Shho also tvir folklore usnoy folk creativity. Vivchaum sleep folk creativity. Zhanri i vidi

fall asleep Folk creativity, Folklore - tse dzherelo vіkovoi folk wisdom. There is a lot of solidity to take revenge on the truth, and even its own ear of folk creativity has been cherished since ancient times. folklore having heard the forehead generations, they were carried from mouth to mouth, some letters in those old hours were widened.

All spheres of life of our ancestors knew their original image in folklore. The very fact is that the folk creativity is asleep, but it’s also a lot of genre rosmayttya. A lot of primes, riddles, all the fond words and orders, words and jokes, fries and anecdotes, koliskovs and parts, balady and bilini, retelling and legends, historical stories and stories create. The skin genre has its own unique features and traditionally viviren ways of turning and transmission. A lot of genres like folklore include elements of theatrical performance and allow for a viciously lively visit, reminiscent of them with new Farbs, for the soulfulness of the skin viconauts of winter and the coming generation in the zaghalny. But at the same time, the main idea, the provincial idea, the moral acceptance and the general haircut, is aesthetically designed to become unimportant. All are welcome to the heart of the mind and to the unreasonable connection of our creativity with the rich traditions.

Such is the peculiarity of folklore to rob him of his loved ones and be intelligent, whether they are people, just from the vik, stat. social status... To navigate in a childish life people are good at it, sound, like, the richness of folklore, yak, madly, pouring on them emotional development and mobility. The simplicity and completeness of the forms, the zaglichnosti of the images, the ability of easy creation - the quality of folk creativity close to the creativity of children, and so befitting it. Behind the creations of Russian folk creativity, the bitchy old generation can easily understand and intelligence, how our distant ancestors lived, such as the problems of their turbuvali and how the stench came to them in their virishuvati. Folklore works have a lot of caution, traditions and rituals for the people. Zagalna otsinka life and collective thought. The whole folklore of permeation by the true living values, Moral and ethical attitudes and good people.

Russian folk creativity is a colossal dzherelo of the wisdom of ancestors, their spiritual and illumined svitoch, an almanac of moral and ethical rules and an overwhelming guide of culture for the ninth and coming generations in a happy world.

The winery of the weary poetical creativity of the Russian people is tied up in front of the statements old Russian state in 1X-X st. Usna folk creativity Old Russia from the X to the middle of the XVI century, including absolutely no writing. Our views on ancient period poetic creativity is drawn from the indirect dzherel.

The great artistic creativity of the people developed into a tight connection with their protections to nature, to pratsi, in connection with the manifestations of people about the new light, the whole world. To that, with the first creations of usny folk creativity, the boules of ritual songs, serpents, conjurations, which helped people to fight with unreasonable natural appearances, ask for help from the gods of the languages.

Progressively started to develop and bezposeredno verbal creativity: kazki, myfi. And the best thing about the heroic epic is bilini, develops the change of the real from the fantastic. Lyudin of Old Russia has turned into magic power ceremonial folklore... Є a number of direct reports in the old Russian letters about the messages of saints and rituals, adopted in Old Russia (in the "Pochannі of Novgorod Bishop Illі - Ioann XII century. thousand one hundred and seventy chotiri, 1177, +1195 and 1.262 pp. - about "Rusal tyzhnya" and "Kupali", in "The sent of the igumen Panfil from the ear of the 16th century - about the Kupala rituals, in" Stoglava "of the middle of the 16th century, in the "Gustinsky Litopis" of the 17th century - about Kupali and Troitsyn days and in the memorials). With the acceptance of Christianity, I did not see more information about the phenomenon of light, I will appear a board, sleep, sleepy and monthly darkening and inn. Some people are deprived of the call of some gods for others. For example, the song "The thinness of God" Beles zanyav Vlasiy (abo Ugoriy), the misce of Perun - Ilya the prophet, etc. Alesensensnogo viri became overwhelmed by kolishnim.

Until our days, in the same world, there was a development of language, as well as pictures, riddles, words, words, such as supervising and corruption. Cultural centers, which have been preserved for us by the folk creativity, Buli Veliky Novgorod, Kiev, New Moscow and a number of other shopping centers of Old Rus.

The word "folklore" in English means folk wisdom. When the people appear, they will tied up the accusation of folk creativity, which was passed on by word of mouth. Kozhen tvir folklore has no options, so as it is not enough for a specific author, and in an hour or so, there are some oskin notifications, or they will come up with their own, or else they will be forgotten. It is not possible to name a specific author for that, because the people themselves were the creator of the poetry, they were created by the capital. Hours between folklore thought: asleep folk creativity appeared in Russia until the end of writing and until the time of writing.

All create usnyi folk creativity can be developed for singing genres. Prior to the traditional genres of folklore, the following are referred to:

Kazka - epichne notification, overly prose character, with an attitude towards vigad; the image of the found out to the people about life and death, about good and evil; insured for a fall asleep transmission, to that one and the same plot there are few options. The family is known for such Kazki, yak "Kolobok", "Lipova leg", "Vasilisa the Wise", "Fox and Crane", "Zaichikova Hatinka". For wickedness, the kazka can be distributed to socially-pobutovu (to decipher about the stories in the life of the people), about the tvarin (the heroes of such kazoks are zviri), charming (in which to tell about good luck heroes, there are especially fantastic things: Baba Yaga, Koschiy Bezsmertny and in.)

Bishna is a narrative about rich people, folk heroes, written in a special bilinous verse, for which the visibility of rimi is characteristic. The heroic bilins talk about the rich and the servicemen of Batkivshchyna. For example, the view of the bilina "Three trips of Illy Muromtsya". In the socially-pobutovyh bilinas, they talk about the life of the heroes from the folk middle: merchants, townspeople, villagers. For example, the Sadko bilina is famous.

Pisnya is a musical and poetical kind of mystery; vislovlyuє singly ideally-emotively placed before the life of the people. For the old hours, song has played an even more important role in the life of the people. Won the super-cheerleader for people to come and go, on holy days, on weekdays, on weekdays and far away. The song didn’t just amuse, she didn’t care for it, but she didn’t help me: I’ll see a child, see a new sleeplessness (as long as I’ve lost it, I’m alive), I don’t feel good about the tradition of a young, happy life. A soulful beauty, ideals, the encouragement of the peasant, the morality of the peasant life was felt in the picture. Vona gladdened me at a good hour and entered in a bad hour. The lyrical song is based on real life and those who are not in the know. Russian people are even more flexible. In the skin genre, the genre is perceived as a side of folk life: in love songs, the experience of young people can be heard; in the family there are about the little dads and the children, the choloviks and the squads; in soldiers' - about service, vіynakh, campaigns; rituals vikoristovuvalysya during the ritual.

