Childish whimsical folklore. Abstract "Genri of a childish folklore" (preschool education). Children's calendar folklore

Ministry of Education and Science

Federal state budget lighting installation all the professional education

Novosibirsk State Pedagogical University

Faculty of culture and education

Department of People art culture and musical education

Specialty People's art creativity

Specialization Theory and history of folk art culture

Course robot

discipline: Theory and history of folk art culture

Genre KLASIFIKATSIYA CHILD FOLKLORE

Vikonala: 4th year student

Shiker Olga Viktorivna

Naukovy Kerіvnik:

candidate of pedagogical sciences,

Associate Professor of the Department of NHKiMO

Minulin Nina Oleksandrivna

Novosibirsk 2012

Entry

Chapter 1. Zagalna characteristic childish folklore

1 Rizni go to the witness of the understanding "childish folklore"

2 artistic features folklore for children

3 From the history of savage to childish folklore

4 Zbirannya i vivchennya childish folklore

Chapter 2. Classification of child folklore

1 Childish іgroviy folklore

2 Extra-game children's folklore

visnovok

List of vikoristanikh dzherel

supplement

Entry

Folklore is a mystery of words, which includes in itself: admission, ditties, kazki, legends, myths, parables, scraps, riddles, heroic epic, bilini, said and іnshe.

The main mass of creations of usnoi folk art Winnings in the distant past, however, for the present, it is often not easy to find out about the price: spicy pictures and parts, stories, stories, orders of loving ones, riddles but not too rich.

Yak bulo has already been seen earlier, a cob of folklore shores in the distant past. Win nascent і Winik Todi, if the large number of people is still not a little writing, but also not enough, then there will be only one - the sanctified shamans, who are those who are genii in their hour. In psnі, riddles, attitudes, kazka, bilini, other forms of folklore, people from a collection formulated their feelings and emotions, to sleepy creatures, Pislya conveyed their knowledge to the people, and they themselves took their thoughts, advices, feeling in the minds and heads of their maybutny sites.

A special place in folklore is a childish folklore. The youmu itself is assigned to the robot. Through falling asleep, the people's creativity of the child is formed by the need in the artistic word. This is not vipadkovo, an important moment in wicked robots skin teacher has become a wide knowledge of children with folklore creativity.

The relevance of robotics lies in the fact that today's childish folklore is a large, specific, multi-component area of ​​folk creativity. Vona includes classic childish folklore (tse "poeziya plekannya" preschool education) І school folklore in yogo usnyh and written forms, including і mоvnі education, scho went into a child's tradition.

happy about it category "child folklore" in the process of learning its specifics, for the purpose of revealing what a lack of sight of child folklore is deprived of it in the mainstream folk tradition and folk pedagogy. For the whole it is necessary to respect both words of the understanding "childish folklore".

Crazy, childish folklore is in front of folklore, it is to follow the culture of tradition, in the basis of which typological decline and typological repetition. Childish folklore cannot be discerned as the posture of the outlandish theory of folklore, theory of genres, genesis and mythology, historical poetics.

The meta of the given doslіdzhennya - vivchita pontettya, zbirannya, vivchennya and classification of child folklore, about the analysis of the history of the diagnosis and genre of development of child folklore

To achieve the delivered item, it is necessary to display a number of buildings:

· Give me a description of the childish folklore;

· Analyze the history of childish folklore;

· Display the classifications of childish folklore.

The structure of the robot - the robot is given to be stored in the entry, two razdіlіv, attachment to the list of victorian dzherel.

Chapter 1. Zagalny characteristic of childish folklore

1.1 Come to the witness of the witness "childish folklore"

At nautsi іsnu bezlіch points of view about the name of the understanding "childish folklore". So, for example, V.P. Anikin brings to the childish folklore "the creativity of grown-ups for children, the creativity of grown-ups, which has become a childish child, and the child's creativity is in the most intelligent words." Tsyu dumku podilyayut E.V. Pomerantseva, V.A. Vasilenko, M.N. Melnikov and I. Prescribed the characteristics of childish folklore, as a rule, they fix the look of creations that have been grown up and show them for children (koliskovy pisnі, pestushki and quiet)

First, having characterized, the zmist, obsyag and between the intelligentsia "childish folklore", calling it "a special manifestation of a childlike child, і don’t be included in the repertoire of grown-ups ”, I think that it’s not necessary to be seen by the children themselves, but they don’t store their repertoire (and the whole“ mother’s lyricism ”, or“ the poetry of the playfulness ”) in the folklore. one mind - hto є wear folklore. At the same time, G.S. Vinogradov vidіlya koliskovі pictures, pestushki and nursery rhymes "in a special view of folklore, fall asleep literature for children ”, we’ve got involved in the mother’s school.

Mayzhe immediately with G.S. Vinogradov O.I.Kapitsa proponated her mind and child folklore. Noses and creators of childish folklore, growing up and children. " With quiet feast, without what it would not be motivation and priming in scientific publications of texts, preliminaries, navchalnyh posіbnikov get along two ways to understand "childish folklore." Offended points of view to describe the pose of discussion, the pose of scientific polemics, and at the same time to inform about the creative unimportance.

Do not bring the creativity of mothers і pestun to childish folklore і Yu.M. Sokolov

Chi does not imply koliskovy pictures of childish folklore and V.I. Chicherov. One of the lectures given in the course of the lectures "Russian folk creativity" (1959) is called "Koliskovi i ditachi pisni".

From the point of view to the witness of the understanding, “childish folklore” is dumb. Offended points of view to describe the pose of discussion, the pose of scientific polemics, and at the same time to inform about the creative unimportance.

1.2 Artistic features of folklore for children

Create a child, like a grown-up, folklore is set up on the basis of a lively rosy move. They may have in mind the peculiarities of the poetics of the genres of mature folklore. So, for example, in the composition of childish cossacks, like and among grown-up cossacks about creatures, dialogue is widely victorious. In children’s siblings, it is possible to see such compositional forms as the form of a monologue, dialogue and іn. Above all, for example, a child of the compositional form of a "descriptive-informed part plus dialogue":

"Knock, bang on the streets:

Thomas ide on kurtsi, ... "( Div. supplement)

Little siblings do not often repair themselves from animals. for example:

Kukuriku, Kochetok!

On the turn of the peasant.

Cow, Burenushka,

Give me some milk

Feed the shepherdess.

Children’s songs start to repeat. It is not easy for the scribes to stand when they are on the spot. for example:

Where the goat is horned,

butted goat.

Mova childish folklore evolves into great freedom. It is very easy for a new person to show the love of children to word-creation. So, it is not common for creatures in the creations of a childish folklore to be figuratively called from the quiet ones by the signs: Vovk - "Sirko", Vedmid - "from the barlog Valen", Misha - "Norushka", Fly - "Galas", a mosquito - "Piskun" etc. ... NS..

O.I. The capitulation means: “The childish folklore has more intelligently developed words, it’s constantly evolving with invisible words, so it goes out of the frame of the ever-changing movement, ale, unimpressed on the quietness,

Often, guys get used to the sound words "Fedya-Medya", "karakul-marakula", "shishel-viyshov", "siyu-viyu" bivalko "," shostomu-tovkachem "," ati-bati "," Eni-beni "etc. ...

A childish folklore has a great meaning to suck on the sound of words. It is not easy for those chi іnshe word in the works of childish folklore to get used to the world not intelligence, but sounding. Let's clear the butt of the tsyo є the clever move of the detectives.

In all genres of childish folklore, Rome is widely victorious. As a rule, the price of Rome. for example:

I'll give you a lot.

I'll give you a spoon

Siorbay giblets.

Do it sleepy creativity children will expand our announcement about Russian folklore, and tell us about it to the great genre rose.

Mova childish folklore evolves into great freedom. It is very easy for a new person to show the love of children to word-creation. A childish folklore has a great meaning to suck on the sound of words.

Create your own creativity for children, expand our declarations about Russian folklore, and testify about it to the great genre development.

1.3 From the history of savage to childish folklore

Folklore is often seen to feed people, being imagined by the collective rosum, accumulated to see, life. In the first place, before the determination of pedagogy as an academic science, it was also viroblena folk pedagogy - the system of education of people from the nation before the transition to the new society.

Є The area of ​​folk creativity is especially special, childish folklore, the yak, the thought of the most glorious old-timer G.S. Vinogradov, the viclikan before life is called “not because of the pedagogical needs of the people” is called. The creatures, beastly before children, appear more intelligent in their specialties. For the little ones themselves, still in peluches, it's simple Pestushko:the stench of the beasts to the scourge of the child, to the first rucks of her hands and feet. Until the head, before the smile and the message. By the essence, the whole genre is a kind of a star of the reception of the physical wickedness, like a thousand years of motherhood. The little pets take the development from the child of the coordination of rukhiv, rivnovagi, fixing rukhovykh navichok, є good right for music, it is not often supervised to use massage techniques: stroking, beating, lightly squeezing tiltsya ...

“Lun plive! Lun plive! "- the handles of the child at once with their mothers smoothly collapse towards themselves, as if they were floating. "Owl fly!" - swiftly waving handles, nasleduchi swinging krill ptah. On another rotsi life for quiet, hto start talking, - little quiet,in which in іgrovіy forms іn already not trivial arrangement і first moral tales; in the nursery rhymes, take a seat on the occasional moment.

Until the end of the koliskovy viku child sleep attachments, I do not support games. Smolder їkh priznachennya - zoserediti respect for zmіstі, by ourselves, developing rozum ditini:

A goat went to the bazaar, a goat bought a scythe.

What youmu scythe? Mow the grass.

To mow the grass? Good horse God.

What good horse do you want? Carry the oak forest.

Na scho oak forest carry?

Mist bridge.

What is the place of the bridge?

On a visit to the goat goes.

