Figures are characteristic of usnoy folk creativity. Artistic features of childish folklore
Specificity of folklore yak mystestva
Orthoepia admits two variants of vimov and the words "folk about r "i" folklore ".
The term "folklore" (eng, folklore), Acceptances in the international science are close to a hundred years, and in the Russian one there are three People's wisdom". In people of the country, the whole folk culture is considered to be folklore - from the odyagu and national cuisine to the coliski pisen.
In our country for folklore, call me on uvaz sleepy folk creativity, inapparently - I'll fall asleep words yak sukupnist texts.
Writing and folklore are red. Details and details, form of hanging
Mіzh folklore and literature є principles of awareness, how to reveal the specifics of folklore.
literature introducing the sphere of spiritual activity - the sphere of mystery... The same can be said about folklore. Ale to say so does not mean to say everything. folklore- tse folk culture area, Vin ohoplyu folk pobut, dressings with pracea and dozvili, socially pobut vidnosin.
Skin social group vlastniy folklore, which turns collectively, is the self-confidence of the group. Bagato scho in Russian folklore fired villagers : Adzhe Kolishnya Rosiya Bula Selyanskoy Krajinoyu. Great contributions to the Russian folklore of the population of the middle towns and settlements - remisniks, handicraftsmen, townspeople, merchants - gorodians ... Long ago in in the places they played jokes and kazki, create a heroic epic... Crazy mischief of Novgorod bilins.
Spraved, є Zagalnorussian folklore(Bagato, giving and orders) and folklore themselves small groups You can see the following signs:
Local (folklore of the Yaik Kozaks, folklore of Mezen),
Confes_ynim (folklore of sectarians),
Professional (folklore lisorubiv abo zaliznichnikiv),
Vikovim (childish folklore).
Principles of insight to folklore from literature to nature artistic creativity... Literature is a mystery of the word.
Folklore - also. However, the price of folk creativity is asleep. Otzhe, tighter important role of vidigr in folklore pochatok vikonavska... One and the same kazka sound in a smart way in the mouths of announcers of good fortune. Seems about syncretism to folklore, i.e. in different ways developmental arts - verbal, musical, theatrical, etc.
Creative process in folklore and literature, the opposite is true. In literature, creativity is individual, in folklore - collectively. Tse means folklore tvir turns not individual self-confidence, but a glimpse of a group, in which there is no.
In folklore, there is no individual author's self-awareness, and it is impossible to talk about the "anonymity" of folklore creations. Anonim is the person of a person who will take in my own name. In folklore, I don’t have anything to do with it, but in a new way dumb understanding "author". Folklore text is in post-rus ... Folklore viconavtsi are of their own kind "spivavtori", "editors": the stench is not created fundamentally new, but it is created by those who seem to be a bagat.
Tipi of light folklore
Typi of light folklore: archaic, classical and contemporary.
archaic
folklore is stored among the peoples, who are working on the first stage of development. The letters are still dumb, and the whole culture is usniy. That in this vipadku can talk about panfolklore: I love the whole culture of the ethnos. The whole folklore of people with mythological misinterpretations.
classic folklore to lay down in that era, if the powers are pretended and the letters and literature are found, albeit in the midst of people there is a lot of why they become patriarchal.
Here the artistic hour and artistic space are formed, artistic images appear, the genre system is established.
Naygolovnishe in the fact that lucky folklore to develop in a popular culture with a mass culture... Cheaper pictures, a tabloid novel, a lubkov book - all the trick is to be found by folk art and to live it one hour.
Poetics of archaic folklore
Mythology depicts the most common raven of human misery, has not yet learned the causal inheritance of these laws, since it hasn’t become familiar and it hasn’t made the abstract understand, that it hasn’t been seen in the human cosmological world. Myth є finding a journey.
Mythology is not only old-fashioned, linguistic perception, but the system of misinformation
ethiological("Causal", clarified) - a myth that will explain the emergence of different natural and cultural features and social objects - the development of food and objects.
cult- Explain the way of the cult movie. At the time of the insanity of the cult myth, wine can be very sacral.
cosmogonic- (mensh archaic and more sacred) - notifies about space walking in the whole and th part, tied into a single system.
anthropogonic- a myth about the prokhodzhennya people, or tribal ancestors (totem).
astral- about the stars and the planet. Solar and lunar - about sun (marked positively) and misyats (negatively). More beautifully presented in rosy mythologies. Cholovіche and zhіnoche start.
blіznechnostі- about the wonderful things that are served at the sight of twins who act as the ancestors of the tribe.
totemic- a statement about the supernatural dispute between a singing group of people and totemic species of creatures and roslin.
calendar myfi- a cycle of calendar rituals, agrarian magic.
heroic- feats and lives of heroes.
eschatological- about kinets svitu (gods punish people for evil things).
mythology- a whole kind of philosophy, as it zoomed in the "rules" of behavior of the primitive people and knew the concrete, practical involvement in the rituals (rituals).
