Folklore yak zasib vikhovannya. pre-new building sound

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The relevance of the diploma presentation begins when one of those who have chosen the factory, is to stand in front of our administration at this hour, it’s spiritually, morally born, because it’s unfortunate to be healthy, do not catch up with the cultural and historical capital of the nation. creators folk art... Also K. Ushinsky, hanging on to the principle of nationality, talking about those who, “We live, we live with the best and the best sound, that we will live, and that the people may live in the same great history” (19). 87). Lyudin, the yak has lost her root, will become used for the suspension. And it’s not like that I don’t take the formulation and development of specialness, creative activity, as a beast to folk traditions, Rituals, folk creativity, oskilki, perebayuyu in the natural environment, such as є for a child of yogo birth, win easily, without special zusil, hourly intuitively master yogo. The words of G.N. Volkova: "Bagatogrannaya development of health on the basis of active development of the whole culture - the axis of one way to creative animals."

Folk creativity, which includes a great number of genres and neo-rated wealth of our people, a magnificent layer of culture, both national and light, an indicator of health and talent to the people. across Folk creativity the child is not only opaque with my own mother, but I will master the beauty, laconicism, get to the culture of her people, take away the first declarations about her. Vona concentrates in her all the awareness of the people, carries in her all the forms suspicious properties, Including in itself a great amount of information, which will establish a decline in the number of people who are past and present. To try to keep the folk mystery " universally socialization, by means of acquiring social values ​​". That is why it is highly relevant to develop the methodology for victorious folk art in robots with children.

Suchasnіy pedagogіtsі luring humanistic pidhid to a child, a bit of a humanistic zavdannya є navazhlivim, delivered to the lives themselves. The role of the mechanism of communication between practical and educational approaches is an axiological approach, which acts as a kind of a bridge between practice and theory. Wien permits, from one side, vivchaty is a phenomenon from the point of view of laying in them the possibilities of satisfying the needs of children, and from the point of view of being able to see the humanization of the suspension.

The sense of an axiological approach can be made through a system of axiological principles that can be applied to: equality within the framework of a single humanistic system of values ​​while preserving the diversity of cultural and ethnic specialties; Equivalence of traditions and creativity, knowledge of the need for vivchennya and vikorystannya of the past.

For the rest of the hour, pedagogues-theoreticians develop the principle and methods axiological vikhovannya all parts of it began to turn to death folk pedagogy.

The idea of ​​the nationality of the Bula was introduced before the revolution of 1917 to the rock and death of the Bula was strongly promoted by the revolutionary democrats V.G. Bulinsky, A.I. Herzen, N.A. Dobrolyubova N.G. Chernishevsky. The central idea of ​​the national vikhovannya Bula is organically tied to the development of the national self-awareness of the Russian people.

The head assistant of the rector in the right emotional development specialties of the child are old, this is the first for all the folk arts, in their bagatokh they have shown the new children from themselves early rock... Until then, the people’s mystery for their naco-figurative specifics is most often accessible to a child, not a mystery of professionalism.

It would be unwise to pererahuvati that wholesome in pouring in, as you can press on the child of the people the mystery in the process of his education and education, in the process of the moral formation of his specialness.

Pochatkova vivchennya MTIE profesіynogo Mistetstvo, vihovannya zdatnostі Chitat image in pam'yatkah arhіtekturi is the arts and crafts Mistetstvo, nareshtі, knowledge іstorichnoї schablі rozvitku rosіyskogo Mistetstvo od naydavnіshih chasіv, vivchennya bagatovіkovogo Collective hudozhno-moral dosvіdu, zakonіv kompozitsіynogo mislennya zokrema, kompozitsії koloristichnoї, kompozitsії on the area, compositions in arts and crafts - all of the teacher's work can be successfully completed on the materials of folk art.

I, nareshty, Russian folk mystery, which has preserved to our days the significance of a living artistic decline, ot the historical pre-history of the Russian mystery, the spiritual culture of our people, drawing the national character of the people, moral And to that the conjugation of children with the folk mystery is necessary in the moral development of the specialness of the skin from them. Revealing the past over and over, showing more than once that our epic is not only to images, but to patriotism.