The moral of the attachment: first, please, be a guest, work hard. In the form of power supply and ideas, there is a change in the simple and necessary in life to understand. (For a similar adaptation in D. B. Kabalevsky's artwork, see In the Reading Book before music programs for foreign school... 2-3 class - 116, p. 131.) A є such a genre, yak nebilitya-inversion. They put everything on the head. Children should be mindless of the sense of being able to drink, as well as a wikipedia:

"At the intricate settlement,

On Ivanoviy mountains, ... "

“Vivchayuchi folk art for children,” wrote E.S. Lytvyn, - it is possible to overturn, because of the subtlety here, the instillation and consolidation in the image and words of the out-of-town people guarding the psychology of childhood. The child's need for a smile, cheerfulness, humor, it’s early to wake up interest to food, great value for its development ... - all the figures of the child’s psyche knew their vision in the mind, image, memory. according to: 5, p. 576].

Folklore has its own genre, its own repertoire. Yak tilki ditina start talking, repairing actively collapsing, being included in the process childish creativity... During the whole period of the dynasty of the authorities, there are scrappers, dredgers, chants, squashes, etc.

A whole lot of children get to go to Igor. Іgri vikhoyuyut feeling fraternal spilkuvannya, partnership. One hour tse zmagannya in strength, spritznostі, kmіtlivostі. In the games, innovations, organizers' health, and wine are being developed. Bagato old-fashioned іgri included spіv. Tse embellished їkh, took a shy zap'yatovuvannyu, gave їm rhythmic zlogozhenіst. Axis one from butts: "Graki to fly"

Є genre and for the time I will enter into maturity. Typical genre of unfriendly youth - round dance.Yogo function is significant. As a dramatized action round dance for marching bandages with old rituals, and then becoming a favorite form of mass youth festivities. For a long time young people have been entrusted with a singing mission in earthmaking magic. They were spared, for example, in the form of a round dance space forces: Colo, spiral, wailing line ...), and in the most placed young people before the round dances as an important, obov'yazkovy and secret, and not just a happy hour. A round dance will be built into a classy school of spilkuvannya, how to go beyond the boundaries of the family, the school is going around in public. Here the culture of behavior, of a beautiful gesture, of a spіlny spіvu was vibrated. The girls in Christmas costumes demonstrated their philological majesty.

In the іgrovyh forms of the round dance, often merry, the juveniles reached the knowledge of the most important sides of life, I’ll arrange. The theme of the bet was not fervently enveloped in a socially-satirical illumination, the young were caught up in their condemnation to the indulgent sides of life: lini, piyatstva, a sloppy whore, hypocrisy of clergy, ... At the cich songs vidbuvalasya psychological training and until quietly difficult, as they checked young people in their lives.

The vykhovannya of the growing members of the community was included in the expansion with the rhythm of the pratsi and the holy, with the rhythm of the transitions. Children have been trained in the work of the life of the family. A little girl of seven or eight years became a nanny for her young brothers and sisters, and the axis was already won by herself - a vicon of coliski, little dogs, nursery rhymes ... them. Children took on a special fate in Bagatyokh rituals - they made fun of them, called out the spring. In the rituals of the Russian villages in the rituals, the sale of the mow is named brave the fate of the brother, yak bi young abo maliy vin not buv.

Children became a decline and a part of a vikov tradition, and also activated their preoccupation with life.

So, following the way of life of the community, the rich traditions, the specialness of the growing people was formed; Having filled up wines and special tips, without any of them, they would be unprofessional and unwilling.

Neo-rated musical and pedagogical celebrations of folklore material. We naspіvi folk songs popuzhuvalysya as natural manifestation of the psychophysical abilities of the people, their natural physiological abilities.

Everything is fair in relation to the childish folklore of all peoples. Besides, mov folk music With its self-made mode system, versatile types of rhythmic organization, children are perfectly prepared for the enjoyment of contemporary music. Axis most effective methods musical development children at all svіtі runtuyutsya on folk songs. Won in the simple and affordable child forms, the transfer of high values ​​of art and national culture

1.4 Tribe and vivchennya child folklore

The selection of childish folklore has grown over the last few types of folk travel. Tilka in 1868 was published by the program of P.V. Sheyna, in the special distribution of the methodology of the questionnaire in the collection of childish folklore. With a stretch of two thirds of the 19th century, the half-heartedly overwhelmed tenth of the 19th century, haunted life The need to write down additional materials did not come to mind. Farther over to the inshomov culture and earthmovs led to the fact that it was known to visit the free trade of the honored in the dynasty.

At the same hour, wash away your life and let the helpers zoom in on the fallowness of the village middle; children of friends and noblemen passed on to see mothers, nannies and courtyards who knew their vikhovants in different forms of folklore. In the spogads of the young people, the images of the mentor, the disclosed deyaki, have forgotten the history, kazka, bilichki, legends. In his memoirs D.I. Fonvizin zgadu about those who loved the rumors of the songs and kazki of one of the courtyards. Biography of the Maybut ethnographer P.V. To celebrate Kirevskoy, his dignity passed in the help of a military village, "a popular folk journey." To navigate in the satirical magazines of the 18th century, one can create the following world: "Bagato fathers and mothers, if children do not sleep at night, punish them for good news."

The nastіlki rіznomanіtnі dzherela revenge as a revelation of the surroundings, so also the actual information about the mind and write down, some by-by-word and ritual aspects. However, they do not represent the method of recording texts, country houses I'll write down that yogo nose about the place.

One of the first time to pick and record the childish folklore of I.P. Sakharov. In "The Tale of the Russian People" (1837), he published the insights of the genres: a nursery rhyme, a Koliskov song, a description of the decile of childish igors. At the onset of the book - "Pisni to the Russian people" (1839), there were bullets over the hands of the chotiri koliskov pisni.

Before A.V. Tereshchenko "Pobut to the Russian people" (1848) also includes the texts of nursery rhymes ("Ladushki", "Magpies"), koliskovy pictures and descriptions of the mountains; before Russia, we brought parallels to the Ukrainian and Polish movs.

In her fortunes, "Notes and Respect for Siberia" (1837), the collector Ye.A. Avda for the first time, let the child's beggar lively, the texts of the game virok and the ritual race. Vaughn to produce the texts of Koliskovy songs and attachments that are felt by her in the child. “For the old hours, - write vaughn, - the nannies, no matter what, mother, or granny, they put the child down, they slept, or, more beautifully, they say, they suck development i welcome. Evidently, they have a dumb, no-nonsense, or even poetic, stink of imagining a simple old-fashioned beggar і as a special understanding about gloriously objects. They, like the Russian songs and the Kazakhs, most often develop a sense of being, which cannot be called a crafty innocent, not humor. Nowadays, in the most distant places of the capitals and great places of the world, you can feel this way. "

On the basis of E.A. Avdova vidan small collection of childish folk cossacks "Russian fairy tales, prompted for children by the nanny Avdotya Stepanivna Cherepieva" (1844), for the first time saw the cossack as an independent genre. The book by E.A. Avdєєvoi Bula is designated yak chitach, so it’s time, hto pratsyuvav with children. Vona also showed the pedagogical and methodical value of folklore materials in the form of texts, stylized folklore genres.

Unimportant to the author's interpretation, which was made to forgive the texts, E.A. Avdevoi materials for the first time represented the texts, recorded by a specific selection from an established individual. Nadal is similar to the practice of broadening and certification of the text of the text obov'yazkovoy.

U 1849 rotsi E.A. Avdєєva published in "Vіtchiznyih zapiski" to add texts of poezіya plekannya - koliskovyh, sayings, nursery rhymes. True, the position of the picker was suffering from one-sidedness and super-verboseness. So, Vona said that in the songs of mothers and nannies for children, “there’s a lot of pretense and poetry”, “nowadays, in all the capitals and great places of the world, you can almost like this”].

For robit E.A. Avdevoy is also characteristic of a deyake of miluvannya to the old beggar, but a sharp message about V.G. Bulinsky. In the vidguk about the book "Notes about the old and new Russian pobut" (1842) by V.G. Bolinsky meaning the publication of E.A. Avdєєvoi how to finish off "good-natured razpovіdі clever and well-read women", altogether without smacking in them any artistic value. The critic's thought sharply contrasted with the review by F.B., recalling that “the book is written easily, it is written alive”.

Clearly, the stage of picking up and celebrating a child's folklore insists on seeing texts from folklore P.V. Kirevsky. At zbіrniki pіsen, recorded by P.V. Kirєєvskoy, handled a number of texts of koliskovy dogs, which were given to him by V. Passek, of which one finn was transferred to the Russian transplanted translation. The presenters vvazhayut, but also from the publication of coliskovs, the science of childish folklore has sprung up.

A new stage in the selection and organization of childish folklore as an independent whole will be repaired with the help of V.I. Dahl (1801-1872). Since 1842, I’ve been fixing the rock, the presenter of the publication of the collection and additional texts in the new genres of folklore. Quite a few of them are borrowed from childish folklore. Introduced in the books of the text to complete the riznomanitnі in the genre plan; tse of kazki, inventory of іgor, children іsnі, nebilіchki, scummers, sending and orders. Besides, in V.I. Dahl to be guided by the rosspovidі from the Russian bobutu.

Zdijsnyuchi publikatsii stretching a number of rockies, V.I. Dal zmіg awaken the interest of readers to the folk pobut. Apparently, the book "Pictures from the Pobutu Russian Children" (1869). Before the release of "New Pictures from the Russian Pobutu for Children" (1875), even after Dahl's death, the Bully included materials that had been handled since 1870 in the children's magazine "Semeyni Vechori". The stench represented a rospe of the Russian pobut, a sign for reading in a voice.

In the main collection of books "Serving the Russian people" (1861) V.І. Then, including the creation of other genres, zokrem, squash, riddles, іgrovі viroki, sіchki, іchilki. Vin also tried to introduce folk terminology into the science of science, which was victorious with noses of texts: "Konana", "foal", "scramblers", "primovki".