In the most archaic myths, the origin of the light is attributed to ancestors, in which creatures the ear is not seen from the people. Ts totemic ancestors appear at once and as demiurgy (creator of the light), and as cultural heroes(Creator of human culture). Ninishniy stan svitu - relєf, heavenly lights, breed creatures and vidi roslin, ways of living, social development and religious establishment, all natural and cultural objects - to be seen as heroes for a long time.
So, in Chukotka and Kamchatka, there is a cycle of myths about Voroni-Kutkh... The raven dista zhmenu land from the borderless ocean and open the land. At the zberigach of light in stealing the cake, to avenge the heavenly light. I am tricky to drink water from the keeper and the viplyovuє from the viglyad richok. Win viriza salmon and breed ribs from older tree species. Nareshti, Raven to rob people from a tree, leaves and stones. The raven, in such a rank, is і the ancestor, і demіurge, і cultural hero. For all that, the Raven does not call for a religious cult. Simultaneously with the significant acts of the win to rob the masu not far away; not only a serious cultured hero, ale and empty, spritt, cunning and deceiving to achieve their goals. If you don't give in, you laugh at the Raven. The unity of the serious and comic is characteristic of all archaic mythology... Such a mythological wasteland, given the name trickster .
Late-natal support of cultural heroes has a human likeness... The smell will be taken not by the roots of light, but by the addition of cultural objects, necessary people in their struggle with nature. Persh for all the time of adding to the fire and mastering the brown cereals. In addition, cultural heroes fight against the monsters, as they enchant the peaceful life of people and turn on the bewitches of people or nature or foreigners. Some cultural heroes are kindly known to us from ancient Greek mythology (Hercules, Prometheus).
Itself in the archaic mythology, take an ear of a rich genre of folklore, which will form meaningfully.
Genre specialties classic folklore
Skin genres artistic light and especially the staging to perfection.
Understanding the genre, Yak folklore, as well as literary, tied to the artistic laws of the re-implementation of action
development of the genre
The Kozhen genre goes through its own development cycle:
To live in singing social and historical surroundings,
It is a period of productive development,
Hour of stabilization,
Old and death.
This is how the rock of the XX century became in the 30-40th century, if the folklorists became magical to create the radianskiy epos, so called “novini” - epichni texts about a new action - for the additional bilinan poetry. Tse led to the end of such artistic tsikavinok:
Here the rich man sat in the fast-moving ZIS,
I axis of the armored vehicle,
So having gone somewhere in the expanse of the open field
That s tієї something dear cross.
Zalishimo tsey text without comments.
Can I say scho genre picture of Russian folklore is not a monolithic.
Perche, ancient genres sit with big piznim.
In a different way, the line of the genre picture of Russian folklore will be explained the majestic scale of the rosian- from uzberezhzha Baltic Sea to the coast The Pacific... In the world of the Russian people there were local artistic traditions... To celebrate the classic Russian folklore, we supervise the following lines:
Handguard with ancient spells to live serpent and from the clock of the First Holy news,
A handguard with an archaic rite of birch curling - Novorichna yalinka... In such a rank, classical folklore is a foldable collection of archaic and occasional forms.
Art specifics for folklore. A link to folklore with falsehoods, the way of life and the history of the people. Food about cultural relics in folklore. Folklore as a science about people's creativity will fall asleep. Links with ethnography, mastery and other sciences. problem artistic method in folklore. Collectiveness of creativity and form. Establishment orality and creation. Anonymity. Tradition of folklore. And the axis is variability. Rozpodil folklore on curtains and genres. Poetics of folklore yak artist system.
Russia is asleep folk poetical creativity - an important part of the spiritual culture of our people. For a long time now, there is only one ...
"Unwritten history", artistically visualized the rice of national life, "the handler of life" for the people, defying their sight, living wisdom, philosophy, ethics.
To their roots, folk creativity is asleep, gliboko go into the ancient culture of the Slavic culture with old linguistic verifications, a special way of life, history, folk rituals, invitations. The knowledge of the cich roots add to the intelligence of the "riddle of the Russian soul" of the pratsovite, kind and wise people, their self-contained national character. In the Russian folk art in a specific form, it is about the happy and healthy life, about the harmony with the new light, principled before the manifestation of the people of all nations.
At the current vіtchiznyanіy philology for the renowned usnoї folk poetical creativity vikoristovuyutsya also and international term folklore, such as the introduction in 1864 by the English clergyman William Toms. The science, which is engaged in the development of folk poetry, is called folklore, and those who choose and learn folklore are called folklorists.
V rіznih lands in the term "folklore" contributes to the growth of his obsyag zmist. For everybody foreign lands Russian folklore vivchaє mystery of the weary, sounding words. Do not enter into the education of creative creativity to the people and crafts, musical art, folk choreography. People's sounds, viruvannya, way of life, material cultureє the subject of ethnography.
At the same time folklore is syncretic mystery. vivchayuchi ceremonial folklore, Yogo is uncomfortable to see from folk sounds, rituals and verifications. Vivchayuchi folk song, it is not possible to see it in the form of music, and a round dance song - in dance, gesture and mimics. However, folklore is tse, persh for everything, the mystery of the word, for that it is more to have the most virulent meaning in the swirling zmist. Ale і literature is also a mystery of the word. Who has the specificity of folklore, what is the specificity of the literature? head characteristic signs folklore є th collectiveness, anonymity, tradition, variability, as well as a special system of genres and freedom of poetics.
