Termіn childish folklore, once you get used to it. Childish folklore: the meaning of the understanding and the problem of classification

chitacha's schoolboy

Pidgotuvala: O. A. Gasakova

student f-tu Dino

D-4, 2 course, 2 groups

Revised: Borisenko O.E.

vicladach department

childish literature

Mozir 2014

1. Childish folklore: The value of the understanding and the problem of classification. ____________4 -8

2. The main signs of the bike. Allegoricality of images. Warlord Sens. The tension of the child. The quality of dialogue. _____ 9-10

3. The appearance of Krilov's tales in the books of KD Ushinsky ("Childish svit", "Ridne Slovo"). _________________ _______ 11-13

4 .. Tales of L. N. Tolstoy for children who are not of particular importance. The specifics of the genre of stories in the works of L. M. Tolstoy. ____________________________________________ 14-15

5 .. Two dzherela Kazok V.A. Zhukovsky: folklore and literature .__________ 16-18

6. The appearance of the Kazok in the period of the most recent development of creativity of O.S. Pushkin (30th rock). _________________________________________________________________________ 19-21

7. Petro Pavlovich Urshov. Kazka "Konik-Gorbokonik" (1834) in the assessment of A.S. Pushkin and kritikov of the 19th century. Popularity of kazka .___________________________________________________________________ 22-23

8 Volodymyr Fedorovich Odoevsky. Kazka "Misto in Tabakertsi" (one thousand weight hundred and thirty chotiri) is the first student of artistic and pictorial kazka for children .____________________________________________________________________ 24-25

9.S.T. Aksakov. History of the Kazka branch " The Scarlet Flower"(1856-1857) _________ 26-27

10. Dmitro Narkisovich Momin-Sibiryak. "Alenushki kazki" is a single mystetsky cycle. History of kazok stem. _________________________________________________________________________ 28-30

11.K.D. Ushinsky. Discussions about children and about nature in the writer's works: "Children in the Guy", "Chotiri Bazhannya", "Chuzhe Yachko", "Rankovi Promeni" and in. The notification is very straightforward. -________________________________________________ 31-35

12. Roses about food in the works of L. M. Tolstoy: "Lion and Dog", "Bulka", "Koshenya" and in. The dramatic nature of the message. Ideas of courtesy and friendship .________________________________________________________________ 34-35

13. A.P. Chekhov. Suggestions about children in a childish reading room ("Ditvora", "Vanka") ._____________________________________________________________ 36-37

14. Child images in M. Nekrasov's poetry. ________________________________ 38-39

15. Landscape lyrics of the 19th century in a childish reading room. Peculiarities of spraying landscape lyricism by the scholars of the Russian groups ._______________________________ 40-41

16. A.S. Pushkin: "Autumn", " Winter road"," Winter evening "," Winter wound "(Frost and sun; day of miracles!", "Pid blue skies".____ ___________________ 42-44

17 .. NA Nekrasov: "Don't wind bush over the forest ..." (sing "Frost Chervoniy nis"); Green noise .________________________________________________________ 45-47

18.F.І. Tyutchev: " spring water"(Still in the fields bіlіє snіg ..."; "Spring thunderstorm" (I love a thunderstorm on the cob of grass ... ");" Winter is not enough to be angry ";" Є in the autumn is the first ... ";" Enchantresses in winter ".___________________________________________________ 48-50

19. AA Fet: “I came to you with a gift ...”; "Tse ranok, joy tsya ..."; "Living over a specter field ..."; " Lіtnіy boards"; "The eraser is gone ..." .____________________ 51-53

20. A. N. Maikov: "The laste rushed across the white sea." I.S. Nikitin: "Zustrich Winter" __________________________________________________________________ 54-55

21. A.N. Pleshcheev: "Spring" ("Already tane snig, bizhat streams ..."). I.Z. Surikov: "Winter" ("Biliy snig of fluffiness in a circle") .______________________________________ 56-58

22 .. Oleksandr Oleksandrovich Blok. Zbirki poezіy for children. Kazkovy plots, musical instruments, the game character of the verses, the images of children in them. 59-61 23. Chorniy Sasha. The safety of the turn of the childish sentiments and moods in the verses. Zbirnik "Childish Island" --- ________________________________ 62-63

24. Love to batkivshchyna i native nature- the main theme of the children 's verses. totally unimportant Sergiy Asenin's creation for children. _____________ 64-66

25. Zbirniki "Yalinka" and "Pivnichne syayvo", edited by M. Gorky. New writers and artists who write a book for a child (V.V. Mayakovsky, S.Ya. Marshak, K.I. Chukovsky, A. Gaidar, B.S. Zhitkov, V.V. Biankі) .__________________________________________ 67-69

26. Ideological and aesthetic specialties of M. Gorky's cossacks: "Ranok", "Vorobishko", "Samovar", "Vipadok z Evseika", "Yashka", "Ivan the Durnik". Link to life, social strength, innovativeness with the traditions of folk cossacks .___________________________________________________________________ 70-72

27. V. V. Mayakovsky. Sing for children before shkіlnogo vіku._______73-76

28. Literary-critical activity of Chukovsky in the field of childish literature. The writing of the writer to the childish reading, his guard over the psychology of the children, the artistic word with them, the use of the art word in the book "From two to five" .____________________________________________________________________ 77-79

29. Thematic and genres of creative work S.Ya. Marshak for children. Traditions of the Usnoi Folk Travel classical literature in your creativity .____ 80-81

30. Vikhovannya love to nature, there is a great amount of cognitive material in the poetry cycles " Tsiliy rik"," Lisova Kniga "," Riznobarvna Kniga ". Poetic encyclopedia "Merry rise from A to Z". Significance of S.Ya. Marshak for the development of Russian and light childish literature. _________________________________________________________________________ 82-83

Childish folklore: the meaning of the understanding and the problem of classification.

fall asleep Folk creativity including create all kinds and genres. Tse epos - create a rosy genus: songs about the memory of the story of history, heroes; Riznomanitnі kazki, talk about falling asleep places, talk about the life of prominent people. Tse і folk-lyric poetry: songs supravodzhuvali rіznі rituals - vesіlla, saint, bury. Tse і drama: іgri round dances, syannya millet, supercross for the name. All in all, and at the same time, are those who call themselves asleep folk art or folklore (see English word folklore, change over " People's wisdom, Narodne meaning ").

Folklore is called folk, so the stench is to represent the artistic consumer of people. The head of the Persian person, who was asleep or missed the same letter, didn’t have to go through the trivial process of transferring from an individual to an individual, in order to know the rice and power of folklore. Folklore turns the savor, schliness, interest of people.

Childish folklore- a comrade to the people, in nіy іnіgayutsya і inspirations for creativity of grown-ups, and those who are created by a wicked child. In childish folklore, it is necessary to develop old-growth for children, create old-grown, become childish for years, and child creativity is in the most intelligent word. Childish folklore is superbly rich and versatile. Wine of performances by heroic epics, Kazakhs, numerical creators of malikh genres. Name the genres of childish folklore tied to the func- tion. In the first group, they see koliskovs, poklikani for soothing, pispati the little one.

koliskov_ pisn_ – a wonderful wonder of the folk poetry. Qia is a name to resemble from a word to bayat, bayt - "speak". The old meaning of the word is “whisper, speak”. This is what I call the Koliskovs, the pictures were not rendered vaguely: finding them from them may be directly related to the deputy trip. "Slumber-child, come and see me!" - said the villagers, struggling with sleep. Nanny abo mati, navpaki, they called the drimotu to the little one:

Sleep and sleep,

Come to Vania in the head,

Sleep and sleep,

Roll on eyes.

Years later, the koliskovs lost their rituals and their spellbound character. Winiklo talked about those who peacefully pursue a cat in a booth to bring sleep and peace of mind. If you sleep, put the hibernating cat in the spike, and the baby sleeps more beautifully:

Vanya will sleep

Kitty Vanya swing.

Kotu ob_tsyaut the city for the robot: "glechik of milk, shmatok of pie", "bila khustinku na shiyu" and ін. It is not often in koliskov's songs that there are images of maybutn’s unmovable:

Sleep, boil up, get up boronuvati.

