Capture artistic diversity in folklore. The phenomenon of folklore is of the same significance. Shho take folklore
plan
1. The value of folklore and its meaning.
2. Specificity of folklore as a kind of mystery (collective, tradition, oral, folk, variance, syncretism).
3. The system of genres of Russian folklore. interconnection folklore genres.
4. Historical development of Russian folklore.
The term "folklore" was introduced in 1846 by John Thoms. In the other half of the 19th century, the English have buv introductions and the term "folklore" for the established science of folklore. At the crossroads from the English "folk" - people, "lore" - knowledge, wisdom, perekaz.
The children of them are hungry for food, characteristic of sexuality and family life. An important complex of knowledge of dressings with the reproductive functions of women from menstruation before menopause, including love magic, love and love, the practice of flattening and looking after children. Women play in the role of the clinicians and practitioners of folk medicine. Many of the traditional forms of mystery by women, often ignored, were simply looked at as aspects of their internal performance, and they were interested in the people of the past, signs of costume up to a number of forms of handicrafts, crafts of women, which are supervised by folklore, include virginity, charity, oil drainage and gardening.
Specificity of folklore as a kind of art. Folklore is a mystery, artistic creativity. For the cause of freedom of folklore, call for it to emerge through the portrayal of art literature. In such a rank, the specificity of folklore is examined by V.P. Anikin in his book "Russian folklore" (М, 19877).
One of the best signs of folklore - yogo collectiveness... Collective, the spіlna of the robot grows as young as the transfer of creations. Such a rank, masov, people become tradition, Stijko zberigayuyutsya for the element of change and form of the creation. Zvidsy viplyaє other specific sign of folklore - yogo tradition... Folklore is the same yak of traditional creativity of the folk masi, such a yakist, yak orality... Folklore is a whole system of specific traditional imaginative and rotational receptions and presets to the found stylistic forms, which were formed as a result of listening to folklore and listening to folklore. Vyroblenі accept and save that out-of-house, which is the most valuable to create, is everywhere, seemingly helpless people.
The pose of the region of increased activity, more important than the field of historical and heroic women figures, has already gained respect for itself, with the work of the Amazons, the saints, Divi Mary and the cult, and the spirits of the ancient worship of the goddesses. Whether it’s a group, women should start by identifying themselves as children’s spirits, and they include choloviks, young women, such as black women, nannies, waitresses, and women’s attendants. With the re-assignment of gender identities, there are some ways of self-identification - for example, lesbian women, trans-or bisexuals - to be heard and developed into folklore.
As soon as all the sites are named as signs of folklore, then you can say that folklore is a tradition of collective sleep artistic creativity to the people.
From nature to folklore slid yogo nationality... Nationality - the category is concretely historical. The people are alive in a fashionable way in one era. Signs to the people were born in folklore. Tobto folklore creating reality from specific living positions quietly, who created it.
Yak zgaduvalosya, the actions of explaining the lack of respect for the voice of women in folklore can be found in the theoretical priesthood of the father-master in discipline. On one side, the nationalistic escaped to look at the culture as one-sided neutral for the familiar article of the ethnical approval. On the other hand, the model of productivity is based on public abnormally formalized areas, taking the forms of turning, typical for people, such as women who practice by women, such as recipes, coliski and write, in the main
The indicator of the belonging of that chi іnshiy creation to folklore - a whole widening in z'єdnannі z variability. One record of folklore, mayzhe kozhna, chimos appear from the inshoi. In folklore, create to shake the middle of the people in an unlimited number of options.
I, nareshty, another sign: folklore - mystery syncretism ("syncretism"- from the walnut "zmishannya"), so yak for a new powerfully z'єdnannya іznіkh mystetstv- a mystery of a word, a musical mystery, a choreographic one (like we can play in a round dance), a dramatic mystery. In addition, there are a lot of sciences in folklore studies: literary knowledge - the special features of folklore and literature and ideas; dialectology according to the records of the texts of the vivchaє dialectic of the spirit of the world; ethnography of vivchaє the role of folklore in the folklore and yogo connection with rituals; history - a viraz in the new people's minds of history; artistry - musical and theatrical elements of folklore.
The practice of Polish robots, as a rule, is based on external problems and problems of informants, as a rule, ignoring women of the form of rotation. In addition, do not marvel at the times of shortcomings, folklore can proponate the theoretical basis for the transformation of gender nutrition, the main reason is that it is due to the fact that the category, including gender, and the cultural incentives for the image of the image in the form of identity Yogo interest, oskіlki yogo hike in challenging spіlnotas, as they pass through a threat from the side of large cultures, you can easily change, especially contagiously, if more women-folklorists are able to work on the forms - respect
The syncretic camp of folklore is also the camp of independence, indivisibility: artistic creativity is not seen from the other types of activity, but at the same time it is directly included in practical life.
The history of folklore can be traced back to the history of the past of one of the most popular traditions. One vivchennya tsikh stanіv is a genre, so that you create a genre. In order to date a folklore genre, it is necessary to have a sense of intelligence, which is attached to the creators of the same genre. Tse: 1) zm_st 2) form 3) function.
At the nineteenth century, the food was asked about legends, sounds and forms of folklore, a hundred and twenty times. Chi Bula Kazka, a song, or a legend appears in decilkoh mice at once, or in one moment, is the sound of a Bula expanded? At the sound of the turbulence of the bullet, a thought has been drawn about those fragments of the knowledge that are guilty of identification and selection in the rural areas, and the odd odor are remnants of earlier rituals. Oskilki folklore looked like the relics of ancient mythologies, one with the aims of the folklorist, the renewal of myths about gods and heroes from these fragments.
N.P. Kolpakova yes to the beginning of the value of the folklore genre: Genre є historically forming a type of artistic form, enumerating the singing suspension function of a given type of mystery and the apparent character of a zmistu.
The genres were judged step by step, and the seal was stamped on the skin for an hour. The genre in folklore may have a special style, and the variety of folklore genres cannot be infused without great performances.
Tsya vira in the ability of the original form of a folklore subject to lie in the basis of the historical-geographical approach, also seen as finska school folklore. According to the initial method, the form, for example Kazka, was made in one hour in the exact moment, and then it expanded. Instead of folklorists, it is necessary to take all the options of the Kazakh language, to know the special plot, and then, having made the options, to know the place, de history is in the best form. The Zusilla was brought up to unappreciated collection of folklore objects.
Critics of the whole approach are aware of being able to know all the possible options for the story and assuming that the story can be brought up to an abstract plot, without any natural and human components, which make it relevant to audiences.
The system of genres of Russian folklore can be discerned and based on ancestral affiliation.
(Genri marvel at zoshiti !!!)
Basic literature
Russian folk poetry creativity. Pid ed. A.M. Novikova. - M., 1986.-S.5-13.
Kravtsov N.I., Lazutin S.G. rosiyske asleep Folk creativity... - M., 1983.- S. 7-20, 23-31, 289-298.
Anikin V.P. Russian folklore.-M., 1987.-S.3-82.
Anikin V.P. Russian folk creativity is asleep. - M., 2001 ..
Zuєva T.V., Kirdan B.P. Russian folklore. Pidruchnik for vishchikh chief pledges... - M., 2002.-S.5-14.