One of the most important signs of folklore is collectiveness. Just as literature is the creativity of some writers, then folklore is collective creativity to the people. Collectiveness in a pictorial way appeared in the historical era. With the communal-clan harmony, creation was created and victorious by whole collectives. In the era of feudalism and capitalism, folklore was created by nighteous people from the people, as they volodized words in mystical way. Ale їkh of the creative of the robot, the bull was tied with the collective of the people, it was started for all the people. As the author of the TV series is aesthetically or morally alien to the people, it won’t become folklore. Only those who are close and intelligent to the people, begin to be passed on from mouth to mouth, from generation to generation, overflowing and going, to become collective over-the-top.
In my opinion, the folklore yo anonymity, if the author is unhappy, but the author є all the people. If you are a poet, you know the melody and go into the folk repertoire, you start living according to folklore laws: to overwhelm, change, see as a persozherel, "entrack" the author.
The tradition of folklore is a long time ago, as it was historically formed and passed on from generation to generation, rituals, ideas, artist and ways to picture light. Traditions in folklore are more important than in literature. The tradition of twisting here is in the common style of the verbal text, in our way, in the manner of vikonannya. Folklore has the same plot, images, artistic priyomy.
The first sign of folklore is the variability - its change in the process of talking, the manifestation of different variants of one and the same creation. The specifics of folklore in that and the field, which in the new, within the framework of the fabulous style, is seen without interruption. skin narodne tvir, Do not let a hard text (not boo written down, sleepy), lived among the people in the impossibility of options. Even more often, the viconavtsi approximate the change to the bitterness, change the text. The variant of the kazka can be found in addition, we will grow up for the children of the kazkar. And the axis of variability is to lay down and from the steps of the visibility, and from the development in the manner of the viconance. Variants of one text can be perceived by a greater number of peace of mind.
The system of genres is especially characteristic of Russian folklore. Before epic genres Kazki, legends, perekazi, bilini, historical pictures are published. To lyrical genres, ritual and non-ritual by-word songs, voices, parts are introduced, to dramatic ones - ritual acts, drama. Kozhen z genre maє svіy zmist, his poetics.
Folklore is a special system of twisting movements, which are rarely found in literature: unique compositions, symbols, special types of etiquette.
1.sleepy shape stemming, broadening and bustling - the fundamental peculiarity of folklore.
2.Tradition.The root of the power of folklore. With the help of the head acquaintance of the weary poetical creativity, the people have become familiar with the tradition. New creations were set up for themselves, seemingly, included direct suspicion from them. In the language of the Vikorist style, there were post-doctrines, symbols, traditions and traditions of poetry. For creatures that have a plot, there is a characteristic set of typical announcing elements, and they are composed of composites. In the images of folklore characters in the type, it also rewires over the individual. The tradition of vimagal with the ideological directing of creatures: the stench brought goodness, revenged the rules of the life of the people. Within the framework of folklore tradition, it is developed and developed, constantly going through the creative process. The folklore tradition of the ringing of the clock, a collectively collective thought to the people about the intrinsic nature of its spiritual values and sacredness.
3.Collectiveness.“Folklore is creativity of non-author's type. The specificity of folklore is generated by the very process of its determination. Folklore is created by people, or else to create in a special way. The robot of a human being in folklore is to go along with the robot of the others, to lie down among the robots of the people, and to use the results of the spilo robot ... , additionally, it should be omitted. One act of creativity in folklore is linked to oneself - it is possible to change the picture, from the individual to the individual, but at a very short time. For many reasons, we cannot say that folklore was created only by one people. Be sure to see the result of the spіlnogo dіyalnosti bagatokh special. Squeakily, a person who wandered off to sleep was a person, like a tvir to pohatkovy hikers, ale folklore old tilki tak, as you pass "the most significant ball of the people's mind." That first act of creativity lies in the latent type of integration of artistic thought.
4.syncretism: Malice, indifference, unrepentance of the camp of early traditional folklore (in such a dance, spiv, music, verbal text, a number of and other elements were played in one), as well as in the midst of the late one in classical folk music.
a) polyelement- be-like folk tvir in a natural pobutuvannya includes a complex of artistic-figurative components (round dance);
b) bifunctionality- jingle of by-end and artistic (koliskov's song, lichilka, etc.).
Kinets robots -
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Understand-conceptual module
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Understand-conceptual module.
1.1. The form to understand "Narodna art culture"," People's Art Creativity ". NHT yak the basis of the artistic culture of the suspension.
Folklore in the system of folk art culture.
Folklore is a tradition for ethnos culture, as it depicts mentality, which was formed as a result of the collective creativity of the noble community, which appears indefinitely
Vido-genre structure of folklore.
Poetical canopies in folklore are the most classifiable ones, so you can combine the views and genres of folklore on the basis of new ways of imagining real life... Yak i in literature, in bit
Artistic self-identity in the structure of folk culture.
Self-made art - socially-organized creativity, directed to the production and development of the creative arts (creations, virobivs) of the elite, mass and folklore
Mythological turns of folk art culture. Myth of ancient words.