As it’s not awesome at first glance, the more difficult practice is to support the neo-assessment of the folk art in the robotics of the teacher.

A surplus of artistry, the breadth of a creative look at the light, it is possible to coal both in the mystery of the early epochs, and in the folk art. A surplus of artistic gifts to the people was given to the people, and they were decorated both artistically and morally for the mean and the beating. It was the formulation of the light of children, the price of folk pedagogy - didactics is not obtrusive, but the gift of the readers, who were taught in children through the mystery of actively putting before the new light, and the smut to the point, what is the needless life , not only materials.

The axis of chomu nini is unwise to re-evaluate the meaning of folklore - poetical, musical, imaginative - among our children. The current national culture thinks "not only as imagination, but as a criterion for our patriotism," as our criterion before, which is equally dear to the people.

Narodne navchannya is creative and develops character. Developing us in front of a child of nature, naukolishnogo life, mystery, rіvnya creativity. Naturally, it’s possible that there’s a lot of resistance in the zone of creativity of the child, in the process of her active activity.

Before the teacher, who is victorious in his robotics methodology of the national vikhovannya, one must stand two main methodical staff:

Help children emoticon before those who wiklikati the need for a creative camp, close the tips for sprinkling, seemingly the need for knowledge;

· To help children to see through the word-image, color-image, babies.

Basically, you can take the kind of folk art that is closer to the teacher. Slid, however, pidcreslity, scho robot z different species mistress is not only pedagogical reception It’s necessary for children to take one mystery, but it’s necessary to transfer them to children, if I want such basic types of mystery as poetry, music, imaginative mystery. Let's talk to the sound diploma robot became: the development of the methodology of axiological vikhovannya for help learning children to folk artistic creativity

2.3. ELEMENTS OF THE PEOPLE'S CREATIVITY YAK ZASIB VIKHOVANNYA TSILISNU SPECIALIZED DITINI

Usna folk creativity to conceal in its own unprecedented possibilities for the awakening of cognitive activity, self-reliance, lascivious individuality of the child. The greatness and importance of the first rocks of the life of a child are presented to the teacher in particular, which is true for the children of the early age, but he is guilty of the good of the nobility, the specialness of children, the area of ​​individuality, the prognosis of the skin The teacher is guilty of the nobility early development There may be unique specialties in the development of the home and in the process of organizing the methods of learning about Russian folklore. On the cob stage of knowledge with the sleepy folk art, the most accepted games form to take. The teacher is guilty of the nobility to develop their vikhovanets and to create adequately the child's life, not underestimating the child's spirits.

The folklore of the first few days is of particular importance. At the time of the meeting before the new situation, the sum of money for the house, mother, does not expect to get along with the older children. The teacher can come up, vividly develop a nursery rhyme, how to help establish contact with the child, wicked in a new positive emotion, sympathy to the rest of the little known people - to the teacher. I will look at, scho bagato people create Allow to put on, be-like it is, do not change the change, but in the adaptive period Vikoristovuvati such nursery rhymes.

Vzhivannya prisliv'yiv, orders, quiet chi іnіh pіbіbnyh virazіv naturally in the moving older; said by the reader in the quiet surroundings of the child's life, the stench will vikonuvati its role. The people are alive only todi, if they live until the first hour.

From children, in any case, it is impossible to vimagati, and the stench was smelled by tsymi virases, or, even worse, they learned it by heart. We are guilty, but we are pleased with you, that the child will catch the calls of the listener in her own way: "sleep - people nasmishish" - povchannya. As soon as in the young children there is a bright order, a figurative hang, then there will be a great city for the teacher for his work, and even a special child will not go to the center.

Koliskovy pictures.