Russian folk poetry creativity. Reader on folkloristic studies ed. Yu.G. Kruglova. - M., 1986. Statti: Veselovsky A.N. Syncretism of finding a poetic and ear of differentiation of poetry. Anikin V.P. Folklore is the collective creativity of the people. Bogatirov P.G. Traditions and іmprvizatsіі in folk art. Gusєv V.Є. artistic method folklore. Propp V.Ya. Principles of the classification of folklore genres.
Dodatkova Literature
The theory of diffusionism, as it is also tied with the nobles of objects in folklore, not shukak dzherel, but vivchak, as a culture will conceive one from one. Psychoanalytic folklorists vikoristovyvali myths and folk kazki, to know the Freudian symbols. Fingers, knives, olives and trees represent the genitalia, which are symbolized by peches, dances, boxes, expensive stones and gardens. Uvaga is also attributed to structures that lie at the basis of myths and legends. and folk Kazakhs.
In his "morphology of folklore" Volodymyr Propp shows how folk Kazakhs wrap themselves around repeating a series of thirty-one types of action-functions in their terminology, which are themselves organized last. structural theory nibilsh is widely represented by the French anthropologist Claude Levi-Strauss; win stverdzhu, so some invariable rice can be found in myths in all the world, and how the smell can be tied to the logical structure of the human mind.
Anikin V.P. Theory of folklore. - M., 1996 .-- p. 29-182.
Lazarov A.I. Important to those vivchennya folklore. Navchalny posibnik... - Chelyabinsk, 1998. - S.5-22, 45-86.
Theme: Zagalna characteristic mythological misrepresentation. Imagination of yogo in mov, pobut and folklore
Understanding about the myth and mythology and the universal ideology of the primary suspension.
Having shown animism, totemism, anthropomorphism, magic in folklore.
Slovenian mythological statements. Vischa and lower mythology.
The word "mythology", which literally transformed into walnut, means "viclad perekaziv".
At the same time, a number of folklorists in the other half of the twentieth century were less interested in genres and forms, and not to the role of folklore in the whole spirit. The theory of the functions of looking at its role among the young people, enlightened values or condemnation of unqualified glances, zahochennya solidarity or expressed to protest. At the same time, it is of great importance to find the middle, in which form it is accepted its meaning, with the transition from a simple collection of collections of tribute to a different distribution in the cultural context of its effectiveness.
However, from the point of view of the viewers, mythology - before the turn of a special form suspicious properties, The way to comprehend the navkolishnyy svitu, powering people at the early stages of development.
Features of the mission of the old people:
animizm- the spiritualization of the appearances of nature behind the analogy of living things, the manifestation of those behind the skin appearances of nature an invisible spirit is hidden, but a skin object is a living one;
anthropomorphism- transferred to twins, roslini, the manifestation of the nature of human qualities and powers, due to which the stench swells the state of speaking, seeing, mislity and children, like a lyudin.
Zvidsey win magіchnі uyavlennya- by virtue of the word і dіy, for the help of which you can pour into nature.
In the whole context of the Polish robotics and the development of the ethical and the honest ones with the informants, they become the outer stones of the folklore robot. It goes without saying that it’s a must-see for folklorists - to show a real assessment of traditions, like the smell of vivchayut; all the way through the remnants or romanticizing them with nostalgia, however, is equally unimportant. An ethical problem is tied with a different right to information and legal intercourses, as a group can expand their knowledge, an important aspect of folklore literature.
zoomorphism- transferred to the nature of the powers of the creatures;
totemism- uyavlennya about those who have a skin human race, tribes є the ancestor (creature abo roslina) - totem. "Totem" - in the cross section of the Indians of the Ojibwe tribe means "yogo rid". The totem of the creature, or the roslin, was crushed to special shanuvans, who were honored by the patron saint.
The main figures of mythological characteristics: syncretism, symbolism, genetism, etiology.
Deyakі aspects of the ceremony can be taboos for outsiders, and the publication of them can be seen as relіgіine zlochin. Such vipoks are inviting to look for the help of ethical and political rules, and to stay stuck until later for the participation of the participants. In the context of the available information, food is lost: who can grab and copyright folk materials? The deyakie spіvtodovarstva deyakі vikonavtsі sprymayutsya like the masters іstorіy chi pisen, like the stench vikonuyut. If it’s not so, why shouldn’t you respect it, but the spirits itself is the master of the tradition, and not the folklorist, who would like to patented the popular growths, or the pop spirits, who would recognize the meaning of those who didn’t come from all walks of life?
Myth, including the rudiments of religion, young forms of art, rational knowledge and transmitted from generation to generation as knowledge-technology. Already at the early stages, the development of the people of the world was tied up with religious revisions and rituals.
Mythological hour is rapidly growing and far away from the hour of the rise, the present hour. Ale all those who became in the mythological hour, є immediately for repetition in the real hour. The mythological hour is sacred and sacred.
Ben Amos, Dan. "Before the introduction of folklore in context". Journal of American Folklore 84: 3. Goldstein, ed. Folklore: productivity and spirituality. The Hague, Netherlands: Mouton. Black, Carmen and Hilda Ellis Devidson, ed. Women and Traditions: Zabuta group of folklorists.
Speculation issue, Western folklore 52. Collins, Kamilla A. ed. "Folklore polova robot: sex, sexuality and gender." Speculation release, Holy folklore 47. De Caro, Francis A. op. Women and folklore: Bibliographic zyomka. Dorson, Richard M. ed. Folklore and folklore: introduction.
^ Mythological statements about the creature and the roslin... Slov'yan vinyatkovym shanuvannyam buv otocheniya know... The bear was called native, father, didcem, and the magnificence of being protected in the Russian folk cossacks and pictures. wovk overpowering the mythological gift of all-knowing. Vovchі zgraї made people a team. The Kazkah Vovk is the most frequent character. goat dressings for the idea of fruitfulness, productivity. In the Russian villages, vvvazhavsya without a pass.
Donds, Alan. Vivchennya to folklore. Folklore food. Knoxville: University of Tennessee Press. Hobsbawm, Erik i Terence Ranger, ed. Vinahid tradition. Jane Young, ed. Feminist theory and vivchennya folklore. Jackson, Bruce, ed. "Folklore and Feminism". Speculation Issue, Journal of American Folklore 100.
Jordania, Rosean A. and Susan J. Calchik, ed. Female folklore, Culture of women. Philadelphia: Presa to the University of the Pension. Levi-Strauss, Claude. Wild rose. Chicago: Chikazky University. Propp, Volodymyr. Morphology of folklore. 2nd view. please Austin: University of Texas Press.
Chi is not less, nіzh tvarin, words'yani shanuvali roslini... 3 trees naybilshe shanuvali oak and birch. oak It was a long time ago that the yak was a tree, tied with a thunderstorm. In the linguistic mythology of the words, the oak is the tree of Perun, the god of menace. The shanuvannya of words by the beryz is tied with the cult of rodyuchost, with the spring saints the resurrection of the ardent forces of nature.
Radner, Joan Newlon, ed. Feminist appearance: coding in folk culture woman. Bloomington: Indian State University. Tölken, Barre. Dynamika folklore. Mіfi go to hikings, аrе tо walk іd transitions. From the "myths" I, slyly, I don’t think on respect "Merch", Kazka, folk Kazki, “Sagen” or legends, ale sacred statements, so they say, as I write Stit Thompson, “about the sacred stories and heroes of the heroes all speeches, as a rule, are behind the middle cich of the holy isot. "
Mythy was tied with tim, as one of the right things became the one: as the settlement was not reconsidered; how chaos became space; as the immortals became mortals; as soon as the rock came to the change of climate without seasons; as the primacy of the unity of the people became the powerless tribes of the peoples; how Androgynous people became choloviks and women; and so far. Myths are phenomenal appearances: they often speak at that hour, or on the site, such as "between them and among them."