In addition to the great genres, among the people there are also small ones to create. To them are admitted:

mystery- a poetic description of any object or manifestation, based on the similarity, or insanity, with the other subject, so that one can perceive the style, compositional readiness. For example, "Hang a sieve, not with your hands" (Pavutina).

prisliv'ya- short figuratively rhythmically organized folk viraz, which will grow up to a richly meaningful implantation in the movie according to the principle of analogy. For example, "Seven do not check one."

order- viraz, figuratively viz. do not take revenge on the finished thought. For example, "Easy to Remember".

skewer- hot air, you are immediately prompted for the next day. For example, “When the Greek goes through the river, to kick the Greek into the river, thrusting the Greek's hand into the river; cancer for the hand of the Greek tsap. "

ditty- short, showing off in a quick temperament, a pet is rimmed, a quick, poetic vidguk on the side of a side-by-side abo huge character. For example, "I go dancing, / In the house of no bite, / Suhari and kirki, / And on the legs kaptsi."

Food for additional reasons:

1) What are the reasons for the accusation of popular creativity?

2) What does the word "folklore" mean?

4) Name the cultural centers of Old Russia, which were deservedly reserved for the sites of the creation of our folk art.

5) Pererakhnі genre usnoї folk art.

6) Guide wicked butt riddles, adjectives, orders, skimmers, parts.

See usoi folk creativity.

V childish folklore it is necessary to develop old-growth for children, create old-grown, become childish for years, and a child's creativity is in the vlast's clever word.

The childish folklore of the Russian people is superbly rich and versatile. Wine of performances by heroic epics, Kazakhs, numerical creators of malikh genres.

The knowledge of the best insights from the usual folk creativity is guilty of the previous experience. Vono to repair with pisenok, nursery rhymes, pestushkas.

koliskov_ pisn_ zapokoyuyut, nashtovyut child on vidpochinok; affectionate, low, non-voice. People call it bikes. Qia is a name to resemble the word “bayat, baiit” - say. The old meaning of the word is “whisper, speak”. This is how I will name the Koliskov pictures, they didn’t make a difference: they found them directly related to the substitute song. Over the course of the year, the paintings have lost their ritual character, and these plots have turned the cat into their "hero", so that they dared to peacefully bring the cat's sleep and calm child.

little dogs - small pigs up to the first igor children with fingers, pens, handles, which supervise the first children svidom ruhu ("Ide a horned goat ...", etc.) and a childish people, in a child it is necessary to be trimmed in the year of unsuccessful radio emotions. The masters of simplicity and melody sounding of little children are playful, easy to remember, they buy a relish to the figurative, in a lucid word, add to it in their promotions. Deyaki Pestushko, quickening, developing and playing the ear, move into the genre of nursery rhymes.

Potishki. Oh, well, it’s a sign of getting the child up to the knowledge of the new light in the process of gris. Їх fix the stasis on another rosі life of the child, if the new one already has the original vocabulary. At a great deal of quietness, they are tied with ruffs, dance and evolve with a badior and life-like rhythm. The role of nursery rhymes is to stink a short story, take in an artistic word, and as a bi-preparatory step for sprinting in a fake kazki. In addition, the little ones develop the child's imagination, awaken the interest to new word formations.

Keep quiet, attachments. Tse rimovanі pivoting, most often the hottest wolf, who live to embellish the move, in order to promote, calm, grow up to ourselves and our spіvrozmovnikіv. His wicked stench is to make up little kazochki at the virshah. As a rule, in primovtsi there is a picture of a bright podії, a smart action. It is a great idea of ​​the child's spiritual nature, of her active child's spirits.

nebiliti - a special kind of song with hot text, in which real sounds and synonyms are displayed. Base the stench on improbability, vygadtsi. However, the stench itself will help the child to harden in their own reference the vivid action, change in a new sense of reality. Humor becomes a teacher.

sweaters - the form will show childish satire and humor. Drazhnilki is a kind of creativity, which can lead to accusations by children. It is impossible to say that the new has no "ancestor" in the creativity of grown-ups. Rozdori, zitknennya, vorozhnecha, fist fights, spravzhny biyki, if one "kinets" of the village of ishov on іnshy, will be the last manifestation of the old beggar. In addition, they gave one to one a note, nicknames, which meant clear and notable shortcomings.

The skin drazhnik has a charge of vinyatkovoi emotional strength. Often drazhniks condemn slander, vileness, ling and villainy. However, in the most childish middle-class, call drazhnite wiklik to protest - they said about lovers of imitation: "Drazhniti - rilo dog."

squash To hammer in clearly, quickly and to speak correctly, or, at the same hour, get lost in an idle thunder. Sims stench and wrap up children. Skoromovki to admit one-root or sound words: In the yard - grass, on the grass - firewood; The sewn kovpak does not look like a cap, you need to re-cap it and re-cap it. Vazhko virіshiti, who is the creator of cich skimmers - children or grown-ups. The children of them are unlikely to be children.

wonderfully poetical Russian riddles , Simply and barvyly talk about the concrete phenomena of nature, about the creatures and birds, the government and the bastards. They have a wealth of vigadka, completeness, poetry, imaginative mode of lively rosy moving. Riddles - Corisna is right for rosum. The riddle of introducing a child into thoughts about the connection between animals and objects and about the peculiarities of the skin from them, will help you to see for yourself the poetry of a new light. Chim smilivishe vigadka, tim is more important than a riddle for vidgaduvannya. Neimovarity on the images of the riddle clearly grasp the contradicting reality, and it’s a guess to bring order to the plutan: everyone is on his way to the graces with the bright brightness of the object.

Send those orders they are laconic, viraznі folk tlumachennya, pіdshіkі trivіl wiste, engaging life wisdom. Prisliv'ya is a short, poetically imaginative, rhythmically organized tvir of folk creativity, zagalnyh historically socially-pooted news, clearly and lost characterizing the new side of life and the dignity of the people, as well as such. Prisliv'ya - tse the backbone of judgment, bend at the form of a grammatically finished proposition, as I have a figurative meaning, to avenge morality, viroblen by a pogo podinny. The order is a short, figurative hanging (or rather porous), which is characterized by incompleteness of hanging. On the vidminu from the onset, the order has been added to the ugly povchalny sensu and to be flanked by figurative, unrecognizably allegorical indications of such a vernacular. When you send those orders, beasts before children, you can see the rules of behavior, moral norms. A short hang, outside of wisdom and humor, will not remember being children and pouring into them is much stronger, not be-like wisdom and vmovlyannya.

Russian people ruhlivi іgri May the bagatov's history, the stench was saved and went to our days from the old times, passed from generation to generation, absorbing the best national traditions... In all folk games, it is characteristic of the Russian people that love to merry, good work, honor, magic fuse, strength of will power, spritinism, vitriolism, shvidkistyu and beauty ruffles, as well as vitality, vitality, magic

lychilochka tightly tied with the folk band. The head of the school is in order to help you to prepare and organize the goods, to distribute the roles, to set up a bar for a cob of grits. Lichilochka - rimovanie virsh, how to build up with invented words and sound from the seat of strict rhythm.

dance round . For a long time, there have been boules of the beloved roving young in Russia. They repaired the sheds in a circle, if it became warm and the earth was covered with feather grass. The round dance has intertwined dance, gras, spіv. In the round dance songs, the moral and aesthetic ideals of the young - our ancestors (the young man shukak "will give a name", "I spin, I tkahu, and in the house of a housewife") are clearly revealed.