A lot of changes in rural and prelude to the past are being promoted in the other half of the 19th century, as the suspense-political struggle became more acute, a new look at the establishment of folk masses and the problem of rural development. The development of the literature, the need for literate and educated people, the need for reorganization of the initial process.

Zagalnyy interest to the folk school to produce to the utmost respect for childish folklore from the side of pedagogues, methodologists; there are promotional gifts, in which one of the warehouses includes childish folklore. Folklore is repaired with a kind of material, as well as a great artistic and pedagogical value, through some texts, ideas of nationality, patriotic vikhovannya are carried out.

Childish folklore is an organic part of the cola reading child. Yogo drukuyut in books, special views, books for reading.

In the other half of the 19th century, children's magazines ("Prolisok", "Zirochka", "Promeni", "Mayak") are being repaired, folk Kazakhs, Bilini, пісні, ігри, riddles and greetings.

The first scientific visions of a childish folklore are involved in the collection of P.V. Shein's "Russian folk songs" (1870). Childish folklore is introduced with a special section, which includes 122 texts. In the beginning of the century, there are almost 300 entries in the "Velikorus" library.

P.V. Shane became the first ethnographer-picker, who brutalized respect for childish folklore, pointing out the versatility of their species and seeing them in a special way, having taken over the basis of systematic education by ourselves. Having started organizing the selection of business in fifty years and prodding it practically until last days life, common records, otrimanі from іnіh zbirachіv.

P.V. Shane handled a handful of writings in the "Readings of the Association of History and Old Life, Russian at the Moscow University" (1859), instead of the stench they came out with the name "Russian People" (1870). In 1892 rotsi viyshov yogo golovny pratsyu "Great Russian in his songs, rituals, viruvannyah, kazkah, legends."

The main principle of P.V. Shane voted to play the childish folklore in a concrete setting. In additions to the book, Win was told about the publication and tried to explain the way of life of the children. The merit of Shayna Polyagaє, persh for everything, in the child's vision of folklore as a special science. Win proponuvav the classification of genres of childish folklore, as it was taken right up to the ear of the XX century. All the food is served in two groups. In Persha P.V. Shane has included songs for children of the period of childhood, koliskovy pictures and small pictures and attachments, which in turn add children to the first rock and life. To the other group, the presenter saw a picture, "like children who have gone out of a child's wake, they can also fix their own amusements and quietness." Vіn saw pictures, tied with the manifestations of nature, "hooks, like lads, one over one and over the grown-ups", mushroom daisies, іgry s rimovanny virokami, Konan (lichilki).

The supplement was given options for a song and a description of childish igors. To the skin of a childish folklore, there is a short note about the mind of your child.

Shane backed up for help for 300 picks, middle bully yak amatori , so і professionals (A.O.Bogdanovich, N.Ya. Nikiforovskiy і іn.).

Pedagogical and collecting interest, manifestations of childish folklore, with the accumulation of records. But it’s impossible to talk about whether it’s a scientific analysis of the selected material. For a friend, they chose to create, as they were given the pedagogical staff, the special predilections of the picker, tsikavi in ​​the artistic, but not in the ethnographic plan. To this, the options and the thematic divisions of all the different specific genres were rarely seen.

In most cases, the recordings were made not in a bit-by-side setting, from specific noses, but from specific, from the village middle, sometimes according to memory. Material was given not depending on the motivation, changes were made from the side of the move, and from the side of the zmist.

Significant number of publications of childish folklore appeared on the basis of young fakhovykh vidan (in "Zhiviy old time", "Ethnographic Oglyadі", "Gubernskie vedomosti", "Izvestia geographic partnership"," Pratsyakh Ethnographic Viddila Izvestiya Society of Lovers of Natural Science, Anthropology and Ethnography "," memorial books of zemstvos "," Pratsyah provincial archives committees ").

In the 19th century, we can talk about those who are characterized by intensive accumulation of factual material. On the other hand, it is necessary to understand and first try this theoretical understanding. A companion in vivchenna child folklore dominated pedagogical interest, folklore looked into the connection with the power of the victorious process.

Grizzlies and koliskovs stench appeared to be nybilsh vivchenims, the stench to be handled is practical in all sorts, to be looked at from different points of view. Immediately, we were ready to go to the classifications. However, the genre criterion is not expected to be grounded. To that, in the middle of the creation of childish folklore, it is possible to create texts from the most popular genres: history, fun and love. The versatility of the unifikatsiya began with the campus of the science of folklore, the general theory of genres and the meaning of the folk culture.

Historically vivchennya to allow z'yasuvati, which is very stylish in folklore, how and how to change and how to change, as laws of action in this history and as officials cherish this development. Vono dopomagaє virіshuvati spіrnі nourishment, such as chimalo in science about folklore, for example about the camp of modern folklore. Suchasnyj folklore bezsumnіvno, pov'yazany Zi Old, ale the same hour gliboko vіdrіznyaєtsya od Demba, oskіlki narodna tvorchіst viprobuvala on sobі dіyu nayvazhlivіshih sotsіalno іstorichnih i-cultural chinnikіv (іdeyny vpliv Velikoї Zhovtnevoї sotsіalіstichnoї revolyutsії, dokorіnnі zmіni in sotsіalnіy strukturі suspіlstva, wide expansion for a friend, illumination, radio and cinema). It is possible to create a bright, modern folklore only by putting it in the line of historical development of all Russian folk art.

In the vivchenni history of folklore, there are great difficulties. The main reason for them is the fact that in a large number of food it is not possible to follow the diet, until what time is it that one of them should be in charge of their walks and what kind of way they walked and the snakes passed. The very history of folklore is very important. We have few old people recordings of folk poetry. Most of the old literature reports tell us about the references and historical transfers. Pisen records, including historical ones, are dated to the end of the 16th century - the ear of the 17th century, and the bilin records - until the other half of the 18th century. Few have left the history of folklore, as they have renewed their development.

Nareshty, in science about folklore є unprinted inconsequential illogical theories and hypotheses, judgments and assumptions. In addition, there is a solution to food about the historical timeliness of the options for the environment. It is impossible to wait for the time, for the most endings and the new version of the beginning is the most ancient, but, now, navpaki - what is the option, the time is the same for the first time.

Є і there are not many gracious sujen in science about folklore. So, for example, at the beginning of the appearance in the bilins of some survivals, surplus of the old times, mythological misinterpretations and elements of the unseen to us and only the original first one, we should be given a copy of the early genre of the early genre of the genius

Chapter 2. Classification of child folklore

The problem of the classification of childish folklore is looked at in two aspects - the value between the understanding itself and the vision of systems and genres and genre images. Kozhen s fakhivtsіv, scho pratsyuyut with childish folklore, seemingly to stand in front of him as admirers. When vivchenna child folklore, the interests of folklore, ethnography, ethnopedagogy, vikov psychology are crossed, so that the transmission of the power of victoriousness in robotic methods of presentation is crossed. Tim is not mensh, until the genesis of the genres of childish folklore, poetry, the conceptualized principles of classical texts.

The summary of the classification should be clarified and that there is no single terminology. Koliskov's pictures were not often called "bikes", the little ones were called "counters", "Konan". The presenters cited the names given by these persons, from which boules of broken records. Non-values ​​are invested in the very terms. The understanding of "attachments", "attachments", "viroki" in small robots is not the same. O.I. Kapitsa wrote for the first time about those who, in the visions and scientific preliminaries, are creeping up in style and one-of-a-kind terminology, which are related to the name of the given kind of childish folklore, which appears when recording.

First try to date the classification of the childish folklore boules zroblenі tіlki on the cob XX century in pratsy G.S. Vinogradova and O.I. Capits.

O.I. The capital of vvazhaє, which in the fallowness is for quiet purposes, such as to put a prelude, the classification of childish folklore can be broken down in different razrіza: according to groups, over the past seasons, according to the data of the records, according to the prizewinner.

Ї with nursery rhymes for the little ones and pictures, as it is included in the repertoire of children, it’s not a matter of self-play, it’s not a pity. Children will rest in memory of those, who will be able to take advantage of their energy and interests, in addition, similar processes are promoted from generation to generation.

To another group of creators, they can create texts, which are meant for the middle of children, if the stench is already self-indulgent. Itself, until the last day, I am aware that I am not in my own order with sufficient material for a greater detailed view of all groups. Everyday old people see different groups of children, some of the genres of rich genres hanging out in the middle with a larger vykovym interval.

The first criterion for seeing the childish folklore O.I. Capіtsa vvazhaє yogo priznachennya. Vona name koliskov pisnі, poezіyu plykannya ("Pestushko"), іgroviy folklore, potіshki, primovki, calendar folklore, dredges, riddles, zavdannya, food, zavazhennya (type of sound іgor), winners, kazki ), children іgri, viroki.

O.I. The capital of the theoretically priming podil child folklore based on vikovy groups children, proponated in the robot P.A. Bessonova. Vona vrahovuvala not only in the nose of childish folklore, but the first time.

per genetic principle I will my system V.P. Anikin. There are three groups of creations: the journey of the grown-ups for children; In the middle of them there is a glimpse of the genre and the imagination.

V.A. Vasilenko, I propounded the functional principle of classification, I see groups of texts for the manifestation of game elements in them:

) Koliskov_ pisn_, or bikes;

) Create, tied with game diy;

) Create, as you occupy the children with the verbal wickedness and vikonuyutsya indefinitely from the games.

Obviously, the ear can be seen in all genres of childish folklore. As the genre is not tied to the child's play, the game is based on the sense, understanding, words, sound.

