set of forms and mechanisms of artistic culture, which are acquired, fixed and transmitted from generation to generation. They have images of universal aesthetic values, as they take their significance from the posture of concrete historical social changes.
The current folklore depicts the current stage of the development of folk art. Win absorbs in itself a casual aesthetics, problematics and artistic images. There is also an unwritten culture, which often forms the marginal version of the suspension. In the structures of everyday folklore, it is possible to see the titles of neo-folklore. At the same time, the artistic creativity of the non-formalized, predetermined character, including the formation of folklore, mass and professional mystery, artistic self-motivation,
Peasant folklore to trace the peasant subculture. The price is stable for the artist system. In their presence labors, ethical, family-friendly and natural values of hliborobiv. The archaic Shari have gone to us to represent the spirit and the wickedness of the agricultural calendar system and the culture of peasantry, which has brought language and Christianity into its own.
Mіskiy folklore appeared in a larger period, which was widely expanded until the 18th century. Wine is developed in a permanent relationship, from one side, with an author's mystery in its written (friend) forms, and from one - with a rural folklore. Even more characteristic boule processes are postponed from one layer of culture to another. The stench was seen for the help of the local folklore, ideas, images and artistic priyomy that were the initial for the local folklore.
Folklore can be authentic, scenic and stylized.
Authentic, or even spoken, folklore is the price of folk mystery, but it is not a vivid experience. There is a lot of knitting with traditional culture, as it came to us from generation to generation.
The scenic version of folklore is called folklore. Vin is a more accurate representation of an authentic show on the stage by viconauts-professionals or amateurs. Here folklore is associated with the middle of its own bustle and nabuvah of special vidtinka, tied with the peculiarities of yogo engagement on a scenic Maydan. Tobto folklorism, or secondary folklore, is a central stage form of folklore, prepared and comprehended according to the laws of demonstration to gazes, to hearers as an artistic manifestation.
Explore a few forms of folklore, characteristic of scenic art folk traditions in the minds of amateur and professional creativity.
So, for the regional differentiation of Russian folklore V.M. Shchurov saw the onset of "call-out" moments: visibility in the natural setting (step і lis, suvory pivnich і warm winter, burn and open the field); historical circumstances (the nature of the migratory processes, the ethnical distinction of some areas and live contacts, some of them flowing into others); gospodar and by-word way of life (tobto prominence in gospodar-cultural typology). Then again, the author included officials, tied to the creative work of the very noses of folk culture.
1. Vistupi zberіgachіv living folklore tradition: folk spіvakіv, muzykantіv,
dancers, informants, couples and dance groups (so called authentic, tobto
reference ethnographic ensembles).
2. Restoration of the genres of traditional folklore, including not to be found in the folk middle and not to be seen in the mass artistic creativity (so called experimental folk ensembles).
3. The creation of folklore in the collection of musical performances, dramatic and choreographic collectives, or in the design of professional composers, ballet masters, directors (so called stylized folklore ensembles).
Folklorism is a phenomenon that focuses on the "rynok", on the drink of the singing verses in the modern imagination before the national rounds of culture. Drinks on folklore, giving birth to the industry of numerical shows, concerts, festivals, saints, in which to take on the fate of folklore groups, ensembles. Dіyalnіst їх carry in sobіlsh-mensh the main іmіtаtsіyu folklore.
The interest of the public and the creation of folklore stimulated the development of stylized creations based on folklore material or those based on artistic principles and acceptance in folklore. Create a whole lot, even more similar to traditional folklore sketches in terms of style, form, artistic movement and character of the images.
The funktionality of folklore is in the funktional minds.
The main functions of folklore are: religious-mythological, ceremonial, ritual, artistic-aesthetic, pedagogical, communal-informational, social-psychological and psychological functions.