The cult of roslin and tvarin buv found a cult of words.
Traditionally, mythology is connected to the vision and the bottom. For food mythological intelligence, evoke myths about gods and heroes, before lower - mythological manifestations and spiritual spirits, which do not conceal the status of divinity. We will see the mythology of the winery on the way to the bottom, in the era of transition to partnerships, we will be based on social inequality.
If Arnold van Gennep has gone through the processual structure of the rituals, I won’t be able to live without it, since I didn’t bother witnessing it yet. Van Gennep prompted the progression of the last ritual stages: podil, margin and aggregation. The line stage is to pose a lot of structural and cultural problems. It is a special group that is allowed to rituals, to pass through the threshold period, not here, not there, except in the advanced camp. An individual initiator is no longer a posad's special cultural singing social position but rather a status, which is still not a posad's specialty.
Characters from all the words of the language of language mythology:
Perun is the supreme god of the skid words, punished with thunderstorms, blisky.
Veles (Volos) - "cattle god", patron saint of animal welfare, fertility, wealth.
Deities in the fire and in the sun: Svarog is the god of the heavenly fire and the supply of cultural benefits. Svarozhich - the spirit of the earthly in the fire, the sin of Svarog. Another sin of Svarog is Dazhbog, the god of the sun.
Deities tied with the sun - Khors, Yarila, Kupala.
Stribog is a heavenly deity to the wind, to the hurricane and to the zagala, be it anyway.
Rid is one of the most mysterious characters in the words of the word mythology. Tse deity of pity, strength to be born. Yogo's main function is the creation of a new life. You can talk about Rode and about the supremacy of the members of the tribe, and how about the personification of the supremacy of the ancestors of the family and about the deity of the family.
Yarilo (Yarila) is the deity of springtime, a deity close to the ancient cults of the everlasting one, and the god of lovemaking is seen on the dionys' kshtalt.
Women of the deity:
yaksho tsila social group to be in a ritual transition, often to see an annoyance or an annulment of special and interrelated positions, as they formed the structure of a custom; and so far, the post-literary structure has not been proponated. Trivial period of change, as it was meant, by way of collective rituals in preliterate partnership, do not obscure the structure; sooner, є forgiven that uzagalnennya structure. Foldable stratification and segmentation are replaced by dyadic differences by instructors and instructors: the structural situation can often also be an initial situation.
Lada - shanuvali yak patroness of shloves, families, girls and women.
Lel (Lelya) is the daughter of Lady, who is apart of spring, spring strength, young gatherings, and for the last time - and youthfulness.
Makosh is the patroness of women and female handicrafts. Vona spins at night in the hut, which is why I have to pick up the kuzhil.
Semargl is the deity of roslinnost, tied with the ground. The mediator is the supreme deity of heaven and earth, his messenger. Mav the zest of dog-birds. Lying in the shadows on the smallest deities.
Kupalo is the deity of rody.
Kostroma - mothers of class, її was drowned on Peter's day.
Mara is the deity of death, as she dies before the hour of the holy spring.
lower mythology
Rozpodil svitu on "sviy" and "alien". Mezhі svіtіv bully ruhlivі. Spirits, gentlemen, are representatives of the "alien" society. Seeing the spirits of nature: fox, water, mermaid, polovik; home spirits: housekeeper, bannik, mara; people in the middle between sights (volodyut above natural health): vidma, chaklun, healer, healer. Yazychnitsky character, who should lie down to the bottom of mythology є also not bezhchik. With the expansion of Christianity, a Christian character is included in folklore, which includes all the evil spirits - fig.
Basic literature
1. Afanas'ev B.V. Look at the poetry of the words at nature. - M., 1992 1994. - T. 1; T. 2.
2. Gromiko M.M. Traditions of behavior and form of socialization of Russian villagers of the XIX century. - M., 1986.
3. Zelenin D.K. Vibrani pratsi: Narisi Russian mythology. - M., 1995.
Dodatkova Literature
4. Kaysariv A.S., Glinka G.A., Ribakov B.A. Mythi of ancient words. - Saratov, 1993.
5. Kostomarov N.І. Slovenska Mythology. - M., 1995.
Mythological vocabulary / Goal. ed. E.M. Meletinskiy. - M., 1990 .. - 672 p.
Vlasova M.N. Russian zaboboni. Encyclopedic vocabulary. -M., 1999 ..
Belyakova G.S. Slovenska Mythology. - M., 1995
Voloshina T.A., Astapov S.N. Yazichnytska mythology of words. - M., 1996
Entry
Folklore is the main part of folk pedagogy. Narodna pedagogika- the most important subject and the type of activity of the grown-ups according to the growth of the young generation, the success and interconnection of the appearance of the idea, looking at the ideas and reconciliation, as well as a guide and the generation of the people in the way of nutrition The price and mentality of the nation in terms of maturity up to the growing generation, and the development of traditions in the family and support, and connections and the decline in generation.
Folklore is a priceless national wealth. There is a great layer of the spiritual culture of the Bylorusians, which was formed by collective Zusillas of Bagatyokh pokolin by stretching out Bagatyokh table. on happy stage of national revival, it is necessary to turn to the point that our ancestors reached.
The Bilorussian national folklore is one of the most popular in the Slovyansk world. Winning by pedagogical advice and folk wisdom. Based on folklore there is a majestic layer of ethical and pedagogical ideas: a motivation for elders, pratsovitst, tolerance, kindliness, tolerance for someone else's thoughts.
Tolerance, tolerance, kindness, like the traditional Christian garniness, have become the kind of rice of the Bylorus. Moreover, the stench є susidy with such yummy, as a special guest, straightforwardness, activity.
Folklore with vikhoyut zmistom, bout traditions, saint, biloruska classic literature- tse ti understand, as a majesty inflow into the formulation of the national character. vin spriya creative development children and young people in the light of bilin, kazok, perekaziv. By giving those orders, you can serve as a guide for moral precepts, in addition to helping the development of a message, logic, interest in history and culture to the people.
In such a rank, folklore - the tse of smut dzherelo knowledge about the principle of vikhovannya, which was formed in culture native peoples, Yogo moral, religious - mythical ambushes. The figuratively symbolic nature of artistic creativity is pouring into the emotional-sensitive sphere of specialness to rob him of the best with adequate hate and at the same hour of effective wickedness.
The view given by those coursework is actual and cicavo one hour.
Vikhovny Potential of Bezmezhny Folklore. Our current support for the past has been forgotten by the traditions of the old times, vikoristovuyu folk dosvid, and new models of outlandish theories and practices.
Uvaga to folklore, ancient layers of culture, traditions in general, like before the uncertified dzherel vikhovannya and the development of people, to be manifested in the rest of the rock especially active in the social and pedagogical middle. Tse tied with functional features genres of folklore, with great spirituality and wisdom of folk creativity, with uninterrupted transmission of national culture from generation to generation.