Russian folk song I proponate children of great number of poetic associations. Bila birch, Noisy on the vіtri, scho poured spring water, Bila the winch ... All the images become the basis of a poetic look at the light, overtaken by love before native nature, Ridnoi movi, Batkivshchyna.

kazki ... It is important to see a child without kazoks: “dignity” and “kazka” is an understandable nonsense ... The kazka is a special folklore form, based on the paradoxical understanding of the real and the fantastic. Wonderful to become an element of folk pedagogy. In the case of the Cossack epic, there are advances in genres of images: kazki about creatures, kazki on pobutovі those, enchanting kazki.

All kazki strzhuyut babies in the correct stosunki until light. Morality is to be found in the skin of kazts, a child is necessary: ​​guilty of starting his own life in life, acquiring morality - ethical norms behavior in suspension. The plot of the kazoks grows rapidly, and the happy end of the kazki shows the life of the child. The peculiarity of the kazok polyagu is important in the fact that the heroes are hungry, for whatever circumstances they fall into their own characters. In such a rank, in Kaztsi to avenge that simplicity is needed human vidnosin, Yaka is guilty, but she is mastered by the child of Persh, but there is no reason to think about the intelligence of the right and the best.

Vivchennya move to his people, filled with all the riches of folklore - one of the most important, magical nobles of the spiritual development of Russia. Folklore artists are guilty of knowing the image of both the specific rice of the national painting, and the style of the creative work of the other peoples. For the whole, it is necessary to select the cossacks, add, orders, most of the way to imagine the special features of the wicked (to be abused, sings, moral principles, traditions) and form (composition, different cultures.) as well as to the culture of other peoples.

It's even early for children to start walking on the streets near their one-year-olds chants (From the word zaklikati - "click, ask, ask for, beastly"). Tse beastry to the sun, the merriment, the board, the birds.

From grown up to a childish beggar, they went to sleep attachments. It’s short, let the beast go to creatures and birds, Sonya, Bjolam; to the teddy bear, replace the old people with a new tooth; before the hawk, schobs not circling over the booth, they are cursing without peering. The price of food for zozuly: "What are some of my life?" Zozulya kuє, and children vvazhayut.

Not a while ago, not a calendar childish folklore, іgrovі adapt and іgrovі viroki. They either fix the rough, or tie the parts of the game. The stench can vikonuvati і the role of kіntsіvok in grі. Іgrovі viroki can also take revenge "think" of the gris, cause inheritance when the minds are destroyed.

Familiarization with the types of folk art in the senior preschool institution

At the senior group vikhovatel to the plan of employment, specially appropriated to the Russian folk art. If you have a knowledge of folklore, you can do the posture thoroughly: at the evening hour, for a walk in the forest, or for a walk in the forest, a teacher’s teacher’s teacher’s school is arranged, and a teacher’s school teacher is asked, and riddles are made, at once with the people. It’s even more tricky to go through the drama of folk songs. The older group of lads should first know with the help of those orders. The thief rozpovіdaє, huh the people have opened inluchnі short virazi, such as vismіyuyut lin, wiggle boldness, modesty, pratsovitst; I will explain, if you can’t follow the order and listen. Learning about children with help can be partly busy with learning about new skills or the development of movement. At the senior group of lads, they learn to know the sleepy folk art not only of the Russian, but of the other people. Children know, well know the kazka "Rukavichka" is Ukrainian, "Light Khlib" is Bilorus, and the little one is happy "De niuє sontse?" opened in Virmenia.

With folklore kids food preparation group Know in the main position to take. It is especially important to be introduced to the knowledge with orders and promises. The whistle-blower doesn’t just explain the wickedness, the whims of the senses, you can choose to pick it up correctly, and until the moment you pick up that order. V preparatory group children promote the knowledge of the folk art, with the more serious, glimpse of the zystical creatures of the national eposu (legends, bilins, announcements) not only of the Russian people, but of the people of the national nationalities. A special role is played by the teaching of the teacher, as a viperzhaє reading or dissemination, is to lead the schoolchildren to the understanding of the ideological spirit of the creation.

In such a rank, victorious views of usny folk creativity in the complex with the other wicked ways of the development of vocabulary, the development of mobile activity of children preschool education And also the formulation of harmoniously developed, active specialness, which will be one in one's own spiritual wealth, moral purity. Pratsyuchi with children, the teacher needs memory, how the enmity of the childishness is glib and unforgettable in the memory of the grown-up people. The stench will establish the foundation for the development of moral sentiments, evidence, and for the occasional manifestation of them in a solid brown and creative spirit.

Technique of robotics with folklore in organizing different types of activity .

In preschool children, as a kind of provincial kind of activity - gra, in which all educational processes develop. Folklore is widely victorious in the games-dramatization. Dramatizing a little picture, a nursery rhyme, and in a frivolous і Kazku, a child cries out for me. Those who are a collection of wines only chuvs, the old vlasny nadbannyam. Itself here the child is taken over by the "harmony of the Russian word", as Bulinsky said about it. Ditina povyazu the word in the dyєu, in the image. It is necessary for this to take a fancy to the dramatization of the creation of the traditional folk creativity by children, to the development of a childish appearance in the life of a child's cage, to want to see all the children.

Technology victoriannya kazki in games-dramatization :

Stage 1- knowledge of kazkoyu (drawing up, talking, looking at the pictures, video recordings, looking at pictures and illustrations);

2 stage- the knowledge of the guilt of being emotionally taken by the child, who is bound by the ringing emotional sound didactic іgri with characters of kazoks, etc.);

3 stage- visualization emotional shrine a child up to a prelude to an object in artistic performance;

4 stage- preparation for the independent development of the plot, preparation of the necessary middle course for the creative gri, development of the plot of the Kazka Usna folk creativity can be victorious in the best forms of the robot s physical wickedness :

Rukhovo-creative people are busy, based on one of the types of usny folk creativity; plots of physical culture employment with "inclusions", "intertwining" elements of the Kazakh language (carried out in the form of "rukhovoy" rozpovidі);

theatrical physical and cultural activities for performances of imitation, miniscule and pantomimic rights, scenes and drama; music and rhythmic busyness, based on folk dances and dances, games and round dances, from victorious folk songs and melodies;

іgrovі physical culture busy Kazak heroes);

integrated physical culture activities, to enjoy folklore and physical right

When organizing the activity of children, it is necessary to vikoristovuvat folk igri, as they pour not only into the physical development of children, but after the words of E.A. Pokrovsky: “... the children are ruffled igri, taken from the belongings of the folk igor, national features, Vykonuyut zavdannya natsionalnogo vikhovannya "The main mindset of the successful introduction of folk rugged igors into the life of preschool children and to become a great teacher and teacher of the repertoire. Basically, it’s not based on the methods of the other crumbling igors, but you can see the features that are typical for organizing the carrying out of the national gris:

Explains the new folk group, in the beginning (lichka, singing, foal), the mature one does not go to the front of the child with the text, but it is not possible to enter it in the first place. With such a welcome to deliver the children a great satisfaction and to spare them from the tedious stencil knowledge with the game element. Hlops, aloud in the rhythm of the sound of words, when repeated, it is easy to remember the beginning.