We buy a hat, siryak zshiєmo;

Siryak zshiєmo, boronuvati is disproportionate

In a clean field in green onions.

little dogs I will adhere to them quiet suprovodzhuyut pershі ruhi children. At the center of pestushki there is an image of the most childish child. Pestushki renounced their names from the words pestiti - "nyanchiti, grow, go for kim-nebud, vihovuvati, carry on your hands." There are a lot of short lifts, like supervising the ruins of the world in the first month of life. Throwing a child, if you stretch, stroke:

Potyagunushki, potyagunushki!

Across the fat woman,

And in nіzhki walkers,

And in the handles there are hunches.

And in the mouth of the talk,

And in the head of the mind.

Yak in koliskovy songs, more important than the meaning in Pestushko maє rhythm. The little one is cheerful and vigorous with the vivid scandals of the wicked rows of the child's radio mood.

It is uncomfortable for the little ones to pass into the little ones - the little ones. Super-juicy gris of a child with fingers, handles and handles (like "Ladushki" and "Soroka").

attachments It is recognized for children, who are already living with them. Characters of the bird genre, animals are kindly known to children.

The goat is boroso shallow,

The goat is asleepє;

About the bunny - short nizhki, sap'yanov chobitki; about the old-fashioned thing - the cradles of the rogues:

Have a daw on the rozbіynichki,

The stench from the jackdaws was known.

There is no way to check out the place for a walk.

Cry jackdaw, take it nowhere.

The primovtsi, as a rule, are given a picture of a bright podії, or a picture of a show. The plot of the authorities is primitive, ale malyuk is not good for a long time - and the stench is surrounded by the transfer of deprivation of one epizod.

Rіznomanіtni and laskravі rhythms of attachments. In one vipad the stench of the flicker behind the restless ringing:

Tili-bom, tili-bom,

Kitty booth lit up ...

Until the number of appearances and non-flipping-inverted - a special type of pisen-virshiks, which wink at the smallest changes of real sounds and vertices:

let the piglets go

All the little bitches.

Piglets squeal,

I want to fly the stench.

Appliances develop fantasy and feel humor: the little guy laughs, splashes and dulls to the beat of the words. Often, adornments may appear in a dialogue form: nutrition-vidpovid - give dynamism to the text, I will respect it, it is easy to forget and appear as a baby.

The basis of the other group is to form calls, hooks and attitudes, tied with a child's calendar, as well as the number of children and viroki, like supervodzhuyut gru. Immediately know your place of drazhniks, jackets, skaters. Offended by a group, especially a friend, to gradually try to get away with the creation of the creatures, the children began to play with them, or to step by step consuming their meaning in the folklore by the grown-ups.

chants from the words zaklikati - "click", ask, proshuvati, beastly. " Tse beastry to the sun, the merriment, the board, the birds.

Krym to cry attachments . Tse beastly to mischief, ravlik, small bugs that can be found on quits; nasliduvannya bird voices; dressing while riding on one nose, water flowed from the air, which was consumed there for an hour of bathing.

The senses and the verbal attachments of bringing the virgin to the omnipotent - now the teeth, now the beneficent ones - the strength of the earth, the sky and the water. The calls reminded the child of the heart of the old, well, the grown-ups, I hope for a good harvest, prosperity and wealth. Pisennі calls became a thunder, richly tsykavі and funny were introduced in them:

Along with planks of planks,

Water with a bucket.

Water all day

To our barley,

On the woman's bread,

For a man's vivsi ...

Not a few years ago іgrovі adapt and іgrovі viroki. They either fix the rough, or tie the parts of the game. The stench can vikonuvati і the role of kіntsіvok in grі. Іgrovі viroki can take revenge "mind" the gris, to start inheriting when the minds are destroyed. Gras for the child of the natural camp. Gra, in a word, is the power of all childish creatures. In the games, the children inherited the grown-ups: they sat down, went to the polish, and the games were supravodjuvali with verbal viroks. Gra - tse preparatory to life struggle and pratsі.

Lottery conspiracy to appear, if the demand is ravenous to be distributed at two parties. Tse rimovanі zvernennya nourishment-mystery, how to play with vizanny vatazhkami for a fair selection of command. Nutrition is an empowerment to play, develops wine-longevity, to feel the words, so it smells like it’s lost to people (the lady is seeing a big lyric text, the boys are in the symbolism).

Most of the folk vigadka is included in the collection.

lychilochka - rimovaniyi vіrshik, which is built up from invented words and spіvsuch, s supported by strict rhythm, which are based on rakhunok. Lichilki represent in a simple way with words, rhythm, and in general artistic function:

Ishov a ram on steep mountains,

Virvav the grass,

Bowing to the bench

Hto її vіzme, that get and go.

sweaters - the type of creativity, which may increase the accusations of children. A part of drazhniloks condemn slanderousness, zealousness, tendency and villainy: Yabeda - bida, targanyacha їzha; The villainous villain, having entered the Toropishki.

A slow and fun verbal group of older children є shvidke repetition of difficult to pronounce verses and phrases - tse pomper. Won by one root or sound words: In the yard - grass, on the grass - firewood; The sewn kovpak does not look like a cap, you need to re-cap it and re-cap it.

mystery development in a child Chim smilivishe vigadka, tim is more important than a riddle for vidgaduvannya. The riddle is based on special signs and power, such as being stuck in and out of the way of the subject. On the basis of the list of items, the items are taken into account. It is not the power of the riddle to introduce the child into the thought about the sounds between the appearances and the objects of the newest light, as well as about the special features of the skin object and the appearances. The reason for the operation is important to you, but the child is aware of the journey of a new life for herself.

Simple riddles, ironic, hot:

Varto Fedosya, rozpatlane hair (Styg).

Lying in the field, and hanging in the river (Snig).

In a fur coat, vlіtku, and the collection of extensions (Lis).

Through rychka lig, try additional (Міст).

Povzun povze, golki carry (Їjack).

A child's mastery of moving in the US is impossible without the knowledge of the people’s preferences and orders.

people to revenge morality: "No one - shukay, but know, take care", "Do not sleep with yours, take the right", "Finish dilo - walk smilo."

people's orders - tse widely widened imagery, visually, it will begin to be seen as life. On the vidminu from the onset, the order has been added to the ugly povchalny sensu and to be flanked by figurative, unrecognizably allegorical indications of such a vernacular. However, the order is not just a sign of a manifestation, but I will give an assessment:

Take care of the great frost.

To paint the earth for the sun, and the people are pratsya.

Krym usy's children will master the people lyrical pictures matured. You can smell the stench in the doorway and feel it yourself: “Oh, my blue,” “Yak, our beloved vorit”, “Through the dark forest”.

The role of great genres of folklore, especially such as kazki, is immensely great.

kazki – the most specific form of poetic testimony and creativity of grown-up people. There are a lot of different types of childish kazoks: kazkas about creatures, charms, socially-pobutovs, historical.

Naybіlsh is available for children from the early days of the kazki about the creatures. The birds, the birds in them, are similar and not similar to the reference ones. Ide piven in chobot, carry a scythe on his shoulders and shout at the top of his throat about those goat got out of a hare hatinka ("Goat Dereza"). Vovk to catch a riba - dropping a tail into the oval and applying: “Catch, ribko, small and large! ("Fox and Vovk").

Cossacks about creatures can be called childish because they have a lot of childishness, ruku, energy - the one who is attracted and childish. The plot grows fast: shvidko, striking, running the trigger to the lord for butter for the drinker, she will do it until we get milk. The irony of the kazki zrozumila child, you should be like those, but the styles of the important transitions into the distance, the curtsy, the pivnik is overwhelmed alive ("Pivnik and bean grain"). Happy pictures of kazoks show the life of a child, who is in the happy result of fighting good against evil. The kazkahs have a lot of humor about tvarin.

Children of the senior vik befit charіvnі kazki ... Everything is not inviting for them: people, land, fire, rivers, trees. Navit speeches - objects will be thrown away, knowing how to do it - and they nabuvayut miracles of power in kazakhs. tsey kazkovy light wake up and develop the child. Malyuk is to keep up with everything about going to Kaztsy: to the victories of Ivan Tsarevich, to the wonders of Vasilis Wisdom, to be tormented by these non-hassles.

Sotsialno-pobutovі kazki closer to real life. The stench of imagining the people and their moral understanding, the support of the people and the patronage of the people.

bilini accessible to the children of a young school age and show the heroes of the past. Winickly's stink Old Russia Only in books and records went to us. Bilina is a great song, a song, a vikonuvana for a song, an accompaniment of a gusli. Childish folklore has specific features and signs that characterize this part of the whole folklore structure. Artistic excellence and accessibility to the children of the preschool child made folklore in an important way and in the present.