On the ear of a new capital, there is a need to promote advances of interest to national culture, ethnic processes, traditional artistic creativity, to folklore. This is because of the special development of the historical and national self-awareness of the skin people, which are explained by social, psychological, political reasons.
Preservation and development of national culture, its own root - tse naivazhlivishe zavdannya, yake vimag big shutter to monuments of history and culture, to traditional folk art. Revival of folklore, folk songs, rituals and saints, traditional arts and crafts imaginative mystery- the problem of complicity is also urgent. Folklore, yogo genre, zasobi, methods of best I'll decorate the picture I'll beat up the people, their morality, spirituality. Folklore has opened up the soul of the people, their greatness and specialness. From the point of view of science, folklore is a phenomenon that deserves a special recognition and respect.
meta course robots- development of the meaning of folklore in the system of national culture.
Heading robotics:
- describe the phenomenon of folklore and yogo out of value;
- to give a description of the main genres of folklore, spiraling into the skin potential;
- show practical sucking the main folklore genres of the Vikhovanna.
About the course given є a rich-faceted phenomenon national folklore, And the subject - the genre of folklore and їх vikhovny potential.
Methods, like vikoristovyu when writing coursework - descriptions, analytical analysis, analysis of literary dzherel.
folklore vikhovny genre
1. Folklore - for the national vikhovannya
1.1 Understanding and everyday life of folklore
The term "folklore" (in terms of "folk wisdom") is for the first time in the English teachings of W.J. Toms in 1846. A collection of terms hunted all the spiritual (verity, dance, music, woodworking), and inodi and material (zhitlo, odyag) culture of the people. V modern science There is no one in the interpretation of the concept of "folklore". In order to get used to the primary meaning: warehouse folk pobutu, tightly intertwined with other elements. On the cob 20 tbsp. term vikoristovuyutsya and in a larger university, more specific meaning: the verbal folk creativity.
Folklore (English Folklore) - folk creativity, most often you fall asleep; the artist is collective, the creative person is the people, who depicts their life, look, ideals; stemming by the people and by the people in the folk masses of the poetry (rekazi, pisnі, parts, anecdotes, kazki, epos), Folk music(Pisni, instrumental naspi and p'usi), theater (drama, satirical p'usi, lyalok theater), dance, architecture, figurative and decorative applied art.
Folklore is collectively based on the traditions of the creativity of groups and individuals, as it is based on the ideas and support of the suspension, which is adequate to the changes in cultural and social self-sufficiency.
On the thought of B.M. Putilova, there are five main options for the meaning of the understanding of "folklore":
1. folklore yak sukupnist, cultural forms of traditional culture, tobto synonyms of understanding "traditional culture";
2. folklore is a complex of manifestations of traditional spiritual culture, which is realized in words, ideas, expressions, sounds, rukhs. I hunt for the most powerful artistic creativity and those that can be called mentality, traditional viruvannya, folk philosophical life;
3. folklore as a manifestation of artistic creativity to the people;
4. folklore is the sphere of verbal art, that is, the sphere of traditional folk creativity;
5. Folklore as a manifestation and fact of verbal spiritual culture in the United States.
Naybilsh vuz'kim, ale and the best stikim from tsikh viznalyaetsya that, as tying it in the main with genres of traditional folk creativity, tobto with verbal, verbal viraz. The sphere of folklore has been promoted for the most part, as a great contribution was made in the development of science about literature - direct site, "Prodovzhuvacha" usnoy folk creativity, genetically tied to him.
Understanding "folklore" also means all spheres of folk art, including those, to which you don’t get stuck (folk architecture, folk arts and crafts, etc.) і the genre of professional art can see its turns in folk art, folk art.
Found a vision of the verbal mystery of the discovery in the process of the formation of human movement in the era of the Upper Paleolithic. For a long time, the verbal creativity was closely linked to the labor activity of the people and represented the relevance, mythical, historical manifestation, as well as the rudiments of scientific knowledge. Ritual acts, for the help of some primordial people, pushed into the forces of nature, to a share, they were suprauvated with the words: incantations were immobilized, immoralized, to the forces of nature, they were besieged with frightening or threatening threats. The mystery of the word is clearly tied with the other types of primordial mystery - music, dancing, decorative mystery... In science, it is called the "primordial syncretism"
In the world, as people have accumulated more and more meaningful lives of information, which must be conveyed to the next generation, the role of verbal information has been increased. The vision of verbal creativity in an independent form of art is the most important croc in the prehistory of folklore. Folklore has become a verbal mystery, organically dominated by the people. Rizne the recognition of creations gave rise to genres, with different themes, images, style. V found period among the majority of peoples, childbirth, labor and rituals, mythological changes, snakes were carried away. The worldly approach, which proclaimed the ruble between mythology and vasne folklore, became the appearance of the Kazakhs, the plot of which was learned as a vigad.
In the ancient and mid-century suspension, a heroic epic was formed. Also, legends and pictures have also come to the fore, showing the religion of religion (for example, Russian spiritual revolutions). From now on, the historical pictures have appeared, how to depict the real historical stories of those heroes, such as the stench that has been left in the people's memory. Out of changes in the social life of the suspensions in Russian folklore, the winners and new genres: soldier, yamshitskie, burlatskі pisnі. Development of promiscuity and misconceptions to the life of romance, anecdotes, working, school and student folklore.
Stretching out a thousand years among all peoples, folklore in a single form poetical creativity... Along with the appearance of writing, stretching out to the capital, right up to the period of the aggravated feudalism, the poetical creativity of the bull was widened not only among the working people, but among the other vernaculars of the suspension: the nobility, the clergy. Viniknuvshi in the song social center, Tvir could become a nationwide banny.
1.2 Specific rice and folklore
One of the most important specific rice of the national sleepy creativityє teamwork. The skin tvir of usnyi folk art is not only thoughtful and almost singing groups, but collectively it will grow and expand. However, the collective nature of the creative process in folklore does not mean that other roles have not been played around the specialties. The talanovites of the Mistri did not only thoroughly adapt the existing texts to new minds, albeit sometimes they added pictures, parts, kazki, which, apparently before the laws of conventional folk art, were expanded as the author. With the suspilny podil of pratsi were recognized the curious professions, tied to the branches and vicinities of the poets, and musical works(Long-standing rapeseed, Russian Guslyars, Ukrainian kobzars, Kyrgyz akinis, Azerbaijani ashugs, French chanson and inn.). Collectiveness is not just a simple co-authorship, but a special trivial process of perfecting pictures, kazoks, legends, sending and orders. A great deal of collectiveness is manifested in the post-process of the process of picking up and developing the creation of the folk story: the people who created the bagatel were more vibrant and more beautiful, similar to them with their thoughts and natural looks. Collectively, the ear in folklore protists as individual. Folklore is not attracted by the organic understanding of the collective and individual, at the same time the collective does not show the individual goodness of the authors and viconavts.
The collective of folk creativity organically tied the sleepy form of folklore. Folklore appeared earlier, less writing and a collection of words only in our sleep transmission. sleepy shape The idea of folk poetry before the appearance of options for one and the same folklore creation - there is only one specific rice to folklore - variance.
Folklore create from artistic literature features of artistic form. Before the tsikh singularities are recognized, the persh for everything, the tradition of poetry, virobled by the people stretching out the table. Traditions of folk symbolism, post-instincts, metaphors give folk creativity a specific flavor.