When explaining the narrative of the folk gris, the vigilante in front of the foreground tells about the life of the people on whose grue to lay the graces, showing the illustrations, objects and art, dazzling with national animals, folklore

A special role in the development of a child to the folk culture is brought up folklore saint as for the depiction of the national character, the form is like a reproduction of grown-ups (teachers and fathers) and children, shared by spirited children, out-of-town experiences. The people are holy if they are tied together, to that and in the zmist is holy in child's garden Turn on the versatile people to get rid of the game, and the rozucheni with the children of the attachment, the little bit, the scraper, the process of getting bigger and smarter. The children of the senior preschool age play Russian folk lyrical songs, and they demonstrate how the life of the people is seen in the same types of verbal and musical art, and the grief and joy. Joden folklore is sacred not to do, very well, without gris on Russian folk musical instruments, vikonannya pіd їkh accompaniment pisen, dances. Widely vikoristoyutsya і scenes, lyalkovy theater for folk songs, nursery rhymes, kazkas. The main idea of ​​folk dramatic actions (gris, round dance, scenes) is the word, nasp, vikonannya, as supervised by gestures and mimic. Great respect is guilty of butti attributed to the costume design, the victorious decoration.

Thus, the victorious folklore in the process of organizing the old types of childish activity.

See usy folk creativity

folklore ( English Folklore - " People's wisdom») - folk creativity, most often he falls asleep; the artist is collective, the creative person is the people, who depicts their life, look, ideals; fold the people and in the folk masses.

1. Prisliv'ya - a small form of folk poetry creativity, styled in a short, rhythmic hang, which carries a thought, visnovok, povchannya.

ñ "You won't help grief with sloz"

ñ "Khlib is all the head"

ñ "Without pratsi, not vityagnesh і ribku zі bet"

ñ "Seven do not check one"

ñ "Seven nannies have a child without an eye"

ñ "Sіm razіv vіdmіryai - one vіdrіzh"

ñ "Sitiy is not a friend to the hungry"

ñ "Who is not pratsyuє that is not"

ñ "The word is expensive, but the movement is gold"

ñ "The word is not gorobets - viletit, not vpiymaєsh"

ñ "Just an hour for a year"

ñ "More beautiful than a tit in the hands, less a crane in the sky"

ñ "If you love to ride - love and sleighs to carry"

ñ "Your burden is not burdensome"

ñ "On the villains and the hat to burn"

ñ "Vovk_v be afraid - do not go to the fox"

ñ "Sheep gavkne - repeat the flock"

ñ "Stubborn vіvtsya - vovku korist"

ñ "Take a copy of the hryvnia"

ñ "God take care of those who are taken care of"

ñ "Lying stone and water does not flow"

ñ "Knowledge is power"

ñ "Alone in the field is not war"

ñ "In the world in nittsi - a little shirt"

ñ "The wedge is vibrating like a wedge"

ñ "Get along well, but bastard"

ñ "Lie on the platforms - so і skibi do not mother"

2. Order - word-of-mouth, moving sound, how to visualize, be-like a manifestation of life, one malikh genre folklore ... It is often humorous in nature.

The order, on the vidminu from the admission, is not to revenge the conspicuous commander.

ñ « Hunger is not a tint, a pie is not hungry »

ñ « Do not hammer the egg »

ñ « Calling a mushroom - go to the box »

ñ « A spoonful of diogtyu in bochtsi honey »

ñ « Yak vie choven call - so won and poplive »

ñ « The road is a spoon to obid »

ñ « So, the coachman does not change the zvivin! »

ñ « Friends learn in bidi »

ñ « From sumi and from prison, do not come back »

ñ « Found a scythe on a stone »

ñ "Without God not to the threshold "

ñ « Tsilu - to mean to love »

ñ "B'є means to love"

3. Song, words i music which were made historically in the course of development Russian culture ... The folk poetry has a mute author, or the author of nevidomy.

4. Chastushka - folklore genre, short Russian narodna song (Chotirivirsh), a humorous snake, which can be passed on to sleepy sleep.

5. Riddle - viraz, in which one item to appear behind the help of the one who is like-nebud, I want b viddalene, similarity ; at the entrance of the last lyudin i guilty of vidgadati thoughts of the subject. V long ago riddle - zasіb viprobuvannya wisdom , Teper - folk fun ... Everybody has riddles people There was no stench on the yak bi step.

When a riddle is received, it is clear to them that a riddle is required to be guessed, and when a riddle is received, it’s a good idea.

6. Pestushko (From the words pestiti, tobto nyanchiti, pestiti) - a short change of our nannies and mothers, like the stench of superfluous children, like win on the very cob of their life. For example, if the ditty is thrown, mothers iron, nurture yogo, apply:

Potyagunyushki, postunyushki,
Across the fat girl,
And in the handles of fatiunyushki,
And in the mouth of the talk,
And in the head of the mind.

7. Nursery - an element of pedagogy, a little animal, a companion with the fingers, hands and feet of the child.

Magpie-crow, (run your finger along the valley)
Magpie crow
I gave it to the kids.
(Curl your fingers)
I gave Tsiom,
I gave Tsiom,
I gave Tsiom,
I gave Tsiom,
But she didn't give him:
- Why not saw firewood?
- Now without carrying water?

8. Attachment (From bayat, tobto rozpov_dati) - virsovana, short, merry history, Yaku rozpovidaє mother of her child, for example:

Owl, owl, owl,
Great head
I sat on the stake,
I wondered in my side
Spinning his head.

9. Calls - one of the types of engaging dogs Calls є beastly to the sun, to the merriment, to the animals of nature, and also to the creatures and especially often - to the birds, which were respected by the heralds of spring. Moreover, the strength of nature was shaking yak alive: until the spring, they roar with the haunted, bazhayut yaknayshvid parish, for the winter napayut, skarzhayutsya.

Zhayvoronki, zhaivoronis!
Come to us,
Bring us a little bit of warmth,
The winter is cold to see us.
Winter is boring for us,
Hands, feet froze.

10. Lichilochka - a small virshik, a form of a foal, for the help of what kind of viznachayut, hto lead in the group. Lichilochka is an element of the greetings, which helps to get up to the age of the year and to the work with the accepted rules. In the organization of lichilka there is an even more important rhythm.

Ati-bati, go to the soldiers,
Ati-bati, to the bazaar.
Ati-bati, did you buy it?
Ati-bati, samovar.

11. skewer - the phrase, prompted by the sound of the sounds, is to speed up the speed of Vimova's speech. I call them " pure clauses », Oskil stinks take off and can be victorious for the development of diction. Skoromovki are rimovan, so and not rimovan.

Having taken the Greek through the river.
Bach the Greek: in rіchtsі cancer,
Having thrust my hand into the river -
Cancer for the hand of the Greek - Dzap!