Usna is the folk creativity of the way of life in its great poetical values. For example, koliskov pisni is an indispensable element of the traditional pobut of the Russian people. Koliskov's song was spoken by a child's mother, or a grandmother, they stole a cradle. Koliskova didn’t just try to force the dumb, but she did it. Vaughn razpovіdaє children about light and now about the creatures: animals and birds, who love little children so much, about people close to him. Primarily those that are practical for all the members of the family, presented in Koliskov's pictures, are shown in pratsi: “Father Pishov for the Ribeya”, “Mother went to Pelushki Mitya”, “Granny Korіv Doyti", "Dіduus Firewood Rubati", etc.

Maybutnє child can be presented at the pratsi:

If you will be great

You will catch the ribka,

So catch the taper,

We'll be lis rubati -

Take your mother for a little goddamn.

Calling the little child, the mother was already getting ready to work life, she was talking about the blue turbot, kindness.

Attachments, attachments

It’s a good time to use attachments, adornments, to admit children, especially those who have hired, in order to screw up їхnyu respect, calmness, happiness.

Such processes in the life of a little child, like dressing up, bathing, etc. vimagayut suprovodu with a word, and here the folk creativity is inevitable

Water, water,

I'll wash my baby

The very guys were shining,

Schob shchіchki chervonіli,

Smіyavsya rotok,

Schob biting a tooth.

Dіvchіntsі rozchіyut hairy and plait a braid, not to love the skin. At the center є vikhovny virshik

Grow a braid to the waist,

Chi did not let in a hair!

All the hairs in a row

Grow the scythe do not cheat,

Mom, daughter, hear it!

Ditina huddled, fell, showing the sickness to the mice, crying. Dorosly to christen the price with his own hand and condemn the child of the development

My cat is in pain

The dog is in pain

Olya has no pain,

Olya has live bait.

Affectionately sounding for a supravodzhuvavsya stroked, the riddle of the known children of twins will be respected from the pain, soothing, to the mood.

You can read the children to suudzhuvati tsim virshiki by yourself. For such a rank "likuvati" crying comrade, sister, brother. The price for the development in the children is felt to be a pity, every step of the way. Not obov'yazkovo big and grow older, you can help yourself.

Ditina burst into tears - it’s emotional stressing virshik:

At the same time, Katrusyu, do not cry,

I will buy you kalach,

I'll hang on to it,

And then I will calm down.

Whiskers-nursery rhymes to add, quiet down the child, if you trim him in your arms. Deyakі potіshki tied in a row. Ditina gra is dependent on satisfaction, it is easy to join the group. Play with the child, curb the gymnastics and wiggle it. Proceed to vіn vivchaє vіrshiki-potshki, which supervise the gru, and the words itself, promulgated to the food.

Most of the ear of cich іgor nastіlka yaskravo, so you can name it, without overdoing it, let us go to the culture of your people. Here you can introduce the classic "Ladies-Ladies", "Magpies-Biloboka", "Little Boy" and a lot of them. So the very little things are developing not only the child's mova, but rather the rhythm.

chants

Yak only child of trokhi pidris, having become able to speak, he himself, without further admonition, began to register with folk poetry. sounds rozpovіdnі texts For example, the kazki, who have not yet received power, can only be heard, but still not in the snake. And the axis is simple, the foldable attachment of the wine is easily memorized and can be stored in time.

Such calls are bestial to nature, to creatures from haunted ones. If for a long time the calls of the bully magic formulas, of a kind of snakes, like the ancient hliborob called the sun, the boards of nature, to give the earth warmth and vologue. More than ever, the calls have become childish playful verses. Children are fantasies and vygadniki, chuiny to the word, complement the old-fashioned oaths with new rows and walk around the verge, now from the point of view of the grown-up, ale turn a childish glance at light.

The chants give the child's power in a poetic form, and the ability to be put to nature:

Board, board, forest,

I will give you a lot.

I'll give you a cow -

Water all day!

It’s an hour to come and new, more folding forms of folk art come to the stage.