Folklore is derived from written literature and features of typification. Literature is characterized by the establishment of typical characters in typical situations. Typical character, taking into account the main rice of his social rationality and his era, is manifested through the individual character of the hero, through the individual and unique view. The images of usny folk creativity do not seem to be such an individualization.
1.3 Functions and potentialities of folklore
In Perche, folklore has lost knowledge about the people's spiritual culture in the past and present. Folklore is familiar with the beggars, traditions, and their own і "people-susіdi".
In a different way, for the help of folklore, there is the development of moral and behavioral cultural norms and values that have become entrenched in the culture of any nation. Moral behavior norms and values to know viraz in image systems. Opening up the characteristics of the Kazakh characters, penetrating into the essence of their vchinks, the schoolboy of the rosum, how good and how disgusting, it is easy for us to recognize our sympathy and antipathy, feeling the people’s declarations about the beauty of people. About the behavioral norms, the wise people give orders.
Thirdly, for the help of folklore, it is possible to vykhovannya mischievous attribution to the culture of one's own ethnic group, as well as tolerant attribution to other ethnic cultures. Vivchayuchi folklore, the child learned, the people are the creator, the creator of the cultural decay, which is necessary to conquer, to write. Folklore is a bagatovic folk pratsyu, which is responsible for the history of ethnos.
Quarterly, folklore is a development of aesthetic relish. Dytina sees the beauty of the people's dumka, the new wine has a need for spilkuvanna with the people. Vіn pragnuti zzumіti, as kosty vikoristovu people in their creativity, magnetize zasosuvati їkh in the faraway.
Folklore of the Bilorussians is a special place in the national culture of the Bilorussians and the vicon of the onset of functions:
1.aesthetic
2.Vikhovna
3.Piznavalnaya
aesthetic function The folklore of the polarity is in the fact that children have a form of artistic relish, viroblya is in the mind of a cinuvati and a sense of beauty, a form of harmoniously developed specialties.
the essence military functions polyagaє in that, how the folk creativity is asleep, being in the spirit of folk pedagogy, the form of human character. Prizliv'ya, orders, kazki reminiscent of a high moral and ethical wickedness and give characterological assessments of the specialness of the positions "good" and "rotten".
Famous for folklore it is laid down in the way of knowing the child with navkolishn_m light.
1.4 genre folklore
all folklore genres It is accepted by a group, like in literature, in three groups or three types: dramatic, prose and pisenny.
Be the folklore take care of your ear in small genres, which include riddles, sending those orders.
For the sake of thinking in a lucidly imaginative way of the general character, they are typified by the most popular manifestations of life and the form of a finished proposition.
They were pleased with the rich spiritual needs of the working people: cognitively intellectual (educational), virobnichi, aesthetic, moral and in.
Prisliv'ya - NOT the old days, but not gone, but a living voice to the people: the people have taken from their memory only those who need a year's time and tomorrow. If you are about to see the past, you should be judged from the point of view of the present and the future - to condemn, or to fight in the wilderness because of the world past, see in the aphorisms, seen by the people (6; 36)
When all the people are accustomed to it, the idea of the people is clear to them. They take revenge on the people's assessment of life, guarded by the people's rosum. Far off, an aphorism, the creation of an individual rose, does not become popular with the people, since I don’t think it’s great.
People tend to be in shape, friendly for memory, but they can do it as Ethno-pedagogical skills. When you are happy with the riddle. Їх zapam'yatovuvannya to lie down with a thunderous sound, deceptive spirits, rims, rhythm, an hour like a master. With the help of the Kintsev sweep of adherents, the stench of the found hours was like a pedagogical job. On one side, the stench reveals a pedagogical idea, from the other side - I think that it’s injected, that’s the essence of educational functions: inform about how it’s, the methods of it’s injected, that are about the negative people, give characterological features of the particular , to take revenge on the call to vikhovannya, to self-vykhovannya and to persecuted, to condemn the grown-ups, as they do not care for their sacred obligations - pedagogical, etc.
In the case of a rich material of a practical nature: life for joy, for praise, instilling in.
Naybilsh, the form of the attachments has been expanded - nastanovi. From the pedagogical point of view of the tsikavi, there are three categories: people who instruct children and young people in good morality, including the rules of good manners; povchannya, as they call grown up to decency behavior, i, nareshty, insist on a special kind, to revenge the pedagogical for the sake of stating the results of the decency, but in a peculiar form of treatment pedagogical advice... They have to take revenge on the magnificent sanctuary material. Positive and negative figures of particularity, according to the circumstances, are presented as a kind of vicious and outraged, as they convey to the whole world the behavior and character of people. At the same time, it is primitive that all the people are aware of the vastness of human intricacies. Whether it’s a lyudin, like a bi vin, I’m not going to get it right, I can go up to one perfect meeting. Qia gathering is not just people, but th people will progress. Bagato prisliv'ya є motivated and argumented cries to self-elaboration.
In the "Literary Encyclopedia", the riddle is characterized as "wisely and poetically describe any object, or a manifestation, which sees the likelihood of seeing." At the core of the value of the riddle are one and the same signs:
- the description is not very poorly drawn up at the viglyadi of the nutritional speech;
- describe succinctly and riddles of the enticing rhythm.
In such a rank, a riddle - short description the subject of a manifestation, often in a poetic form, as it is laid down in a cunning wisdom by a viglyad of explicit (direct) or transferred (prikhovanny) nourishment.
Riddles of poklikanі development of misinterpretation of children, introducing їх analizuvati objects and appearances from the small regions of navkolishnya action; Moreover, the manifestation of a great number of riddles about one and the same phenomenon made it possible to give a universal description of the object (manifestation). Alle the significance of riddles in the rosy vikhovanny is far from being caught up in the development of the misery, the stench is also filled with thoughts about nature and knowledge from the very distant regions of human life. Victory of riddles at the rozumovyi tsinne tsinne human support to become a child in the process of active rosum activity.
Riddles take in the development of the memory of a child, her imaginative misinformation, and the development of rosy reactions.
The riddle of grasping the child with some signs of small objects, knows both the spirit in them and the very form they have in mind of the classifikuvati objects, which seem to have no signs. In other words, the foundations of a theoretical creative mission are formed behind the aid of the riddle.
The riddle of the development of the child's sparing. Chim is more observant than a child, tim is more beautiful and better than a riddle. In a special place in the process of wishing children borrowing, the diagnostic function of the riddle: won’t allow the wicker, without any special tests and questionnaires, to identify the steps of prudence, efficiency, pink development, and so much creativity.
The order is from the simplest poetical creatures, like a bike, or if you follow it, you can see and independently go into life, elements in what kind of zmist; tse is not an abstract formula of an idea to the creature, a little more tension on it, taking from the creation itself and the serviceman by an intercessor (for example, "a pig with an oak tree", or "a dog in the blue", or "guilt to blame smittya z hati")
The order, on the vidminu from the admission, not to take revenge on the ugly commander.
Pay attention to those orders occasionally or allegorically to avenge the wisdom of the people in one's life. Three cix two sprouts, metaphors (in riddles) and figurative rhymes (in orders), and virosta folk poeziya.
Picturesque genres of folklore are represented by folk songs and balads, ceremonial and lyrical songs, kolomiykas, labor songs and empiricism. Before the song genre, one should adhere to the voice.