Folklore is especially popular among the middle types of art. Rіznі vіdіmіtstva vіdrіnіyayutsya one from one team, how to reproach with other materials for the artistic creations: Sculpture - marmur, stone, wood; painters - with farbs; literature - in a word. The skinny view of the mistress has its own particular imaginatively-twisting zasobi. In music vikoristovuyutsya cherguvannya and harmony of sounds, in choreography - the plasticity of rukhiv, in literature - the imaginatively rotational possibility of words. people poetical creativity Leave your ear from a long time ago, if people did not want to write, naturally, youmu Bula is attracted sleepy shape turn. Ale folklore is not only sleepy poetry, not only mystical words. Among the genres of genres, there is a word і naspіv, like in a painting, that is angry at one word and musical mystery. In addition, all create folklore in a lively vikon, that includes elements of theatrical art (gesture, gesture, animation). In such a rank, folklore, in essence, is more synthetic than mystery. Be it the verbal TV of folklore, it’s not on the reader, but on the hearer and the transmission without any contact. One and the same folklore tvir in the rural areas sounded in a different way, which began in the muscular dialect, with the dissemination of mussel words and the peculiarities of the movi.

The axis of the urivoks of one call, recorded by Oleksandr Mikolayovich Afanas'ev:

“Adin, chuєte, the tsar ordered to call the saaa of all the kingdoms of all, yak na-, bar, all-naaavsekh to himself, and the axis of the Evtimov on the right-that zaganut їm zagatka:“ Come on, why will you? I’ll curse you for a little bit: who’s in the world of fierce and evil all? "The axis of the stink was thinking, thinking, thinking, thinking, Ghana-Ghana, and then they thought, and they thought, - they figured out everything, yakbi to atganut. Hi, bach, nihto NOT atganul. The axis of the king іх і atpustil. Atpustil and pokarav: "The axis of the tada-that matrya, see the tsikh on the right, come to me" ... "

The Kazka in the skin area at the skin alert is to sound in a reasonable way: the mode of phrases, new words and orders, live іntonatsії ...

Yak asleep creativity, folklore can be connected with the mystery of the actor's vikonannya (voice transmission to the character in Kazts: vedmid, zatz ...)

In the literature on the idea of ​​a living move, a notification is called an announcement - N.S. Luskov "Livsha". Nationality: on the creations of the traditional folk creativity, you should lay a seal for the hour and that middle age, in the stench of the trivial hour they lived. Folklore in centuries and in thousands of years absorbs the life of the people, for that the people are guilty for the zmist (thoughts, pochuttya, dosvid), for style, for walking.

The folklore camp (after the end of the hour) only tvir, as the people will pass from mouth to mouth, zbagachuvati their dosvіdom, razumіnnyam. With a whole lot of kozhen Nova lyudina to create in the boundaries of the traditional tradition - "kolії", to spiral on the first step, from what kind of change, tvir, zmіnyu, complementary ...

The artistic creativity of people in folklore is not vivid from the manner and creativity of those individuals - from already existing creatures. The whole creativity is collective, showing the individuality of the people, and not of the surrounding people.

Tradition and variability: the transfer of creativity from individual to individual to live in folklore through the passing of tradition, that Folklore is a tradition of art creativity, in the new version of pure innovation, after the re-creation of an average creative work.

Variety - the way to develop folklore tradition. For the development of folklore tradition, folklore creativity is an important area of ​​variability.

The butt of tradition and variability is a mystery, de stele boards or a log, laid on the head beam - a slab, presented in such a view:

Twenty five

Sleep on one pillow.

Stelovy roll of likenesses to diving people.

In the Kursk province, the won sounded like this:

One hundred fellows

Sleep on one head.

In the Arkhangelsk province:

forty brothers

Sleep on one head.

At the Vologda province:

forty brothers

To lie on one pillow.

Іmprovizatsiyya: the root of the text of folklore, or any of its surroundings, in the process of vikonannya. The improvision of the bull is possible within the framework of singing rules, artistic canons, laws in the genre ...

Іmprovizatsiya - the element of individual creativity in folklore, won the people of the Juval nove, developed the tradition.

Syncretism: recognition of the types of artistic creativity:

Round dance: word, music, dance, gesture.

Zmova - dia, word, rhythm.

Carols: word, music, theater, costume performance.

Bilina: word, music.

It is necessary to develop syncretism і synthesis: syncretism - non-functional unity; synthesis - more knowledge of different types of art.

Unsatisfactory artistic ear and ring with the bob.

The qia of rice is more powerful for the early stage of usny folk creativity.

Butt: the sign of the snake - trim the bazhan in the bob, tobto meta bob, utilitarn. With the whole serpent of Volodya the artistic value, it is not worthwhile to introduce the price.

Lyudin wants to have more sheep in her flock - he will be snatched: “Look in, the glare is clear, on the yard (im'ya), and hey, hang over the fire of the unfading Beloyar, yogi sheep. As for the children of the age, there are no numbers, so the slave (im'ya richok) gave birth to more sheep. "

Porіvnyannya, adolescents are a whole lot of art, but the art side is not smut here - there’s no sign of it.

Zmova led to literature, to indicate the power of this artistic infusion (Zhukovskiy "Svitlana", Pushkin Vorozinnya Tetiany, deputy poet Vikorisovy in their verses of symbolism, M. Tsvєtaєva).

The repetition of the style and the systemicity: zagalny images (symbols of tvarin, roslin), plots, potiyni epitheti (syroo oak, chablis gostro, the field is clean, the sea is blue, Kiev capital, Holy Russia ...), formulas (Seven do not check one; Seven times example, but one vidrіzh ... "Seven gozenyat" ...), repeat, accept the meaningful tautology (if that don’t gravitate, say that don’t speak ...), protistavlenya (“soon the word will move, that will not be afraid soon” , "A penny, not a penny, that glory is good"). Folklore - tse sukupnist Usnih creatures with the help of an unknowable artistic setting, included in the practical life of the people and created in the process of social work of generation, and the creativity in a traditional wickedness and in a traditional form. Folklore is a tradition of artistic creativity to the people.