However, the childish folklore for games and non-games does not come close to us to the intelligent folding systems and genres. The system, which is the best one last seen by V.P. Anikin, exactly depicts the multi-composition and genesis of childish folklore. It is not a question of the truth of the vision in the childish folklore of the poezia of the plectrum (koliskovy pisnі, pestushka, little pots, primes), annoying kazoks, by creators and noses that are in the middle of nowhere. Obviously, the childish poetic repertoire of the creations that were grown up in the childish repertoire are more than childish creativity. Ale vona can not be the basis of the robotic classifications, so as a rich genre of child folklore, from the third group to the third group - vigorous creativity of children (children, drawing lots of lots, drazhilki, podzhki, wake-ups, yapping) From folklore grown up abo literary.

Classification M.N. Melnikova gave it up. Vaughn spiral on the guard of G.S. Vinogradova, Aleksandr I. Capits. Readable reports. Due to the nature and character of the teachings, I see the main group of childish folklore. On the basis of the spirituality of the poet, the musical harmony and the viciousness in the function of all the middle skin groups, the self-styled genre is seen. In koliskovі period children can only hear and lie down more and more. Mothers, grandmothers, nannies shot for them travel plekannya(Mother's trip).

For children of the senior age, the signs of game folklore. Yogo see practically all modern witnesses, albeit skinny from them, the mind of them in their own way. G.A. Bartashevich brought to new tricks, games and viroki. V.A. Vasilenko gave them Pestushko and quiet. All the genres of childish folklore, including koliskov songs, are known as "poetry of verbal igors". Children іgri wіn look at the shape, which is before the childish folk drama.

G.S. Vinogradov bring all kinds of child role-playing igors and "games preludes" to play folklore. Tsim terminom is a glimpse of lichilka, drawing of lots, viroki. Vin vvazhaє, but the verbal component “you can't grasp the pose of a dramatic gri, a component of such a stench є”.

Before the inshoї group of texts by G.S. Vinogradov introduces quiet folklore. Yogo priznachennya - development, entertainment, quieten yourself and your comrades. The new one includes "fun, not tied to a dramatic play", and the basis of the game is laid in words and additional acts (nychki, golosyanka) or only in words (verbal іgri, inverted, smoothies, moving girls).

Non-game folklore is dividing into three groups: satirical lyric poetry, calendar and by-beat folklore. The skin group included a number of genres. Before calendar folklore, children were staged rituals of songs, calls and viroki; to satirical lyrics - drazhniks, underwear; to the side-by-side folklore - children of Kazki, songs, riddles, horror stories.

O.I. The capitulation meant that the vision of a childish bybotted folklore is not rightful, a reflection of all genres "by the best rank tied with a childbout." Tilki poeziya plekannya with the dominant vikhovnoy function "to be introduced" into the pobut children grow up. The genre of game, or rather quiet folklore, is naturally united by its own functions, according to the visibility. At the same time, the skin genre has its own function, its own poetics, priyomi vikonannya. For the form of one genre, it is possible to signify both verbally-movnі, іnshі - like rozpovіdni, the third - like pisennі. Remaining two groups, for a given term, docily incorporate into the group of folklore by-side. Apparently, M.N. Melnikov, and a lot of happy past.

The designation of groups of childish folklore for the signs and character of popping - depriving the Persha Lanka of the classification, as a transfer of the vision of all the middle skin groups for the familiarity of the unity of poetry, the musical harmony, the manner of evocation of the genre The proponation of the classification is far from complete, but it can only be seen in the quality of work. Vona has been last implemented in the structure of this book.

O.I. The capital meant that the childish folklore is the "arsenal and soil" of the Russian childish literature, to live continuously and to the backbone. The creativity of a skin writer, like writing for children, is clearly linked to childish folklore, the mastery of the accumulated in the new media. Have their own devil, childish writers to play the funky into the childish sleepy-poetical repertoire. At the newest, there is a sense of remission of creations, especially of small forms, and of professional literators. As a result, the expansion of the genres of childish folklore will be seen. However, the analysis of the poetics of horror stories, excuses, sadistic verses, okremikh forms school folklore I will show that all the stinks are childlike analogues of quiet genres of folklore grown up.

The problem of folklore of the Russian childish literature is great theoretical and practical value, The merit of great and all-purpose education.

2.1 Childish igrovy folklore

childish folklore іgroviy genre

In connection with the special features and the nature of spending an hour in the camp in the weary, іonіchny creativity of children of the loan іgroviy folklore. Grass is especially important, vinyatkov is significant in the life of children. VF Kudryavtsev, the presenter of the childish igor, wrote: “If gras are old enough for the principle of their own tolerance, then for children it is as natural as it is in a child's life. For the grown-ups, the gras are very busy, and for the child, the gras are seriously busy, to the extent that I am stuck with my weak strength; for a new gra - a good man is feasible. " Itself through the load of richness in which to take off the navkolishn_y light. Gra for children - a respectful way of learning and knowledge. Children have invented even more richly popular igors. ED Pokrovskiy in the book "Children of the Igry, Perevazhno Rosіyani" (1878) gave a lecture describing 500 children of the Igors. Name ігор і їх form tightly tied with a village bobot. For example: "Kin", "Cow", "Goat", "Komar", "Bjoli", "Chickens", "Kachenya", "Tin", "Stodola", "Kosi Gorodi", "Beetle", "Yastrub i pigeons "," Geese and swans "," Vovki and vivtsi "etc. A number of children igor mi bachimo nasliduvannya labor activity matured. So, for example, in the games "Rіpka", "Redka" and "Chrіn" the image of the named vegetables is displayed, in the group "Millet" they show with their hands, like millet sat, water, mow and dry. At group "Mislivtsi" there is a love of wild animals and T. P.

Bagato children іgri does not include any folklore. However, there are a few such іgors, in which folklore create an organic and inadvertent component. In the first place, children are the first to act as creators of folklore. Naybіlsh wider genres, in which the creation of the game childish folk art is set, є drawing of lots, little children and pictures.

The drawing of a dressing is a whole lot of short rimovans (there are some rows in the doors), which can be repaired, if it is necessary to play on two parties. The stench of supravodzhuyut such children іgri, yak "Khovanki", "Salki", "Lapta", "Mistechka" and in. The simplest form of foal is stored from feeding to * "queens" (leading). Two lads, moving to the side, are homeless, but one of them will be called a black horse, and the other will be a golden drum. Then, go to the queens, shout the stench:

"Queens, whom you need:

black horse

Or the drum of gold? "

One of the queens vibrates the "black horse", and іnsha - the "golden drum". If you want to go to the queens, go for a couple of gays and, for example, feed:

"Bulk outside yabluchko

Ali gold? "

Then the third pair, the fourth pair, etc., go to the queens with the riddles. And this is how all gravitas go to two parties.

The foal is slowed down in shape, in yak nourishment, up to the queens, before the front is a small descriptive-descriptive picture. for example:

“Throw a crow, overshadowed by the mountain.

Yakogo horse: gray or golden mane? "

These and the images of the foal are more amazed by the bespoke environment, in which the village children lived. The art of miniatures did not represent great difficulties for children. The foals were easy to open with them and to the satisfaction.

Especially great development in the game childish folklore has taken the genre of tricks. Lichilochka - tse also rimovanі vіrsh, ale trochais more for its sizes, nіzh colt. Tracks may be 6, 8, 10 and more rows. For the help of others, the participants of the Gris (name and name) are pererakhoyuyutsya, visas start their roles, for example, the participation in the group. The words “rakhunka” are often used at the end of the day. The axis of the butt of the lichilka: “The first giving, the one who took, Three forces - All of them. Who loves gadati? Write in Turkish? "Ale the little bit is not only forwarded to practical goals (I will set the charginess for the grave); She may have some good news. For example, some of the gravitas, poking around with the hand of the lads, vimovlya: “One, two, three, chotiri, There lived midges in the apartment, Before them, Khrestovik himself was happy, the great Pavuk. Five, sixty, seven, visim, Pavuk, we ask: "Ty, nazhera, don't go", Come on, Mashenka, drive! "Whoever got the word" Lead "is a leading one. Vіdminnoyu special іchilka є victorious so-called "zoosumіly movi". Tse, persh for everything to expand on numbers. Zvyazyk z tsim V.P. Anikin writes: “Become accustomed to the form of rakhunka in lichilki, mimovolі pіchaєsh, shо vidozmіna verbal form numіvnikіv-zagalnі rule for lіchilki: time -azi, anzi, knapsack, rose, razin, etc.; two-two, two, two, two, etc.; first-born - first-born, first-born, first-born; other, іnshiy - other, friend, friend. " In sportive forms, there are not only numbers, but the first part of the move. The peculiarities of the zealous move must be bred until the new age is found, until the taboo rakhunku (the fence is pererakhovuvati, the number is determined). They dreamed of the old times about those who, if the mister perakhovuє beat the game, then you will not be lucky in the coming love; if the lord pererahu chicken eggs, then hen stop to carry, etc. To that, we will straight rakhunok be replaced by clearer, special words - by їkh vygadanimi deputies. The genetic link of the zealous move of the chicks from the ancient zvichaєm (taboo in rakhunka) is insane. However, in the pictures, like boules recorded by folklorists in the XIX-XX centuries, Zaumna mova does not depict the child's presence, but the pragmatism is amused by a lot of words.

The word in the bagatokh is not the style of the singing sense, but rather the necessary rhythmic oddity and rhyme. Lichilochka can be a simple set not to miss any sense and that quiet words. for example:

Eni, beni, Eve, shtevu,

Decks, packs, Kushtanev,

Shore, Batori, Gam, palyam

Shoes, vik, Babar.

Before us is a grave word, dynamic rhythmic and sound repetitions. For that, as all gravitas appear after the help of the foal, or the foals are rocked in pairs or roles, the gravity itself must be repaired. A. I. Nikiforov in the article "The People's Child of the Dramatic Genre" rightly implies that there are a lot of tales about creatures, vicarious children, and the drama and theatrical performance. In a still larger world, the price is introduced to childish igors, which are rich in small theatrical vistavs. For the butt, let's describe the "Radish" gray.