The songs are awakened by vіkovі ochіkuvannya, fostering and the secret world to the people. Pisni unique musical and poetical designs of ideas - ethical, aesthetic, pedagogical. Beauty and goodness in the song will come in unity. Good fellows, challenged by the people, not only good, but beautiful. People's minds have taken in themselves the kind of national values, orintovani only for good, for the happiness of the people.
Пісні is a more folding form of folk poetry creativity, less riddles and attitudes. The head is a sign of love - to pinch love to the beautiful, virobit aesthetic look and relish. The idea of the power of the poeticization of all aspects of the people's life, including the development of the growing generation. The pedagogical value of the painting is in the fact that a beautiful dream was brought up, but there, in front of one's own devil, there was a lot of beautiful and goodness. All the life of the people was spent in painting, as the most beautiful rite of the life of the specialness. The new life cycle is the life of the people from the people to death. Pisnі spіvayut dumb in colisse, nonscientific intelligence, old man in truny, but having already ceased to see and intelligence. Vcheni brought the role of the lowest song in mental development babies in the womb. Koliskovy pictures do not just sizzle dumb, albeit and nurture them, soothe, deliver joy. Deyak_ categories pisen rozrahovanі on concrete vikov group If you want, obviously, a large number of children cannot be divided and distributed among different groups. Інші пісні older small children sleep with special skills. To that I can only tell you about the change in the list of quiet pictures in that day.
Honoring merit with the help of a wicker injected є Pestushkoі little quiet. They have a grown-up child with a whole loan of respect for the grown-up. Pestushki renounced their name from the word pestiti - nyanchiti, carried on their hands. Tse short reshuffle, like suprazhuyut the child's ruff during plekanny.
Little dogs may feel only when they are superconducting with a tactile reception - a light, tactile dot. Affectionate massage, supravodzhuvaniyu cheerfully, innocent little dog with vivid rattling of virsovanih rows, viclikє at the child's badorii, cheerful mood. At Pestushko, all the main moments of the physical development of the child will be taken care of. If it’s okay to put on the legs, it’s like one, and the children, to beat the first crocs, should stand firmly on their feet and speak to them Pestushko.
The little ones step by step turn into funny little ones, like supervising the grizzly child with fingers, pens, and handles. In the cich igrah, they are often present and pedagogical - mentoring in pratsovitst, kindness, friendliness.
Song is a folding form of folk poetry. The smartest sign is aesthetically vikhovannya. A little stench may be on the meth of the health and the other sides of the form of specialness, so that it is a complex way of pouring into the specialty.
In the songs, the call and the inner beauty of the people, the meaning of the beautiful in life, are revealed; the stench is one of the smallest ones to develop the aesthetic tastes of the growing generation. Beautiful melodies will enrich the aesthetic infusion of the poetic word pisen. The influx of folk songs onto the villagers' youngsters will be majestic, moreover, their meaning has not been deprived of the beauty of virsha and melodies (inviting beauty, the beauty of form). The beauty of dummies, the beauty of being accepted as well to the strong sides of folk songs.
And the very words pisen, і mind, і the character їх vikonannya take advantage of the improvement of health, development of practicality. In the songs of being healthy, they call themselves Happiness, seeming good. The people respected the people that they could develop their voice, expand and change the legends: "Speak with your voice, demand strong lungs,"
Unappraisal of the value of art in the working life of children and young people. As it is already said vishche, the songs of super-chewing and stimulation of the labor process, the stench of the weather and the information about the labor of the workers.
The Cossacks є are important in a wicked manner, stretching out the capital and transforming and transforming the people. Life, folk practice vikhovannya overkonly brought the pedagogical value of kazoks. Children and kazka are nerdy, the stench is one for one, and the knowledge of the kazkas of his people can be included in the course of education and vikhovannya of the skin child.
The most characteristic features of the Kazoks are folk, optimism, lust for the plot, imagery and amusing, nareshty, didacticism.
The life of the people served as the material for the folk Cossacks: their struggle for happiness, corruption, sound, and nature. The buckets of viruvannyah to the people were full of zabobon and dark. Tse darker and reactionary is a legacy of the important historical past of the working people. In a large number of Kazoks, the image of beauty to the people is shown: goodness, goodwill, strength in battle and goodness, indiscriminateness to the people and fatherland. Reinforcement of positive rice to the people and the exchange of rice in an efficient way of transferring rice from generation to generation. The very fact that the Cossacks bring life to the people, they grow rice, cultivate rice in an ever-growing generation, the people appear to be one of the most important characteristics of the Cossacks.
Bagato folk Kazkas inspire the flavor of the triumph of truth, in the movement of good over evil. As a rule, all Kazakhs have citizens positive hero and your friends are past, time-consuming, beckon for them to come with joy, moreover, this joy is the result of struggle, the result of spilnye zusil. optimism Cossacks are especially like children and children who are not important to the people's pedagogical efforts.
The lust for the plot, the imagery and it is funny to curb the cossacks of the greats with an effective pedagogical method.
imagery- the specialty of the kazoks is important, as they will fall asleep as children who do not grow up to an abstract target. In the hero, beckon to the greats in a vivid way, so that it seems to the character that will bring him closer to the national character of the people: vidvaga, pratsovitst, completeness, etc. The rice is displayed in the pod, and the restaurant is flexible artistic activities, For example, hyperbolism. So, rice is pratsovitosti as a result of hyperbolization of the reach of borderline luster and ugliness of the image (in one notch, the palace will be there, the hero will go to the palace of the king, virostiti, clean up, thresh, thresh, vipekti і nagoduvat people і etc.). The same goes on to say about such rice, as physical strength, manhood, vitality, etc.
imagery to be updated kumednistyu kazok. The wise teacher-people showed a special turbot about those who are kazki bully tsikavimi and tsikavimi. V folk kazts- not only bright and lively images, but thin and cheerful humor. In all peoples of the Kazka, a special sign of them is to amuse the listener.
didacticismє one of the most important features of the Kazoks. Cossacks of all peoples of the world, chiefs and chiefs. The most significant is the general character, didacticism, and writing to A.S. Pushkin in his book "Kazki about the Golden Pivnik":
Kazka is nonsense, that in niy natyak!
Let's do the good fellows a lesson.
Due to the significance of the peculiarities of the Kazka of all peoples, it is an effective way of doing it. The Cossacks are the treasury of pedagogical ideas, the shining insights of the national pedagogical genius.
The folk theater, which is in the forms organically linked with the sleepy folk art, originated in the distant past: in the games, as the super-juvenile and earthly saints, the elements of the re-translation were conceived. Theatrical performance of the festival is present in calendar and family rites (Christmas ryadzhen, wedding, etc.).
In the folk theater there is a theater of living actors and a theater of lyalok. Russian theater Petrushka bouly is close Ukrainian nativity scene, Biloruska Batleyka.
Naybіlsh characteristic peculiarity of the folk theater (like the glamor of folklore art) є the intelligence of costumes and requisites, rucks and gestures; In the course of the manifestation, the actor was without a mediocre connection to the public, as she could give remarks, get involved in the show, direct it, and only take it into a new fate (play together with the chorus of viconauts, images in other scenes.
The folk theater, as a rule, is not a stage or a decoration. The main interest in the new development of nema on the glybin of the characterization diyovykh, And on the tragic or comic situations, the situation.