Folklore is a mystery of words, which includes in itself: admission, ditties, kazki, legends, myths, parables, scraps, riddles, heroic epic, bilini, narration that іnshe.

The main mass of creations of popular creativity of the winery in the distant olden days, however, in the past, in the past, in the past, in many cases it is not easy to understand: I repeat the squash, they say the spell and the rich.

Yak bulo has already been seen earlier, a cob of folklore shores in the distant past. Win nascent і vinik todі, if the large number of people is still not a little writing, but not enough, then there will be only one - the sanctified shamans, who are the ones who have genii in their hour. In the picture, riddles, attitudes, kazka, bilini, and other forms of folklore, people formulated their feelings and emotions in a way, acclaimed them in the weary creation, sent their knowledge to the people, and they themselves got their heads their maybutnіh sites.

A special place in folklore is a childish folklore. Youmu itself is assigned given to the robot... Through falling asleep, the creativity of the child will form the demand in the artistic word. This is not vipadkovo, an important moment in wicked robots skin teacher has become a wide knowledge of children with folklore creativity.

The relevance of robotics is due to the fact that childish folklore is a large, specific, multi-component area of ​​folk art. Vona includes classic childish folklore (tse "poeziya plekannya", so that create, which was developed and witnessed in grown-ups, folklore texts, such as children of preschool age, gone into a child's tradition.

specifics, for revealing what is lacking, the look of the child's folklore is in line with folk tradition and folk pedagogy. For the whole it is necessary to respect both words of the understanding "childish folklore".

Crazy, childish folklore is in front of folklore, it is to follow the culture of tradition, in the basis of which typological decline and typological repetition. Childish folklore cannot be discerned as the posture of the outlandish theory of folklore, theory of genres, genesis and mythology, historical poetics.

The meta of the given doslіdzhennya is the vivchit of the understanding, the vivchin, the vivchennya of the clasification of the childish folklore. To achieve the delivered item, it is necessary to display a number of buildings:

· Give me a description of the childish folklore;

· Stitch the history of zbirannya and vivchennya child folklore;

· Display the classifications of childish folklore.

The structure of the robot - the robot is given to be stored in the entry, three razdіlіv, visnovkіv, the list of vicarious dzherel and dodatki.

1. Zagalny characteristic of childish folklore

1.1 Come to the witness of the witness "childish folklore"

At nautsi іsnu bezlіch points of view about the name of the understanding "childish folklore". So, for example, VP Anikin to childish folklore brings "the creativity of the grown-ups for children, the creativity of the grown-ups, which has become a childish child, and the child's creativity is in the wicked intelligent words." Tsyu dumku podilayut E. V. Pomerantseva, V. A. Vasilenko, M. N. Melnikov and ін. Guessing the characteristics of childish folklore, as a rule, fix the look of the creations that were grown by the grown-ups and witnessed them for children (koliskov іsnі, pestushki і retires).

First, describing the snake, the obsyag and the middle of the understanding "childish folklore", calling it "a special manifestation of the childlike child, you should be included in the repertoire of grown-ups ”. Seeing that it’s not the children themselves who don’t look like the children themselves, but they don’t store their repertoire (and the whole “mother’s lyric”, or “the poetry of the play”) in the children's folklore, GS Vinogradov is worn by the same folklore. At the same time, G.S. Vinogradov vidіlya koliskovі pictures, pestushki and nursery rhymes "in a special view of folklore, fall asleep literature for children ”, we’ve got involved in the mother’s school.

Mayzhe one hour from G.S. Vinogradov O. I Kapitsa proponated its intelligence and the meaning of childish folklore "The term" childish folklore "is fixed for the meaning of all creations in folklore, how to wow the middle of children. Noses and creators of childish folklore, growing up and children. " With quiet feast, without what it would not be the motivation and priming in scientific publications of texts, navchalnyh posіbniki get along two ways to understand "childish folklore." Offended points of view to describe the pose of the discussion, the pose of scientific polemics, and at the same time to inform about the theoretical non-significance.

Do not bring the creativity of mothers і pestun to childish folklore і Yu.M. Sokolov.

Chi does not imply koliskovy songs with childish folklore and V.I. Chierov. One of the lectures on the course "Russian folk art" (1959) is called "Koliskov and children pisni".

At the same time, it means that you can penetrate into childish folklore and create grown-ups. Children who are more likely to be present at the visit to folklore are grown up, it is not easy for them to create their surroundings. At the singing stage, deyaki traditional genres die out, get to know in grown-up folklore; go to children, live like organic warehouse childish folklore repertoire. Vidozmyuyuchis, ci create nabuvayut sign of childish folklore and become an organic part of childish folklore repertoire.

1.2 Artistic features of folklore for children

Childish folklore is in front of folklore, it is necessary to follow the culture of tradition, in the basis of which typological decline and typological repetition. Childish folklore cannot be discerned as the posture of the outlandish theory of folklore, theory of genres, genesis and mythology, historical poetics.

At the same time in childish folklore, as if talking about it in the context of folk tradition, є its own specialness. Childish folklore does not know the sense of words in the senses of the word, taken by folklore. Folklore knowledge, which includes not only the text, but the same situation, in which the wine is created, is not meant to be the peculiarities of the memory of the child, but the activity of the game. It is in the game forms of behavior that one is able to see through the front generations, so one can get along with the creativity of a particular child.

Childish folklore does not know mono-genres, but it can create a special epic memory.

At the end of the story, before the childish folklore to lay the creativity, in the first place, the children themselves, in another way, are suspected by the children of the grown-ups, albeit transformed, apparently to the psychological and needs of the child's mind.

This is a sign of the peculiarity of the genre system and childish folklore. Childish folklore emerges as in the genres of mature folklore (attachments, attachments, attachments, etc.), So in genres that have been broken up by the children themselves (foal, lichilki, dredge, etc.). The genre system of childish folklore is a phenomenon to end up ruhliva. In the process of the historical development of one genre, go to the childish folklore, іnshі, navpaki, come to the new.

Create a childish folklore based on lively rosy movi. They may have in mind the singularity of poetics from different genres of mature folklore. So, for example, in the composition of child cossacks, dialogue is widely victorious. In children’s siblings, it is possible to see such compositional forms as a form for a monologue, dialogue and ін. Above all, for example, a child of the compositional form of a "descriptive-informed part plus dialogue":

Knocking, hitchhiking on the street:

Thomas ide on the curt,

Timoshka on kishtsi

Here you go along the road.

Kudi, Thomas, yedesh, kudi poganyash?

What about you?

Corіv goduvati.

Is there a cow for you?

Milk.

What is milk for you?

Children to sing.

Little siblings do not often repair themselves from animals. for example:

Kukoreku, Kochetok!

On the turn of the peasant.

Cow, Burenushka,

Give me some milk

Feed the shepherdess.

In the children's songs, repeat it. It is not easy for the scribes to stand when they are on the spot. for example:

Where the goat is horned,

Ide goat butted.

Mova childish folklore evolves into great freedom. It is very easy for a new person to show the love of children to word-creation. So, it is not common for creatures in the creations of a childish folklore to be figuratively called from the quiet ones by the signs: Vovk "Sirko", Vedmid - "from the barlog Valen", Misha - "norishka", the fly - "galas", the mosquito - "squeak", etc. NS..

O. I. The capitic means: “The childish folklore has more intelligently developed words, it’s constantly evolving with invisible words, which go outside the framework of the everlasting movment, ale, unimpressed on the quietness, Often, guys get used to the sound words "Fedya-Medya", "karakul-marakula", "shishel-viyshov", "siyu-viyu" bivalko "," shostomu-tovkach "," ati-bati "," Eni-beni "etc. ...

A childish folklore has a great meaning to suck on the sound of words. It is not easy for those chi іnshe word in the works of childish folklore to get used to the world not intelligence, but sounding. Let's clear the butt of the tsyo є the clever move of the detectives.

In all genres of childish folklore, Rome is widely victorious. As a rule, the price of Rome. for example:

A plank, a plank of the forest,

I will give you a lot.

I'll give you a spoon

Siorbay giblets.

Create your child's creativity by expanding our declarations about Russian folklore, and witnessing about it to the great genre development.