Understand about myth, mythology. Mythological picture to light. Myth yak found a layer of ethnic cultures. Images of ancient mythology. Long-standing mythology as an engaging language painting
WINTER CELEBRATIONS.
The period of Christmas from Rizdva to Vodokhreshcha (from 7 to 19 September for a new style). Walking, yazychnitsky and christiansky meaning is holy: the old cult of sleepy deities (Kolyadi and іn.); biblіynі
Artistic elements of winter Christmastide.
a) the musical elements are sacred: folk calendar songs (carols, AVSEN, tausen, grapes, shedrovki), observances of songs in the rituals of vorozhinnya; ecclesiastical messages, spiritual revolts
THE MASTER.
The period of svyatkuvannya (the last period before Great Lent). Hiking, yazychnitsky and christian ones are holy. Butter yak character is holy. Traditional name of skin treatment Maslen
RITES OF THE I RITUAL OF THE OSSENCY cycle.
basic cycle national saints Includes in itself: - sacred stubble (Zazhinki, Dozhinki), carried out in serpni-veresnі in fallowness in the region; - Cover of the day (14 zhovtnya);
Traditional wedding ceremony.
Vesіllja is the hour of the greatest life. The sacred hour of the day: the song of Chervona Girka (spring), the song of the Cover of the Day (the end of the robots), Myasoid (from Khreshchennya to Maslyanitsa). fundamentals
People's festivities in the places.
Bagatolyudnі festivities and saints were always included in the city's bybut. Some of the stinks were copied with the village tradition: the same terms and forms
Іgrovі forma folk art culture.
Understand "gra", "іgrovа dіyalnіst", "іgrova culture". The nature and functions of the game. Classification of Igor. Understanding about the people of the country. Campaign and Evolution of the People's Igors, їkh St.
Usna folk creativity.
Understand "asleep folk creativity". Interconnection of traditional folk art with the other types of folk art, with a folk painting, with an ancient non-Slovak mythologist
Folk musical creativity.
Popular creativity: understanding and type-genre structure. Song is a musical and poetic (syncretic) form of folklore. P. could іnuvati in unity with dance, dra
Folk theatrical creativity.
Understand the "folk theater". Rituals, ritual and mythological rounds of folklore theater. Folklore theater and ancient museums. Elements of dramatic performance in ancient igrischas and round dances.
Folk dance creativity.
Ancient revolutions of folk dances. Dance elements in ancient cults, sounds and rituals. Dancing buffoons. Ancient whistles. Russian folk dance: walking, artistic
Creative creativity. Traditions of popular prints.
Traditions of forms of creative creativity. Vikoristannya rosisu (nastinnoi, stele) in the decorated Russian life, church. Ikonopis. Traditions of iconography.
People's art culture in a modern holy space.
Topical problems of our time є: the need to preserve national self-awareness, spiritual decline and the basis of our butte - natural light... Russian suspension of the initiative
Fundamentals of pedagogical design of ethno-artistic lighting systems.
Understand "sanctuary system" and "ethno-artistic education". The role of the systemic approach to the development of ethno-artistic education. The main components of the ethno-artistic
Organization of folk art creativity in lucky minds.
"Organizatsion" - "organizuvati" - "sleep, start (be it installed, community organization, etc.); pidgotuvati, grace; ob'єdnati for be-like meti "(Rossijska tlamachny vocabulary Lop
Scientific-methodical protection of folk art creativity.
5.2.1. The system of scientifically methodical protection of NHT was formed step by step. Period and becoming will want to reach a significant period. The first signs of methodical activity in Russia
The lucky camp of the Budinki folk art
DNT to coordinate all creative work, organizationally-methodical and vidavnich to develop amateur and traditional folk art in Russia. DNT type - power
power of folklore
1. syncretism- the main power of folklore. Syncretism (in Greek. З'єднання) means, in folklore, to get angry and wrong and to consume people, as well as their natural consumption. In addition, the word, music, mimic, tin, dance in folklore is not okremo, but as an element of the whole (in the rituals of dance, or pisni).
2. orality- the power of folklore, which is viewed from one side as a way to play folklore, from the other - as a way of transmitting information from one generation to another.
3. variability- power, which is in charge of ruhomu, variativnu nature folklore. Oskіlki folklore tvіr іsnuvala in viglyadі bagatorazovykh viconans, there were no more in their options. Whether it is a variant of the list of early hour, In the midst of the wild, in the midst of the midst, in the midst of the victors or one (again). For the variants of folklore, it is important that those who are in the background, repeat themselves, and others, whose stench is seen one from the other. The variability of folklore could have been created by the initiators of the provisionalization. Variation is a way of evoking folklore tradition.
tradition
5. locality as a manifestation of the specifics of the musical style, preserving the historical-style barbarianism of the creation.