Send those orders

The feast of dityini do folk culture immensely without the knowledge of the people’s prizes and orders. K. D. Ushinsky rightly indented, that when you hear a great meaning in the case of a cob nave rіdnoї movi... The first admission of the child is chuє in the old age, with the very cob to open up, the first for all the sense of the admiration, as the overwhelming attitude. Sense of it, it’s zoomed, that it’s in the bends in a straightforward way, with unbeatable obviousness: “Not going to the ground and the fungus doesn’t get lost”, “Without the help, not forging and ribbing at the rate”, “Take care of it at the great frost”.

The proverbs of the judgment are taken as a child in the direct meaning, ale їkh zagalnyuyuyu character in such a world, accessible to the mind: "... I don’t take a fungus, as if you don’t bend”. A thought that stands up for a number of judgments, it can be zealous as it is necessary to be praised if you are busy, if you are right. Bigger transferable transferable sensation when a child grows eerie lichen with a wick.

People are inclined to revenge morality, viroblen by bugs with generations: "No one - shuk, but know - take care", "Do not sleep with my - sleep with the right", "When you finish dilo - walk smilo", "With a little girl - good ". A child who has been educated has a great pedagogical meaning to human wisdom and has a great pedagogical meaning. Slipping the tim is easier to lay down in memory, but the meystern of a thin robot gave the people a thought at first into a short rhythmic form with clear compositional members of the judgment on a piece.

People's orders - tse widely widened imagery vislovi, visually begin to be seen as life. The order is not just a sign of a manifestation, but will give you an emotional assessment. The child is dear to his nature, even more than that of an emotion, it is easy for him to get close to the vernacular virases, more precisely, the mastery of these representations for the child, the forerunner, and the teacher is guilty of the quest for completeness and the correctness of living. To that, it is more beautiful for everything to be implanted, or orders at that moment, if in obviousness and in the instrumentality of the facts, furnish it - for the child's clear - people nasmishish ").

Genial creators of Russian folk art and folk art. The stench is good to become an element of folk pedagogy. I will pick up an estimate given by K.D. Ushinsky: “Tse - the first and the quickest try Russian folk pedagogy, and I don’t think there’s anybody who would be in a snake to be in the same vague as the pedagogical genim of the people. The folk Kazka is easy to read by children, the very fact that all children Kazka constantly repeat one and the same words and bells. Repeat three times, as it appears, as it is impossible more, pedagogical meaning it can be stored in a single, stringent way, easily accessible for looking around, outside the ruck, life and interest. " (47; p. 157)

Cossacks mіtsno went into a childish beggar. For its zmist kazka, especially folk, is completely available little child, Close to your misery With her, the child learns to fix it from an early age, hear the words, tell her mother or her grandmother, see the feeling, the experience. Ні, ymovіrno, ditini, like without a zavmirannya heart rimmed a biekku. As a rule, children will be happy with the success of the hero, they hate the nasty thing, for which the hero sticks. Cossack, often over-ride over інshih vikhovnymi priyoms.

In the Russian folk kazts, a wealth of change has been laid down and a lot of artistic change by the different means of variation (porous, epithets, synonyms and synonyms), for example, the red girl, the grass; what kind of children are victorious at their promos, but not only the development of imagery, the development of creativity, but the development of creativity; and in relation to the moral and aesthetic aspects of critical topics and ideas. V.P. Anikin vkazuvav, scho: “... Kazki, of their own kind, a moral code for the people, їkh hero - tse hoch and іyavnі, ale put on the true behavior of people. The clue of the Kazkar came out of the promises about the triumph of the forces of life, pratsi and honesty over disagreement and poverty. " (57; p.65)

The Kazka to introduce the child into the deyakіyavnі furnishings and the snarls survived at once with the heroes so much, as they pour life on the whole farther away. Ditina from the very cob of kazka postє to position positive hero, At the same time with him a master was set up. All tse zbujuє creative activity children, snarling robiti of visnovka, which are inaccessible to the new in these surroundings. For the rakhunok of the child to enter into the middle of the imaged surroundings, the thought of taking care of the fate of the heroes, experiencing their joys and sorrows, who will form a sense of the world, start to develop realistic criteria for natural assessments. " (35; c.15)

Kazka, on a thought M. Zabilin “I will play a role in the development of uyav - goodness, without which it’s uncomfortable and rozumova’s activity of the child in the period school navchannya, Be it a creative person, the power of a grown-up person. " (28; p.81)

All prices are based on the great power of the Kazka, in the moral and aesthetic conviction of children.