History of folklore. The skin is a new era to bring songs, kazki and adoring a new type, a new zmist and a new form. "Іnsha hour - інші пісні". Folk creativity changes yak, in its own character and warehouse, as well as in some genres and surroundings. Some genres are recognized and developed, as, for example, a part in for example XIX in., іnshі step by step to go out of the house and go back, like a bilina. in the XX century. The deyak genre, for example, the lyrical song, meaningfully sounded their bustle and live as the head rank in the memory of the older generation. In some genres and in some works, one should change those and plots, heroes and virazny zasobi.

Thus, the serpent to folklore is a wide and uninterrupted process. Ale folklore, as if it were a mystery, is rich in dressing with effect: to change at once with the historical lives of the people; the wake of the life itself, the product of history to the people; in the imagination of the story of the history and the particularity of the folk pobut. Illumination and intelligence of history and life of the people in folklore change at once through the changes of the people, glance and psychology; so as a folklore genre and create to finish the style and live for a long time - stretching out a number of historical periods, in them one can evolve along a number of epochs.

The unsettled sound of folk art national history pіdkresliv M. Gorky in 1934 at the promo on the First Z'izdі of Radianskih writers: "From a long time ago, folklore is inaccessible and surprisingly supervised by history." A link to folklore with the history of explaining the way, development, day-to-day, social nature, freedom of the genre and artistic skills.

2.Istory of picking and vivchennya child folklore

2.1 Calling and seeing

Until the middle of the XIX century. childish folklore is not seen in a special section of the national journey, it does not fit in specially. Publications of the childish folklore bouly are vague and unnumbered.

In the 50-60s of the XIX century. In connection with the interest in folk creativity, the animals I respect myself and childish folklore. Create Childish Folklore Recorded by N.I. Dal, P. V. Shein, P. A. Bessonov and іnshi folklore. U 1861-1862 rr. to publish the vidomy zbirnik V.I. Dahl "Welcome to the Russian people", which is the educational material of childish folklore (games of primitives, little children, scrappers, etc.). In 1870, the collection of P.V. Shein's collection "Russian folk songs" was published, which is seen as a razdil, attributed to childish folklore. The main part of the children's song was recorded by Shane himself, the deyaki of the text is given in the note of A. N. Afanasyev, ethnographer I. A. Khudyakov and writer O. M. Ostrovsky.

In the 60-70s, the rock of the XIX century. P. V. Shein, and also V. F. Kudryavtsev, E. A. Pokrovsky, A. F. Mozharovsky and іn. VF Kudryavtsev in 1871 published the book "Children and Children in the Nizhny Novgorod Governorate", to revenge valuable material on the game of childish folklore. The culture of the childish folklore is known in the book by AF Mozharovsky "The Life of the Village Children of the Kazan Province" (1882). In 1898 rotsi viyshov was the first volume (vip. 1) of the “great Russians” Shein, in which nearly 300 works of childish folklore were published. At the end of the day there is a collection of "Collection of folk children 's pisen, igor and riddles", which is a book of folds by A.E. Gruzinsky behind Shein's materials. In the last third of the XIX - the ear of the XX century. childish folklore A. V. Markov, A. I. Sobol'ev, V.N. Kharuzina and I. Records of the children's folklore creations are published in the magazines "Zhiva Starovina", "Ethnographic Oglyad" and in the "Gubernskiye Vedomosti" magazines.

Robot based on the childish folklore of the trivial and for the radiant hours. Slid to mean especially good performance in the galuzy of G.S. Vinogradov, O. I. Kapitsi, M. V. Krasnozhenova and N. M. Melnikov. Significant material of the childish folklore revenge the books of O. I. Capitsy "Childish folklore" (1928) and GS Vinogradov "Russian childish folklore" (1930). Create a childish folklore to be published in the books of T. A. Akimova "Folklore of the Saratov Region" (1946), V. A. Tonkov "Folklore of the Voronez Region" (1949), S. I. Mints and N. I. Savushkin "Kazki and the pictures of the Vologda region" (1955), in the monograph by M.N. Melnikov "Russian children's folklore for Siberia" (1970) and others.

Prerevolutionary and Radian folklorists took advantage of the significant material on childish folklore.

In Danish hour, the childish folklore is busy with everything. Most of the childish folklore creations came from active hanging out and becoming a part of the memory of the kidnapped people. Folklore materials in the XX century. systematically appeared in the magazines "Ethnographic Oglyad" and "Starovina is Alive".

2.2 Vivchennya folklore

The vivchennya of a child's folklore was repaired in the middle of the 19th century. and iide in different scientific directions. So, the addict of the mythological theory V.A.Popov prying to see the mythology in the childish folklore, the historian M.Kostomarov started to create the childish folklore to characterize the old-time beggar of the Russian people. The link of a childish folklore with a folk beggar has looked at AF Mozharovsky in the book "Life of the village children of the Kazan province". Forms of playing the game of childish folklore looking at V.F. Especially valuable in the inventory of childish igors є the capitalist work of E. A. Pokrovsky "Children іgri, perevazhno rossіyani" (1878).

P.V. Shein, in his "great Russians" (1898), is for the first time living a detailed classification of the childish folklore, seeing in the new genre the coliskids and the quiet ones, the adornments and the viroki, the drawing of the youngsters in front of the cob and igrakh. On the cob XX Art. VN Kharuzina vivchaє food about the fate of children in rituals, showing the transition of calendar children from the repertoire grown into childish folklore.

GS Vinogradov became the first to become a seryous vivchennya of child folklore. Їm published a number of significant robots, attributed to the last childish folklore. The merit of G.S. Vinogradov is that, in our opinion, it is in our opinion that the first time to finish exactly by means of understanding the childish folklore, describing in detail this rich genre (especially the tricks), opening the sounds of the childish folklore with the folklore. You can find a great number of articles and days, in some cases food supply vivchennya child folklore in a tight connection with ethnography, psychology childish creativity and grown up with traditional creativity. Yogo bagatorny ob'dnavcha and beforehand fundamental awareness"Russian children's folklore" (published in 500 texts). G.S. Vinogradov possesses a preposterous character, such as "Child satirical lyric", "People's pedagogy". They are guilty of seeing childish folklore in a special region "Mother's Poetry", or "Plekannya Train", at the same hour, the role of offensiveness between the creators of a certain layer and poses.

Followed by G.S. Vinogradov and one hour with him the childish folklore of O.I. Kapitsa. In the book "Childish folklore" (1928) won give a description of the numerical genres of childish folklore, produce great factual material. In 1930 r pіd editorial board O. I. The caption came out of the collection "Childish folklore and bybut"; V.P. Anikin, M.N. Melnikov, V.A.Vasilenko and V.A.

In the book of VP Anikin "Russian folk admonitions, orders, riddles that childish folklore" (1957), there is a great chapter devoted to childish folklore. At nіy viznachaєtsya understand "childish folklore", given a detailed description of their genres, visvitlyuєtsya іstorіya zbirannya and vivchennya. The peculiarity of the book is in the fact that it means finding a number of genres of childish folklore, about historical change tsikh genre. In the robot "Russian folk prisliv'ya, orders, riddles and childish folklore", there are three productive strains of childish folklore: historical-genetic, philological, functional-pedagogical. The presenter to introduce more important for the analysis of the child's repertoire is the understanding of the steps of mastering the children of folklore tradition: It is difficult for children to introduce creativity to the childish folklore to a quiet feast.

V.P. Anikin in his robots in the way of history and genetic intelligence of the specifics of artists in the winter folklore genres childish travel.

The first insight - V.A. Vasilenko - is a good idea of ​​the method of grouping childish folklore in the genre of the cycle for familiar frankness - the daytime of the game.

In the midst of preliminaries of childish folklore, especially the loan of KI Chukovsky, clearly showing the process of growing up with children’s folk poetry riches, as if breaking the theory of the genre of inversion. I have picked up a rich material on childish folklore, which has been wriggled into the widely known text "From two to five".

MN Melnikov in the book "Russian childish folklore", a wide range of local material, will establish the world of Siberian folklore in the Russian fund of childish folklore. The shares of the traditional childish folklore in the lucky minds, as well as the characteristics of the Radiansky childish folklore, were assigned the statty by M.A.Ribnikov "Childish folklore and childish literature", A.A. about the vivchennya of a bitchy childish folklore. "

Suchasne comprehension of the category "childish folklore" specifics... The vivchennya of childish folklore in the Danish hour is clear.