6. collectiveness twist in the backbone, to be an honor to folk culture all representatives of the given society in the boundaries of one hour period (from children to people who have been abducted)
7. structuredness- Inspiration of folklore in cherguvanni weekdays and saints.
happy form hanging out with folklore
Neofolklore- the introduction of new folklore forms on a new round of development of the suspension.
folklorism- "a friend of the hvila" in the current folk culture, a secondary form of folklore. May nest straight:
· Ethnographic, authentic (go to the original from the original, detail in the work);
· Folklore - scenic (not like such a life, but a demonstration to a whole life);
Childish folklore
Termіn childish folklore having become accustomed from the middle of the nineteenth century. The main hero of the understanding "childish folklore" arose in the 20s of the 20th century.
Childish folklore is a specific area of folk art, which is united by children and grown-ups, which includes a system of poetic and musical-poetic genres.
To the childish folklore, create in the traditional folk literature, which is recognized for children and in the childish middle-class. noses childish folklore Both as children themselves, as well as grown-ups - mothers, grandmothers, nurses and all those individuals, on whose basis children are used.
Childish folklore is a foldable unity of three warehouses. tse:
· Creativity for children;
· Create folklore grown-ups have passed into the middle-class child (childish ritual folklore);
Original child creativity(Childish іgroviy folklore, childish smіchoviy folklore, school folklore ta in.).
Signs of childish folklore є:
· Simplicity;
· An awkward, ale dynamically developing plot;
· Smell the image;
· Repeat the іznogo rіvnya;
· Sound control;
· Rimuvannya.
Folklore of motherhood and plekannya
Folklore of motherhood and the art of creating, which are important for children of the early age. The creators and noses of their mothers, grandmothers, nannies and all of them are young children. The meaning of these creatures is calmness, connection, development, and innocence and navchit and frighten the child.
Before the folklore of motherhood and plekannya, the following applies:
· koliskov_ pisn_
Koliskov's paintings are one of the ancient genres of childish folklore. Smells of poklikanі zapokoiti, poklikanі baby. In koliskovy songs, we have a spoky zakolisuyuyu naspіv. Often times, pictures are placed in their own magic (spells) elements. Koliskovy pictures are stored from the stringing of images from the life of people and creatures, as they protect children (Cat, kitten, kitty, wolf, hare, dog and in.)
· little dogs
Pestushki - tse vіrshі, yakim suprovodzhuvalisya ruha, developing tіlo child.
The water is fluid.
The child is quick-witted.
3 gander water
For you thinness.
Water - down to the bottom
And the child - up to the top.
· quiet
Quiet - not great rimovan viroki, like mayut meta - not only to amuse children, but to get them from the group. Often, they are accompanied by characteristic activities such as older ones, and children (going down the hill, down, splashing in the valley, imitating the picture, etc.)
Potishki suprovodzhuyut pershі ruhi children, yogo pershі іgri: "Ladushki",
"Magpie - biloboka", "Horned goat" і ін.
· attachments
Additions - small variegated rozpovidі, often unviable, kazkovy zmіst, the product of poetic creativity for both grown-up and children
Appreciations for children, who are also welcomed by children:
Fedul, what are you inflating?
The caftan is gone.
Can I sew it up?
So the goals are dumb.
And how big is the dira?
One vorit got lost.
FOLKLORE, LETTERS OF THE FOLK LOVE AND CHILD LITERATUREThe word "folklore", which is often used to mean " sleep folk creativity ", to be like a dvoh English words: Foik - "people" and iorе - "wisdom". History of folklore of the past. The ear is tied to the needs of people to learn the new light of nature and its own place in the new. The appreciation of the price was revolving in unreasonably angry words, dance and music, as well as in the works of the imaginative, persh for everything applied, art (ornaments on dishes, symbols of pratsi and in.), In embellishments, objects of a religious cult.
Understanding "folklore" and "artistic literature". Specificity of folklore.
"Wandering plot" in folklore.
Folklore is a dream of folk creativity, folk wisdom, knowledge about light, turns in specific forms of mystery. The types and forms of folk art are rich in: pisenne, dance, words, etc. Folklore is a folk mystery not only to the fact that in the big world it was created and taken up by wide masses of the people, but the first for all that, that in the new they knew the image of the national culture and moral traditions, the image of thinking about life a warehouse for a rose and a character.
Folklore is a specific mystery. A little bit of it was deprived of sleepy form... The picking up and the type of it became fine. Before folklore, the word is not right written: Nicoli was not written, passed by word of mouth, in the process of transmission of the species, there were different options of one and the same thing. Apart from specific rice, folklore є variance. Folklore Tvir was announced as anonymous, the problem of establishing the authorship of Nikolai was not raised. Folklore is found in the mature as well as in the childish middle-class.
Some texts grow up to grow up - lyrical pictures, those in the grown up with a child - koliskovy pictures, little pets, little pies, third signs for children - dredgers, graters.
Folklore text published as literary way of stemming, pobutuvannya, poetics. The presenters vvazhayut, scho actively using folklore to repair children from six rocks. But for that, it’s been brought up, їх need gotuvati from early dynasty to sprynatty and ovolodinnya folklore forms. B
Significance of artistic literature The mystery of the word depicts action through artistic images, showing the best type, comprehensible and sensible real life facts. Tse additional help for the child to learn life, the form of his position to the point of navkolishny. Artistic create, open up internal light heroes, zmushuyut children hvilyuvatisya, survive, like your own, joy and add heroes. Artistic Tvir will bring to the child not only with its bright, similar form, but with a meaningful serpent. Senior preschool children, sprymayuchi tvir, can give a date to a friend, motivated to assess the characters. Art Literature- the mystery of the written word.