People's theater to know the little glades zi verbal folklore, Razvivaє memory, figuratively misleading. Comic characters are the vices of people, dramatic spirits. Beruchas fate in his awkward productions, the child learns correctly and speaks beautifully, vigoloshuvati promises before the public, add rubbish tenderness.
Folk dance is one of the found types of folk art. Dance bov with a part of folk whistles at saints and fairs. The appearance of round dances and ritual dances is tied with folk rituals. Proceeding from the ritual events, the round dance was reminiscent of the new zmist, which turned around in the new specialties.
The people, who took care of the love, the creation, were imbedded in the dance with caution over the creature's light. Figuratively and vividly conveyed the character and sings of animals, birds, domestic animals: the Yakut dance of the weddy, the Russian crane, Gusachok and іn. There are dances on those silskoi pratsi: the Latin dance of women, the Hutsul dance of the woodcutter, the Estonian dance of the shevts, the Bilorusky lianok, the Moldavian poame (grapes). Folk dance often has a spirit of vision, valor, heroism, and is shown in a stage battle (Georgian horums, berikaoba, kozachi pictures). great misce in the dance of folk creativity, the theme of love is occupied: dance, which twists the nobility of the sentiments, is more chaotic than the woman (Georgian kartuli, Russian Baynovskaya square dance).
The dance allows the virobit of plasticity, especially the coordination of the dancers, accepting the dance with the music. Children to vchatsya collapse rhythmically, splitting one by one in Russia (round dance, struma).
The folk arts and crafts have a certain need, the soul of the people is always alive, its rich practical admiration and natural relish. Bilorus most developed woodworking art, pottery, wickerwork, design, weaving and embroidery.
In the surrounding rice of folk creativity, the norms of pratsi and pobutu, culture and viruvannya are quilted. Naybilsh as a backbone element to serve as an ornament, which was born in ancient times, which additionally helps to achieve organic unity of composition and highly interrelationship with the technique of visibility, for objects, plastic form, natural beauty of material. People's minds have been appreciated for a long time. The secrets of their majesty were passed from generation to generation, from father to son, by the same token the wisdom and admission of the past and justice. Children from the early age got to the robot, help the daddy. The spirit of the robot helps children to master the craft more beautifully, to take the advice of the mentor (batkiv), and to learn how to do it.
2. The practice of victorious folklore and folklore genres in the system of national vikhovannya
Folklore for creative development of children and young people in the light of Kazoks, bilin, perekaziv. Witnesses of the rich history of spiritual traditions, systematized in folklore, are guilty of the vicarists when prompted by the occasional model of the vikhovannya.
Clearly practical storage and potential prisliv'їv in the national community.
It is important to reevaluate the value of the labor community in the zagalny system of folk pedagogy, in a very effective way. In the last few hours, the children and young people have found a good bondage of fathers, and then they have the first pledges of those who are suspicious institutes. To that very thing, they are waving right and wrong with the people of the world.
Not that garniy, who is especially good-looking, but that good one, which is just right (rosіyske prislіv'ya).
Great tilom, so maliy on the right (Russian priisliv'ya)
The little one on the right, twisting for a great bezilla (rosiyske prisliv'ya)
Love to ride - love and sleighs to carry (Russian prisliv'ya)
It is necessary to nahilitisya, schob s strumka nourished (rosiyske prisliv'ya)
Gultay for the robot, and mazol for the hand (biloruska prisliv'ya)
Love to batkivshchina, your own old earth- navazhivіsha topics in vikhovannі patriotism.
That bird is ugly, as its nest is not much nicer.
Fatherland - mother, be able to stand up for her.
In a stranger's life and the relish of someone else's.
Kozhen sandpiper to praise its swamp.
A pine tree has grown, there is a red one.
The steppe does not care for the swan, for the drokhvi is the lake.
In his own swamp and the toad spiva.
Help at home and at home.
On its own street a dog is a tiger.
Palya khatka, yak is a native uterus.
A special place in the system of aphorisms is taken by the elders, by the elders.
Shanu people, then i tsyabe pashaanyuts. (4; 302)
Old pavazhay, small pavuchay.
They sent those orders in artistic images to the end of the lives of their lives in all their development and superfluousness.
rozgaduvannya riddles development of the building before the analysis, examination, the form.
Imagining malovnichi landscapes of Batkivshchyna, povnі farbs, sounds, smells, riddles, take a vikhovannya of natural sentiments.
fluffy kilim
Chi is not with the hands of fabrics,
Chi is not sewn with seams,
At dawn, at mіsyatsі
Srіblom blish (sіg)
Riddles to help children learn navkolishn_y light Knowing about the world of speech.
Axis put riddles about the objects of the home vzhytka.
Two rings, two knots, in the middle a carnation (knives)
Nig is dumb, but khoju, the company is dumb, but I will say, if you sleep, if you get up, if you fix the robot (godinnik)
Riddles beast on the habits of creatures, in riddles about vegetables and fruits, roslins and berries, you will have a special respect for specialness the most recent viglyad.
To sleep a fee, to destroy a vuliki (vedmid)
Mokhnatenky, mustached, nishporit on comoros, sour cream shukak (kishka)
Round, rouge from the tree, I go (apple)
Low and prickly, licorice and fragrant, berries of zirves - you will strip all your hands (agrus)
The value of the riddle lies in the fact that, in a highly poetic form, it depicts the state's work and the work of the people, who are, in general, and until the present day of the artist's greatness.
kazki, being artistic and literary creators, one hour arose for the working people in the area of theoretical knowledge. The stench is the treasure of folk pedagogy, moreover, the richness of the Kazakhs is the essence of creating pedagogical, so that in them pedagogical ideas are to be found.
The great Russian teacher K.D. Ushinsky Bouv about the way of making a high-level idea by including them in his pedagogical system. The reason for the success of the children of Ushinsky Bachiv is that the simplicity and serenity of folk creativity reflect the same powers of child psychology.
Cossacks in a fallow state are those who hear the ears of the ears thinking, suggesting at the thought. It is not easy for a child to rob a visnovok: "So in life there is no boom." Mimovoli Vinikak Pitannya: "And what about you in your life?" Already there is a message from the child, as to take revenge on the food price, is more meaningful. Alle the way, revenge the knowledgeable material and without the need for it. It means that the more meaningful Kazoks expand, wake up, on some of the details of folk songs and traditions and navigate on some others.
For example, in the Chuvian Cossacks “I don’t honor the old and don’t give good things myself”, it is said about those who didn’t know, who didn’t hear their fathers-in-law, didn’t cook porridge with wheat, but with millet and not with water, but with butter. So what did you get? Yak, only a few wonkies, millet grains, were not boiled, but fried, whisked, they consumed them in their eyes and in no time. The head in kazts, vividly, is a moral visnovok: it is necessary to listen to the voice of the old people, you will be punished. And for children, there is also an educational material: grease with oil, not boil, dry, boil the porridge without water, with one oil. Children are encouraged not to talk about it, so in life nothing and not to be so robbed, but in kaztsi it is given to instruct children, so that all their own little bit, that all things must be in order.