The revival of the viconomy in the childish folklore in the light theory of information led S. Loiter to the idea of ​​the peculiarity of the contact call, since the very fact that the text was heard is not in the context of the active generation / hearing, but in the new form and the form of creativity. In the atmosphere of a lively, natural spilkuvannya of children, the act of vykonannya, voznaniya to the text of the zavdyak "pidhoplennya" (term V.N. Zvorotn_y zv'yazyk... And then on the basis of the traditional model, the view of the people = the view of the text or of the text. It is so specific to appear in childish folklore around the laws of folklore creativity.

In the staging and approaches to the problem of the specifics of the fruitful and important, it has developed into the last rock of the concept of children as a subetnos. Children as an independent subetnos within the framework of the new ethnic groups appear as noses, keepers and creators of their subculture, as they begin before the manifestation of their "picture of light". Childish folklore, which is my childish subculture, to serve as the best way to form, preserve and translate the picture to the world.

Tim, by the most important context, is the function of childish folklore, a family as a special social and cultural phenomenon. The length of the hour, the dynamism and intensity in the development of the child allow the children to talk about the polystadiality of the child, seeing three “epochs” (D. B. Elkonin), three “stages, period” (M. І. "(E. Erikson). The advantage of such a differential education is the possibility of simple life, as the process of development of a child, its purpose, development, as a system of its manifestation, such as psychological constants, emotional І tse can be directly related to stocking snakes of some specific forms of folklore Before the process of forming and playing genres, which should be like childish folklore.

Nayranish childish, "pre-phonemic" (LP Yakubinsky) period of life of the child of dressing from the wisps of the koliskovaya song - one of the head warehouses of the wicker. Koliskov's pictures, as they are, create the lyricism of motherhood, even at the preconscious (for a child) stage, the task of including him in the process of “culture”, becoming a culture, is even more important. I look for the help of such artistic forms, as they show the psychological peculiarities of the cutaneous stage of childbirth.

"Pre-speech phase", "pre-speech stage" (L.S. to establish the role of a simple gri. Both the regularities of a childish mentality and the imagination of such primordial mothers' genre of childish folklore, such as the little ones, Pestushko, and the adornments of the intelligent onomatopaic traditions.

Until the end of the third, on the fourth life, if the child is opanovu movu, the grammatical Budova move, more and more the edge between the childish language and the verses, from the childish squirrel is seen; ). It’s an ear of that period of childhood, which appears to be a special manifestation of uyav, “if the fantasy is most vivid” (L.S.Vigotsky). At the very same hour, children’s folklore, creations, vikonuvannya, are actively thrashed around, and passed on by the children themselves. It appears to be the form of collective creativity, embedded and realized in the whole system of stylish texts, which are transmitted from generation to generation of children and perhaps more importantly in the regulation of day-to-day activities.

In the formed systems of genres of childish folklore, what is a product of the creativity of the children themselves is a great layer of texts. Їx having opened the child-artist, child-poet / language-creator. A little bit more of a place in the wholly childish folklore is occupied by texts, like vikorystani as children in the big mens, changing viglyadi from grown-up folklore. From the traditional culture, children have adopted, adapted, made their own, those who have given their best energy, specific interests and special features, "the poses of great joy." The stench not only mechanically vikoristovuvali ready, but transformed, changed the beginning of the game. In addition to folklore, grown-ups, asymilized by children, went through a trivial process of education, crystallization of the form, growing up to the genetically laid down rhythm in the children, the new talent, consumed in the context of word-creation.

Characteristic, scho construct the context of the function of childish folklore - gra. Іgroviy character, іgrova nature- the fundamental yogo sign. Ditina spchatku - "Lyudin grayucha". That seems to be a piece of podil for games and quiet. Semantically, the same is the same: grati, according to Dahl, "get on, spend an hour quietly, doing something for fun." As a manifestation of the playful behavior of children, the playfulness of word-creation is seen in childish satirical folklore.

Neridki vipadki, since literature has become a dzherel for childish folklore. The price is enveloped in the peculiarities of the function of childish folklore, if the folklore is read / listened to literary texts at once. Numerical butt of folklore literature, if parts of the verse or some of the rows of children 's singing are transformed into a chiller or a little bitch. In the very process of getting involved in the process, it’s like “shifting” folklore into literature and navpaki.

In such a rank, the specificity of childish folklore in Denmark is seen in the light:

a) folk traditional culture,

b) the culture of dynasty,

c) folk pedagogy and mother's school,

d) the happy theory of childhood,

e) child psychology as a specific hallucination of psychological knowledge,

f) the intriguing theory of childish behavior and behavior,

g) "poetic period" in the life of the child,

h) theory of communication and communication behavior,

i) theory of grids as one of the universal to understand anthropology, history and culture;

j) in the "mirror" of the child, as well as autobiographical, memoir and school literature.

It is generally obvious that the development of the specifics of childish folklore is tied to the learning in the orbit of new objects, such as the new ones (childish folklore) in the sphere of only traditional culture and folk pedagogy. Konotats_ya termіnu, amoused by belonging to the child, will clarify the nature of the phenomenon, which has an interdisciplinary character.

Before that, like a childish folklore is not just folklore, ale - і tse smut - childish, Childish literature is not just literature, ale kid literature. Їх typological spirituality to summarize the relevant ones, only those attached to the power, which can be explained by belonging to one psycho-social-cultural phenomenon - childhood.

In view of the childish folklore, the specificity of which was inadequate, until the specificity of the childish literature has its own history. Our gruntuvanni specificity of childish literature is not only “read” within the framework of literary knowledge (like the mastery of the word) and pedagogy, but in broad interconnections with anthropology, psychology, theory of children.
Conceptualization, methodologically new development of the specifics of childish folklore and childish literature as sportive manifestations of interdisciplinary nature in head contexts and functions is the subject of special education in S.M.'s robots. Leuter.

One of the important topics of the past is child mythology, mythological warehouse child subculture. The vivchennya of the ritual-mythological genesis of the childish poetical classics allowed quilting, as the poetics of the childish folklore was formed, which is important. Suggestions "pochav", the prototext of nutritional ideas of the structure of the child's folklore, "the formulation for being arrogant about the text, persh nіzh become a childish amusement. It became the rank of those who "earlier bulo the right viri, knowledge", as one of the head figures of poetry was formed - detached, which can be based on a typical mythological child of being misinterpreted from yo "newest people" water, boards in the child Pestushko and the calls, brutalized to the board. The creation of cumulative forms from all kinds of and different types of repetition, like a rite and myth, are deprived of the glottogenetic ryvny, meaning the style, structure and path of the formed youthful text, the image. Acoustic image, acoustic characteristic yak one 3 components behind-the-scenes paintings light in childish folklore is a whole lot of sound, as for the first time it will appear as the subject of vivchennya. Vidіlenі chotiri groups of phrases (onomatopom, vigukovі words, zaum і tamna mova) allow us to simulate the evolutive old-fashioned ball, to indicate the presence of a myth as an element of poetry. It’s not just that of the poetry of the child folklore within the framework of that genre, that’s ale and as the manifestation of its specificity, psychological features the development of a childish target і movi.

The interpretation of the ritual and mythological genesis of the children's folklore poets meant that archetypal ball, which became an arsenal, a round of poetical imagery and imaginative creativity, which zoomed out the first elements poets of a childish author's verse... A child's travel in the її vlast form, a child’s travel as a region of mystery and travel, as a special kind of lyricism, in which the specifics of a child’s literature appear with the greatest theme of S. Leuter. The author of the story, from the 20th century, the hour of penetrating the child's folklore into the book, the child's poetry has become a space for rooted, resurrected and updated versatile forms of folklore in individual creativity. The child's poetry knew its own voice, its repertoire, its keys, existential by those, its subject-image, its “graph” and rhythm, its “formal image of the virsh”, its own language, as it is said by the generation already singing. Mayzhe immediately with the singers, as they started their journey from the "walk to the child", before the childish journey, folklore writers (O.I. Kapitsa, N.P. Kolpakova, T. literature travel plekannya.

The basic principle of the poetics of the childish verse is to be heard on the level of idiostyle, and on the level of the system of the learned and rooted universals of poetry. Smell and let me tell you about the child's journey as a specific hallucination of mystery and poetry, zokrem. It is necessary to be home about those who are richly accepted by the poets of characteristic and represent in the "old age" of lyricia, but in the childish vyrshі stench, see in their own concentrated, "thickened" viglyadі.