Folklore is characterized by natural folk mova, hostile by the wealth of different ways, spiuvostiu. For folklore types of kindness the laws of composition in simple forms the beginning, the development of the storyline, the kintzivka. stylistics yogo severity to hyperbole, parallelism, persistent adolescents. The internal organization of the yogi has a clear, straightforward character, so you can navigate through a long stretch of the table, it’s a long time ago.
Be-like tvir folklore functionally- there is a lot of tied together with this number of rituals, vypovnuvalya in a strictly singing situation. In the usn_y of folk creativity, the whole star of the rules of folk life was found.
A lot of genre of folk art is available to the mind of little children. Ditin's folklore tales are easier to enter navkolishn_y light, Increase the beauty native nature... For a long time, there is a senseless folklore creation, specially designated for children.
2.In the system of genres of childish folklore, especially the mice loan "Train of plekannya", or "mother's train". There are koliskovy pictures, pestushki, pisnі, primovki, kazki and pіsnі, wings for the little ones. A collection of acts from these genres is discernible, and then also from the inspiration of childish folklore.
Koliskov_. There is a child at the center of the whole "mother's journey".
Nіzhni, monotonous songs are necessary for the transition of a child from sleep to sleep. From such a message, Koliskov's song was born. It was here that a kind of motherly and organically enticed national pedagogy chuinist to the peculiarities of vik began. In koliskovyh, everything that you live to invoke the mother, - the joy and the turbot, the thought about the child, the mind about the maybut, into the memory of the game form. Words are given and pershi navychki rіdnoї movi. The rhythm and melody of the song boule, obviously, is the folk rhythm of the goydannya koliski.
Pestushko, nursery rhymes, adornments. Yak and koliskovy pictures, try to take revenge on your first elements folk pedagogy, Simple lessons of behavior and everyday life with new knowledge. little dogs (From the word "plekati" - vihovuvati) tied from the earliest period of development of the child. Mothers, who have opened them, or have pressed them from the clothes, stroked the tilts, handles and ribbons, applied, for example:
Slippers-puffs, Across-fatties, And in nіzhki - walkers, And in handles - katunushki, And in a mouth - talk. And in the head - a mind.
In such a rank, Pestushko supervises physical procedures, necessary children. Їх Зміст і tied with specific physical actions. The set of poetry in Pestushko is also designated for its functionality.
quiet - more broken down іgrovy form, lower Pestushko (I want to add elements in them). Potishki rozvazhayut baby, set in a new fun mood. Yak і Pestushko, їm power is rhythm:
Tra-ta-ta, tra-ta-ta. Kishka went for the cat! Kra-ka-ka, kra-ka-ka, Asking wine for milk! Dla-la-la. dla-la-la, Kishka gave milk!
Innocent little ones just rozvazhayut (yak pointed out), and hourly I instruct, give the simplest knowledge about light. At that hour, if the child is able to sprymati sense, and not just the rhythm and musical mood, the stench will bring you the first vidosti about the multitude of objects, about the rakhunok. The little listener is acting like a knight himself, such knowledge of the game's pisenka.
Magpie, magpie, Pershom - porridge,
Beloboka, to the Other - brews,
I cooked porridge, and beer for the Third.
The guests were namanila. The fourth - vintsya,
Kashka is on the stile, And the last thing did not reach anything.
And the guests - to the yard. Shu, shu! Flew, sat on the head.
Sprymayuchi through such fun a cob rakhunok, a child spantelitsya shy tim, who didn’t get anything.
The commander of the quiet is greedy to beep in tone, gestures. They have a child. Children of that vіku, which are acknowledged to be quiet, themselves can’t be seen by all those who smell and smell, to that stench to the sound of sound, to the repetition of the older, to the gesture. The bosses of the whole vikhovny and educational potential of the nursery rhymes appear to be significant.
on the basis of
nazyayut a small kumedny vitvir, vislovlyuvannya or just a roundabout, most often rimovanі. Razvazhalny vіrshiki and pіsenki-beauties іnnuyut і pose in the groin (on vidminu from the nursery rhymes). The priming is dynamic, reminiscent of the energetic twists of the characters: "Knock, drive along the street, Foma on the road, Timoshka on the road, go along the road." The wisdom of folk pedagogy is manifested in the sentiment to the stage of the growth of the people. To pass an hour of watching, mayzhe passive hearing. For a change of day, an hour of active behavior, the grasp of getting involved in life - here and there to fix psychological training children until navchannya and pratsi. The first jolly friend will be the pride. Vaughn sponk the child to her, and the deyak, the disaffection, the disaffection of the viclik, the child is stronger than the domination of the child, to fantasize, to wake up the thought and wake up.
Unbilitated-inverted, unstable
.