The Kazka, being the creator of the folk art, carries in itself a rich spiritual charge. Potential for the potential of the Kazka, the witness of the presenter Kapitsa F.S. write: "The Kazka is already a mystery: more than a little curious and I appear behind the words of tsiliy svit images, and behind the images there is a mind of art and symbolically I will become very spiritual." (29; p.38)

With the right selection of kazoks, with the urahuvannya of vikovyh features, ideological and artistic value to the creation and the correct organization of the fabulous activity of children, kazkas can repair the majestic wickedness inflow to the child.

The Kazka zberigak in its nadra is a trailblazer of language, ancient symbols and rituals. Vivchennya attributes, so that all the distinctive qualities of the characters, which give the charm, beauty and charm, and the power of the scientific smokiness of the Kazka. From the historical point of view, it means that the Kazka is charming in its morphological ambushes є myth. “Our activity, in the meaning of the world, is carried out to the sphere of rhetoric of creativity, when it’s unbearable power to appear, is represented in words, in the mystery of speaking and hearing, writing and reading, as realizing the ideas of creativity in the sphere of creativity will be in a verbal form ”(10; p. 45).

I have a lot of theory to see the dynamics of the creative process in children.

Uyava є a necessary mind, be it a rosy intelligence of a people, a vison of an important function in the behavior of the people, becoming a way of expanding the life of a people.

Uyava є folding process behind your warehouse. “Those who are called to creativity, є an extravagant only catastrophic act of canopy, which became as a result of an even greater internal responsibility and development of the fruit”, - L.S. Vigotsky. On the very cob of the process, you must stand the call and internal springs. Those who bach the child і chuє, є the first anchor points for yogo maybutny creativity. I have accumulated material, from which I will have my imagination. Given in the action of the enemy, it will change, increase or change its natural development. The addiction of children to overdrive is even more common inside the house. Send the person to the ground in the one that fixes your internal view of the enemy. Children will outbid the fact that they want to talk in an overwhelmed view, that they will be prompted to consume, and to the inner camp. The addiction of children to overdrive is wonderful to be found in the Cossack images.

Outside, the amount of creative work will be completed, if you will be involved, or crystallize in new images. Too much of the processes to accumulate in the form of decile factors.

The most important factor, which stands for L.S. Vygotsky, є the demand of the people in preoccupation until the midst of life: “The basis of creativity is to lie in obscenity, from which consumers are recognized, praznennya and bazhannya”. (13; p.23)

In such a rank, the power of being able to lay down all the information, from the needs and interests, in which the needs to be rotated. To lay it down is also one of the traditions, so that it’s quiet imagery of creativity, like pouring it into the people, from the midst of the midst. Uyava daє space creative health ditini. It’s just for a new jerel of fun, as well as in the imaginations of your inner life: driven passions, uncalled-for bazhan and non-virulent problems. Besides, childish fantasies are one of the ways in real light, Scho vidbuvaєtsya in the process of engraving roles.

As far as the classic kazki is discernible, in addition, the dignity of a child is twisted, from the point of view of a therapeutic one, a number of rice:

· Voni vtіlyuyut in the metaphorical forms of the conflict of the protagonist;

· Take into account processes in the images of friends and relatives;

· Created in figurative form analogous new situations, de hero remag;

· To represent the metaphorical crisis in the context of the binding to the right, if the hero does all the transition and reversal;

· Let the hero learn to himself in a new quality as a result of good luck;

· Come to the end with a celebration, on which everything is evidently special merits of the hero.