“Before the mother to the colony of the child, to the third, the third and so far. The leader, or the leader, go and even: "Knock, knock, beat!" - "Who the hell is attracted to?" - "The gentleman has fallen into the oven, they will crush the crush, they want to cut it." - "Smack, smack, that is not the root!" The Veducha starts to draw from the place to sit the little girl and, having put her on her feet, she knows how to sit down on every place, and I myself know to the naughty ones. - "Knock, knock, beat!" - I know how to start knocking. - "Who the hell is attracted to?" - "Barina vchadila, richly tsukru has eaten, she is sick, a little bit hot .." I know smikє i, if there is one root, that is, one uterus, then all gravts take their part in the group. First for everything, the uterus is pulled together from the mice, then we can plant the club on the dovga, as all the gravels are carried with the dull smiles and whigs: “The roots are smacked! The uterus cannot be carried! »Stretching out a dagger of fats, lower it to the ground. Tsim gra і kіnchaєtsya »Before us is not so much, like a child and play drama. The town was brought to the city of Nagadu, beloved by the children, the Kazochka "Rіpka". However, її heroes іnshi. It’s all natural: in a child’s family, a granddaughter, a woman, a granddaughter, a cat, a bear and a bug cannot take over.

Yak and in kazkas for children, in children igra-vistavas, they often get used to children. Х mіsce in the group and composition of the function of development. Pointingly, the butt of a pisenka, yak vikonutsya in the group "Gorilki". Gravtsi stays at the bet one by one. And in front of the syuït "scorching" and recitatively vimovlyaє the little picture, which I respect to praise the pragmatic:

“Burn, burn clearly,

The schob did not go out,

Look at the sky

the stars are on

Cranes scream.

Sty Podol,

Marvel at the field

Blow surmachi there,

There will be kalachi

Gu, gu, gu, flow in. "

For such a pet to take part in a group, it is unimportant to marvel at something in the field, but at the sky. And at the end of the hour, "scorching" shvidko viguku: "One, two, three-ni crows. Bizhi yak vogon! "Zabarivya catching, and the wine becomes" scorching ". I will continue to progress.

At the pointed butt, the little dog will be able to sing solo. At a large number of vipadks and games, the little ones will sing in chorus, before the hour they will dance in a round dance. Tse mi bachimo, for example, in the games "Lion", "Zaychenya", "Korshun" and in. One little pig is sleeping for children, if it stinks at the stake (in the games "Drake and pitching" and "Tin"), or to sit (in the group "Smoking room"). Іgrovі pisenki to complete the developmental genre. Among the others, the old-timers see the Golosyanka, the Movchan, the Pisenka of the Kazak Zmistu and in. Wash the gris into the golosyanka. “Let's lads, pull the golosyanka. Who is not a vityagne - that for hairs p --- b --- a --- a --- a --- t --- b! Having pinned the first ones to "pull the golosyanka", they will be called to the punishment. Movchanki vikonuyutsya pislya guchnykh іgor, for the sake of repair. Hopefully, in a fast-paced one, the Movchan is widened:

"Kishka is dead,

Hvist blaze,

To promote -

That і z'ist .......

Movchanka resigned -

Doors on the slider! ..

Doors on the slider! ..

Some gestures and grimaces wriggle rosmіshiti grimace. They laughed merrily and inveterately over the tim, who perchim the motivation.

2.2 Out-of-game children's folklore

Folklore of different genres for children, they live and pose in a groove, in pobut. Ale і in cich vipadkakh vіn it is also not uncommon to have the character of fun and excitement. Tsikavi materials and guardianship for the out-of-play childish folklore of the boule are given in the book by A. Mozharovsky "On the life of rural children of the Kazan province" (1882).

In out-of-game childish folklore, Bachimo is not only seen by us earlier than genres (adornments, pisenki and in.), A and deyaki novi (guests, girls, sweaters, squashers, etc.). Put it on. The axis of the attachment, which is used by the girls for bathing:

Wily water,

give horses to drink

On an oak deck.

And the axis of the attachment, how to be seen in children, if the stench knows a ravlik:

Julitta, Julitta,

Hang the horns!

I'll give you a cake.

One one child was added with baits - small distributions in virsovan_y forms. Guided by a bait about a goat, at the booth that lit up:

Don, don, don!

The goat booth lit up.

The goat scrambled

Eyes of vitriol,

I let the child,

Has run up to the shred,

I sniffed the tyutyun,

Has run up to the oak

І let's beat the club,

The dog gripped the comoru,

So in the tail and flowed in.

Hata came to the man,

There dizha babu misinterpret.

A special type of attachments is used to store an inversion i. Pisenki are called inverts, in which there are lines and rings between objects and appearances they appear inverted. There are about those, for example,

it’s not a man who’s in the middle of a village, but a village’s where a man’s middle, not a man in the face of a peasant’s face, face of a peasant’s face, etc.

Liko a peasant for cutting,

Їkhala village Sered peasant,

Lo and behold, dogs bark at the gate,

The gates are strings, the dog is new.

A man grabbed a dog.

The inverted children appear to be healthy until they are awake, healthy, happy and quiet. I'm going to the forest. Listener: 1st I. I chop down a tree. Listener: 1st I. I am a deck.

Childish out-of-game folklore of permeations with merry, hotties and dotep. Pointing to the child of the host - a pasta. Listener: 1st I. I suppress pigs. Listener: 1st I. The stench will be. Listener: 1st I.

Among children, widening and widening of the price was widespread. Ale on them nіkhto not obrazhavshis, so yak mayzhe kozen z lads mav his prizvisko. A quick note to the boy Petya and the little girl Paraska:

Petka-pivn,

On the face of rotten.

Pashka-komashka,

Pig kalabashki.

With a special genre of the childish pose, we play folklore, so called underwear, like children, they pushed one of one. Hoverly two jackets:

Say "sokiru"

Your father is a villain.

Say "To the bath vine".

On a vine.

Your mother goat.

Even more widespread in the out-of-game child folklore, so called drazhniks were called. Teasers, as a rule, call the name "quiet," Axle butt of such drazhnilok:

Yuras conned

Kishtsi nizhku pidkuvav,

having gone to get married

Having tied the coritse.

Koritze to chat,

The squad will laugh.

Ivan bazikati,

Bazikav milk -

Chi does not vibrate

And all visorbav.

The squad baked a donut,

Youmu gave it a shot.

Let us fall in love with the genre of out-of-game childish folklore є the mongrel. Skoromovki - a twist, prompted by the sound of the sound, to speed up the speed and readiness of words. The grave in vimov, which is not a word, winked out the smith of the chill out. Guided by the scramblers, recorded from children. “Wired kovpak, lucky kovpak, that is not in Kolpakov's style”; "Pig Tuporila, she overwhelmed the whole yard"; "Stand a copy with a podprikopenochkom." In some of the marshals, they are big, they can be prompted in a dialogue form. for example:

Roskazhіt about purchases.

About yaki about shopping?

About purchases, about purchases,

About my shopping.

At the end, you can say that sleepy-poetical creativity children grow up to be a great genre novelty.

visnovok

A native culture, like a father and mother, is to blame for the fact that not a lot of the soul of a child, on the cob, is a source of specialness.

It has infected us in a step-by-step way to turn the national memory, and to put it in a new way before the old saints, folklore, in which people have surpassed the best of their cultural achievements.

Childish folklore, inclinations among grown-ups. We were zupinilis on the genres of folklore, the creations of which, were created, and were victorious by the children themselves. As it has already begun, it’s completely childish folklore (both games and out-of-play), it is quite common to see folklore grown up as for its snake and artistic form, and for the minds of the funnels and vicissitudes.

At once from time to time say, how poetic creativity of children is not isolated from poetical creativity grown-ups, witnesses of some children є from the best rock. To look at the sounds of childish folklore with folklore, the grown-ups will become attached to the article by E.S.Litvin "Before food about childish folklore"

Do you justly create a childish folklore, suspicious of children among grown-ups? It’s absolutely fair. In perche, create, live the middle of children, vikonuyu function of childish folklore. The stench, as a rule, is vikonuyutsya for fun, not an organic component of this chi іnshoi childish gri.

In a different way, tsі creatively transform and transform themselves according to the peculiarities of child psychology, poetic creativity of children. So, it is meant by prelude people that the song is round-about, in which the "drake" and the "duckling" are symbols of the named and named, children are recognized as the name of the bird, literally, birds are called roses. Children in the group will have trouble. The little girl is a lyrical ditty, from the middle of children, to transform into an extravagant little child. I, nareshti, in tertiary, in genres, prepossessing as grown-ups, children did not often create new folklore.

List of vikoristanikh dzherel

1. Azbel S.N. The main understanding of textual studies in the history of folklore material // Principles of textological education in folklore / Vidp. ed. B.M. Putilov. - M., 1991.

Anikin V.N. Russian folk prizliv'ya, orders, riddles that childish folklore: A book for a teacher. - M., 1977.

Anikin V.P. Russian folklore: Textbook. checklist for universities. - M., 1987.

Anikin V.P. Theory of folklore: Course of lectures. - M., 1996.

Anikin V.P. Usna folk creativity. Reader. - M., 2006.

Anikin V.P. Folklore as a philological discipline // Methodological problems of philological sciences: Zb. sciences. good. - M., 1987.

Arzamastseva I.M. Child Literature: Navch. Posibnik for students whish. and the middle. ped. navch. mortgages - M .: Academy, 2000.

Bєlov V.I. Narisi about folk aesthetics. - M., 1989.

Bogatirov P.G. Folklore yak is a special form of creativity // Bogatirov P.G. nutrition theory folk art: Zb. Art. - M., 1971.