The price is very interesting for the genre. The breeders are inverted in children develop a bit comic. The pedagogical value of a polyagu is that, in the fact that they are confused over the absurdity of nonbilitia, the child is aware of the fact that the child has already been rejected by him to the correct revealed about the light.
Through the fox, through the mountains Їde uncle Ugor: Himself on the horse, In the chervoniy cap, Druzhina on the ram. Have a red sarafan, Children on calves. Servants to pump ..
Lichilki.
There is one Malian genre of childish folklore. Lichki call fun and rhythmic verses, before you vibrate the leader, fix roughly the same stage. The little ones were born in a group and were unattractively tied with her. The modern pedagogy is to introduce a superstitiously great role in the form of the people, vazha її a free school of life. It’s not just about developing spirits and smiles, but I’m accustomed to adhering to the accepted rules: even if we’re grateful, we’ll be smart enough. In the group there is a new set of performances and voluntary ordering from playing roles.
Skoromovki.
The stench bears down to the quiet, rozvazhalny genre. The root of the tsikh creation sleepy creativity also lie in the glyboku long ago. Tse verbal gra, yaka entered warehouse part in the fun of svyatkovy rozvagi to the people.
Chumarts, dredgers, attachments, attachments, calls. All the tsere create small genres, organics for the childish folklore. Smell to serve the development of the movement, km_tlivosti, uvagi. Zavdyaki vіrshovanіy formі of high aesthetic rіvnya stink is easy to remember for children.
Say two.
Dvіstі.
Head in the test! (Chumartsi.)
Russian folk paintings play a great role in the formulation of musical hearing, relish before the journey, love for nature, before old earth... The childish middle-class has a song for a long time. The childish folklore has gone away and the songs have gone from the grown-up folk art - call the children up to their own age.
Bilini. Tse heroic epos to the people. Vіn maє is a great value in vikhovanna love before the old history. In the Bilinas, they start to talk about the struggle of two beginnings - good and evil - and about the lawful overcoming of good. Nayvidomishy bilinin heroes - Ilya Muromets. Dobrsha Mikitich and Alosha Popovich - є in zbіrny images
Kazki.
Narodnaya kazka - sleepy awake artistic tvir enchanting, adventurous chi by-beat character with an installation on a vygadka, to develop in vikhovnyh abo razvazhalnyh goals. "Kazka-vigadka, that in nіy natyak, good good lesson."
The stench was in the early hours. About the age of the Kazoks, for example, the following fact: in the non-chipped versions of the home "Teremka" in the role of Terem, a kobilyach's head appeared, as the Slovyansk folklore tradition gave Bagatma miraculous powers. In other words, the root of the Kazakh language is in the words of the language.
The Kazka was brought before the new auditorium, and only in the XX century became the main choice for children. The name itself did not appear immediately, N.V. Novikov transfer Old Russia Riznomanitnі usnі rozpovіdі were called "bikes" ("bayat" - say)
Folklorist Pomerantseva to tell: the first clues about the Russian folk kazts are presented before Kyiv Rus... History folklore bagata podіami. The shielding of people before her was twofold. On one side of the chain of love, the rozvazhalny genre, on the other side - the fence of the Kazkians was removed, the drive to the Kazakhs, repaired from the 12th century, when the visitor of Turovsky's religious play was played, which in vzvvuvvuvvuvuyu with the Kazka. Not only folklore, but th Literary Kazakhs they stopped seeing at that hour, when they needed a special decree about the need for a wide view of kazoks for children. From the end of the 18th century, the kazku began to be recorded, on the basis of folk literary plots... The genre has ceased іsnuvati yak tvіr weary verbal mystery.
The Cossacks call out not about the primitiveness of the people’s evidence (they couldn’t have smelled a lot of hundreds of rockivs), but about the genial health of the people to establish a single harmonious image of light, calling into this earth, all people are living in the sky and living death. By the best rank, they bring the stench to the power of the children, organically reflect the child's psychology. Craving for goodness and justice, faith in miracles, vitality to fantasies, to enchanting re-enactment of a modern light - all the child is radically developed and in kazts.
Architectonics or an aesthetic plan to inspire great ideas for all types of elements:
Result abo kint- the part of the Kazka is concluded. "They began to live and gain goodness ...".
The Kazka will follow the principle of lantsyug composition, which includes, as a rule, three times repeat.
artistic hour The order not to go beyond the inter-progressive development of the diyu diyu nikoli not the exact meaning and real reasoning of the chogos. The artistic space of the Kazka has no real outline. Wono is unassigned, you can easily overcome it.
At Kaztsi, truth and goodness triumphantly. The Cossack was on the side of the screams and the fit, just wouldn't tell. I’ll show you on purpose, de pass correctly life people, in which both happiness and unhappiness, such as payment for pardons. At the same time, there is a lot of rice to the people - a firm belief in justice, in those who are good people will inevitably overcome everything, they protist.
The current demand in Kazts is especially great. The baby is literally overwhelmed by the information. I want the mental receptivity of the little ones to be great, they still have their boundaries. Ditina is overwhelmed, hesitant to be nervous, and the very insight of everything that is unrespectful, unnecessary.