A lot of the folk creativity of the Bula is unaware of the artistic overcapacity of nature and the suspicion for the additional development of fantasies, and the nature of this artistic development of action has been lost. Implementation of the active performance is displayed in the sub-active light of the information. Testimony is a system of insight, in which it is not only the precise understanding and theoretical knowledge, but the emotional and imaginative way of visualizing the light. One of these ways is the imagination of action and folk creativity. "The skin nation is self-guilty spiritually revealing, as a result of the instinctively-spiritual self-confidence of the child's mind." At the given moment, it is accepted to vvazati to sleep folk creativity, as the main element of folklore, which is characterized by a number of specific signs. Folklore is formed by the people, as they have gone through the singing historical path and to serve in the mirror of their living awareness, mental disposition (character), moral and natural to understand. A.M. Bitter by the beginning of folklore, like a sleepy folk creativity of the working people, like, on their mind, є the initiator of the root of material and spiritual culture, “who followed the hour, beauty and geniality as a philosopher and a poet”. So, as folk creativity is asleep with a hand, as for self-expression, as for self-recognition of the people, then it is uncomfortable to grow up in the peculiarities of national self-recognition without knowledge of these turns, for that all genre of folklore for the code of the calendar the mindset of our family. Kviti and trees, glorious in the songs, the heroes of the Kazoks, now ice, now cunning, then self-evidence, bilin rich for their honor and freedom of Russia are ready to give life, unchanged authorization to send in and orders, parts of love about all of us, so and hurt її. Kravtsov N.I. i Lazutin S.G. they talked about those who, in the bourgeois science, had a dummy, the creator of folklore was not the people, but the aristocratic class (Keltuyala). The price of putting them in such a world is not driven by action. All kinds of scientific facts cannot be said about those who are the creator of folklore not only by the class, but by the work of the people. Until the recognition of the classes, folklore will be used by the creative clan and tribe, the collective, who will become. We will see folklore in the main formulated in a bitter suspension. Folklore has become overwhelmed by the creativity of the labor part of the population - peasants, workers, robots. From what has been said, it is clear that the Zmist of folklore, of its outer genres and creatures, is to become the life of the people, of its svitobachennya, look at the moral-ethical, social-historical, political, philosophical and artistic-aesthetic Radishchev bachiv at the Russian folk songs "I will sanctify the soul of our people" (Radishchev AN Izbr. Soch. M., 1952, p. 63). Behind Herzen's vluchny vislov, in the folk songs they took away their yaskravny twisting "all the poetic cob that fumbled in the souls of the words of the peoples." Gorky meaning that "by giving and ordering to shape the entire life of the socially-historical message of the working people". Yaskrave freedom and artistry of folklore. Folklore is not just an ideological glybin, but rather high artistic qualities. The artistic system of Russian folklore by Velmi is svoridna. The new genre has become a special form of the creation - bilina, kazka, prisliv'ya, pisnya. Deyakі from them є і in literature, ale the stench came here from folk art, as a genre of the novel, for example, of developments in the literature itself. The insinuations of folklore creatures fall on the one who stinks not on the book, Literary Movies And on a living, rosy folk language, I have my own vocabulary and sound rice, including the voices that come from the masses. Russian writers and critics, who highly appreciated the artistic quality of Russian folklore, used to show the great talent of the Russian people in their poetical creativity. Gorky said: "Our people in a part of their creative work are even more talented people ... Guess how wonderful it is to rob the guilt of a part." Speak about the specifics of folklore, pretend to mean the first for all the particularity of this social nature as a folk art, I point out those who live a life of folklore, and this day the day is to represent nature. Such a characteristic is valid for the quiet historical epochs, since the culture of the folk masters is very much protist of the culture of the panian classes - for example, for Russia in the 19th century. Characterizing the insight into folklore, talking about its artistic specificity, it is tied to the highest level of collectiveness of the creative process. Manifest concretely and in general to complete the view: the tradition of natural principles and artistic contributions(Unimportant on the significant role of empowerment), the variability of creations, at times a small amount of individual creativity of professionals, etc. Such special features are the most important, if only occasionally, for example, village folklore of the 19th century. with the professionalism of the new hour. The particularity of folklore is important to rightly work in the fact that the main thing is that the word is falling asleep (often in the picture). It is impossible not to wait with the thought of N.I. Kravtsov, and S.G. Lazutina, but on the view of literature - individual creativity of writers - folklore є collective creativity. However, tse does not mean, but in a new meaning there is no individual beginning. In the singing genres and in the historical period individually, the ear shows itself to finish in a similar way, but it doesn’t seem to be in its own way with a collective beginning. Folklore Vinik in Glybok_y Staroviní yak masove collective creativity. The earliest forms of folklore were seen by the team, but in them there was a panuval of the collectiveness of the folding and presentation of the works. Creative specialty at that time, I saw little from the collective. More and more the role is being repaired by some of the talanovites, who, in their creativity, listened to the declaration and look at the clan or the tribe, and then at the people. Create can be created both in a collective (chorus, in a group of individuals), and by other persons - spyvaks and kazkars. Traditions in folklore і for іх character, and behind forms I will show more significance, less in literature. The tradition in the folk poetry of creativity revolves in the form of the singing of the verbal text, for the character of the vikonannya, the transmission of creations, as a rule, without significant changes in the stories of the heroes of the heroes wandering around... Tradition, as and collective creativity, power is not only verbal folklore... Vaughn is in power and the other species folk art- music, dances, ribbons, vishivkas. However, the great strength in folklore does not even mean that one should not be afraid of any changes. The specifics of folklore in that and the field, but in the new, within the framework of the outward style, one can see it all the time, without interruption, and it doesn’t mean anything.

Possibly zmіnyuvatisya genre warehouse of folklore.

You can create new things and overwhelm them.

You can change the elements of poetry.

The whole artistic system of folklore can change quite often.

The reason for the change in folklore is not only socially-historical, but natural officials. Create folklore in a live binge without interruption. And it’s not easy to live in an impossibility for an hour.

Variety - obov'yazkova mark of folklore creations. In a live pobutuvannya stench іsnuyut only in specific options. If there is no sense of the options for the creation, then there is no sense of emotion in the one that is alive, in the people. And tvir, which is not found among the people, cannot be brought to folklore. The stage of awareness of two or decilkoh options in folklore can be different.

Options can be perceived as a substitute for words close to the meaning.

Options can be seen for zmist.

Options can be seen behind the level of savings (new text for any speed).

Variants of folklore creations add to the intelligence of the senses and cause quiet changes that occur in folklore.

Hiding on the author's thought, it is impossible not to wait, but the poetry of the people is asleep, representing great suspenseful value, like a polyagus in its cognitive, ideological-wicked and natural meanings, as it is unreasonably intertwined. The more significant folklore is manifested in the forefront of the fact that it is in the imagination of the special features of real life and there is great knowledge about the history of suspicious things, pratsi and pobut, as well as the revelation about the vision and the nature of the psychology It is ideally-vikhovna meaning to the folklore of the polarity in the fact that you create beautiful ideas with high progressive ideas, love to father, praign to the world. aesthetically significant The folklore creations of the Pole in the fact that the stench is the miraculous mystery of the word, is perceived by the great poetry of the world, which is known both in their motives, in the roots of images, and in the movement.