One of the most productive genres of childish folklore, let's take literary creativityі we save in the same genre as in the childish poetry, є the tradition of Koliskov's song. Numerical butt of the mastery of the foremothers, innovations and extravagances of individual students. The same type of folklore and literary intercourse - the inclusion of such folklore genres, Yak lichilka, riddle, skimmer, nebilitsya. We will broaden the best type of folklore recipe - mastery, vikoristannya one plan of poetics of certain genres in a child's poetry. The most impressive butt - the rhythm of the step, becoming the dominant power of the childish verse.

CM. Loiter of the Universality of Poetics of a Childish Virsha, from the point of view to childish folklore and an additional update from K. Chukovsky's "Zapovidi". For all the stinks, the first person stinks of the same childish verse - yogic vocabulary, with lexical lexemes that appear to be a substantive, volodiyut signs of concreteness. The vocabulary of childish verses is a yogh universum, but a lot of objects, great and "malikh" speeches, which are poetic, sounding from the static and visceral, spirited and heavy, emerging in an atmosphere of great Word-building and in a word, the poets of the poet, who depict his centrism of the child's movement and is depicted by "his centric words", especially the function of the "tse" and interpreted on the great artistic material.

The most synchronous nature of the interaction between childish folklore and childish literature, which S.M. Loiter yak two vessels with a special "mechanism" in tandem, quilting at the vivchenny of a childish mythology.

Our announcement about childish folklore synthesis, as a new methodological principle, should be embraced by the very understanding of "folklore" (B. Putilov, K.V. Chistov, S.Yu. Neklyudov, E.A. Kostyukhin and I.). modern science about dignity (L.S. Vigotsky, I. S. Kon, D. B. Elkonin, Jean Piazhe, E. Erikson, M. V. Osorina i ar). My view of childish folklore is a great, specific, large-scale area of ​​verbal folk creativity, which includes the classic childish folklore (tse, the first for all the "poetry of the play" ) і basement folklore in yogo usnyh and writing forms, including modern education, which have gone into a child's tradition. The most scholarly middle school went through the text to the life of the text, it was learned in writing, the genre and the kind of "folklore writing" Victory of the tired stock of verbal blocks and formulas.

In this rank, dozens of folklorists, ethnographers, pedagogues, literators systematically collected and educated the child's creativity.

3. Classification of childish folklore

Isnu bezlich classification of childish folklore.

It’s like it’s already said that the most preachers of the child’s journey, I’ll beat it up, and donate the ear of theoretical mastery of childish folklore in the decade of revolution, V.S. Vinogradov and O.I. The very introduction of "childish folklore" into the scientific study of the childish folklore, and also the introduction of the principles of scientificclassification, genres of childish folklore However, the point of view of G.S. Vinogradova and O.I. Capitulation to the homeland of the classification of the childish folklore of the development.

G.S. Vinogradov childish folklore viznacha yak “the sukupn_st of usnyh creations, but not to be included in the repertoire of grown-up, aloof and vicious children". Such a podil G.S. Vinogradov obruntovu to the mastery of the native movi child for help, the mastery of the folk verbal mystery, by themselves, viznachayuchi "vasno childish folklore".

The genri of the group of children’s poezіya wіn rozdіlya for functional acquaintance: quiet folklore, childish іgroviy; childish satirical; bastard; calendar; magic folklore.

O.I. Kapitsa. The robot "Childish Folklore" wonders about the problem of getting along and taking a child's journey. A wicked ear of classifications, for її data, є "as creativity is old enough for children, so is a child's tradition of creativity." I will emphasize respect for the vital criterion necessary for the development of the specificity of the artistic material, which is based on the dynamically developing specialty of the child, continuing the traditions of the empirical classifications of the 19th century.

O.I. Capіtsa vіdіlya in the childish folklore of dvі vіkovі groups:

1) "poez_ya plekannya" - creativity of grown-ups for children;

2) Vlasne childish folklore.

Create before the first group, grow old or see in the process of developing the genres of poetry from the folklore of the grown-ups, as they bring up a child's child. The system-creating principle in the cycle of creation is the supremacy of the versatile functions of genres, the change and form of texts, which evoke the distinctiveness and peculiarities of the natural relish, characteristic of the dermal singing period of the development of a child.

O.I.Kapitsa means the multifunctionality of texts and the inability to draw a precise line between the plot-thematic creatures, which are included in the development of the group.

Deyaky genres in the classification of OI.Kapitsa krim vikovykh cycles of a group in a cycle of functional (calendar folklore, childish humor).

O. I. Kapitsa, theoretically rimmed the childish folklore about rock and genesis of poetry. Ts'go zh pіdtrimuvav VP Anіkіn - a genetic principle (poezіya matured for children, create, how old and learned from folklore children, I control the creativity of children). V.A. Vasilenko, vid_lyav:

1) koliskovі pіsnі, or bikes,

2) create tied with game diy,

3) create and occupy children with verbal wickedness and vikonannya independent from the game.

M.N. Melnikov, vikoristovuchi functional principle, seen in childish folklore:

1) travel planning;

2) іgroviy folklore;

3) quiet folklore;

4) by-beat folklore.

And now we can characterize the acts from the genres of childish folklore.

Koliskovі pisnі - the name of a pisen, like kolisyuyut babies, - hummingbirds - where from the basis of kolibat (kolihati, swing, zybala). Zvidsi - koliska, stroller, folk bulo and the name "bike" - from the word Baikal (kolisati, goydati, snarling) ". Її a sign of abo meta - spat the child. They were given a calm, quiet rhythm and monotonous despair.

The old-fashioned meaning of koliskovs - snakes, against evil forces, and in an hour, the stench has lost their ritual meaning. For help, they often asked for a child, for health, for a child, for a pristine, for a possible life.

The theme of koliskovyh songs was the image of everything that the mother lived with - think about the child, the world about yo maybut, protect him and help him to live and praise. “In my own mind, mothers include those who have zoomed out to you. Tse "sirenky cat", "Crane shirt", "a piece of cake and a bottle of milk", "cranes", etc.

Sliv - to understand in a child is not rich - it is deprived of them, without such a primary knowledge of light it is uncomfortable.

A part of the character in the Koliskovy painting is the kit, the fantastic characters are the Dream of that Drimota. Creatures with human qualities - anthropomorphism.

"Koliskovyi sisnі power has its own system in different ways, Its own vocabulary, its own composition pobudova. Parts of short prikmetniki, small folding chains, a lot of transferring voices from one warehouse to the other. Repeat leads, rabbits, porvnyannya, tsili words, aliteration - a repetition of the same or the same spi-sounding voices. Slid means the prosperity of the flamboyant, changeable Sufiks. "

The statistical analysis has shown that the traditional coliskian songs are usually represented by representatives of the generation. Chim lower vikovy qualification, tim vishche pitoma vaa folklore pozichen i pisen literary promenade. The young generation of pestun is apt to be fond of koliskovy songs and may not be fond of traditional ones. In our eyes, we see the intensive process of spreading and decaying the genre.

The whole process is completely natural. The life of the working people in our land has changed for good reason. There are a lot of interesting mothers who are surrounded by turbots about children and people, about bringing order to the home government, in our days a woman from the family takes part in a suspended life - and a number of foreigners' inner toughs. Art Literature, Radio, television, theaters to play with aesthetic feeling - and the artist's value of koliskovaya poiziya started viclikati sumniv. Koliskova's song is not in the snake of competing with contemporary literary and musical creations.

School education, learning the fundamentals of health, the system of preschool education has changed for mothers and children, changed and people's pedagogical look. Zakolisuvannya, zakolisuvannya child change to vibrate the rhythm of life processes (sleep, їzha and ін.) In order; Collecting the visibility to be unutilized and to be awesome. Koliskov's song apparently does not meet the need for a bit.

Pestushko, nursery rhymes, jump. " "Little pests, (from the word" plykati "- vikhovuvati) were knitted from the most early periods of the development of the child. “Razpovsya child, mother or nanny with her hands, gently squeeze the child's squeeze, carry out a little development from the shyki to the steps of nig. A whole lot of extravagant massage will help to improve blood circulation, destroy the life of all organisms, which is even more important in the period of primary growth. " It is not the skin of the mother who understands the need for the whole procedure, from one hundred and one to explain the physiological meaning.