Vasilenko V.A. Childish folklore. - M .: Vischa school, 1978.

Vinogradov G.S. Childish folklore / Publ. A.N. Martin's // History of Russian folklore / Vidp. ed. A.A. Gorulov. - L., 1978.

Vinogradov G.S. People's pedagogy. Irkutsk, 1996.

Vinogradov G.S. Russian childish folklore. Іgrovі preludes. - Irkutsk, 1990 ..

Gorky M. About Literature. - M., 1961.

Childish poetic folklore: Anthology / Order. A.N. Martinov. - SPb, 1997 ..

Єmelyanov L.I. At the jokes of the subject of vivchennya // Єmelyanov L.I. methodology of nutrition folklore studies. - L., 1978.

Kapitsa O.I. Children's folklore: Pisnі, potіshki, drazhniki, kazki, іgri. - L., 1928.

Kravtsov N.I., Lazutin S.G. Russian folk creativity is asleep. - M., 1989.

Litvin E.S. Until food about childish folklore. - M., 1988.

Melnikov M.M. Childish folklore and problems of folk pedagogy. - Novosibirsk, 1985.

Melnikov M.M. Russian children's folklore: Textbook. posib. for stud. ped. in-tv. - M., 1987.

Methodical instructions on the collection of folklore. - M., 2004.

E.V. Pomerantseva Pick up folklore. - In the book: Pomerantseva E.V. About Russian folklore. - M., 1977.

One, two, three, chotiri, n'yat, my demo with you grati: Russian child іgroviy folklore: A book for teachers і uchnіv / Order. M.Yu. Novitska, G.M. Naumenko. - M., 1995.

Savushkina N.I. About selected folklore. - M., 1974.

Sokolov Yu.M. Russian childish folklore. - M., 1991.

folklore in happy holiday: Aspects of the paths of the message. - M., 2001 ..

Chistov K.V. Introduced // Russian folk creativity: Textbook. A guide for universities / Pid ed. P.G. Bogatirova. - M., 1966.

Chicherov V.I. Russian folk creativity: Textbook. posibnik. - M., 1989.

supplement

1. Knocking, driving on the street:

Thomas ide on the curt,

Timoshka on kishtsi

Here you go along the road.

Kudi, Thomas, yedesh,

Kudi poganyash?

Sino mow.

What are you talking about?

Corin godvati.

Is there a cow for you?

Milk.

What is milk for you?

Children to sing.

Gra granny with onuk. Slightly take care of nіs and power up:

Who was it?

Copy.

Having bought it?

Sweetie.

Z kim z'iv?

Yakshho onuk did not say “for you,” but saying “one z'iv”, the granny smacked yo for nis, like bi in punishment for those who didn’t agree with the others. ...

At an intricate settlement,

On Ivanovy mountains,

Rastabar_vali birds

Anyone, any non-reference:

Fool about Emelya,

About the humpback's conic.

About the witch-dancer,

About a snotty goat.

Oh, miracles happened:

Pig on the side

Vivela egg in dough,

Visidila іndichka,

Three egg Parsley.

Parsley and Filya

We caught sonya with kovpaks,

Mlintsy and pancakes

The hut was caulked;

They carried water in the sieve ...

Graki fly. Children flock to a colo, one of them to go to the middle and sleep:
Folklore depicts people's attitudes, vikhovannya, morality, svitoglyad. Genre system of Russian folklore. I see the "genre of the Kazka situation", the essence of which pole is in the fact that it is in the charming Kaztsi ...

Open your Google account (cloud recording) and go to new one: https://accounts.google.com

Signatures before slides:

The genre of childish folklore "Childish folklore is a specific area of ​​folk art, which is common for children and children of old age, which includes the whole system of poetic and musical-poetical genres of folklore" M.N. Melnikov

Plan: Understand childish folklore. See the childish folklore. "Poez_ya plekannya" ("mother's poez_ya") Calendar childish folklore. Igroviy folklore. Didactic folklore.

The structure of childish folklore: Create UNT, special for children; Create UNT, stored by the children themselves; Be creative, you have passed from UNT grown up

P. A. Bessonov "Little children" (1868) A. N. Afanasyev "Russian folk cossacks" (1870) G. S. Vinogradov "Little children folk calendar", O.E. Kapitsa" Childish Pobut and folklore "," Alive water"," Childish folklore ", KI Chukovsky" From two to five ", V.P. Anikin" Russian folk prizes, orders, riddles that childish folklore "," The wisdom of the people. Life of the People in Russian Folklore ", MN Melnikov" Russian Childish Folklore "

Types of childish folklore: "Traveling plots" ("mother's travels") - koliskovy pisnі, pestushki, potіshki, attachments Calendar - calls and attachments of іgrovy - іgrovі pripіvі and viroki, foals, dribblers, tricks Didactic - squashes, riddles, sending those orders.

Robots in groups: Head: vivchit theoretical material, write a synopsis, show your food to the scientists of the other groups (visnannya priest, butt, meaning) Group №1 Food 2. Train plekannya (mother's train) Group №2. Food 2. Pestushki Group №3. Pitannya 3. Calendar children's folklore. Group No. 4 Pitannya 4. Igrove childish folklore. Group No. 5 Food 4. Non-inverted, non-centered. Group No. 6 Pitannya 5. Didactic folklore.

"Trains plekannya" ("mother's poeziya") Koliskovi pisnі ("whisper, talk, whisper, talk") - create usy folk creativity, songs, as you add help to slaughter, spit a child. Pestushki ("plekati" - "nyanchiti, growth, go for kim-nebud, carry on your hands, wihovuvati") - short wiry viroki, like super-waving the ruff of unimportance in the pershі mіsyatsі life. Potishki - pisnі, like suprovodzhuyut grizzly child with fingers, pens, slickers. Primovki - pisenki, scho nagaduyut little kazochki in virshah.

Calendar childish folklore Calls (“zaklikati” - “click, ask, ask, ask for, beastly”) - beastly to son, merriment, plaque, the words of which were played in chorus. Sentences - beastly to living things (to mish, ravlik, bugs), imovleniya by a skin child one by one.

Іgrovy childish folklore Іgrovі pick up, viroki - rimovan vіrshiks, which take away the minds of gris, cobs roughly sound the parts of the game play. The fate of the conspiracy - rimovan izvernennya to the "queens", with a podіlu to the commanders. Lichilochka - rimovaniye vіrsh, how to fold from the invented words from the seat of the strict rhythm of the rhythm. Teaser - rimovan addon to imeni. Chumartsi - maliy folklore genre humorous zm_stu, based on a range of sl_v. Unbilitated-inverted, unstable. The price is very interesting for the genre.

Didactic folklore Skoromovka is a shvidka repetition of hard-to-pronounce words and phrases. Prisliv'ya - in the luchne of the people hangs, how to build up, zzvychay from two parts, I will explain the other part to the Persh. The order - in the absence of the hang, amid the povchalny sensu. The mystery is a genre of folklore, in which it is necessary to intervene in the signs and power, in the form of an object.

Artistic freedom of riddles: detachment - overpowering non-living objects with the qualities of living things 2) different forms of origin: direct, indirect, negative Porivnyannya - a form of poetic transformation, copied on the basis of one manifestation by some object

Budova riddles: 1) riddle - shortly from one speech 2) riddle - answer 3) riddle - describe 4) riddle - food 5) riddle - zavdannya Who is born with vuss? A tail with patterns, chobots with spurs. Yshla deva z gir, carried seven shkir on her, and yak yi razdyagli, everyone read over her. Sitting in a room on kutas on kishtsi, on the other hand, kishka kishka - kishka. What is the whole thing about? Varto Antoshka on thin nizhtsi.

THREE SECRETS OF THE RIDDLE an object about how to make a riddle, not to be called; look for a similar subject; These are the signs of zagaduvati an object, for which one can learn.

Front view:

Theme: Genri of childish folklore.

meta: Dati to understand childish folklore, learn about the genres of childish folklore and their peculiarities.

Zavdannya: 1 .Educational: Dates an understanding of childish folklore, learn about the main genres of childish folklore, їkh features, insights into Kazakh and Russian childish folklore.

2. Vikhovna: vihovuvati dbailive і chuine staged to CNT, riches of movi, formvati culture of movlenya.

3. Razvivayucha: development of movement, misinformation, outlook of scholars.

I. Organizational moment.

II.Checking homework.

III. Preparing for the future and active mastery of knowledge

IV. Conquest of new knowledge

plan:

1. Understand childish folklore.See the childish folklore.
2. Trains plekannya (mother's train)
3. Calendar childish folklore.
4. Igroviy folklore.
5. Didactic folklore.

“Childish folklore is a specific area of ​​folk art,

I am united light of children and light of grown-ups,

which includes a system of poetic

and musical and poetical genres of folklore "

M.N. Melnikov

1. Understand childish folklore. See the childish folklore.

Childish folklore... Tse the understanding in the new world is brought up to quiet creatures, which are mature enough for children. In addition, here you create, created by the children themselves, and also passed on to children from the old age of creativity.

Vivchayuchi childish folklore, it is possible to have a lot of intelligence in the psychology of the children of the same age, as well as to evoke their artistic likeness and the level of creative possibilities. Bagato genre is tied in a row, in the way the life of the elders is depicted, for that there is a representation of the moral attitudes of the people, their national rice, and especially the state's spirituality.

Before childish folklore, the great renowner of the Russian movi V. I. Dal was more than once swallowed with the folding of the famous four-leg leg " tlumacy vocabulary Living Great Russian Movy ”(1863-1866). And the first zbіrkoy childish folklore, we see in Rіs ci, boules "Children pisnі" (1868), selected by PA Bessonov. From the bottom of the road, it is given to these songs, in which the clearest of everything is pedagogical reminding of texts, as well as to the detailed artistic form. Interest in folk culture, scho vinik in cob XIX the capital and not dwindled on all the yogo dinner, with the numerous publications of folklore creatures, including children. Prior to folk creativity, singing and prose, interpreting and working on this or even on the other hand, are enacted.