Authors grab an important moment about those who science about folklore - folklore - vivchaє sleep folk creativity, verbal mystery of folk masses. Vaughn put і virіshu more important than the number of important food: about the special features of folklore - th living wisdom, social nature, ideological day, artistic freedom; about yogo pozvitennya, development, freedom on new stages of development; about yogo staging to literary and other types of art; about the special features of the creative process in new and new forms of embracing the surroundings of the creatures; about the specifics of genres: kazok, pisen, prisliv and in .. Balandin A. N., and Gatsak V. M. talked about those who, in front of Radianskoy folklore studies, the need to expand the development of popular creativity, the first for all these parties yaku is called poetics. And since the most important principle of the Marxist-Leninist prelude to the manifestations of spiritual culture, to which there should be folklore, is history, it is astonishing, how the development of poets is historical, it seems to be more accurate. Folklore, which is known for the great style, the tradition of the genre, the plot and the motives, the types of characters and the style of experiencing glimpses: in a new period of time, there is a growing process of rose and fall. The creativity of the numerical peoples of the Radiansky Union є a wealth of material for the development of the development of folklore in the development of the development of folklore, including the development of the evolution of the European Union, including the historical poetics, and, moreover, in a broad historical context. The allied and autonomous republics see the crypt of folklore. To complete the selection of the works of the folk poetry of the genres of genres. Radianskiy nautsi to establish the merit of the Visunenny and the ear of the Fruitful Vyvchennya historical poetics folklore, rozrobki її systems.