Naybilshe privablyuє children kazkovy hero ... Name the price of a person as ideal: kind, fair, garny, strong; it is obligatory to achieve success, if you do not just follow the help of wonderful friends, but only for all the special qualities - the spirit, the strength of the spirit, self-confidence, the wine-dignity, the km. So, as a matter of fact, a skinny child, and an ideal hero of the Kazok, is an old eye for the experience. Most often, the character has one taste: the fox is cunning, the witness is strong, Ivan is the foolish happy, and in the role of the tsarevich he is fearless.
Kazki about tvarin
Cossacks about tvarin Old people animating nature, transferring their power to creatures, not backing the views between them and themselves. Kaztsi attracted takі form vimislu yak: animizm-spiritualization of creatures, etc .; totemizm-obzhnyuvannya creatures. Little children, as a rule, are tucked into twigs, which should be more appropriate for the Cossacks, in which the birds of the animal live. At the Kaztsi creatures they make people rice - think, speak, play vchinki. By the way, such an image is the essence of the child's knowledge about the world of people, not creatures.
In all kinds of kazoks, evoke a dumb subtlety of characters on positive and negative. Skinny of them hopes as a single rice, enticed by its particular character, as it is played in the plot. So, traditionally, foxes' head of rice is a trick, so please call me about those who fool those animals. Vovk is greedy and unreasonable, among the prisoners with the fox, he is not unmistakably eating in the halepa. The image is not unambiguous in the witch, the witch is angry, but the witch and the good, even if you do not want to become a fool.
charіvnі kazki
... The most popular and most loved by children genre. Everything that you see in the charming casts is fantastic and meaningful according to the factory: not without a situation, Ryatuє friends, znishchuє vorogiv - to fight not for life, but for death. Nebezpeka є especially strong, terrible for the fact that his opponents are not wicked people, but representatives of the supernatural dark forces: Serpent Gorinich, Baba Yaga, Koschiy Bezsmertny and іn. Beruchi overcame the evil spirits, the hero yak bi pidtverdzhu his high human beginning, closeness to the light forces of nature. Fighting wines are getting stronger and wiser, we’ll get new friends and deny more the right to happiness - to great satisfaction of little hearing people.
The plot charming kazka The head epizod is the ear of the mandarin of the hero for the sake of that important person. On his own way, he must meet with foes and charming priests. At the one who is ordered, it appears to finish off the two: kilim-litak, a miraculous ball or a mirror, or else to say a zombie abo ptah, a tough one abo vovk. All the stench, with the minds, or call without them, like the wink of the eye, the blink of the glory, and the order of the hero. They do not have a fault in their moral right to punish them, and even more importantly, the hero is impertinent to him.
Mriya about the sound of charming friends in the lives of people
іsnu in the found hours - in the hours of loving
nature, vіri in the God-Son, in the power of the magic word, chakluny to call light forces and bring in darker evil.
Precedents of the Cossacks: V.P. Anikin (the main familiarity of the charming cossack is called the manifestation of a wonderful work and miracles), V.Ya. Propp (robots about the poet of the charming cossack)
Pobutova (satirical) Kazka
most close to haunted life and navi not necessarily includes miracles. A mischief, or a condemnation, should be submitted to a new criterion, an assessment should be readily twisted: it is immoral, it is worthless to think of it, etc.
... At the center of the plot, grasp one episode, the process of developing quickly, a dumb repetition of episodes, the meaning of them can be meaningless, smith, wonderful. Among the cich kazkahs, comicism is widely expressed. They have a lot of zhakhiv, a stench of fun, a bit more modern, everything is sorted out on the basis of the special features of the messages, which open up the images of heroes. They see people, their family life, their moral understanding and the crafty Russian mind, the abductions to the irony, the innocent in their own craftiness. ...
The heroes of beating kazoks є bari, officials, clergymen, judges, overwhelmed with all kinds of vices: foolishness, greedy, lack of knowledge, etc. I am opposed to wisdom, cunning, cunning, wine-long villagers, soldiers, vicious from the bottom. Here, as a rule, it’s a winner who stands on the bottom of social gatherings. On the day of the heroes of the charming Cossacks, here the people reach the triumph of justice without the help of wonderful men - if they are out of the minds of the mind, cleanliness, guilt and disdain, and away from the surroundings. bar and pomіshchіv, false churchmen.
CNT and literature
Not only Kazkas, but legends, songs, bilini became characters for writers. We have merged into the literature about folklore by those, plots. For example, the people's announcement of the 18th century about Eruslanov Lazarovich knew its image in the form of the protagonist and acts of the epizodes of "Ruslan and Lyudmila" Pushkin.
wandering plot
The skin people have their own cossacks, and for a long time they have mentioned the stories of the galleries for native peoples... In folkloristic subplots, which go from one nation to another, they called it wandering plots. "A wandering plot" is a set of motifs that form the basis of an ordinary or writing creation, how to move from one country to another and change one's artistic image in the presence of a new medium of one's own.
pidbags
All the stars of the rules of folk life, including the rules of vikhovannya, are recognized in the usn_y of folk creativity. The structure of a childish folklore is analogous to the structure of a childish literature. Effortless genres of childish literature have been tested and seen on their own, injected into folklore