In the 60s of the 19th century in Russia, a pedagogical thought was developing intensively. Ideas K. D. Ushinsky expands on the sphere of vivchennia of children's folk art, on the zagaln_y systems vikhovannya pіdrostayuchay podіnnya. The most popular at that hour was the statistic of the book by A.N. Afanasyev - a prominent counterpart and systematizer of folklore. In 1870, Russian children of Kazki were selected by him - a book that became a textbook of folk pedagogy in the future. The book was written in the following way: “I am honored to let the children around me see, as I don’t fit the regional peculiarities of the talk, I don’t fit the book with annotations and I didn’t have enough options for the news; at the same time it will be done by hand and put down those kazki, as they are not guilty of eating into the hands of the children ... "

It’s hard to get interested in folk creativity, sprout up to a child, go on the cob20 years of XX century. Among the numerical reviews and predictions of that hour and more recent ones are seen the pratsi G.S.Vi nogradov, O.E. Kapitsi, K.I. Chukovsky. Having let Vinogradov! such robots, such as "Childish People's Calendar", "People's Pedagogy", "Childish Folklore and Pobut" and many others. Kapitsa; to lay down a bezlіch doslіdzhen and collection of folklore texts, for example: "Childish Pobut and Folklore", "Alive Water", "Childish Folklore". The selection of the data and the number of observations led Kapitsa to the occasion of the possibility of witnessing folklore at Vykhovanna's child. Tsі visnovki laid on the basis of the established by her method of processing folklore material for attaching yogo to childish perception. Chukovsky including the recording of childish word-making, as well as his own razmish laziness and naukovі visnovki the book "From two to five" was seen several times; I especially respect the zvertav itself for the call of children’s creativity with folklore.

The robot V.P. Anikin "Russian folk prisliv'ya, orders, riddles that childish folklore", which appeared in the end of the 50s, became a noteworthy change.

Piznishe Ani kin sklav richotomnu pratsyu “The wisdom of the people. Life of a Man in Russian Folklore ", the first release of any dedication to childhood and childhood.

One of the great robots left after an hour is the book by MN Melnikov "Russian Childish Folklore" (1987). For the name of Lenny Melnikov, “childish folklore is a specific area of ​​folk art, which is common for children and adults, including the whole system of poetic and musical-poetical genres of folklore”.

See the childish folklore.

Childish folklore is shared by the group:

1. "Train of plekannya" ("mother's train") -koliskov_ pisn_, pestushki, pot_shki, attachments
2. calendar - calls and hooks
3. Іgroviy - іgrovі pripіvі and viroki, the lot of collusion, іchilki, drazhniki, chumarts, inverted.
4. didactic -

2. Train ply (mother train)

In the system of genres of childish folklore, there is a special place for "poeziya plekannya", or "maternal poeziya". There are koliskovi sings, pestushki, pisni, primovki, kazki and songs, wings for the little ones

"The train of plekannya" is tied to the wickedness of small children, with a turbo that looks after them.

koliskov_ pisn_(From the word "bikes" - "bayat, talk, whisper, talk") -create usnyi folk creativity, songs, which help you to cope, spit a child.

There is a child at the center of the whole "mother's journey". I have mercy, I fondle and fondle, embellish and add. In essence, it is a very aesthetic object of travel. In the best of the enemy child, the people's pedagogy has laid the foundation for the appreciation of the value of one's own specialty. The little one otochu light, mayzhe ideal light, in which to pan and rewrite love, goodness, zgala zgoda.

Nіzhni, monotonous songs are necessary for the transition of a child from sleep to sleep. From such a message, Koliskov's song was born. It was here that a mother’s vrodzhene was born, folk pedagogues chuynist to the peculiarities of the vik. In koliskovyh people see in minds, igrovіy forms everything, for whom mothers are alive, - її joy and turbot, її think about babies, її about yo mіbutn. In their own words for a mother, they include those that are intelligent and reasonable. Tse “sirenkiy kotok”, “red shirt”, “shmatok of pie that bottle of milk”, “crane” ... Words-to understand in koliskovaya sarcastic is not rich - deprived of that, without which the first knowledge of navkolishny svit is unhappy. The words give and first navichki of the native movi.

The rhythm and melody of the song boule, obviously, is the rhythm of the rolling of the barley. The axis of the mother spiv over the coliski:

Lyuli-bai!

Save you

I have mercy on you

Angel tviy -

Preserver of tviy.

From be-like otsi,

See if I'm crying

From all sorrows,

From all these misfortunes:

Skіlіkі vіdnі sіsnі love and hot pragnennya to protect your child! Simple and poetical words, rhythm, іntonation - everything is straight on the magic spell. Frequently koliskov and bula of its own kind, spells, serpent against evil forces. One can feel in the whole coliskian sound and ancient myths, and the Christian air of the Guardian Angel. For the most part, the turbot and the love of the mother, who want to protect the child and prepare for life and pratsi, are always poetic in the chanting song.

Part of the character in koliskovaya painting is kit. Winning order with fantastic characters - Sleep and Sleep. Some of the glimpses vvazhayut, so the clues about new naviyanaancient magic. A little to the right of the one who wants to sleep a lot - the axis is guilty of bringing a child's sleep.

It is not easy to guess in koliskovy, as well as in other childish folklore genres and іnshі creatures and ptahs. It seems like chuvs of everyday stinks, like people. The nadіlennya of creaturely human yakos is calledanthropomorphism.Anthropomorphism - it was recognized that there were found those who found the language, but the people who were so overwhelmedcomprehension of the life of the people.

People's pedagogy included in Koliskov not only some kind of priests, but those who were evil, scary, not just nod and witty (for example, the evil Buk). All of them needed to add, conjure, "bring in", they didn’t give the stench to the little one, but maybe they didn’t help and help you.

Famous folklore VP Anikin appreciated the role of a much higher one: “Koliskov's song is a kind of prelude to the musical symphony of childhood. With the help of a child, to grasp the sound of the unmovable tonality of the words, the singular tone of the native moving, and the growing child, who is already susceptible to the intelligence of the senses of the words, masters the cyclical elements of the serpent.

Bayu-byu-byu-bye,

Sleep, my miles, shine.

little dogs ( "Plekati" - "babysit, grow, go for kim-nebud, carry on your hands, vihovuvati") – short variations of viroki, which are superbly useful to the ruins of the world in the first month of life. little dogs (From the word "plekati" - vihovuvati) tied from the earliest period of development of the child. Mother, races the veil of yogo, if you have zoned out from the clothes, stroked the teltsa, you can change the handles and nizhki, apply, for example:

Puff-puffs,

Across the fatty,

And in nіzhki - walkers,

And in the hands - grabbing,

And in the mouth - talk,

And in the head - a mind.

In such a rank, Pestushko supervises the physical procedures that are necessary for children. Їх Зміст і are connected with their values ​​by physical actions. The set of poetry in Pestushko is also designated for its functionality. Little dogs are lako nichno. "An owl to fly, an owl to fly," - it seems, for example, if ma blazen with the hands of a child. "The birds flew, on the head of the head," - the child's handles are on the head. I am so far away. Do not be hungry in Pestushko є Rome, but if є, then most often a guy. The organizing of the text of the pestushki as the poetical creature can reach the bagatorazim repetitions of one and the same word: “Geese litto chi, swans flew. Geese flew, swans flew ... "

Vodichka, vodichka, vmy molichko,

Smіyavsya rotok,

Schob biting a tooth.

quiet - pisnі, as super-juggle grizzly child with your fingers,handles, handles.

Soroka-blueboka cooked porridge, a little godvala ...

quiet - more broken-down game form, lower Pestushko. Potishki rozvazhayut baby, set in a new fun mood. Yak і Pestushko, їm power is rhythm:

Tra-ta-ta, tra-ta-ta,

Kishka went for the cat!

Kra-ka-ka, kra-ka-ka,

Having asked for a wine of milk!

Dla-la-la, dla-la-la,

Kishka didn't give it!

Innocent little ones just rozvazhayut (yak pointed out), and hourly I instruct, give the simplest knowledge about light. At that hour, if the child is able to sprymati sense, and not just the rhythm and musical mood, the stench will bring you the first vidosti about the multitude of objects, about the rakhunok. A little listener, by and large, is a knight himself, such a knowledge of the game pisenka. In other words, there is a transfer to a house rozumove tension. So in the first place, the process is repaired.

Forty, forty,

Bіlo-bіloboka,

I cooked porridge,

The guests were namanila.

Kashka for a style,

And the guests to the yard.

First - porridge,

To the other - mash,

The third - pivtsa,

The fourth - vintsya,

And the fifth did not reach anything.

Shu, shu! Flew, sat on the head.

Srymayuchi through such fun a cob rakhunok, a child spantelitsya shy tim, who didn’t get anything. Perhaps, to that, why milk doesn’t n'є? Azhe axis і goat butsaє for tse - in іnshiy nursery rhyme:

But the pacifier is not wet

Milk hto not n'є,

Togo - boo! - gore!

I'll put you on the horns!

The commander of the quiet is greedy to beep in tone, gestures. They have a child. Children of that vіku, which are acknowledged to be quiet, themselves can’t be seen by all those who smell and smell, to that stench to the sound of sound, to the repetition of the older, to the gesture. The bosses of the whole vikhovny and educational potential of the nursery rhymes appear to be significant. Until then, the child's svidomosty is seen to collapse not only to the point of being overwhelmed by the direct sense of the word, but to the point of taking the artistic design.

attachments - pisenki, scho nagaduyut little kazochki at virshah.

Dili-dili-dili-don, a kitty booth lit up.

Kishka whisked, eyes vitrized,

To live a hen with a bucket, a kitty booth.