Vіrshiki is simple, vikonannya їkh not vimagа nі robotic memory, nі special vocal tributes, ale in new є everything: the smallest value for the growth of the body ("Pops up, grow up fat, for the grown-ups, for ("And in the nizhki walker, And in the handles of the fatunyushki"), і for pink and moral development("A talk in the mouth, A mind in the head"). The knowledge, solidified to the poetry, to serve as a transmission of the cultural decline from one generation to the last, to serve as a core to the life of a young mother or a pestun.

Rhythmically cleanly prompted vershiki. Deyakі from them reach a good artistic form:

Chuk, chu do, chuk, chuk, Baba baked ribku,

Having caught dіd pikes, Patelia Vitekla.

Ditina started to take a mother's voice, not like a melodic set of sounds, but like a beep, which means more meaningful meaning, and a mother is already victorious: it’s not just take the child in her arms, but a simpleton, I’m handles, give me little hands. "

Viroki tsi do not take into account any poetic virtues, no originality, no business manners, ale ditin is ready to take the hands of a mother, to rob the hands of the hands of the hands, to trickle into the hands of the mother's hands The word mother (pestun), having been seen at the witness of a child, winks out about the mother's affection, a voluptuous signal gives a command to the organs of the ruch, the child to rob the hapal or іnshі rukhs with his hands. In such a rank, the primitive poetical scheme has secured in the people's witness an even more important yak for the physical development of a child, as well as for the psychological one ”.

I am in power wisely prompted, as a matter of character and multiplicity of physical rights, necessary children at that moment. They are laconic, they don’t get hungry for Rome, but if you’re looking for a boyfriend, you’ll get used to it again, stinks, like a rule of short, close fiery warmth, for example: "There is water for a gander, and there is thinness from Yukhim." The little ones do not feel comfortable moving into the quiet.

Rhymes are taken to name special amusements for grown-ups with small children, in which are used the small parts of the child and the grown-up. Funny animals are called viroki, which are organizing and fun.

A lot of quiet in the record for the form close to koliskovyh songs, for the character of їх vikonannya, bout of attribution, emoji - the melodic basis of the call іnshі. " Nursery amusing with rhythm - quiet, amuse. “You don’t want to get drunk, you know more often, the words are supravodzhuyutsya іgrovymi diami, carry the child necessary information. For the help of a nursery rhyme, pestun was whisked from children to the needs of a gris, they opened a natural snake, they cooked a child to an independent gri in a child's collective. The most important thing for fun is to prepare the child before the journey of a new life in the process of gris, as soon it will become an indispensable school of physical and rosy education, a moral and aesthetic vikhovannya. "

At the nursery rhyme, introduce simple hotties, comic motives, for the reception of radio emoticons, gestures are added. At the nursery rhyme, a rahunok is introduced, the child is introduced to a pererahunka without an abstract digital signification of the rahunka. First and foremost crocs to splash, abstraction. You will be quiet so that the knowledge of nikoli may not be given in a "clean viglyad", directly. Wono yak bi prikhovano, rozum ditini is guilty of patrasyuvati, sob dobu yogo. The nursery rhymes show the versatility of pratsi for all, navit little ones.

“At the nursery rhymes, like in Pestushko, the presence of a metonim is invariably - an artistic approach, which will help you through a part of learning. For example, in the child of the group "Ladies-Ladies", de bouly? - At the granny. For the help of the metonimії respect for the re bank to get to yo powerful hands. "

Zherebkuvannya (aka "snake") vis-à-vis rozpodil hunters on two commanders, establish order in the group. Whole laconic create, one rimovan, revenge the animal to the queens (representatives of the skin group) and food, which only one food, in which vibrating is transmitted. Vlasne foal is a mystery. Ale the riddle is obov'yazkovo two-term, in which image is formed or protistavlyayutsya. Vaughn is sweetheart rimovana. Sometimes Rome takes revenge in the wild, often not a little poetical organization, but it was too much. The stench of a healthy humor.

The trainees become stuck for the development of roles in the group, with the greatest value of the rhythm. Leading vimovlyaє lichilku rhythmically, monotonously, lastly jabbing his hand to the skin member of the gris. Tracks can be made short rims (from 1 to 4 warehouses). The tricks are tied with the ancient forms of divination.

At the detectives there are two specialties, In the first place, in the basis of the majority of the detectives lie the rakhunok, and, in a different way, the detectives oppose the heaps of blindness and sound. Lichilochka presents her own way with words, rhythm, and in the whole of her artistic function.

The Іgrovі attachments and attachments of the boule are included in the game play and the third organization. The Zm_st Tsikh of Creation was the beginning of the gras itself. In the games, the children portrayed a family of beggars and busy work she sat down, scho gotuvalo to a mature life. Sentences were also imposed before pirnannyam in the river; in order to have a good time out of the drive, I had a bath in the afternoon. In their own primovtsi children could be killed from the passages to the Christian saints.

Deyakі attachments are social zmіst. Sentences in our hour bring joy to children everywhere.

Deyakі and іgry of young children have seen how іnstsenuvannya of adornments. Adding additives to the cumulative composition, and in the super-vibrant verbal series - rhythm, sound absorption. Through the beauties of mami and nyan, to know with little animals and voices of birds and creatures.

With the love of the verbal thunder of the older children, the bully and the squirt - the repetition of hard-to-pronounce words. Pomilki in vimov wiklikayut smіkh. Gently, children develop organi articulations at once. Particularly popular are squashers for folding and flexible sound design (there is a great number of alternatives, repeat parts, internal rims, asonances).

With their own verbal rights, the Bully Movchanka is the homeliness of the Movchati, and also the Golosyanku (option: "volosyanki") is the name of the vityaguvanna on one dichanna of the vocal sound in the mind of the virshik. Before the verbal іgor of children, it is possible to introduce the visons in the middle of the country, the kazki, the riddles.

Kolis GS Vinogradov, meaning among children "one kind of usny literature, representations by prose" - kazku. The spontaneous tendency of a bitchy childish creative creativity - "terrible history" (that's how children are called) or "horror stories" (that's how presenters began to call it) - becoming the subject of the introduction of folklorists, psychologists and pedagogues from the 1960s. Mabut, until the end of the hour and there is an ear of massive chickens terrible stories... Horror stories function according to all the rules of folklore.

“A lot of genre of folk creativity is accessible to the minds of little children. Ditin's folklore tales are easier to enter navkolishn_y light To see the beauty of native nature, to see the beauty of nature, to see the people about beauty, morality, to be aware of the beasts, rituals, - in words, at once from the natural people, they pick up those who are called a spiritual decline of the people, without any form.

“For a long time, there is a senseless folklore creation, especially for children. This kind of folk pedagogy stretches through the capital and right up to our days has a great role for the young generation. "

visnovok

The understanding of "childish folklore" includes all kinds and genres of folk art: create, mature enough for children, and create the children themselves. Childish folklore is a universal pedagogical system, in which in the thousand years of folklore they have taken the very nature and the most necessary form of development of movement, musical health, logical and imaginative purpose, work of workers and morality. I didn’t just pick it up, like a sum of deyaky methodical priyomiv, but put it into an artist’s form.

Childish folklore is a specific area of ​​folk art, which is common for children and adults, including a system of poetic and musical-poetic genres of folklore.

Childish folklore is in front of folklore, it is necessary to follow the culture of tradition, in the basis of which typological decline and typological repetition. Childish folklore cannot be discerned as the posture of the outlandish theory of folklore, theory of genres, genesis and mythology, historical poetics.

At the same time in childish folklore, as if talking about it in the context of folk tradition, є its own specialness. Childish folklore does not know the sense of words in the senses of the word, taken by folklore. Folklore knowledge, which includes not only the text, but the same situation, in which the wine is created, is not meant to be the peculiarities of the memory of the child, but the activity of the game. It is in the game forms of behavior that one is able to see through the front generations, so one can get along with the creativity of a particular child.

List of Literature

1. Azbel S.N. The main understanding of textual studies in the history of folklore material // Principles of textological education in folklore / Vidp. ed. B.M. Putilov. - M., 1991.