It is impossible not to see the words of M.N. Melnikova. about childish folklore. Vaughn talk about those scho, the mental development of a child in a preschool child's life, to complete the report. Protect dynamic development mental processes(Take, remember, mislead, uyava), the understanding of the main types of activity (gra) is even more important. Do not wait for the wines and hunt for an hour from the other side zahalny process Ale, with the introduction of methods for the development of children, it is necessary to create a national artistic creativity. The child's knowledge of all-growing and quickening of cognitive activity, the order from the day-to-day of systematic development of the systematic practice, gives rise to a certain form of activity - role-playing, creative work all the way for real psycho development Consume: a cognitive need, a demand in spilkuvanni and a need in a practical activity. Children of the senior preschool age, from 3-4 to 5-6 years, they already have elements of confidence in the management of their educational processes. At the same time, the part of the child's life is also characterized by dominance of mimic cognitive processes, and the very process of spiraling a child, learns navkolishn_y light... That is, children of the senior age from those who are up to six years, may also have such a possibility, so that you can help yourself to appreciate the specialties, even in the adjacent boundaries, the chief rank of the authorities is the differences of the specialties and the special behavior of the times. older people. The preschool child will learn socialization of educational functions, which includes verbalization ( mobile development it is closely linked with the development of all processes), confidence (the child starts to independently regulate the educational processes) and early development (the development of educational processes through victorious signs, signs). Growing up uyava, and a child to chotiroh rock, can also be described in verbal form to describe the image of objects and create them into a baby. Children listen more and more to the music, to the music, to quickly remember the melody, to get older. The stench of the satisfaction of rocking the rhythm of the roach, which reflects the character of the music (dance, marching, walking), it is easy to roar the roach. Up to five years, children continue to develop aesthetic feeling, they have a chance to survive the snake, to convey the beauty of the color in the little ones, in the appliqués of the ready-made forms of the vernacular. Up to six rockets will take on a bigger character: children can look at the image or an object, beastly respecting those details, which are ordered by the hacker. At the same time, creative ideas develop, children can work awkward igras - self-boxes from a color paper, corks, cones. Children are promoting the development of musical health, creative activity, the stench of anthropomorphic music, and empowering dancers. We will understand, understand, and analyze. The new one sees a lot of things - caution, discernment, joke. The reception in the whole trip can be specially organized, so that you can take a shortcut. Myslennya is characterized by the transition from the point-and-point to the point-like one. Doshkilnik figuratively misinterpret, not having grown up to the maturity of the logic of mirkuvan. Unimportant to the freedom of the child's logic, the preschool children can correctly achieve and achieve the folding skills. Memory in preschool age becomes dominant function. Ditin should not put before himself the idea of ​​memorizing, or guessing and not volodying in special ways to memorize. Mimovoli will memorize the material, which is a wikipedia emotional vidguk. The process of recruiting the memory and making it happen is randomly generated. Ditina is included in new types of performances and new systems of ideas, as soon as new motives appear. The stench is tied with unformed self-esteem, self-esteem, - motives for achieving success, deception, supernaturalness, motives, tied with moral norms at all times. The emergence of new motives and the mechanism of the ordering of motives means the folding of the motivational sphere of the child, one sees the styles, dominant, which volodynuyu power and significant for the given child's motives. Children should be chuiny to a different word. The stench of vikoristovuyut at your promovі іkreі figurative wislovi, suspicion of folklore, remembering and happy reading the secrets, guessing riddles. Vikoristannya in robots with preschool children of all kinds of folk artistic creativity revives the pedagogical process, giving a special infusion to the vikhovannya of emotional feelings. Children should know first and foremost with those orders. The people have opened a short virazi, like a visceral line, vykhvalyayut modesty, smilivist. I will explain myself, if it’s a matter of pre-rite vicorists to send and order. Tse zbagachu lives to the children of preschool wіk. The principles of organizing the robotics of children of preschool age befit to be busy, you can actively show yourself, show results, material tsikavii, but at the same time it is important to change, if you don’t know. To that on the busyness, the activity, the keenness of the child can be shown for the mind, so that the nutritional information about the profession is correct: Most children can think through the material, allowing the children to live their lives for an hour, so that the visitor needs to know how to do it and the motive. Children have vibrations of interest. It is necessary for this to be thoroughly learned and remembered by the child, and to tighten his respect until he has not mastered it. V.A. Sukhomlinsky having respected, in the little fingers of the child's fingers, the turns are creative healthі obdaruvan, what a child is tim rsumnіsha, what is more meisternostі in a childish rutsі. Handcrafted little child of 5-7 years є one of the components of this aesthetic performance and the development of folk art. The basis is the principle of the artistic concept of decorative and applied art. The theory of fun design for children and the practice of childish hand-made artistic creativity demonstrates a wide range of productive activities that children can want. It’s a great time to remember it’s great hour, we’re zesty right, and it’s by ourselves that we grow up to be beautiful, we’re gusto folk traditions, Before the folk art. The dedication of the child to folk art took shape in centuries. The formulation of reimagining tips is tied to the preparation of the necessary and brown bit-by-word speeches. Dіyalnіst children s with other materials v folk pedagogues It was classified as an offensive rank: processing a lion, outside, making yarn and weaving, cutting on wood, stone, knots, and making metal robots with clay for making ceramic robots. A high artistic level of creative mastering of all available forms of material in a day-to-day mystery, allowing for more and more contemporary artistic creativity to be seen as a necessary element of a moral, rosy, natural spirit of children. Dearly, the guilt was not only the formulation of the little girl's tips, but the step-by-step expansion of the popular artistic creativity, based on the understanding of the correct motives in practice. It is important for the child to develop the building in advance to transfer the results and their actions, to plan for the last day of their visits, to creatively re-create their reports. Psychologist A.V. Zaporozhets wrote that the state of mind is beautifully rose and the heart of the art is better to develop, if the child is actively creating artistic images in her mind when she takes the creations of folk artistic creativity, one hour at once in the free Artistic creativity of children is an element of harmonious development of folk artistic creativity - a whole and stringy light of a special patronage of the people to the new life, to their work and to the pobut. Look at the sight, the historical situation and socially think the life of the people, their misery, the feeling, the character, the substitution of promoting and imagining the reality and beauty in nature and suspenseful life. Folk art creativity is a re-creation of creativity, that is, it is an artistic change in the field of material middle-class. it is necessary to make speeches in such a way that the stench was pleasing with its beauty. To this, creativity goes beyond two steps: figurative re-creation of action and decorative re-creation. Folk art creativity is mintly shaped by tradition in its own development. Fair clever, master of your own, create masterpieces on the basis of traditional canons folk culture, Yakims do not write one generation. Folk art creativity, saving rice from the far capital, bringing in the modern beauty of the past. Folk vishivka, weaving, writing on wood to avenge imaginative elements that were picked up by the viconious and passed from generation to generation, similar to Kazakhs, pictures. To children of preschool age, to bring great satisfaction with pratsyuvati farbs or other materials at once with grown up or with them. Child creativity Volodya is a special child of art. Those who have grown-up robots roznuvalosya as unbearable or lack of equanimity, can come to visit a childish mystery. As it was said earlier, the children of five rock are of great interest to the very old ones, the need to share the same fate with the elders in the viconan's labor, creative processes. The childishness is more straightforward, and I respect more style. The organization of all kinds of prats is of great importance. Only with good organization the child sees joy. By the order of the day senior group it takes an hour to get busy. It was learned that the children grow up the possibilities of mastering the knowledge of the cob, min, navichok, pragnennya to the collective to borrow. Every day you organize yourself to be busy with 25 hilines for a 10-hiline break between busy ones. Navichki children, scho supplement sprymati methods. During the last few days of the day young vik... It is always due to the character of the iconic buildings in the new towns and cities. different kind: Based on the nature, in the course of which knowledge is formed about the power and qualities of objects and phenomena (size, structure, shape, color), as well as about the links of the object, so that the in the course labor activity in the subject, growth, development of roslin and tvarin, seasonal changes in nature, pratsi, and beat people). The whole kind of caution is given knowledge about the processes, about the creation of a new light in the dynamism, due to the reproductive character, if the camp of the object appears behind some of the signs, for a part - the picture of the whole phenomenon (so, behind the edge of the berry, I will The designation of the type of caution is not only based on the nature of the cognitive buildings, but rather on the basis of its structure: the process of avoiding sensory and intellectual intellectual processes, without a central Naybilsh wide sensory basis is presented in a cautious design character. Tsey kind of wary of vikoristovuyutsya at all in groups both when familiarizing with new objects for children using the formulation of the first manifestations, as well as for clarifying and expanding the already formed ones. In hodі rozpіznaє sposterezhennya formuyutsya i osnovnі vmіnnya sposterіgati: priymati zavdannya zoseredzhuvati spriynyattya on sposterezhuvanomu ob'єktі vikoristovuvati obslіdnitskі i poshukovі dії Givet spіlkuvannya, bezposerednє oznayomlennya in hodі sposterezhennya of Zhittya viklikaє іnteres to navkolishnogo, rozumovu m emotsіynu aktivnіst. Keeping an eye on the redevelopment of objects, change and growth and development in order to make more foldable rosy actions: the installation of the given camp from the front. And the price is tied to the manifestation of the earlier formed phenomenon and in the context of the mobile process, the process of making up on the basis of the memory manifestation, mind, seeing the middle of the development is a sign of the one that is aware of the memory. Caution of the reproductive mind to build on the basis of the child's obvious knowledge in the form of specific manifestations about objects or appearances. Making an image of an object on the basis of an interconnected number is a sign of active engagement and active activity. The word "grown-up" and "children" enter the warehouse of a scientific and practical method. However, in the world, the development of a verbal and logical message among children, the accumulation of knowledge about the objects of the new world of verbal methods, the new methods of developing the character of independent methods. The meaning of the field is in the fact that the stench will prevent the passage of children in the process of knowing beyond the middle of the distance, which significantly expands the versatility of the knowledge of light. Also, you will be able to transfer the knowledge to bolsh high r_ven zagalnennya, їх systematization. The verbal creativity of the child is manifested in the knowledge of words, the words and verbal expressions, the most accurate representation of the specificity of the images, pictures, appearances that have become in the child's witness; The image is a manifestation, which was laid on the basis of the past, not є, at the same hour, exact repetitions, a copy of the poor, respected, experienced by the child. This is the result of the dyyalnost іyavа, direct to the revision of the past to the notice in the new days. The verbal creativity of children can be rotated in different forms: in word-creation (in the university sense), to the point of new words, neologisms in the creation of revolutions in the creation of power reports and kazoks, in creative transfers. One of the factors, which is to start the development of the verbal creativity of children, to become aware of the influx of folk artistic creativity. In a nutshell: folk art creativity has been infused into the specialness of the child, the form of artistic health, mental power, necessary for such a folding process, like verbal creativity. On a friend: folk art creativity is infused into the verbal without a precession, to the artist child, developing a figurative language, viznacha mode and style, to live with its own material, yes, in a clever way, in a way to induce development. For the mobile style of the Kazka, it is more characteristic of the viraz of dyuvosti, lower quality: from the parts of the language, the words are widely victorious, the prikmetniks develop more. Specificity of artists folklore for children, in accordance with the peculiarities of the child's spirits and psyche. Spend one hour pouring into the rose, feeling and seeing children, spontaneously exchanging enemies. We will develop children by the method, we will direct them to the thorough knowledge and growth of the minds of their children. Reading allows you to virishity a number of buildings: expand, zbagachuvati knowledge of children about navkolishny, formvati the healthiness of children to the reception and intelligence of artistic creativity to the people, and in the other literary works... Practical part Transfer of craft skills from generation to generation, the creative process of preparing virobes from the core of the older generation, the consolidation of positive emotions, the development to the development and development of the specificity of the national creativity The understanding of the decline, the tradition in the new artistic creativity is little and more important. We will appreciate that product of pratsi, which accumulates not only individual creativity, but rather slow admission in front of generations, acquired in the process of practical activities. An important moment in the words of Kostyukhin E.A. The history of modern Russian folklore is reclaimed from the history of the law in 1861. Classical Russian folklore with a patriarchal way of dressing. The era of capitalism introduced into the Russian life of the pre-basic changes, reviving the patriarchal everyday life, reworking the way of life, the forms of the national dozvilla. Yduchi in the past the people are saint, they led a round dance, vlashtovuvali іgry and fun, in which they took the part of the tsіlі vulitsі.

Old, traditional forms of folklore are no longer conveyed to new living minds. The folklore tradition has been evolving to the end of the century. Vidmira is an old genre system. Professional mystery comes to the change of folklore. Already in the 1920s, the rock of folklore came to mean, in the working middle of the "old poetry svit vikorneno", behind the vislov of A. M. Smirnov-Kutachevsky. Folklore Ide on the periphery of spiritual culture. Spiritual drink to the people, they are not satisfied let's sleep creativity, A book.

New folklore traditions are being developed with a strong influx of literature. Get an expanded copyright creation. Traditions of folkloristic criteria often cease to be "pratsyuvati": the creativity of the people grows faster, more and more lively folklore, less old folklore - it is imperceptibly nearer to literature.