Petya-Petya-Pivnik, golden comb,

Maslyana golivonka, shovkova beard,

Why do you get up early, don't give the kids sleep?

on the basis of nazyvaut small kumedny vitvir, vie skazivan_ya or just around the turn, most often in Rome bath. Razvazhalny vіrshiki and pіsenki-beauties іnnuyut і pose in the groin (on vidminu from the nursery rhymes). The dressing is always dynamic, reminiscent of the energetic touch of the characters. You can say that in the primovtsi the basis of the figurative system is to become the ruh itself: "Knock, drive along the streets, Thomas on the curtsy, Ty midge on the kishtsi - there you go along the road."

3. Calendar childish folklore.

Before calendar child folkloresuch genre, yak

calls and hooks (The term was introduced by the expert-linguist G.S. Vinogradov).

Calls ("call out" - "click, ask, ask, turn around") - beastly before the song, the merriment, the board, the words of the vigukuvali chorus spіvuchoo.

Rainbow arc, don't let the board

Come on Sonechka Bell.

sentences - furrowing to living things (to mish, ravlik, bugs), imovleni by skin babies one by one.

Bozha korivka, Fly to heaven,

There are your kids and suckers.

The chants for their activities were tied with the people of Lendar and the language saints. Tse is introduced to those close to them for a zmist and implantation. Yakshi pershі from trimming the beast to the forces of nature - sun, vіtru, cheerfulness, then others - to ptahіv and tvarins. The magic spells for the Reshle in the childish folklore are the ones that the children acquired early to the first and the turboboots were grown up. Piznіshі calls and attachments swell the same character rozvazhalnykh pisenok.

In the games, which have been preserved until our days, and include in themselves for nicknames, attachments are clearly visible from the ancient magic. Tse іgri, scho were carried out in honor of Sontsya (Kolyada, Yaril) and the іnh forces of nature. Among the supervouches of the tsі іgri, the cry was saved to the people by virtue of the word.

Create a childish calendar folklore with the help of the omnipotent force of nature. Goloshenya їkh got the village children up to life and pratsі grown up, filled with hope and hope for a good harvest, prosperity.

4. Igroviy childish folklore.

Іgroviy childish folkloreperformances in such genres, yak

іgrovі adapt and viroki,

lot of conspiracy,

lichilki,

drazers,

chumartsi,

inverted.

Igrove prispivi, viroki -Rimovanie verses, like revenge, mind the gris, cobbing roughly sound parts of the game.

The value of іgrovyh pripіvіv, virokіv- to pinch love and povagu to the current order of speeches, to teach the rules of behavior.

Mushrooms from the forest bearer, I take berries,

And you must not sleep and marvel at us.

"So" and "ni" do not seem,

Do not wear black and white,

The letter "R" is not imovlyaє.

Lottery conspiracy -rimovan izvernennya to the "queens", I will go to the commanders.

Pour an apple or a saucer in gold?

lychilochka - rimovaniy vіrshik, scho to wrap up with invented words from the seat of strict rhythm.

Lichki call fun and rhythmic verses, before you vibrate the leader, fix roughly the same stage. Vva Talki were born in a group and were unattractively tied with her.

The modern pedagogy is to introduce a superstitiously great role in the form of the people, vazha її a free school of life. It’s not just about developing spirits and smiles, but I’m accustomed to adhering to the accepted rules: even if we’re grateful, we’ll be smart enough. At the group, there are established other types of performance and voluntary order of playing roles. An authoritative old man here, who, in the face of the adopted rules, must not introduce chaos and plutanin in the child's life. All the principles of the rules for the introduction of the maybutny mature life.

Tarya-Marya went to the forest,

The cones are їla, they told us,

And my bumps are not їmo,

Tari-Mare viddamo.

teaser - rimovan_dodatok to іmenі.

Arkhip is an old mushroom.

Andriy is a gorobets, do not ganya doves,

Ganiai checkmark w-pid stick.

Bear-wicket, Close vukha - a bump.

chumarts - Maliy folklore genre of humorous zm_stu, based on the group of words.

1. Say two.
2. Dvіstі.
3. Head in the test!

Say piven.

Pivn.

You are rotten!

Everything about the blame of malikh genres, organic folklore for the child. Smell to serve the development of the movement, km_tlivosti, uvagi. Fortunately, it is easy to remember the stench of the stench by giving the resolute form of the high aesthetic rivnya.

Unbilitated-inverted, unstable. The price is very interesting for the genre. The breeders of the "inverted" children develop into the sense of the comic very same aesthetic category. This kind of attachment is still called “traveling paradox”. The pedagogical value of the polyagu is that, if, when we are confronted with the absurdity of not bilingualism, the child will become aware of the fact that he has already perceived the correct information about it.

Chukovsky, having assigned a special kind of folklore to a special work, calling it "Lepie nisenitnitsi". Vіn respecting the whole genre, we recommend that it is very important for stimulating the child's cognizance to the light of day and even kindly setting out what the instinct should be like for children. Children are gradually brought to systematize the manifestations of action. In order to systematize the chaos, as well as the carelessly boggling klaptik, the ulamk of the child's knowledge reaches the level of virtue, the joy of knowledge. Sounds of interest to the mountains and to the past, the process of systematization, classification of visunutiy on the Persian mice. "Reverse" in the іgrovіy form of additional help the child to establish itself in the already familiar knowledge, since the known images are present, the known pictures are presented in a confused confusion.

A similar genre was found among the other peoples, including the English Licha. The name "Lepie nisenitnitsi", given by Chukovskiy, is derived from the English "Topsy-turve rhymes" - literally: "Vyrshiki go downhill."

Chukovskiy vvazhav, scho burning grati in the "inverted" inherent in the skinny child on the singing stage of the development. Interest to them, as a rule, does not die out for grown-ups - only the first plan to go is not an educated one, but a comic effect of "stupid nissenitnits".

In the middle of the sea, the stodol burns.

For a clean field, the ship will run.

The peasants on the streets, kill them,

Stink kill by'yut - catch riba.

We know how to fly for the day

Let's wave our tail!

Yykhala village

A man's povz,

Raptom z-pid dogs

Barking the gate.

Vikhovatel viz

Win z-pid batoga

І let's dubasiti

Her gate.

The dakhi were angry,

Sili on the raven,

kin poganya

A peasant with a batog.

5. Didactic folklore.

meta didactic child folklore -vikhovannya and development of children, the transfer of the accumulated information to them, the revitalization of knowledge, necessary for an elderly life.

To genres of didactic folkloresquashes, riddles, sending those orders.

skewer - shvidke repetition of difficult to pronounce words and phrases.

the value of the squash- staging a clear diction.

Through the dullness, he accumulates saws to fly across the field.

The black crow drove out.

The stench is admitted to the quiet, rosy genre. The root of the tsikh of the creation of the usual creativity can also lie long ago. Tse verbal gras, as part of the shutters were included in the celebration of Christmas celebrations to the people. A lot of scramblers, which meet the natural needs of a child and who are difficult to do, have become entrenched in childish folklore, who obviously came from a grown-up.

Sewn kovpak,

That is not in Kolpakov's way.

Hto b that kovpak

Re-cap?

Skoromovki zavzhdayu include in themselves the purchase of hard-to-pronounce words, there is a great number of aliterations ("Buv ram Bilorus, all rams perebelililil"). The whole genre is an indispensable yak for the development of articulation and will be widely educated and educated by doctors

mystery - a genre of folklore, in which it is necessary to relate to the visual signs and power, attracting only the thought of the subject. The name suggests yak food for vidgaduvannya.

In 1865, organizations in Udmurtia became organizing parties, the old ones made riddles to the young for the themes.

meaning of riddles- to develop a rosum, give the ability to accurately design an object.

Artistic freedom of riddles:

1) detached - overpowering inanimate objects with the qualities of living things:

The girl is sitting in the dungeon, and the scythe is on the street.

1. Rіznі Forms Of Correspondence:direct, indirect, negative.

porvnyannya - the form of a poetic movement, based on the setting of one manifestation, or an object with an object.

Directly adjusted: Dovzhina, yak is the road,

Short, yak flea. (Life)

I, yak pishchinka, maliy i cover the earth,

I am leading, and I myself am the people.

Yak fluff, I'm lying in the fields,

I, yak diamond, I shine with sleepy exchanges.(Snig)

Indirectly: Gold sieve chornykh budinochkiv mostly.

(Dormouse)

Negatively: Chi is not a shirt, but sewn,

Not a lyudin, and growing.(Book)

Riddles Budova:

1. riddle - in a short time from one speech:

Varto Antoshka on thin nizhtsi.

1. riddle - answer:

Yshla divka z gir, carried on her sіm shkіr,

And yak її was handed out, everyone read over her.(tsibulya)

3.Riddle - Describe:

A tail with patterns, chobots with spurs.(Pivn)

1. riddle - nutrition:

Who is to be born with vusami?(Kit)

1. riddle - zavdannya:

Sitting in the room on kutas on kishtsi, on the other hand, on the skin - kishka. What is the whole thing about?

prisliv'ya - In the face of the people, I’ll tell you from two parts, I’ll explain the other part.

If you are afraid, don't go to the forest.

If you want to ride - love and sled to carry.

Sweat sweat - with gusto spіvaєsh. (Kaz.)

Hto pratsyu, that i sitiy. (Kaz.)

order - vluchno hanging, relieved by the povchalny sensu.

On the right, the maister is afraid.

They chat in the fall.

About Jiga judging by the yogo on the right.

V. Closing the grafting material

Vi. Pidbitty pidsbag. Information about homework... Otsіnyuvannya.

THREE SECRETS OF THE RIDDLE

1. an object about how to make a riddle, not to be named;
2. look for a similar subject;
3. These are the signs of zagaduvati an object, for which one can learn.

Practical robot