For vivchennya kazka more important food, how to cheat kazkoy characters, and food how to rob and how to rob is the price of food as well as a fake vyvchennya. The functions of the functional characteristics are the main parts of the Kazakh language. For the function of being smart diyovoy individuals This is how it starts from the point of view of its significance for the course of action.

A metaphor should be at the heart of a kazka. The metaphor is a kind of symbolic movi, which is a kind of symbolic move, which can be used to celebrate for the purpose of modernization and transmission of information.

In the literary, poetical images, the creators of the Kazakhs, a metaphor is vikoristvuyutsya, how to hang a thought in the indirect and all, as paradoxically, the most hostile form. Quite the force of metaphor is seen in all the dads, didus and babus. Having smothered the dull person of the child, the stench is asleep in her, having developed the history, from which the child can be intuitively attributed to herself.

“The Kazka is nonsense, she’s in a niyat ...” - What about?

At the price of food, it is uncomfortable to change, if they are too much in the framework of the national mission of the overgrown.

Ale all mi bachimo, yak sprymayut charivnu kazka children: flywheels і mesmerized, but not negotiable і not criticized. Behind Kazkov's images are the symbols of the collective unseen. Tsi and symbols are created in myths, religions, and in dreams.

Symbols that came from the city to build a child closer and more intelligent, less grown-up. "The first primordial rose" is also the presence and the day of the child, like the evolutive stage of the people, the presence of the child of the embryo "(57; p. 13). A bagatoric name to the logical target of a grown-up person in a light of symbols. tse The main reason at the sight of a child folk cossacks grow up and a child.

Besides, he is grown-up, for all his life he has built up a lot of his individual symbols, and the stench is often seen in his unseen language, not just the symbols of the collective unaware.

In such a rank, a kazka for a child, like a dream for a grown-up person, is a place where we are witnessed and unrecognizable, and help you to build your “I”, your own part in harmony with unseen.

Chaotic, but do not give up rational turn Seemingly, I will transform the Kazakh into a string of metaphors. Napryklad, feeling the little lad to his own dad. Tse love, if dad caresses him; hatred, if the dad is angry at a new one; jealous, if my mother ob_ymaє dad.

Awareness of your negative sentiments is the first croc to manage them. The other croc is the engraving їх, and here you can also help the kazka. gra in kazk hero for recklessness and management of their aggression. Besides, if it's a bit of a ditch, so that we can be rotten “for fun”, and then know how good it is, I’ll show the child, well, if I’m going to break a pardon, or hope it’s bad, I’ll know if it’s good, I don’t want to be called good.

It is necessary to brutalize respect for the coming moment. If a child, hearing, repeating, or vigaduously informing of those kazki, give free rein to his sentiments, inject a dose of natural aggressiveness. Deyakі rozpovіdі viklikayut in new fear, alove the fear of suppression of satisfaction and destruction. It is wrong to respect that the child has been stolen from any other emoticon. Nawpaki, bazhannya occasionally zgaduvati frown and burst out in the present situation - a sign of a healthy psychological health.

The Kazka is close to the child for svitovidchuttyam, as well as at the new emotional-chuttave sprynattya svitu. Still, the logic of the grown-up world is not yet sentimental. And the kazka і should not be hammered into the middle. In niy є only charming images, like a child, to be happy, and to start her sympathy.

Cossacks add to the child's food to see the hungry life, to see the unknown, to survive the emotional strus, that the child is so fond of fantasizing and folding his story "Yak I Ryatuvav Svit".

As a grown-up child, the child is not at all able to manage his own emotions, none of his emotions, and a critic is weak at the moment when he shows up. Everybody knows that they are old enough to be tied with the fastenings of the links, with their stereotypes. The dіyalness of being in the child is nevertheless intensive, and at the moment you appear in the mental life of a child, it is less important in the life of the grown-up.

The special meaning of the child's life is tied to all kinds of children’s craving for all the fantastic, love up to kazakhs and emotional histories. The child spontaneously drags on to the point that you can give new priyomy fantasies, that you can help you grow easier, that “in truth”, and that “pretend”, it’s easier to stand between the vigorous and the action.

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