2. Akimova T.M. About the poetical nature of the folk lyrical songs. - Saratov, 1966.

3. Anikin V.N. Russian folk prizliv'ya, orders, riddles that childish folklore: A book for a teacher. - M., 1977.

4. Anikin V.P. Russian folklore: Textbook. checklist for universities. - M., 1987.

5. Anikin V.P. Theory of folklore: Course of lectures. - M., 1996.

6. Anikin V.P. Usna folk creativity. Reader. - M., 2006.

7. Anikin V.P. Folklore as a philological discipline // Methodological problems of philological sciences: Zb. sciences. good. - M., 1987.

8. Arzamastseva I.M. Child Literature: Navch. Posibnik for students whish. and the middle. ped. navch. mortgages - M .: Academy, 2000.

9. Bєlov V.I. Narisi about folk aesthetics. - M., 1989.

10. Bogatirov P.G. Folklore yak is a special form of creativity // Bogatirov P.G. nutrition theory folk art: Zb. Art. - M., 1971.

11. Vasilenko V.O. Childish folklore. - M .: Vishcha school, 1978.

12. Vinogradov G.S. Childish folklore / Publ. A.N. Martin's // History of Russian folklore / Vidp. ed. A.A. Gorulov. - L., 1978.

13. Vinogradov G.S. Narodna pedagogika... Irkutsk, 1996.

14. Vinogradov G.S. Russian childish folklore. Іgrovі preludes. - Irkutsk, 1990 ..

15. Gorky M. About literature. - M., 1961.

16. Gromiko M.M. Svit of the Russian village: a book about the culture of the Russian peasants of the 18th-19th century. - M., 1991.

17. Gusєv V.Є. Aesthetics to folklore. - SPb., 1994.

18. Davletov K.S. Folklore yak kind of art / Відп. ed. L.I. Omelyanov. - M., 1986.

19. Childish poetic folklore: Anthology / Order. A.N. Martinov. - SPb., 1997 ..

20. Єmelyanov L.I. At the jokes of the subject of vivchennya // Єmelyanov L.I. methodology of nutrition folklore studies. - L., 1978.

21. Kapitsa O.I. Children's folklore: Pisnі, potіshki, drazhniki, kazki, іgri. - L., 1928.

22. Kravtsov N.I., Lazutin S.G. Russian folk creativity is asleep. - M., 1989.

23. Litvin E.S. Before eating about childish folklore. - M., 1988.

24. Melnikov MN Childish folklore and problems of folk pedagogy. - Novosibirsk, 1985.

25. Melnikov MN Russian children's folklore: Textbook. posib. for stud. ped. in-tv. - M., 1987.

26. Methodical instructions on zbirannyu folklore. - M., 2004.

27. Holy family and traditional culture: Zb. scientific. tr. and materials / Order. S.G. Ayvazyan. - M., 1994.

28. Wisdom of the People: Life of People in Russian Folklore. Vip. 1: Infancy. Dignity / Order., Pidgotu. text, entry Art., foreword. V.P. Anikina. - M., 1991.

29. Pokrovsky E.A. Children іgri, it is important to Russian. Reprint. creation. ed. 1895 - SPb., 1994.

30. Pomerantseva E. V. Pick up folklore. - In the book: Pomerantseva E.V. About Russian folklore. - M., 1977.

31. Propp V.Ya. Folklore and performance: Vibrancy statistics. - M., 1976.

32. BN Putylov. folklore i folk culture... - SPb., 1987.

33. One, two, three, chotiri, five, we are grati with you: Russian child іgroviy folklore: A book for teachers і scholars / Order. M.Yu. Novitska, G.M. Naumenko. - M., 1995.

34. Russian children's folklore of Karelia / Order., Pidgotu. text, entry Art., foreword. SM Leuter. - Petrozavodsk, 1991.

35. Savushkina N.I. About selected folklore. - M., 1974.

36. Sokolov Yu.M. Russian childish folklore. - M., 1991.

37. Folklore in happy holiday: Aspects of the paths of the message. - M., 2001 ..

38. Cherednikova M.P. The modern Russian child mythology in the context of the facts of traditional culture and child psychology. - Ulyanovsk, 1995.

39. Chistov K.V. Introduced // Russian folk creativity: Textbook. A guide for universities / Pid ed. P.G. Bogatirova. - M., 1966.

40. Chicherov V.I. Russian folk creativity: Textbook. posibnik. - M., 1989.

41. Chukovsky K.I. From two to five. - M., 1963.

42. School side and folklore: Textbook. material in Russian folklore: Have 2 hours / Order. A.F. Bulousov. - Tallinn, 1992.

supplement

1. Maternal folklore

KOLISKOVA PISNYA

Baiushki bye. Nich came

Quietly wondering the clear month brought Temryav;

Into your koliska. Zadrimav pivnik,

I will become a Kazati,

Pisenka I sleep, Oh, I’m not happy,

Ty sleep, curl your eyes, Lie on your side,

Baiushki bye. Bayu-bye, shine ...

Bogatir you will be on the viglyad

POEZІYA plekannya

1.povivsya ditini, plekayut:

Potyagunyushki, postunyushki,

Across the fat girl,

And in nіzhki walkers,

And in the pens of the fatunyushka,

And in the mouth of the talk,

And the mind is in the head.

2. To hammer in the assimilated rohu with your hands:

The geese flew

Swans flew

The geese flew

Swans flew ...

3. Ditinu stribati:

That, that, that, that, that,

Kishka went for the cat:

Kit to walk around the shop,

Lead the cat by the paws;

Swamp, swamp on the shopkeepers,

DAC, DAC for pets.

2.Igroviy folklore ( quiet)

Water, water,

I'll wash my baby

They shone brightly,

The cheeks shone,

Smіyavsya rotok,

Shcheb smіyavsya tooth.

Okay, okay.

De bouly?

At the granny's.

Did you drink?

Kashka butter.

Braga malt.

Granny Good.

drank

They flew to the house,

On the head of the silly,

Ladies were asleep!

lichilki

One two three chotiri p'yat,

Viyshov bunny to take a walk,

Raptom mislyvets vibig,

Straight into the bunny shooter.

Pif! Paph! Without drinking!

The Syriy Bunny has jumped.

Chiki - briki - tee kudi?

Chiki - briks - to the bazaar!

Chiki - briki - what for what?

Chikі - briks - for all.

Chiki - briks - to whom?

Chiki - briki - I'm a horse!

Chiki - briki - to what?

Chiki - briki - to the black!

Calls І attachments

Sonechko, Sonechko,

Vugilnoї in vіkonechko!

Sonechko on the line,

Hare yourself to chervone!

Skoromovki.

From drowning accumulates saws to fly across the field.

The ram is a beshketnik zaliz in the bur'yan.

At Seni i Sani in framing with catfish and vus.

A goat is on the cart. Lift the vine.

3. By-booty folklore

boring KAZKI

The boolean has a dog

Vin її loving,

Vona z'ila shmat of meat.

Vin її killing.

I buried it in the ground, I wrote on the stone:

Boolean has a dog, Vin and її loving ... and t. D.

CHILDREN OF THE PEOPLE PISNI

Pivnik, pivnik,

Golden comb,

Chi is far away?

To Kulikov field

To Matushkin's Budinka.

What did the mother give you?

Stodola z vivsom,

Merina with a tail,

Pivnya in brewing.

4. Happy childish folklore

Scary

1. "Yak viclikati Babu Yaga".

You need to go to the toilet for about 12 years. Write there a colo creed and sit check. Come back earlier. As soon as there is a chrest on the count, it means that Baba Yaga has arrived.

2. “... I saw the little girl in her eyes and bach, but the machuha dressed the black cloth. She let go of her hair, put a toad on her chest and walked quietly ... "

ANEKDOTI

At the level of natural science:

Natasha, tell us how to find the water cycle in nature?

That is even simpler. If there are boards, there will be kalyuzhi on the ground. And then

The earth turns over, and the water falls back.

sweaters

Aloshka is a biscuit.

Andriy is a gorobets.

Names and nouns. Tili - tili tisto

Petka - pivn.

Greedy-yalovichina

Make up - make up

I don't fight anymore,

And how will you be bitisya,

I will bite

And why bite,

I'll be bitisya - whole,

And tsegla be angry,

Friendship is coming soon - fix it!

GUMOR (sadistic verses)

Children in pidvali were grabbed by the Gestapo.

They torment the plumber Potapov.

The daughter of the tat asked for a tsukerka,

Put your finger in the socket.

Struma charred the little children

Dovgo laughed at the warmth of the guest.