The axis is more than one butt. In the case of the Cossack "Miserly - kopiyka", it is said about those who are smart and homey from the greedy old pay for the skin "grain" of fat in a soup one kopeck. If she was old to put butter, kravets її підбадьорює: "Put it in, put it in, old, more, do not skimp the oil, and it’s not for nothing that I’m asking you: I’ll pay a copy for the skin" zirochka ". Zhadibna was old and kept putting in more and more butter, so they could be trimmed for a penny. Ale, all their efforts gave one kopeck of income. The moral of the Kazakh culture is simple: don't be greedy. The main idea of the Kazka. Ale і cognitive її sense is great. Why, - the child is fed, - did the babi have one big "little star"?
Among the Kazakhs, the idea of admiration for education and education in the people's pedagogy has been established in the maximum world.
Narodna lyricna song There is a lot of family and
views of folklore. Її a warehouse of rіznomomanіtnіshe, nіzh heroic eposu, kazoks and інshih genres. The songs were created at a far from the same hour. It’s time to fold your songs. It is not the same and the triviality of the life of the skin painting genre.
Children of children are a folding complex: tse and young adults, stored specially for children (koliskov, nursery rhymes and Pestushko); і пісні, step by step moved from a mature repertoire to a childish one (carols, spring songs, chants, games songs); and pictures, composed by the children themselves.
At the children of mothers, those grandmothers poke around the children with affectionate koliskovy songs, they raised them Pestushko and nursery rhymes, fiddling with their fingers, pens, handles, pidkidayuchi on the knees or on the hands.
Zagalnovіdomі: "Magpie-crow, cooked porridge ..."; “Okay, okay! De bouly? -
At the granny's ... ".
Pestushki - pisenki and vіrshiki, who supervise the first svіdomі ruhu children. for example:
"Ah, spivay, spivan
Soloveyko!
Ah, spіvaє, spіva
young;
young,
garnenky,
Pryhozhenka. "
Potіshki - pisenki and vіrshiki to the first іgors of a child with fingers, pens, nіzhki. for example:
“Drink, porostunyushki!
Rotok - talkers,
Hands are grabbing,
Legs - walkers. "
Calls - childish animals to the song, to the merriment, to the board, to the birds:
- Spring is red! Where did you come?
- On the bipod, on the harrow,
On a hanging sheaf,
On a spikelet of life.
Sentences - verbal brutality to someone else. For example, it seems in the spa:
Z gogol - water,
Thinness - thinness!
I’ve moved all over.
A special place in the song of folklore is the loan of Koliskova song.
foxes sleep
All for kuschik,
martens to sleep
All according to Nora,
falcons sleep
All by the nest,
Sleep sables,
De im lured,
little kids
Sleep in koliski.
In koliskovyh songs, mothers are talking about new action, thinking aloud about meta and sense of life, vimovlyayut their turbos, joys and sorrows. At a koliskovaya іsnі mother to know the way to their senses, you can talk to you until the end, you can see and correct the mental order.
Koliskova's song is the greatest conquest of folk pedagogy, it is not surprisingly learned from the practice of wishing children in that very low life, if a child is a very irresistible beauty, like the need for a constant, simple, unimportant love, love
The folk songs have joy and grief, love and hatred, cheerfulness and troubles. The pictures show the beauty of the national character of the Bylorussians: vitality, vision, truthfulness, humanism, chuynist, pratsovitst.
visnovok
Dosvid of the national vikhovannya among all ethnic groups, nationalities and peoples even more. Having shown an analysis of the traditional culture of the vikhovannya, it is possible to be characterized by the same vimogs to the point of being shaped by the peculiarities and systems of the vykhovannya and navchannya. Wine is a kind (home for all people) folk wisdom, a system of out-of-town values, transformed by the capital. Ale tse does not mean that the whole arsenal needs to be vikoristovuvati people's effortsі officials vikhovannya without changes і critical assessment. Brothers need to be with them, as they work this year and relate to our statements about humanism and zalnoludskih values.
Dharma dumati, how the folk creativity fell asleep was deprived of the fruit of the national dozvilla. I wondered how happy it was to the people. Vono became and changed his moral denunciation, built up his historical memory, the sacred structure of his soul, and reminded him of all his life, which flowed through the evolution of that ritual,
Folklore has an important role for children. Rozpodil yogo on the genre permits in the singing vіtsі child zbagachuvati yogo spiritual svit, develop patriotism, evolve to the last nation, evolve yogo traditions, mastering moral and ethical norms of behavior in suspіlstvі.
Folklore develops the dream of a child, pouring on her spiritual development, on her fantasies. leather genre childish folklore instill in singing moral standards. So, for example, the Kazakh, by the way, likening creatures to people, showing children the norms of behavior in the suspension, and charіvnі kazki Developing not only fancy, but thirst. Prisliv'ya, orders to send children folk wisdom Viprobuvano vіkami and has not lost its relevance in our hour. Bilinny Epos - a heroic message about the stories that have been seen in a long time ago. I wish the bilini is not so easy for children to take away, all the stench is directed to the wickedness of the past to the people, to the vivification of the traditions and behavior of people in the hour, to the patriotism of the words of the people, who do not want to wonder at all having seized її. Pisenna lyrica is also poured into children. It is important to win todi, if the child is still maliy. For example, the little ones cope with the little ones, the little ones, please, please. Likewise, the pictorial lyric includes parts, attachments, Pestushko, scraper, lichilki. The axis of the stench is straightened to the development of the children’s hearing, move, so as in them vikorystovuє.
With such a rank, the child was awarded to the folk culture to obey the child, to lay the foundation for the understanding and attach the behavior. Cultural decline transmitted from generation to generation, developing and replacing the light of the child. Folklore is a unique way for the transmission of folk wisdom and vikhovanna children on the cob stage of development.
List of Literature
1. Baturina G.I., Kuzina T.F. People's pedagogy at vikhovanna preschool children. M., 1995.-S. 7-8.
2. Belarusian falklore. Chrestamatia. View. 2nd DAP. Sklali K.P. Kabashnika, A.S. Lis, A.S. Fyadosik, I.K. Tsishchanka Minsk, "The Visheyshaya School", 1977.
3. Bel. Woosni - Piet. Creativity: Padruchnik for studentў fil. specialist. VNU / K.P. Kabashnika, A.S. Lis, A.S. Fyadosik i insh. - Minsk: Minsk, 20000 .-- 512 p.
4. Bilorus. T.7. Vusni pieticheskaya creativity / G.A. Bartashevich, T.V. Valodzina, A.I. Gurski i insh. Redkal. V.M. Balyavina i insh; In-t of artistry, etnagraphii i falklore. - Minsk: Bel. Navuka, 2004.-586 p.
5. Berezhnova, L.N. Ethnopedagogy: Navch. posibnik for stud. Vischa. Textbook. pawns / L.M. Berezhnova, I. L. Nabok, V.I. Shcheglov. - M .: Vidavnistvo. center "Academy", 2007. - 240 p.
6. Volkov, G.N. Ethnopedagogy: Textbook. for stud. midsection. і vish. ped. navch. bookmarks / G.N. Volkov - M .: Vidavnichy Center "Academy", 1999. - 168 p.
7. Volodko, V.F. Vikhovannya / V.F. Volodko; BNTU - Minsk: Pravo i ekonomika, 207 - 230 p.
8. literary encyclopedia... M.A. Riddles. M., 1964, t. 2, p. 970.
9. Chernyavska Yu.V. Bilorus: finishing touches to a self-portrait. Ethnic self-image of bilossians in kazkas / Chernyavska Yu.V. - Minsk: "Chotiri Chverti", 2006. - 244 p.
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