Folklore zberigє long ago relіgіynі manifestation, images and symbols, do what you allow to structure and dramaturgy ritual and ritual, to create a greater degree from the emotional-artistic point of view. Folklore of Volodya is the newest Ethnic-pedagogical potential, some examples in the new image of the manifestation and the ideal of the people as a result of the ethical specialness of the ethnical social. Being the carrier of meaningful information about the growth of zmistu, folklore is rich in spilkuvannyu, organizing the interaction of people, who shorten the mind. In folklore as a communicative act in the first place, it is realizable information (cognitive, informative, referential, denotative or cognitive), virazna (emotive, expressive, auto-communicative (impulsive) It is always the responsibility of one of these functions, it is important to respect the participants of the commune, they are concerned about what is going on (the subject matter, context, situation of combining), or to speak in person for those who are experiencing at home.
However, with singing minds, respect for moving can focus on the form of the occasion. In this context, the function of the communal act, the artistic element of the spilkuvannya, is very special and poetic. Strictly it seems, only in tsyom vipad my maєmo right with the facts of mystery. It is not often the case that the sp_vrozmovnik_in can cite the process of sp_lkuvannya without any definite change. Todi on the first plan is the contact-setting, which adapts the function of moving, because it is called by the linguists of the contact or factual. Nareshty, one of them can be clearly seen another important function of the mobile spilkuvannya - the function of the mobile spirits, which clarifies the wines of living in the spirits. The qiu function is called Metalinguistic, Metalazic. Demands for tlumachenny, as a rule, grows up, like the lives of people, how to get along, or, as it seems, only one thing, one’s aperceptual base doesn’t completely get lost.
All the pererakhovani vische of artistic and non-artistic functions of folklore are found in post-development and dialectical interaction.
Representatives of other regions knowledge. Philologists carry out morphological and syntactic follow-up of materials of usny folk creativity (folk songs, kazoks, etc.) folklore genres; artisans look at the artistic and aesthetic side of folk art; Ethnography evolves to folk culture and folklore in pre-family traditions and ways of life, characteristic of representatives of this ethnic group, etc.
Right up to the ear of the 60s, most of the time, the victorious understanding of the "folk art" began at once, decorative and applied art, like an objectified form of folk art and artistic crafts (V.M. Vasilenko, V.M. Vasilenko, V.M. (Yu.M. Sokolov, N.P. Andrєєv and іn.). At the same hour, folklore ottozhnyuvavsya commissioned by the authors (V.P. Anikin, V.I. Chicherov and іn.) To sleepy folk (poetical) creativity. One hundred percent to the actions of specific types of artistic activity in the art of art, the vicorists became victorious, such as “narodne musical creativity"," Folk dance "and" folk theater ", as bi vidokremlyuyuchi regions from poetic creativity and at the same time isolating them from decorative and applied art.
However, the sleepy people poetical creativity It is closely related to the bagatma elements of folk art dyyalnosti. So, folk dance and dance are not only in the instrumental, but in the written superconductor, and the folklore theater itself represents folk drama. All together Usny way of transferring artistic values.
In this rank, folk art includes folklore
instrumental music, Song, folk literature, dance, dance and theater. people
arts and crafts, yak in science colas is not accepted by folklore, so yak
not є let's sleep creativity, The materialized form of bending in the village
architecture, in a national costume and all kinds of virobs, who are completely singing
bybutove priznachennya. People's artistic creativity is not enough for spiritual
Someone, at once, saved the call from the crumpled brace and the beaten up people. Element of young species
mystery, organically come together and intertwine, enter into svyatkovo-ritual forms, additional
life and beaten by people.
/ In systems happy folk art- central element abo
Institute of Artistic Self-Construction - genre of adolescence, writing form of the stem - "->" transmission, selection and organization (kerovanism).
) We see two main trends in the development of folk art:
Z? 1) the revival of traditional forms in everyday (local) minds,
^ 2) tendencies to professionalism (folk choirs, folk dance ensembles).
Happy folklore і in all aspects, super-articulate. Wono be in post-rusі development: one form and genre is actively rattled, on іth basis new forms and create (popular folklore), іnісhі sberіgayutsya іnchastkovo. In each of these groups, the populations are transformed and rethought; deyakі zabuvayutsya and vіdmiyut (snakes, deyakі artistic promisli, rituals, deyakі genre of folklore theater).
Meals and staff for self-revision:
Give the best out of folklore.
What kind of warehouse of types of folk art, how can one be introduced to folklore?
Introduce the basic signs of folklore.